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The grand finale choreographed by Melissa Hill - Kelly Moritz, Louise Durrans, Jo McDonald. Photo by Robert Mikulandura
Möve am Strand von Binimel, Menorca mit
Nikon AF-S DX 18-105 F/3.5-5.6 VR
105mm, F/5.6, 1/1600, ISO 280, 0.3 EV
Crop: 2400x1600 (3:2)
We moved the loader into place with the fork touching the end of a tie to hold it in place. Set a plate where it would belong in oder to center the entire set on the ties and drove a spike in far enough to hold the plate. We moved the rail to where it belonged and then with two of us holding onto the rail the third person drove two spikes home. We affixed one end and then moved to the other end. By then we had worked out some tools to use. First we established a center line to follow. That was done by nailing a string in place down the center of the ties. Next I built two jigs or templates that would fit inside the rails at exactly the proper width. We also marked a center line on each jig so when it was in place the entire rig could be moved left or right for centering pruposes. Finally, we used a come a long attached under the rails to hold them against the jig while spikes were driven in to hold them at the proper guage.
Typical impatient Audi driver came a cropper just up the road. His hand was on his horn most of the time as he had caught the Capri up at this point. Stage 1 Meall Mor south of Inverness.
acrylic then photoshop illustrating a poem by Mark Strand.
abridged: Wherever I am, I am what is missing. We all move for a reason. I move to keep things whole.
For move and stop i wanted to create something slightly different. I wanted to find natural movement of something that might not normally catch your eye and make it look special.So for this photo i knelt on the ground under a tree on a bright, slightly windy day and wanted to capture the light shining through whilst capturing the motion of the leaves in the breeze. To achieve this i used quite a slow shutter speed ( 1/10 ) to capture the slight movement of the leaves. It took me a few tries to get the shutter speed slow enough to show the movement but without making it so blurry that it became unrecognisable and also so that it was not so overexposed that it became too bright. There was a lot of natural light so i used a low ISO setting of 160. I used an aperture of F/11 to get quite a large depth of field without making it so great that it blurs out too much of the background and takes away from the desired affect.
The Christchurch Library is on its way down! May 30, 2013, Christchurch New Zealand.
I had a really bad bug at the moment and not feeling at all well... but I did get some good news. ACC is going to cover the cost of my surgery on my knee and the operation is booked for July 12.
Latest news on the Art Centre: www.stuff.co.nz/the-press/news/christchurch-earthquake-20...
All Info on Christchurch Earthquakes; en.wikipedia.org/wiki/2011_Christchurch_earthquake
This is picture from move to Ky to work @ Geek Squad City
This is a set from my move to GSC in June 2009
If you thought the sidewalk looked crowded on Saturday morning, you should have seen the upstairs level. They started lining people up here like livestock in order to make room on the street.
I climbed up to the second level and walked past all these people, thinking this was the line for Masquerade tickets or something. Only to find out this was the entrance line, and I had to go back to the end. Fortunately I found my booth-mate about halfway back, and I jumped in line with him.
Tony White of Linn, Missouri, was using his head while moving a large seat cushion into his room in the Abel Sandoz Residence Hall complex. Thursday was the first of two days for students moving into the residence halls at the University of Nebraska-Lincoln. Photo by Craig Chandler / University Communications
MOVE: The Transportation Expo is a multi-sensory tour of the past, present and future of transportation; an exploration of the innovative ideas and technologies needed to build and connect our communities in efficient and sustainable ways. Set amid the heritage Kilns building of Evergreen Brick Works. Curated by Institute without Boundaries, a Toronto-based studio that works towards collaborative design action and seeks to achieve social, ecological and economic innovation.