View allAll Photos Tagged MotionGraphics
Building up a landscape.
The 3D is 'fake' in the sense that this is all made in After Effects, no 3D software has been used.
Suggestions, comments and improvements welcome!
This is a really short clip as I was testing out some typography motion graphics to Dj Shadow's Entroducing track. No tutorials followed, took ages for this tiny portion. Still getting to grips with AE.
Still from 3D animated video 'F i r e C a s t C l u b'
directed and produced by V5MT,
with music track by ☯3CPV₮Σ☯
Released August 2014.
Vray For Maya 2.0 Try-out project. Check the complete animation on www.mules.be
Modeling in Modo & Maya. Animation, dynamics and rendering in Maya.
vimeo.com/scottgeersen/twtwb-titles
Title Sequence: Concept, Pitch, Boards, Design, Direction, Animation, Compositing, Project Management.
This Australian film by Director Stuart Beattie is an adaptation of John Marsden’s classic first novel of the “Tomorrow” series, which has been translated into 7 languages and captured the imaginations of teenagers across the globe.
Following on from a successful titles pitch (work.scottgeersen.com/twtwb-titles-pitch) to director Stuart Beattie and EP Andrew Mason, I designed and directed the main-on-end title sequence for the film, leading a team of in-house and freelance artists, as well as undertaking much of the animation and compositing work myself.
My brief, partly self-initiated and partly from the director and EP, was to represent scenes pivotal to both plot and characters in an accelerated journey that was as forceful, aggressive, and stirring as possible.
To do so, a highly stylised, almost painterly approach was chosen, referencing visual cues very familiar to teen audiences – graphic novels, comics, silhouettes, illustrations. The most striking moments from the film were reduced and broken down into iconic representations, giving them much greater emotional resonance.
Subtle use of 3D space and perspective injects depth and tension, and frames are vividly depicted in the rich orange, brown, and gold tones of the Australian summer – a palette that is simultaneously vibrant and dangerous, suggestive of idyllic bush sunsets and fiery explosions. Search- and flood-lights, explosions, and gun flashes impart sharp details to the silhouetted forms, at once highlighting and simplifying specific features of each scene.
Process:
Once production began with a team of 5 (including myself), we had only 3 weeks to produce more than 90 seconds of 2K motion graphics and 3D, mostly from scratch. While I had pitched my own visual interpretations of narrative events, Stuart was very keen to more closely represent actual shots from the film – including key images of characters. This was a tricky process, as I never managed to see a cut of the film before the cinema release! While perhaps an unusual situation for a titles designer to be in, I was helped along by the film’s editor Marcus D’Arcy, and an intimate knowledge of original novel. In the end, about 50% of shots came from my original pitch, and my team and I created additional styleframes as Stuart relayed his ideas.
To complete the project, I enlisted the help of several freelancers. Daniel Balzer was our 3D artist, working in Cinema 4D. Morten Rowley provided additional 3D in Maya, and Daniel Bavell provided painted/illustrated elements. Designer Jess Morgan set up the opening title cards and logo as well as comping the final shot of the sequence.
Credits:
Titles Director: Scott Geersen
Art Direction: Scott Geersen
Design/Animation/Compositing: Scott Geersen, Daniel Bavell, Daniel Balzer, Morten Rowley, Jess Morgan
3D: Daniel Balzer, Morten Rowley
Lab Producers: Prue Fletcher, Jayne Herrmann
all after effects, no 3d was harmed in the making of this short. Stu came up with this crazy expression using markers, chris put the whole thing together, we all did some marker madness and I stole their wallets while they weren't looking ......also did the doodles
I seem to be doing a lot of silly stuff these days. And one of those is making little videos out of my old powerpoint presentations using proshow. Awesome transitions. And totally mindless busy work. Exactly what is needed sometimes.
www.behance.net/gallery/The-Bridge-ProjectPresentation/73...
Meu Reel saiu na seção Output da edição 177 da Computer Arts - United Kingdom.
Nesta edição tem uma matéria legal sobre talentos brasileiros!
neste reel estão incluido trabalhos feitos em parceria com: Moleculagem, 6D, ComDominio Filmes, EstudiosMega , Experimentais, e muito mais.
music extracted from Niteshot Sessions Pablo Ribeiro (drums), Guila (Bass), Fabrício Belo (Keyboards)
obrigado Jeremy Ford, por ter "achado" meu reel e ter me convidado a participar da revista.
My Reel 2010 in section Output of Computer Arts - United Kingdom - issue 177.
This edition has a cooll article about Brazilian talent!
Included in this reel work done in partnership with: Moleculagem, 6D, ComDomínio Movies, EstudiosMega, experimental, and more.
music extracted from Niteshot Sessions Pablo Ribeiro (drums), Guila (Bass), Fabrício Belo (Keyboards)
Thanks Jeremy Ford, for having "found" my reel and inviting me to participate in the magazine.
This is compilation of my work as a motion designer, hope you enjoy it. Feel free to leave any comment.
Snapshot from Motion Graphics made for Audego's 2nd album. More info and video here: www.skynoise.net/projects/audego-motion-graphics-2/
Stock Virtual Studio sets for Chromakey, Royalty Free Animated Video and Green Screen Backgrounds for Professional Video Editors.
Seamless, Looping, Animated, High definition video in Quicktime format and compatible with most of the popular video editing software - Adobe After Effects, Adobe Premiere Pro, Avid DS, Grass Valley Edius, Apple Final Cut Pro, Sony Vegas Pro, etc
Vray For Maya 2.0 Try-out project. Check the complete animation on www.mules.be
Modeling in Modo & Maya. Animation, dynamics and rendering in Maya.
Vray For Maya 2.0 Try-out project. Check the complete animation on www.mules.be
Modeling in Modo & Maya. Animation, dynamics and rendering in Maya.
Creating Usability with Motion: 12 Principles of UX in Motion. Led by prototyping and motion usability expert Issara Willenskomer the 3 hour workshop introduced participants to the concepts and use of motion in usability. Afterwards we were encouraged to critique and discuss how these principals are found in popular motion examples. Issara’s energy, expertise and dedication to the topic made for a fun and enlightening evening. I highly recommend anyone interested in doing better motion for products to sign up for his workshop.
Seasons is a surreal motion graphics animation based on the changing seasons. Beginning with spring, the richly hued illustrations in this work come alive as they transform in color and rhythmic tempo to reveal the full seasonal spectrum.
Software: After Effects, Cinama 4D, Maya(Goldfish and Jellyfish)
Watch this video on Vimeo. Video created by Erica Haowei Hu.
Vídeo presentación para Minke (www.minke.es) proveedor creativo de servicios gráficos.
Vídeo: vimeo.com/57549830
Seamless, Looping Animated Virtual Set Studio of a News Room. High definition video in Quicktime format and compatible with most of the popular video editing software - Adobe After Effects, Adobe Premiere Pro, Avid DS, Grass Valley Edius, Apple Final Cut Pro, Sony Vegas Pro, etc
We can also modify these sets as a special order and also undertake custom orders for special requirements. Send us an email at redbombilstudio@gmail.com
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Client : Cybo (www.djcybo.com)
Role : Art Direction, Design, Animation, Compositing (www.emperador.fr)
Date : December 2011
Sound : Cybo 'Sky Walkers'
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The dream ..
Many try to remember, others are marked, but he persists in the realm of the unconscious and all our experiences that shape us as human beings.
This is about escape, to give free rein once again to this part of our subconscious, that freedom which is one of the few that we have and we call 'imagination'.
The simplicity of things, emotions, feelings ..and more generally, of life.
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Le rêve..
Au final beaucoup essayent de se le rappeler, d'autres en sont marqués mais il persiste dans le domaine de l'inconscient et de toutes nos expériences qui nous façonnent en tant qu'être humain.
Il est ici question de s'évader de laisser libre cours une fois de plus a cette partie de notre inconscient cette liberté qui est l'une des rares à nous rester et que nous appelons 'imagination'.
La simplicité des choses, des émotions, des sentiments.. et plus généralement de la vie.
Watch this video on Vimeo. Video created by Pierre Emperador.
Interval - End of the first act (Shooting PREVIEW) - Valentina Marella Photography + Studio FUNK + Puà Lab
Esta animação representa as linhas duras, a grande movimentação e as cores que a cidade de São Paulo tem.
Eu amo SP.
This animation represents the hard lines, the great movimentation and the colors over the city São Paulo.
I love SP
Hey Guys! Do you Love This Animation?
Feel Free to reach out-
Email: pixlovemotion@gmail.com
Project: Social Media Ads.
Category: Food.
Used Software: Adobe After Effects
N.B - Available For Purchase.
Stock Virtual Studio sets for Chromakey, Royalty Free Animated Video and Green Screen Backgrounds for Professional Video Editors.
Seamless, Looping, Animated, High definition video in Quicktime format and compatible with most of the popular video editing software - Adobe After Effects, Adobe Premiere Pro, Avid DS, Grass Valley Edius, Apple Final Cut Pro, Sony Vegas Pro, etc
Kyle Cooper revolutionized film title sequences with such eye-popping wonders as Se7en, Mission Impossible and Spiderman, to name a few.
Some years back, Cooper and fellow associates left an agency to form their own agency, Imaginary Forces, which he then departed as it became too big for his liking. He claimed that his true intention was to work the craft of motion graphics—where he was closer to God.
Prologue Films is he new agency venture, and a fine example of their work is the special effects for Julie Taymor’s film “Across The Universe”.
Flickr video uploads can only be a maximum of :90, so the last :26 of this reel has been truncated.
I'm creating a folder of my creative inspirations to share with you