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With each and every post, we strive here at Creative Tempest to bring you only the best artists from around the world. This post comes to you from the great American state of New York, with our artist being none other than internationally known Creative Director, Gui Borchert. Chances are, if you’ve picked up a magazine in the passed few years, you’ve seen some of his ads for big names such as Coke, Dell, Nike and Puma. Gui has an incredible credentials list that includes speaking in conferences around the world, judging international competitions, having his work showcased at art galleries in places like Brazil and New York City, being internationally published in books and magazines, and winning a ton of awards just to top it all off. We’re happy to post such talent and vision here on Creative Tempest and hope you will share the same appreciation for great artwork that we do. Find out more info at www.creativetempest.com
Love national parks?
There's a holiday for that!
In 2023, the Bureau of Ocean Energy Management joined the National Park Service to celebrate all things “parks.”
To highlight the programs and partners that preserve natural and cultural heritage while providing recreational opportunities in places across the country—and even the world-we selected some of our favorite ocean, coastal and national seashores in the National Park System!
Using the 2023 #NationalParkWeek theme of #MyParkStory - we identified 9 parks that be believe embody connection, discovery, accomplishment, tradition, gratitude, ingenuity, inspiration, fun, and love. To capture the essence of these Parks, we launched never-before-seen National Park Tokens (NPTs).
Collect your favorites here! And make sure to share #YourParkStory ️
These are typgraphic studies that were part of a video presentation created for a client of Hatmaker (Corey McPherson Nash)
Design: Joanne Kaliontzis
VFS Digital Design's Appetizers Night is a chance for graduating students to showcase their favourite project to an industry audience on the lookout for hot young talent.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
A look around the strip in Las Vegas, Nevada in 1998, jazzed up. Music from Stockmusic.net. I thought this effect went really well with the footage and the music is fun for this too.
Con el fin de hacer conocida la marca en diversos aspectos comunicativos, propuse darle vida a todos aquellos diseños que nos parezcan interesantes para llevarlos a un nivel más allá del plano y la edición gráfica en movimiento.
Las decisiones de movimiento surgieron de las mismas piezas gráficas, es decir, lo que puedan remitir con su concepto, desde el género arcade, el romanticismo humorístico y el crecimiento ondulatorio con seguimiento de cámara.
Idea Original: Marco M.
Edición de video: Marco M.
Edición de sonido: Marco M.
mazzetti.marco@yahoo.com.ar
Para visualisar el video dirijase a
Stock Virtual Studio sets for Chromakey, Royalty Free Animated Video and Green Screen Backgrounds for Professional Video Editors.
Seamless, Looping, Animated, High definition video in Quicktime format and compatible with most of the popular video editing software - Adobe After Effects, Adobe Premiere Pro, Avid DS, Grass Valley Edius, Apple Final Cut Pro, Sony Vegas Pro, etc
VFS Digital Design's Appetizers Night is a chance for graduating students to showcase their favourite project to an industry audience on the lookout for hot young talent.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
///A Film directed and animated by MUSCLEBEAVER///
MSLBVR 2008 (c)
This animation we did was planned and animated for the prologue of a documentary.
(That explains the absurd, unfinished seeming, ending.That is where the actual documentary starts.... )
The briefing was to show an evolution of computer games.
The documentary itself is about different people, based here in germany, showing their everyday life, and their addiction to the same specific, famous MMORPG (massive multiplayer online role playing game):"Wo.."
Every game character in this prologue was reinterpreted, redrawn (...one pixel at a time), and animated frame by frame.
Animation: www.musclebeaver.com
Sound by: www.nichtvonpappe-platten.de
This is a frame from a video. You can watch it on Vimeo.
A brief "more about us" video to highlight some of the firms work and capabilities.
Motion Graphics: Steve Hultgren
Script & Copy: Steve Hultgren
Editing: Steve Hultgren
Time: 4 days
Tools: MacPro Quad Core, Adobe After Effects, Particle Illusion & Final Cut Pro
VFS Digital Design's Appetizers Night is a chance for graduating students to showcase their favourite project to an industry audience on the lookout for hot young talent.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
VFS Digital Design's Appetizers Night is a chance for graduating students to showcase their favourite project to an industry audience on the lookout for hot young talent.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
CalArts School of Art faculty member Tom Bland teaching a motion graphics class in the mac lab
CIA-20071130-4824
Photo by Scott Groller
© CalArts 2007
Hey Guys! Do you Love This Animation?
Feel Free to reach out- Email: pixlovemotion@gmail.com
Project: Clean Minimal Logo Animation.
Category: Media. Used
Software: Adobe After Effects.
N.B - Available For Purchase.
Motion Graphics Festival 2009
New Motion + New Sound + New Code
Washington DC :: Nov 18-22
www.MGFest.com/09/WashingtonDC/
The DC Motion Graphics Festival showcases explosive artists and motion picture creators including: Shepard Fairey, Nine Inch Nails, David Byrne, Chuck D of Public Enemy, KRS-One, Addictive TV, Digital Kitchen, The Mill, Passion Pictures, Animal Logic, Post Panic, Dvein, David Lobser and more.
MGFest presents a series of audio visual art happenings featuring live performances by: Ghostly's Matthew Dear aka Audion who recently wrapped up a European tour, the multi-talented composer and instrumentalist Benn Jordan widely known as The Flashbulb, and lightrhythm visuals sought after sketch projectionist Shantell Martin from Tokyo, plus many more surprises TBA with nightly eye-opening events.
MGFest hosts workshops and lectures about the shift in motion-picture audiences and explores the new technologies that motion designers will need on the video internet frontier. Motion design, sound design and interactivity, are all featured during November 18th through 22nd, with daytime workshops featuring amazing instructors such as: Richard Harrington and Nick Campbell at Future Media Concepts and Sterling Ledet training facilities.
MGFest Sponsors include: MGFest Sponsors include: Maxon, Netdiver, SXSW, IdN, Stash DVD Magazine, Future Media Concepts, Lumen Eclipse, Sterling Ledet, 88DC, RE:Vision Effects, DC Commission on the Arts and Humanities, RHED Pixel, DC Office of Motion Picture & Television Development, Pond5, Letelier Theater, Pinkline Project, Create Digital Motion, Livid Instruments, All City Technology, UnScene, DigiEffects, Resolume, Lift Motion Design, GarageCUBE, Boris FX, VidVox, Toolfarm, Ableton, Michael Wiese Productions, fxphd, Wondertouch, and Clif Bar.
Silent Auction for over $30,000 in software, DVDs and training materials.
.: Motion Graphics Festival :: www.MGFest.com
vimeo.com/scottgeersen/twtwb-titles
Title Sequence: Concept, Pitch, Boards, Design, Direction, Animation, Compositing, Project Management.
This Australian film by Director Stuart Beattie is an adaptation of John Marsden’s classic first novel of the “Tomorrow” series, which has been translated into 7 languages and captured the imaginations of teenagers across the globe.
Following on from a successful titles pitch (work.scottgeersen.com/twtwb-titles-pitch) to director Stuart Beattie and EP Andrew Mason, I designed and directed the main-on-end title sequence for the film, leading a team of in-house and freelance artists, as well as undertaking much of the animation and compositing work myself.
My brief, partly self-initiated and partly from the director and EP, was to represent scenes pivotal to both plot and characters in an accelerated journey that was as forceful, aggressive, and stirring as possible.
To do so, a highly stylised, almost painterly approach was chosen, referencing visual cues very familiar to teen audiences – graphic novels, comics, silhouettes, illustrations. The most striking moments from the film were reduced and broken down into iconic representations, giving them much greater emotional resonance.
Subtle use of 3D space and perspective injects depth and tension, and frames are vividly depicted in the rich orange, brown, and gold tones of the Australian summer – a palette that is simultaneously vibrant and dangerous, suggestive of idyllic bush sunsets and fiery explosions. Search- and flood-lights, explosions, and gun flashes impart sharp details to the silhouetted forms, at once highlighting and simplifying specific features of each scene.
Process:
Once production began with a team of 5 (including myself), we had only 3 weeks to produce more than 90 seconds of 2K motion graphics and 3D, mostly from scratch. While I had pitched my own visual interpretations of narrative events, Stuart was very keen to more closely represent actual shots from the film – including key images of characters. This was a tricky process, as I never managed to see a cut of the film before the cinema release! While perhaps an unusual situation for a titles designer to be in, I was helped along by the film’s editor Marcus D’Arcy, and an intimate knowledge of original novel. In the end, about 50% of shots came from my original pitch, and my team and I created additional styleframes as Stuart relayed his ideas.
To complete the project, I enlisted the help of several freelancers. Daniel Balzer was our 3D artist, working in Cinema 4D. Morten Rowley provided additional 3D in Maya, and Daniel Bavell provided painted/illustrated elements. Designer Jess Morgan set up the opening title cards and logo as well as comping the final shot of the sequence.
Credits:
Titles Director: Scott Geersen
Art Direction: Scott Geersen
Design/Animation/Compositing: Scott Geersen, Daniel Bavell, Daniel Balzer, Morten Rowley, Jess Morgan
3D: Daniel Balzer, Morten Rowley
Lab Producers: Prue Fletcher, Jayne Herrmann
VFS Digital Design's Appetizers Night is a chance for graduating students to showcase their favourite project to an industry audience on the lookout for hot young talent.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
Based on an initial design by Lucas Nickerson, I designed and developed these in VIZRT. They were seen on ABC and ESPN during the 2009-10 NBA Season.
Official Musicvideo POLARFOX
TSAWORKS "WEIGHT OF GRAIN EP "
EP DOWNLOAD ->
tsaworks.com/weightofgrain
tsaworks.bandcamp.com/album/weight-of-grain
MUSIC / VIDEO
Tsaworks.com
I apologize. I'm the worst at uploading stuff. Ever. But I hope your holidays were/are the bees knees and rocked like Bon Jovi back in the day!
New Picture GIF animation, dance, dancing, girl, illustration, summer, motion, fireworks, sunglasses, animated gif, bikini, collage, motiongraphics, looping, cel, character animation, bathing suit, triplets, laborday, celanimation, emilieliu, motionwanderer, swimming suit, boldcolors via Giphy ift.tt/2vGKr9c
Animacion 3D en Cinema 4D postproduccion de imagen y sonido en After Effects.
Animacion 3D para cortometraje MORFO.
This is my first C4D project to support Coke's World Cup Football promotion. The Coke can and camera movement was created in C4D. It was then imported into After Effects, where my colleague Scott Bedford added the spray animation and other graphic elements to create two banners.
This was our first attempt at integrating C4D and After Effects. The music is "Wavin' Flag" by K'naan - Coca-Cola's promotional anthem for the 2010 FIFA World Cup.
Watch this video on Vimeo. Video created by Gossh.You can view all my works on my Portfolio.
VFS Digital Design's Appetizers Night is a chance for graduating students to showcase their favourite project to an industry audience on the lookout for hot young talent.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
8 SP students and a lecturer from the Diploma in Visual Effects and Motion Graphics went on an awesome storm-chasing trip in Tucson, Arizona, guided by reowned storm chaser Alister Chapman.
sound: SAINT PEPSI - Isaac Washington
Inspired by a cover of a video for Ross From Friends - Talk To Me You'll Understand (www.youtube.com/watch?v=8tKKNV5sXUs)