View allAll Photos Tagged Modigliani,

Not sure, but I think Jeanne Hebuterne was married to Amedeus, I think.

A visitor admires a painting by Amadeo Modigliani at the National Gallery of Art in Washington, DC.

Huile sur toile, 55 x 46 cm, 1915, Museum of Modern Art, New York.

 

Pour voir le tableau de Modigliani réalisé en 1916 :

www.flickr.com/photos/7208148@N02/49843007968/in/datepost...

Amadeo Modigliani 'Gaston Modot', 1918, Centre Georges Pompidou, Paris

The Metropolitan Museum of Art in New York City is one of the greatest museums in the world - I could spend several days in it. I had the chance to stop in NYC on the way back from Turkey in November 2008. The art is absolutely incredible - if you have the chance, go visit it!

Huile sur toile, 91 x 60 cm, 1918, museum of Art, Dallas.

Here's my second attempt at Modigliani. I did this with colored pencils.

I sketched out the lady with a regular graphite pencil and forgot that graphite smears! Ugh...

 

Amedeo Modigliani.

1884-1920.

Ítalía.

1916.

Jacques and Berthe Lipchitz.

Olía á striga.

Expressionismi.

Art Institute Chicago.

Kristján Guðmundsson maí 2009.

1918,

Huile sur toile,

54 x 43 cm,

Musée des Beaux-Arts, Nancy

Amedeo Modigliani – Portrait de Leopold Zborowski

Amadeo Modigliani 'Elvire Resting at a Table' 1919, St. Louis Museum of Art, St. Louis Missouri

When Amedeo Modigliani moved from Italy to Paris in 1906, the leading artists of the avant-garde were exploring the forms and construction of “primitive” objects. Inspired by Paul Gauguin’s directly carved sculptures, Constantin Brancusi, André Derain, Henri Matisse, and Pablo Picasso began to make archaizing stone and wood sculptures. Brancusi, with whom Modigliani developed a close friendship, exerted a strong influence on the Italian; this is particularly obvious in his attempts at carving between the years 1909 and 1915, when he made idol-like heads and caryatids with monumental and simplified forms.

 

Modigliani’s sculptural concerns were translated into paint in Jeanne Hébuterne with Yellow Sweater, in which he portrayed his young companion as a kind of fertility goddess. With her highly stylized narrow face and blank eyes she has the serene countenance of a deity, and the artist’s emphasis on massive hips and thighs mimics the focus of ancient sculptures that fetishize reproduction. Both this work and Nude, with their simplified, elongated oval faces, gracefully attenuated noses, and button mouths, suggest the artist’s interest in African masks.

 

Modigliani painted the human figure almost exclusively and created at least 26 reclining female nudes. Although the impact of Modernist practice on his art was great, he was also profoundly concerned with tradition; the poses of Nude and similar works echo precursors by Titian, Goya, and Velázquez. Nevertheless, Modigliani’s figures differ significantly in the level of raw sensuality they transmit. His nudes have often been considered lascivious, even pornographic, in part because they are depicted with body hair, but perhaps also due to the artist’s reputation for debauchery. His nickname, Modi, rhymes with the French word maudit (accursed), a name he very likely acquired because of his lifestyle. Modigliani died of tuberculosis and complications probably brought on by substance abuse and hard living. The tragic fact that Jeanne Hébuterne, pregnant with their second child, committed suicide the next day has only contributed to the infusion of romantic speculation concerning Modigliani’s work.

Amedeo Modigliani Italian, 1884-1920

 

Reclining Nude , c. 1919

Oil on canvas

Mrs. Simon Guggenheim Fund, 1950

 

From the placard: Museum of Modern Art

 

Modigliani Unmasked Exhibition, Jewish Museum, New York City, New York

Modigliani liked long necks, Matisse not so much.

Fundación Caja Madrid- Thyssen Modigliani Part II

Modigliani Unmasked Exhibition, Jewish Museum, New York City, New York

Modigliani Unmasked Exhibition, Jewish Museum, New York City, New York

(taken at an angle to minimize reflected light)

c. 1918-1919. Oli sobre tela. 60,9 x 46 cm. Museu Solomon R. Guggenheim, Nova York. 94.4482.

Modigliani Unmasked Exhibition, Jewish Museum, New York City, New York

Moma, New York, 2015

 

Only the street shots - thestreetzine.blogspot.com/v

1910 to 1920 - The artist studios of "La Ruche" in Montparnasse to Paris … Alexander Archipenko 1887-1964 (Ukrainian Sculptor) - Alfred Boucher 1850-1934 (French sculptor) - Antoine Bourdelle 1861-1929 (French sculptor) - Constantin Brancusi 1876-1957 (Romanian sculptor) - Marc Chagall 1887-1985 (Belarusian painter) - Jacques Chapiro 1887-1972 (Latvian painter) - Joseph Csaky 1888-1971 (Hungarian sculptor) - Jacob Epstein 1880-1959 (American sculptor) - Leonard Foujita (Fujita) 1886 -1968 (japanese painter) - Leon Indenbaum 1890-1981 (Belarusian sculptor) - Michel Kikoine 1892 1968 (Belarusian painter) - Moise Kisling 1891-1953 (Polish painter) - Pinchus Kremegne 1890-1981 (Belarusian painter) - Henri Laurens 1885-1954 (French sculptor) - Fernand Léger 1881-1955 (French painter) - Chaim Jacob Lipchitz 1881-1955 (Lithuanian sculptor) - Marevna 1892-1984 (Russian painter) - Oscar Miestchaninoff 1886-1956 (Belarusian sculptor) - Amedeo Modigliani 1884-1920 (italian painter) - Chana Orloff 1888-1968 (Ukrainian sculptor) - Diego Rivera 1886-1957 (Mexican painter) - Chaim Soutine 1893-1943 (Belarusian painter) - Joseph Tchaikov 1888-1979 (Ukrainian sculptor) - Ossip Zadkine 1890-1967 (Belarusian sculptor) …

Amadeo Modigliani (1884-1920) - Nude lying down, 1918-19 : detail

Amadeo Modigliani

Italian 1884 - 1920

Portrait of the artist's wife, Jeanne Hebuterne

1918 oil on canvas

Norton Simon

Modigliani met Jeanne Hebuterne in 1917. After his death in 1920, Jeanne committed suicide, she was nine months pregnant with their second child.

c. 1911-1912. Oli sobre paper sobre fusta. 47,9 x 82,8 cm. Nagoya City Art Museum, Nagoya.

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