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Model: Elizabeth
www.instagram.com/model_elizabethsumpter/
Photographer: Justin Bonaparte
Model Selin Bora Taken At An Expressions Glamour Club Photoshoot In New York City. Photo Taken Thursday May 2, 2019.
DSC8264
Sunday I did a model shoot for two models from the Riverside area. We shot at my studio and at a few outdoor locations around Palm Desert. I think it went pretty well, we got lots of great photos and had a fun time doing it. These guys were a couple of characters, lots of fun to work with.
© Allen Rockwell 2007 www.allenrockwellphoto.com
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Model: Victoria Bell
Photographer: Justin Bonaparte
No PS :
Director: Zeitek
D3s + 85 1.4 G @ 2.0
Workshop in Thu Duc
With : JetHuynh .Deven, Yanming, Zeitek, Kyo, Kenny, Rybub, IYa_H, Lụi, Cuopbien,...
Swimsuit Bikini Model Goddess!
Shot with a Canon 5D Mark II & 24-105 mm USM 4.0 Canon L Lens! I shot video at the same time as stills with the 9shooter--enjoy the video of the goddess!
www.youtube.com/watch?v=eXTDhbnmw10
All the best on your hero's journey!
Model: Victoria Bell
Photographer: Justin Bonaparte
portfolio shoot with model Kiana Woods in Bohuslän, Sweden
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in 1963, the CB&Q Havelock Shop built 300 XM4 boxcars, 47500-47799. The last 10 were built with Transco side sheathing.
I had often wondered how to go about building one of these unique cars until Kurt Kruse, as a great modeling gift (or perhaps as a mean trick) had sides 3D printed for this car.
It was still something of a challenge to build. In addition to the resin sides, it uses Branchline ends and roof, Accurail underframe, Plano roofwalk and brake platform, some DA freight car detail parts and a bunch of bits fabricated from styrene. Painted with Model Master insignia red and my galvanized mix. Decals came from a bunch of sets including Microscale and some Modeler's Choice leftovers.
Model: Polina
Backdrop: backdrops by gabriella
Photographer: Bram van Dal
1/160 F/2.2 160 Canon 5DmkIII Sigma 85mm
In this photo I have the lamp to the left of the model, where the model is just over the border where light transitions to shadow.
This gives the light the function of profile light, to emphasize the profile of her body and texture of the clothing and by turning her head towards the light, ensures that you see Rembrandts lighting in the face.
The red of the background and the dark blue hues of her dress ensure that the light parts form a contrast in the photo.
Model: Natalia Larioshina
Photographer: Justin Bonaparte