View allAll Photos Tagged Misunderstood
Yemen is a misunderstood country - the UNDP is there to help fight poverty not terrorism (video clip)
SLOW CHEETAH
Waking up dead, inside of my head
Would never, never do, there is no med
No medicine to take
I’ve had a chance to be insane
Asylum from the falling rain
I’ve had a chance to break
It’s so bad, it’s got to be good
Mysterious girl misunderstood
Dressed like a wedding cake
Any other day and I might play
A funeral march for Bonnie Bray
Why try and run away?
Slow cheetah come before my forest,
Look like it's on today
Slow cheetah come, it's so euphoric,
No matter what they say
I know a girl, she worked in a store
She knew not what her life was for
She barely knew her name
They tried to tell her she would never be
As happy as a girl in a magazine
She bought it with her pay
Slow cheetah come before my forest,
Look like it's on today
Slow cheetah come, it's so euphoric,
No matter what they say
Everyone has so much to say
They talk, talk, talk their lives away
Don’t even hesitate
Walking on down to the burial ground
It’s a very old dance with a merry old sound
Looks like its on today
Slow cheetah come before my forest,
Look like it's on today
Slow cheetah come, its' so euphoric,
No matter what they say
Slow cheetah come before my forest,
Look like it's on today
Slow cheetah come, it's so euphoric,
No matter what they say
Slow Cheetah---
By Red Hot Chili Peppers
I had previously misunderstood what this had been earlier.
I have recently learned that this is a cask of sake. Cask is a barrel-like container used for storing liquids. Sake is a Japanese alcoholic beverage which is made from fermented rice. It is sometimes referred to as "Rice wine", though unlike wine sake is produced from a similar brewing process like beer.
The Seattle eagle is a misunderstood creature. His mass destruction is due to his need to search out vermin (clay bennet and his legal team) to feed on. The Oklahoma city Mothra was sent to impede his progress. The ensuing battle of the two giants is expected to destroy more of the Emerald City.
Neshvaćeni izvođač glazbe. A misunderstood music artist. Kuća karikature Oto Reisinger, Pavla Radića 44A, 10000, Zagreb, Croatia The House Of Cartoons Oto Reisinger (4 October 1927 - 6 April 2016, Croatia) - Croatian cartoonist and caricaturist.
Groorit. How much for what? You know what? It’s alright. God gave me these mandibles and a flexible set of limbs for a reason. Not forking that kind of cash for what I am so capable of doing myself!
Pomegranate head image was a photo of a primitive pomegranate doll I made a few years back...using an actual dried pomegranate
"Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood. "
~from "Self-Reliance" by Ralph Waldo Emerson
Day 309
Meet Clark! Once you get to know this guy he will steal your heart! He has been misunderstood most of his life and is looking for that special someone who will take the time to love him as much as he will love you back. Clark was adopted out as a puppy by Much Love back in 2002. Unfortunately, it seems the owners did not properly understand how to care for him and raised him to be a sometimes nervous and anxious guy. Then after he was a part of their home for 8 years they dumped him back at Much Love! Can you imagine!? Clark is now in a foster home with two other dogs who love to play and wrestle with him. He gets along great in his foster home where there is love and consistency. He loves to play fetch, walks well on a leash, knows basic commands, and is a mellow guy who likes to lounge around with you nearby. Clark is not well suited for kids as they confuse him, but will do fantastic in a home with anyone who is willing to take the time to get to know him. Clark is a healthy black lab mix, 8ish years old, and about 60 pounds. He has been neutered, microchipped, and fully vaccinated.
It was my misunderstood about rolling film back after finish...because this is my first time with my new old pentax :P
Pentax Spotmatic sp - first time :)
smc Takumar 50/1.4
Kodak pro100
Brass Square and Compasses.
Masonic Square and Compasses:
The Square and Compasses (or, more correctly, a square and a set of compasses joined together) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons. Some Lodges and rituals explain these symbols as lessons in conduct: for example, Duncan's Masonic Monitor of 1866 explains them as: "The square, to square our actions; The compasses, to circumscribe and keep us within bounds with all mankind".
However, as Freemasonry is non-dogmatic, there is no general interpretation for these symbols (or any Masonic symbol) that is used by Freemasonry as a whole.
Square and Compasses:
Source: Mackey's Encyclopedia of Freemasonry
These two symbols have been so long and so universally combined — to teach us, as says an early instruction, "to square our actions and to keep them within due bounds," they are so seldom seen apart, but are so kept together, either as two Great Lights, or as a jewel worn once by the Master of the Lodge, now by the Past Master—that they have come at last to be recognized as the proper badge of a Master Mason, just as the Triple Tau is of a Royal Arch Mason or the Passion Cross of a Knight Templar.
So universally has this symbol been recognized, even by the profane world, as the peculiar characteristic of Freemasonry, that it has recently been made in the United States the subject of a legal decision. A manufacturer of flour having made, in 1873, an application to the Patent Office for permission to adopt the Square and Compasses as a trade-mark, the Commissioner of Patents, .J. M. Thatcher, refused the permission as the mark was a Masonic symbol.
If this emblem were something other than precisely what it is—either less known", less significant, or fully and universally understood—all this might readily be admitted. But, Considering its peculiar character and relation to the public, an anomalous question is presented. There can be no doubt that this device, so commonly worn and employed by Masons, has an established mystic significance, universally recognized as existing; whether comprehended by all or not, is not material to this issue. In view of the magnitude and extent of the Masonic organization, it is impossible to divest its symbols, or at least this particular symbol—perhaps the best known of all—of its ordinary signification, wherever displaced, either as an arbitrary character or otherwise.
It will be universally understood, or misunderstood, as having a Masonic significance; and, therefore, as a trade-mark, must constantly work deception. Nothing could be more mischievous than to create as a monopoly, and uphold by the poser of lacy anything so calculated. as applied to purposes of trade. to be misinterpreted, to mislead all classes, and to constantly foster suggestions of mystery in affairs of business (see Infringing upon Freemasonry, also Imitative Societies, and Clandestine).
In a religious work by John Davies, entitled Summa Totalis, or All in All and the Same Forever, printed in 1607, we find an allusion to the Square and Compasses by a profane in a really Masonic sense. The author, who proposes to describe mystically the form of the Deity, says in his dedication:
Yet I this forme of formelesse Deity,
Drewe by the Squire and Compasse of our Creed.
In Masonic symbolism the Square and Compasses refer to the Freemason's duty to the Craft and to himself; hence it is properly a symbol of brotherhood, and there significantly adopted as the badge or token of the Fraternity.
Berage, in his work on the higher Degrees, Les plus secrets Mystéres des Hauts Grades, or The Most Secret Mysteries of the High Grades, gives a new interpretation to the symbol. He says: "The Square and the Compasses represent the union of the Old and New Testaments. None of the high Degrees recognize this interpretation, although their symbolism of the two implements differs somewhat from that of Symbolic Freemasonry.
The Square is with them peculiarly appropriated to the lower Degrees, as founded on the Operative Art; while the Compasses, as an implement of higher character and uses, is attributed to the Decrees, which claim to have a more elevated and philosophical foundation. Thus they speak of the initiate, when he passes from the Blue Lodge to the Lodge of Perfection, as 'passing from the Square to the Compasses,' to indicate a progressive elevation in his studies. Yet even in the high Degrees, the square and compasses combined retain their primitive signification as a symbol of brotherhood and as a badge of the Order."
Square and Compass:
Source: The Builder October 1916
By Bro. B. C. Ward, Iowa
Worshipful Master and Brethren: Let us behold the glorious beauty that lies hidden beneath the symbolism of the Square and Compass; and first as to the Square. Geometry, the first and noblest of the sciences, is the basis on which the superstructure of Masonry has been erected. As you know, the word "Geometry" is derived from two Greek words which mean "to measure the earth," so that Geometry originated in measurement; and in those early days, when land first began to be measured, the Square, being a right angle, was the instrument used, so that in time the Square began to symbolize the Earth. And later it began to symbolize, Masonically, the earthly-in man, that is man's lower nature, and still later it began to symbolize man's duty in his earthly relations, or his moral obligations to his Fellowmen. The symbolism of the Square is as ancient as the Pyramids. The Egyptians used it in building the Pyramids. The base of every pyramid is a perfect square, and to the Egyptians the Square was their highest and most sacred emblem. Even the Chinese many, many centuries ago used the Square to represent Good, and Confucius in his writings speaks of the Square to represent a Just man.
As Masons we have adopted the 47th Problem of Euclid as the rule by which to determine or prove a perfect Square. Many of us remember with what interest we solved that problem in our school days. The Square has become our most significant Emblem. It rests upon the open Bible on this altar; it is one of the three great Lights; and it is the chief ornament of the Worshipful Master. There is a good reason why this distinction has been conferred upon the Square. There can be nothing truer than a perfect Square--a right angle. Hence the Square has become an emblem of Perfection.
Now a few words as to the Compass: Astronomy was the second great science promulgated among men. In the process of Man's evolution there came a time when he began to look up to the stars and wonder at the vaulted Heavens above him. When he began to study the stars, he found that the Square was not adapted to the measurement of the Heavens. He must have circular measure; he needed to draw a circle from a central point, and so the Compass was employed. By the use of the Compass man began to study the starry Heavens, and as the Square primarily symbolized the Earth, the Compass began to symbolize the Heavens, the celestial canopy, the study of which has led men to think of God, and adore Him as the Supreme Architect of the Universe. In later times the Compass began to symbolize the spiritual or higher nature of man, and it is a significant fact that the circumference of a circle, which is a line without end, has become an emblem of Eternity and symbolizes Divinity; so the Compass, and the circle drawn by the Compass, both point men Heavenward and Godward.
The Masonic teaching concerning the two points of the Compass is very interesting and instructive. The novitiate in Masonry, as he kneels at this altar, and asks for Light sees the Square, which symbolizes his lower nature, he may well note the position of the Compass. As he takes another step, and asks for more Light, the position of the Compass is changed somewhat, symbolizing that his spiritual nature can, in some measure, overcome his evil tendencies. As he takes another step in Masonry, and asks for further Light, and hears the significant words, "and God said let there be Light, and there was Light," he sees the Compass in new light; and for the first time he sees the meaning, thus unmistakably alluding to the sacred and eternal truth that as the Heavens are higher than the Earth, so the spiritual is higher than the material, and the spiritual in man must have its proper place, and should be above his lower nature, and dominate all his thoughts and actions. That eminent Philosopher, Edmund Burke, once said, "It is ordained that men of intemperate passions cannot be free. Their passions forge the chains which bind them, and make them slaves." Burke was right. Masonry, through the beautiful symbolism of the Compass, tells us how we can be free men, by permitting the spiritual within us to overcome our evil tendencies, and dominate all our thoughts and actions. Brethren, sometimes in the silent quiet hour, as we think of this conflict between our lower and higher natures, we sometimes say in the words of another, "Show me the way and let me bravely climb to where all conflicts with the flesh shall cease. Show me that way. Show me the way up to a higher plane where my body shall be servant of my Soul. Show me that way."
Brethren, if that prayer expresses desire of our hearts, let us take heed to the beautiful teachings of the Compass, which silently and persistently tells each one of us,
"You should not in the valley stay
While the great horizons stretch away
The very cliffs that wall you round
Are ladders up to higher ground.
And Heaven draws near as you ascend,
The Breeze invites, the Stars befriend.
All things are beckoning to the Best,
Then climb toward God and find sweet Rest.”
The secrets of Freemasonry are concerned with its traditional modes of recognition. It is not a secret society, since all members are free to acknowledge their membership and will do so in response to enquiries for respectable reasons. Its constitutions and rules are available to the public. There is no secret about any of its aims and principles. Like many other societies, it regards some of its internal affairs as private matters for its members. In history there have been times and places where promoting equality, freedom of thought or liberty of conscience was dangerous. Most importantly though is a question of perspective. Each aspect of the craft has a meaning. Freemasonry has been described as a system of morality, veiled in allegory and illustrated by symbols. Such characteristics as virtue, honour and mercy, such virtues as temperance, fortitude, prudence and justice are empty clichés and hollow words unless presented within an ordered and closed framework. The lessons are not secret but the presentation is kept private to promote a clearer understanding in good time. It is also possible to view Masonic secrecy not as secrecy in and of itself, but rather as a symbol of privacy and discretion. By not revealing Masonic secrets, or acknowledging the many published exposures, freemasons demonstrate that they are men of discretion, worthy of confidences, and that they place a high value on their word and bond.
Masonic Square and Compasses.
The Square and Compasses (or, more correctly, a square and a set of compasses joined together) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons. Some Lodges and rituals explain these symbols as lessons in conduct: for example, Duncan's Masonic Monitor of 1866 explains them as: "The square, to square our actions; The compasses, to circumscribe and keep us within bounds with all mankind".
However, as Freemasonry is non-dogmatic, there is no general interpretation for these symbols (or any Masonic symbol) that is used by Freemasonry as a whole.
Square and Compasses:
Source: Mackey's Encyclopedia of Freemasonry
These two symbols have been so long and so universally combined — to teach us, as says an early instruction, "to square our actions and to keep them within due bounds," they are so seldom seen apart, but are so kept together, either as two Great Lights, or as a jewel worn once by the Master of the Lodge, now by the Past Master—that they have come at last to be recognized as the proper badge of a Master Mason, just as the Triple Tau is of a Royal Arch Mason or the Passion Cross of a Knight Templar.
So universally has this symbol been recognized, even by the profane world, as the peculiar characteristic of Freemasonry, that it has recently been made in the United States the subject of a legal decision. A manufacturer of flour having made, in 1873, an application to the Patent Office for permission to adopt the Square and Compasses as a trade-mark, the Commissioner of Patents, .J. M. Thatcher, refused the permission as the mark was a Masonic symbol.
If this emblem were something other than precisely what it is—either less known", less significant, or fully and universally understood—all this might readily be admitted. But, Considering its peculiar character and relation to the public, an anomalous question is presented. There can be no doubt that this device, so commonly worn and employed by Masons, has an established mystic significance, universally recognized as existing; whether comprehended by all or not, is not material to this issue. In view of the magnitude and extent of the Masonic organization, it is impossible to divest its symbols, or at least this particular symbol—perhaps the best known of all—of its ordinary signification, wherever displaced, either as an arbitrary character or otherwise.
It will be universally understood, or misunderstood, as having a Masonic significance; and, therefore, as a trade-mark, must constantly work deception. Nothing could be more mischievous than to create as a monopoly, and uphold by the poser of lacy anything so calculated. as applied to purposes of trade. to be misinterpreted, to mislead all classes, and to constantly foster suggestions of mystery in affairs of business (see Infringing upon Freemasonry, also Imitative Societies, and Clandestine).
In a religious work by John Davies, entitled Summa Totalis, or All in All and the Same Forever, printed in 1607, we find an allusion to the Square and Compasses by a profane in a really Masonic sense. The author, who proposes to describe mystically the form of the Deity, says in his dedication:
Yet I this forme of formelesse Deity,
Drewe by the Squire and Compasse of our Creed.
In Masonic symbolism the Square and Compasses refer to the Freemason's duty to the Craft and to himself; hence it is properly a symbol of brotherhood, and there significantly adopted as the badge or token of the Fraternity.
Berage, in his work on the higher Degrees, Les plus secrets Mystéres des Hauts Grades, or The Most Secret Mysteries of the High Grades, gives a new interpretation to the symbol. He says: "The Square and the Compasses represent the union of the Old and New Testaments. None of the high Degrees recognize this interpretation, although their symbolism of the two implements differs somewhat from that of Symbolic Freemasonry.
The Square is with them peculiarly appropriated to the lower Degrees, as founded on the Operative Art; while the Compasses, as an implement of higher character and uses, is attributed to the Decrees, which claim to have a more elevated and philosophical foundation. Thus they speak of the initiate, when he passes from the Blue Lodge to the Lodge of Perfection, as 'passing from the Square to the Compasses,' to indicate a progressive elevation in his studies. Yet even in the high Degrees, the square and compasses combined retain their primitive signification as a symbol of brotherhood and as a badge of the Order."
Square and Compass:
Source: The Builder October 1916
By Bro. B. C. Ward, Iowa
Worshipful Master and Brethren: Let us behold the glorious beauty that lies hidden beneath the symbolism of the Square and Compass; and first as to the Square. Geometry, the first and noblest of the sciences, is the basis on which the superstructure of Masonry has been erected. As you know, the word "Geometry" is derived from two Greek words which mean "to measure the earth," so that Geometry originated in measurement; and in those early days, when land first began to be measured, the Square, being a right angle, was the instrument used, so that in time the Square began to symbolize the Earth. And later it began to symbolize, Masonically, the earthly-in man, that is man's lower nature, and still later it began to symbolize man's duty in his earthly relations, or his moral obligations to his Fellowmen. The symbolism of the Square is as ancient as the Pyramids. The Egyptians used it in building the Pyramids. The base of every pyramid is a perfect square, and to the Egyptians the Square was their highest and most sacred emblem. Even the Chinese many, many centuries ago used the Square to represent Good, and Confucius in his writings speaks of the Square to represent a Just man.
As Masons we have adopted the 47th Problem of Euclid as the rule by which to determine or prove a perfect Square. Many of us remember with what interest we solved that problem in our school days. The Square has become our most significant Emblem. It rests upon the open Bible on this altar; it is one of the three great Lights; and it is the chief ornament of the Worshipful Master. There is a good reason why this distinction has been conferred upon the Square. There can be nothing truer than a perfect Square--a right angle. Hence the Square has become an emblem of Perfection.
Now a few words as to the Compass: Astronomy was the second great science promulgated among men. In the process of Man's evolution there came a time when he began to look up to the stars and wonder at the vaulted Heavens above him. When he began to study the stars, he found that the Square was not adapted to the measurement of the Heavens. He must have circular measure; he needed to draw a circle from a central point, and so the Compass was employed. By the use of the Compass man began to study the starry Heavens, and as the Square primarily symbolized the Earth, the Compass began to symbolize the Heavens, the celestial canopy, the study of which has led men to think of God, and adore Him as the Supreme Architect of the Universe. In later times the Compass began to symbolize the spiritual or higher nature of man, and it is a significant fact that the circumference of a circle, which is a line without end, has become an emblem of Eternity and symbolizes Divinity; so the Compass, and the circle drawn by the Compass, both point men Heavenward and Godward.
The Masonic teaching concerning the two points of the Compass is very interesting and instructive. The novitiate in Masonry, as he kneels at this altar, and asks for Light sees the Square, which symbolizes his lower nature, he may well note the position of the Compass. As he takes another step, and asks for more Light, the position of the Compass is changed somewhat, symbolizing that his spiritual nature can, in some measure, overcome his evil tendencies. As he takes another step in Masonry, and asks for further Light, and hears the significant words, "and God said let there be Light, and there was Light," he sees the Compass in new light; and for the first time he sees the meaning, thus unmistakably alluding to the sacred and eternal truth that as the Heavens are higher than the Earth, so the spiritual is higher than the material, and the spiritual in man must have its proper place, and should be above his lower nature, and dominate all his thoughts and actions. That eminent Philosopher, Edmund Burke, once said, "It is ordained that men of intemperate passions cannot be free. Their passions forge the chains which bind them, and make them slaves." Burke was right. Masonry, through the beautiful symbolism of the Compass, tells us how we can be free men, by permitting the spiritual within us to overcome our evil tendencies, and dominate all our thoughts and actions. Brethren, sometimes in the silent quiet hour, as we think of this conflict between our lower and higher natures, we sometimes say in the words of another, "Show me the way and let me bravely climb to where all conflicts with the flesh shall cease. Show me that way. Show me the way up to a higher plane where my body shall be servant of my Soul. Show me that way."
Brethren, if that prayer expresses desire of our hearts, let us take heed to the beautiful teachings of the Compass, which silently and persistently tells each one of us,
"You should not in the valley stay
While the great horizons stretch away
The very cliffs that wall you round
Are ladders up to higher ground.
And Heaven draws near as you ascend,
The Breeze invites, the Stars befriend.
All things are beckoning to the Best,
Then climb toward God and find sweet Rest."
Sanlitun N.; bEijing, China
It's Christ-mas Eve - and the whole city is out partying celebrating this very misunderstood holiday. You know in the West it's a time for family to gather, whether you celebrate Chrismas or not. I think we are all just so happy to have work off you know? but here it's really about consuming and partying. That's why I write Christ-mas - to remind us that it's really about Baby Christ's miraculous birth - or it's "mas" tiempo with the family - depending on which way you swing - I go with the latter considering that I am not really a Christian.
Snapped just around the corner from my flat on Willis Street, this photo caused me to reflect on the value of busyness. Although sometimes misunderstood as a lifestyle for those who lack vitality and healthy get-up-and-go, Bhakti is never down on being busy; quite the opposite in fact. The question is though, are we busy smart or busy foolish? If we are busy smart then busyness has great value because we do the best thing for ourselves, others, and the world, both for the now and for the future. But if we race around unaware of our spiritual identity and purpose, then busyness has the opposite effect. For decades now humanity has excelled at being busy foolish, which means artificially tuning out higher thought and pursuits to enable an almost exclusive focus on economic and sensual busyness - the work, buy, consume, die paradigm. The result? That extremely narrow focus has up until very recently blinded us to our effect on our environment to the point where, as a species, we have become a geological force that has changed the face of nature and seriously jeopardised the prosperity of future generations. But there is an even more significant repercussion to the busy foolish approach - after exhausting and distracting ourselves almost to death, we have no time or energy left over to dedicate to the real human mission - the quest for enlightenment. The sane person of course wants to be a part of the solution. That is the forte of Bhakti wisdom, the art, science, and culture of busy smart.
Two Chiriqui Robber Frogs (Pristimantis cf. cruentus). The male must have misunderstood something during sex ed.
Shepherding. Lots of it to be done. With all the many different pieces around, all needing attention, albeit at varying scales, some herd control is really needed. At least the produce is well worth it!
Friday, 25 July 2014
By Maarten Janssen
Overmarine tells us they have offered the Mangusta 130 Misunderstood, which was the third in a long line of Mangusta 130′s to be built. The sale was produced by Overmarine Group France, the new branch office run by Product sales Manager ...
www.yachtblog1.com/yacht-reviews/overmarine-sells-misunde...
A goat's child in Norwegian is a 'killing', but I realized that that might be an easily misunderstood title.
© Angel Ortega, angelferd
All rights reserved
For authorized purposes only (by the author)
***************************************************
SANTA ESMERALDA
DISCO FEVER 2 at Arena Monterrey
You can watch a video in this link
1956 Porsche 356A “European” Coupe
Chassis No. 55461
Engine No. 60656
Transmission No. 7933
Completed: 01/13/1956
“Many 356 enthusiasts are aware that European-spec cars were imported into the United States when new. Fewer enthusiasts have heard of the 356A "European" badged cars, which are an often misunderstood rarity. The "European" badge did not signify European delivery — in fact, it couldn't be further from the truth!
The 356A model was introduced in the fall of 1955, and some had a side script that proudly identified the car as a "Continental". This name was instigated by Max Hoffman, the exclusive importer of Porsches into the USA who felt that Americans didn't relate to cars that only had model numbers. Previous Porsches had simply been called the "356", which was the Porsche internal design number.
"Continental" Hoffman was convinced that Americans wanted to buy cars with names like "BelAir" or "Fairlane". So, in the spirit of American marketing, Porsche began putting a "Continental" script on the fenders of late 1955 model year coupes and cabriolets that were sent to the United States. Unfortunately for Porsche, Ford Motor Company claimed the rights to the "Continental" name and threatened legal action, so Porsche stopped using that script at the end of the 1955 model year and changed the script to "European" for the 1956 model year (production of which began in the fall of 1955). Cars delivered in Europe did not have the script.
"European" For reasons that are now obscure, Porsche appears to have ceased using the "European" script sometime in January, 1956, well before the end of that production year.
Other than the badge, the "Continental" and "European" cars were standard-specification cars for the United States market, meaning speedometer markings were in miles and the headlights were the sealed beam type. After January, 1956, except for the Speedster and Carrera models no further 356 models were badged with names, only letters were used as model designations. The "European" script does not appear to have ever been reproduced.” - 356 Registry
Chassis No. 55361: This immaculately restored 356A coupe is an extremely exceptional find. Not only is car finished in the very rare Sahara Beige hue offered only in 1956, but it is believed to be one of the last European models ever built.
While under the care of the previous long term owner, the car was fully revived to concourse quality. Some time has passed since the restoration; the glossy paint exhibits slight signs of aging, revealing shallow cracks throughout the surface. However, the remainder of the vehicle survives in impeccable showroom condition.
Mechanically the car is strong and reliable. The 356 drives very well. The ride is smooth, while tracking is straight, even under heavy braking. The only aftermarket item on the European is an upgraded Abarth exhaust system, although the original exhaust accompanies the car.
* One of only 156 European coupes produced!
* Ready to show or drive!
* A very rare treat!
Original collage and giclee prints available
www.ThePaperButtonPress.etsy.com
Visit blog post for more details:
thepaperbutton.blogspot.com/2011/06/collage-day-project-d...
Hey Mike!
Here's my photo for the contest, just as promised!
Looking Good!
Congratulations!
Improving the sport of cycling and winning while at it. My hats off to you!