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German postcard for 'Die trustfreie Eidelsan' by Margarinewerk Eidelstedt Gebr. Fauser G.m.b.H., Holstein, Serie 1, no. 22. Photo: Marcus.
German stage and film actor Max Adalbert (1874-1933) was one of the great names of the German theatre at the beginning of the twentieth century. He was famous for his roles in comedies. His greatest success was the title role in the comedy Der Hauptmann von Köpenick/The Captain from Köpenick (1931) which he played on stage and in the cinema.
Max Adalbert was born Maximilian Adalbert Krampf in 1874 in Danzig in Imperial Germany, now Gdansk in Poland. He was the son of a Prussian Officer. Using his first two names as his stage name, he debuted at the age of 19 at the theatre of Lübeck and in 1894 at the municipal theatre of Barmen. Adalbert also appeared in St. Gallen (Switzerland), Nuremberg and Vienna (Austria). He moved to Berlin in 1899 to work at the Residenztheater. In 1915, Adalbert joined the film business. In the following years, he took part in productions like Wie werde ich Amanda los? (1915), Die Buchhalterin (1918), König Nicolo (1919) and Die Verführten (1919). When Max Adalbert came in contact with Curt Bois, he turned into a comedian. During the 1920s, Max Adalbert appeared in several silent films, including Der Dummkopf/The Blockhead (Lupu Pick, 1921), Lady Hamilton (Richard Oswald, 1921) starring Liane Haid, and Die Flamme/The Flame (Ernst Lubitsch, 1923) starring Pola Negri. The highlights are two masterpieces by Fritz Lang, Der müde Tod/Destiny (Fritz Lang, 1921) and Dr. Mabuse der Spieler/Mabuse the Gambler, 1922), the first film in the Dr. Mabuse series about the master criminal who featured in the novels of Norbert Jacques. In 1923, Adalbert retired temporarily from the cinema because he missed the possibility of using words. Together with the actors Paul Morgan and Kurt Robitschek, he founded the 'Kabarett der Komiker' in 1924 which soon became established in Berlin and enjoyed great popularity.
After a few years solely devoted to the stage, Max Adalbert successfully returned to the cinema when sound film was introduced in Germany. Both on stage and in films, he experienced an enormous increase in his popularity. He was very good in the film comedy Mein Leopold/My Leopold (Hans Steinhoff, 1931) opposite Harald Paulsen as Leopold. In 1931 he also made his debut at the Deutsches Theater in Berlin as the lead character of Carl Zuckmayer's 'Der Hauptmann von Köpenick'. He took the role over from Werner Krauss and it became his greatest triumph on stage. Because of this huge success, he was also engaged in the film adaptation, Der Hauptmann von Köpenick/The Captain from Köpenick (Richard Oswald, 1931). The story centres on the Hauptmann von Köpenick affair in 1906. With this role, he set a cinematic monument for himself. He also appeared in the comedy Das Ekel/The Scoundrel (Eugen Schüfftan. Franz Wenzler, 1931) with Evelyn Holt, musical romance Mein Herz sehnt sich nach Liebe/My Heart Longs for Love (Eugen Thiele, 1931) starring Trude Berliner, and the comedy Lachende Erben/Laughing Heirs (Max Ophüls, 1933) starring Heinz Rühmann. In 1933, Max Adalbert suddenly died - of pneumonia or a heart attack (the sources differ) - while in Munich for a guest performance. He was 58. The actor was buried at the Stahnsdorf South-Western Cemetery near Berlin.
Sources: Guy Bellinger (IMDb), Wikipedia (English and German) and IMDb.
And please check out our blog European Film Star Postcards.
Dopo il successo delle due produzioni curate sempre per i Nem-Nuovi eventi musicali nel 2009 (“Atom Heart Mother” dei Pink Floyd) e nel 2010 (“The lamb lies down on Broadway” dei Genesis), Max Gazzè torna a confrontarsi con la musica dei Pink Floyd, band ‘culto’ che ha segnato la storia della musica rock, presentando in concerto l’esecuzione integrale di due celebri dischi “Live at Pompei” e “The dark side of the moon”. Assieme a lui, sul palco, i MunFloyd, band italiana che ha suonato nell'estate 2008 al fianco di David Gilmour nelle due performance andate in scena alla Cadogan Hall di Londra, ed il NemEnsemble. Un evento di grande significato, nel 40° anniversario del “Live at Pompei” (il concerto del 1971 eseguito nell'Anfiteatro in assenza di pubblico), che vuole cogliere l’occasione per ricordare che a Pompei, luogo che fu di profonda sofferenza, si realizzò uno dei grandi eventi del rock di tutti i tempi e che viene proposto all’aperto, per tentare ricreare quella magica atmosfera. La seconda parte dell’evento, “The Dark side of the Moon”, è dedicato al famoso concept album uscito un paio di anni dopo, nel 1973 che, con 49 milioni di copie vendute, è stato l’album di maggiore successo dei Pink Floyd e uno dei più venduti dell’intera storia musicale.
At Halloween party, Azuki deceived Max saying that all assistants will wear cute costumes so that was the result :P
303/365
e-Commerce specialist Max is going to be the next guy on the Tam Tam homepage.
strobe: SB600 at 1/4 - left and slightly higher - triggered through CLS
3ds Max, Vray, Photoshop.
A presentation in collaboration with interior designer Angelo Luiggi ( www.angeloluiggi.com ) of “Casa Fragmentada” at Plaza las Américas mall for the Feria Home Expo. Luiggi had been assigned the living room scene and had to choose furniture provided by mall vendors. In this case, he chose West Elm. We visited the store, he showed us which items he had in mind for the design and its placement in an assigned open space in the mall. The intention of the visualization was to show the mall administration the design before approval and physical placement.
Chattanooga (April 22, 2008) - Rookie Max Ferguson smacked a clutch double off a 3-2 pitch with two runners on base and two outs in the bottom of the last inning to drive home the game-winning runs in a wild 13-12 victory over the Braves Tuesday night at Rivermont Park in Chattanooga. Ferguson finished the game 3 for 4 with two runs scored and three RBIs as the Royals won their first game of the season in the Rivermont 7-8 age division.
(photo: (c) Patricia Ferguson)
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July 2013, "King of Europe" (KOE) and "DriftEdition" (DE) drift series in Odessa, Ukraine. Max Sherstuk
jaja denuevo (LLL)! ,como una foto improvisada pero sale bien (:, sale en la pelicula niñera a prueba de balas.
My parents were inducted as elders to their church, Oakhills Church, in San Antonio Texas. Their church is nice, and Max Lucado is a giant in the Christian community. David Robinson from the Spurs also teaches here now and again. Both Max and David baptized me in a river which was a lifetime dream of mine.
It was kind of fun watching dad's face all glowing- even though it looked like the Republican National Convention up there. I know he wishes I went more often, and I am very happy for him... but my path to God is different than his path... and he just doesn't get that.
Leipzig 1884- New York 1950.
Uno de los artistas alemanes más importantes del siglo XX. La exposición en Caixaforum, Barcelona, reúne 49 obras.
Max isn't the most willing of subjects, but he is kind and occasionally after much refusing or being unable to sit for this reason or that will present himself . . . and he appeared in my office a few minutes before 4pm with the sun streaming in (northwest facing) and we had a terrible job with blinds and the light in general. Maybe we shouldn't do this, he suggested, I haven't shaved! So this is the best that could be achieved with natural light. Thanks, Max