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Paris, France.
Model: Max Grey
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Autochrom - Take the A-Train Musicfestival 2020, 12.09.2020 - Salon Hotel Hohenstaufen Salzburg
www.jazzfoto.at/konzertfotos20/_take_the_a_train/_tag4/au...
Besetzung:
Max Santner: drums
Athina Kontou: double bass
Luise Volkmann: sax
The Atlantic Washington Ideas Forum at the Harman Center, Tuesday, September 27 - Thursday, September 29, 2016, Washington, DC. (Photo by Max Taylor)
Taken at the Jumbo race dagen (day's), Zandvoort, The Netherlands. Made with the K30 with the Pentax 55-300 mm lens
©JaneBrown2019 All Rights Reserved. This image is not available for use on websites, blogs or other media without explicit written permission
on Sunday we had a birthday party here for Max. His birthday was earlier in the month. The weather was dry enough to eat outside.
Christopher is unwell at the moment and has been taking up quite a bit of my time, and I am busy right now (life and things!) - so hope to catch up soon
Feels at home in my tree and is guarding the next of eggs...I don't feel I can break it to him that they will never hatch!
Max by the uber talented 'A Little Sprout' the packaging was as wonderful as Max, thanks so much Sara! xx
fototour mit rainer am 28.2. - projekt alles im kasten - Ausgehend von der Idee der Fotografin Kristine Thiemann, Stromkästen in lebendige 3d-Kästen zu verwandeln, sind in der Fotoaktion „Alles im Kasten“ im Stadtteil Hamburg Mümmelmannsberg 16 Strom- und Postkästenmotive enstanden. Die Motive sind inspiriert von den Werken der Künstler*innen, die 16 Straßen im Stadtteil ihren Namen geben - von den 16 kästen sind zwei komplett zerstört, einer halb und zwei sind sinnfrei übersprüht
Max Helyer in Atlanta on the Spring Fever Tour.
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I'm happy to have so many photographs from spring shoots with Lisa, because it's too hot for me to get out and shoot lately!
4-27-10, at the Wild Animal Park (Escondido, California) with Lisa.
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Mah facebook <3 : www.facebook.com/max.superman209
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German postcard by Ross Verlag, no. 1575/1, 1927-1928. Photo: Alex Binder, Berlin
Danish cabaret artist, actor, comedian, and singer Max Hansen (1897-1961) was known as 'The Little Caruso'. During the 1920s, he was one of the most popular stars in Berlin.
Max Hansen was born Max Josef Haller in Mannheim, Imperial Germany in 1897. He was an illegitimate child to the Danish actress Eva Haller and the Swedish Officer Schürer von Waldheim (according to other sources he had a Jewish father, the Hungarian artist Joseph Walder). Max grew up with foster parents in Munich, where he first appeared at the Cabaret Simplizissimus at the age of 17. In 1914 he moved to Vienna, where he completed his studies as a ballad singer. Filmportal.de: “Thinking that it may perhaps be advantageous to draw attention to his Scandinavian origins, he changes his name to Hansen. Profiting from his powerful, highly modulating voice, he becomes known as the ‘little Caruso’ in cabarets and variety theatres, performing comical couplets, sketches and opera parodies.” In 1923, Hansen was discovered by Hubert Marischka. He asked him for the tenor role of Baron Kolomán Zsupán in the Emmerich Kálmán operetta 'Gräfin Mariza' (Countess Mariza) at the Theater an der Wien in Vienna. After 900 performances, the popular production moved to the Metropoltheater in Berlin, where Hansen became very successful. In Berlin, he founded the KadeKo, the Kabarett der Komiker (the Cabaret of Comedians) with Paul Morgan and Kurt Robitschek in 1924. Hansen was engaged by Max Reinhardt for his revival of Jacques Offenbach's 'La belle Hélène', and by Erik Charell for his production of Franz Lehar's 'Die lustige Witwe' (The Merry Widow). Hansen's greatest stage success was playing Leopold the waiter in Ralph Benatzky's operetta-musical 'Im weißen Rößl' (The White Horse Inn) in 1930. He had already undertaken this part in the silent film Im weißen Rößl/The White Horse Inn (Richard Oswald, 1926) with Liane Haid. A year earlier, he had made his film debut in Husarenfieber/Hussars Fever (Georg Jacoby, 1925) with Georg Alexander. In the following years, he appeared in popular silent films like Familie Schimeck/The Schimeck Family (Alfred Halm, Rudolf Dworsky,1926), and Venus im Frack/Venus in evening dress (Robert Land, 1927) with Carmen Boni. From 1925, Hansen also recorded his own hits, which audiences appreciated for their parody and cabaret-like wit. His real film career began in the sound film era. His first sound film was Wien, du Stadt der Lieder/Vienna, City of Song (Richard Oswald, 1930) with Charlotte Ander and Paul Morgan. The excellent singer was soon pinned down for swinging musicals and comedies. He found an ideal partner in Jenny Jugo in films like Wer nimmt die Liebe ernst.../Who Takes Love Seriously? (Erich Engel, 1931). He also played opposite Gitta Alpar in Die - oder keine/She, or Nobody (Carl Froelich, 1932).
Max Hansen satirised Adolf Hitler as a homosexual with his song 'War'n Sie schon mal in mich verliebt?' (Have you ever been in love with me?), which caused the rage of the Nazis. He was thrown with tomatoes at the premiere of the comedy Das häßliche Mädchen/The Ugly Girl (Hermann Kosterlitz, 1933) with Dolly Haas. The film was made in early 1933, during the transition from the Weimar Republic to Nazi Germany, and premiered in September that year. According to Wikipedia, the film's representation of the ‘ugly girl’ as an outsider has been described as a metaphorical way to explore the outsider existence of Jews. Star Dolly Haas and director Hermann Kosterlitz, both Jewish, left Germany and later worked in the United States, where Kosterlitz became well known as Henry Koster. Hansen returned to Vienna and worked again at the Theater an der Wien. He starred in the film Csardas (Jacob Fleck, Luise Fleck, Walter Kolm-Veltée, 1935) with Irén Zilahy. He also performed in Switzerland, Amsterdam, Oslo and Helsinki. In 1936 he met Zarah Leander on a Scandinavian tour and engaged her as his stage partner in the operetta 'Axel an der Himmels Tür' (Axel at Heaven’s Gate), with music by Ralph Benatzky and produced in Theater an der Wien. It was a hit. After Austria was invaded by Germany in 1938, Hansen emigrated to Denmark, where he founded his own theatre at Copenhagen. He also appeared in Danish films like Tror du jeg er født i går!/Do you think I was born yesterday! (Lau Lauritzen, Jr., Alice O'Fredericks, 1941) and En flicka för mej/A girl for me (Börje Larsson, 1943). In addition, he wrote several songs under the pseudonymous ‘Sylvester’. In 1951 he returned to Germany and was successful once again singing the role of Leopold the waiter in 'The White Horse Inn'. In 1953 Hansen moved back to Copenhagen, where he died in 1961. His final film appearance was in the Danish comedy Hvad vil De ha'?/What do you want? (Jens Henriksen, Preben Neergaard, 1956) starring Dirch Passer. Hansen was married to Austrian actress Lizzi Waldmüller till 1938 and since 1940 to Britta Annette Sylvester-Hvid. He had four children. His daughter Ann-Mari Max Hansen (1949) and his son Max Hansen Jr. (1954) are both actors too. In 2004 German director Douglas Wolfsperger portrayed Hansen in his documentary War'n Sie schon mal in mich verliebt?
Sources: Thomas Staedeli (Cyranos), Stephanie D’heil (Steffi-line), Rudi Polt (IMDb), Filmportal.de, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.