View allAll Photos Tagged Mapping
William Lacy Swing, Director-General, International Organization for Migration (IOM), Geneva during the Session: " Mapping Transformations: Migration " at the World Economic Forum on the MENA Region, Jordan 2017. Copyright by World Economic Forum / Benedikt von Loebell
Mapping workshop in Wambio, Kassena Nankana District - Ghana.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Group photo at the mapping workshop in Wambio, Kassena Nankana District - Ghana.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
A screengrab used to illustrate a piece I have just written about mapping vintage photographs - see www.whatsthatpicture.com/vintage-photos/mapping-vintage-p...
View this page live at www.histografica.com/search.aspx#lat=51.4723&lng=-0.2...
Mapping workshop in Wambio, Kassena Nankana District - Ghana.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Proyecto de fin de carrera. Video mapping sobre la fachada del Ateneo de Madrid para la apertura de la exposición de "Ateneo Ilustrado".
This is Iona's Beach, which is famous for its abundant pinkish-reddish gravel derived from a cliff of Proterozoic-aged Split Rock intrusive felsite just north of this site. The cliff has been extensively eroded by lakeshore wave action. The wave erosion has produced an abundance of felsite gravel, which has been deposited on the shoreline immediately south of the cliff. The gravel here consists principally of subrounded pebbles and cobbles. Subangular gravel is also present.
Felsite is the general term for a finely-crystalline igneous rock having felsic chemistry (= greater than 65% or 70% silica & rich in potassium (K) and sodium (Na) & dominated by the minerals quartz (SiO2) and K-feldspar (KAlSi3O8). These rocks have also been referred to as rhyolite, which is the most common finely-crystalline, felsic igneous rock.
Description of the Split Rock intrusive felsite from Miller et al. (2001): "Pink, sparsely porphyritic, aphanitic to fine-grained felsite; intrusive into Gooseberry River basalts (unit ngrb) in Split Rock River area.”
Description of the Split Rock intrusive felsite from Miller & Green (2002): "The Split Rock intrusive felsite (unit srif, M-119) is a pink, fine-grained, sparsely porphyritic rock also described as a rhyolite that shows local flow banding. . . . The rock splits readily into shingles, and locally has columnar jointings; these allow it to be relatively easily eroded by waves. . . . Compositionally, it is a quartz monzodiorite to granite.”
Description of the Split Rock intrusive felsite from Boerboom (2004): "The Split Rock intrusive felsite (rhyolite) is a pink, fine-grained, weakly porphyritic, flow-banded rock that has a prominent shingle parting to it (hence: Split Rock River). At a given location, the rhyolite has all the physical attributes of a rhyolite flow, but detailed mapping shows that it forms a north-striking, 3.4 kilometer wide body that cuts north from Lake Superior across the stratigraphy of the surrounding volcanic rocks. The felsite forms cliffs on Lake Superior south of the Split Rock River, and in the Split Rock River and nearby streams forms small, sharp canyons. Field measurements show that the flow banding dips gently toward the central axis of the body, implying that the intrusion is keel-shaped. The lower margins of the rhyolite are intruded by, or commingled with, a dark gray, fine-grained ferrodiabase or ferrodiorite.”
Locality: Iona's Beach, ~5.5 air kilometers southwest of Split Rock Lighthouse, northern shore of western Lake Superior, northeastern Minnesota, USA (47° 10’ 01.35” North latitude, 91° 25’ 17.69” West longitude)
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References on Split Rock intrusive felsite geology:
Miller et al. (2001) - Geologic map of the Duluth Complex and related rocks, northeastern Minnesota. Minnesota Geological Survey Miscellaneous Map Series Map M-119.
Miller & Green (2002) - Geology of the Beaver Bay Complex and related hypabyssal intrusions. in Geology and mineral potential of the Duluth Complex and related rocks of northeastern Minnesota. Minnesota Geological Survey Report of Investigations 58: 144-163.
Boerboom (2004) - Intrusions within the southwestern sequence of the NSVG. pp. 54-55 in 50th Annual Meeting, Institute on Lake Superior Geology, May 4-9, 2004, Duluth, Minnesota.
Archaeologist using hand-held surveying equipment linked to a base station to map a feature on site.
Mats Granryd, Director-General, GSMA, United Kingdom, speaking during the Session "Mapping Data Dominance" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room.Copyright by World Economic Forum / Ciaran McCrickard
Mapping workshop in Nakhon, Kassena Nankana District - Ghana.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Yeni Peugeot 508’in Türkiye lansman etkinliklerinde kullanılan yöntem ise daha önce hiç denenmemişti. Özel bir stand ile yere açılı bir şekilde yerleştirilen araç üzerine yansıtılan özel video ile izleyenlere “kaliteli zaman” yaşatıyor.
Mapping workshop in Wambio, Kassena Nankana District - Ghana.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Olajumoke Adekeye, Founder The Young Business Agency, Nigeria, speaking during the Session "Mapping Data Dominance" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room.Copyright by World Economic Forum / Ciaran McCrickard
doing some kind of plot mapping of all of our novels - very convoluted indeed! Main points of convergence, if I remember correctly, were geeks, shovels and sex? A bit of a blur by that point....
Ishtiaq Pasha Mahmood, Associate Professor, National University of Singapore, Singapore capture during a session: Mapping Regional Transformations at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 11, 2017
Copyright by World Economic Forum / Sikarin Thanachaiary
Moisés Naím, Distinguished Fellow, Carnegie Endowment for International Peace, USA, speaking during the Session "Mapping Paths to Stability in Venezuela" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room
Copyright by World Economic Forum / Ciaran McCrickard
Mapping workshop in Wambio, Kassena Nankana District - Ghana.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Brain mapping is a set of neuroscience techniques predicated on the mapping of quantities or properties onto spatial representations of the brain resulting in maps. Brain Mapping is further defined as the study of the anatomy and function of the brain and spinal cord through the use of imaging, Immunohistochemistry, Molecular & optogenetics, Stem cell and Cellular Biology, Engineering, Neurophysiology and Nanotechnology.
Olajumoke Adekeye, Founder The Young Business Agency, Nigeria, speaking during the Session "Mapping Data Dominance" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room.Copyright by World Economic Forum / Ciaran McCrickard
Olajumoke Adekeye, Founder The Young Business Agency, Nigeria, speaking during the Session "Mapping Data Dominance" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room.Copyright by World Economic Forum / Ciaran McCrickard
THE RESTLESS EARTH
28 APR - 20 AUG 2017
Triennale Milan
The exhibition explores real and imaginary geographies, reconstructing the odyssey of migrants through personal and collective tales of exodus.
The Restless Earth borrows its title from a collection of poems by Édouard Glissant, a Caribbean writer who probed the question of how different cultures can coexist. The exhibition shares in Glissant’s project—a pressing and necessary one that tries to describe this unstable and agitated present as a polyphony of voices and narratives. Through the works of more than sixty artists from more than forty countries—such as Albania, Algeria, Bangladesh, Egypt, Ghana, Iraq, Lebanon, Morocco, Syria, and Turkey—and with historical documents and objects of material culture, this exhibition charts both experiences and perceptions of migration and the current refugee crisis as an epoch-making transformation that is reframing contemporary history, geography, and culture.
The Restless Earth explores real and imaginary geographies, reconstructing the odyssey of migrants through personal and collective tales of exodus inspired by varying degrees of urgency and longing. The exhibition revolves around a series of geographic and thematic lines of inquiry—the war in Syria, the state of emergency in Lampedusa, life in refugee camps, the figure of the nomad or stateless person, and Italian migration in the early 20th century—which intersect with works that serve as visual metaphors for conditions of mobility and precariousness.
The Restless Earth focuses in particular on how artists bear witness to historic events, and how art can describe social and political change in the first person. The works on view point to a renewed faith that art and artists have a responsibility to portray and transform the world, creating not just images of conflict, but images that provide a space for critical thinking and exchange. Together, these stories—poised between historical epic and real-time diary—yield a vision of art as lyrical journalism, emotional documentary, and vivid, vital testimony.
Olajumoke Adekeye, Founder The Young Business Agency, Nigeria, speaking during the Session "Mapping Data Dominance" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room.Copyright by World Economic Forum / Ciaran McCrickard
Participants at the World Economic Forum on Africa 2013. Copyright by World Economic Forum / Benedikt von Loebell
Olajumoke Adekeye, Founder The Young Business Agency, Nigeria, speaking during the Session "Mapping Data Dominance" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room.Copyright by World Economic Forum / Ciaran McCrickard
Olajumoke Adekeye, Founder The Young Business Agency, Nigeria, speaking during the Session "Mapping Data Dominance" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room.Copyright by World Economic Forum / Ciaran McCrickard
projection mapping on karlsruhe palace by maxin10sity in occasion of the karlsruhe 300 anniversary
photographed by
Frank Dinger
BECOMING - office for visual communication
facebook: Becoming office for visual communication
Ebrahim Patel, Minister of Economic Development of South Africa at the World Economic Forum on Africa 2013. Copyright by World Economic Forum / Benedikt von Loebell
Olajumoke Adekeye, Founder The Young Business Agency, Nigeria, speaking during the Session "Mapping Data Dominance" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room.Copyright by World Economic Forum / Ciaran McCrickard