austin, texas

1977

motorola semiconductor plant

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

Nation : Czechoslovakia

Pavilion Name : Czechoslovakia Pavilion

Subject : Text

Island : Ile Notre Dame

Description : Ancient document found in the Czechoslovakian Pavilion's Hall of Centuries.

General Description:

The two storey Czechoslovakia Pavilion consisted of two buildings linked by an entrance hall. A simple, clear architectural strategy provided a harmonious backdrop for the exhibition's exciting displays. The first building featured two levels of exhibition space with a central courtyard which drew some of the largest crowds at Expo. Czechoslovakian art, technology and industry were presented to visitors through an attractive mixture of light, sound and video. The Hall of Centuries exhibit showcased texts and artifacts from ancient royalty. In the Hall of Tradition, visitors could find old and new glass and crystal and learn about their manufacturing processes. The World of Children enchanted the pavilion's younger visitors featuring puppet shows performing traditional tales. The second building featured four restaurants; Le Bistro served light snacks; the Bratislava Inn was a wine tavern; the Castle Restaurant featured fine Czechoslovakian cuisine; and the Prague was home to the famous pilsener Urquell beer. Offices, a gift shop and a theatre could also be found in this second Czechoslovakian building.

After 3 months of travel, which included approximately 7 weeks of sitting at Osaka International Airport, my Mandarake purchase in April 2020 finally arrived.

Here she is in all her glory, Sailor Pluto, the last of the Sailor Senshi on my "to get list".

BFF to Chibi-Usa, Sailor Pluto, or "Pu" is the Guardian of Time and leader of the Outer Senshi, soldiers gifted with stronger power than their Inner Senshi cohorts. She is generally stationed at that one spot preventing trespassers from entering the future. Well, things got screwy and required Pluto to not only abandon her post, but eventually abandon her timeline completely and return to the present under the civilian guise of Setsuna Meioh.

In addition to being a very competent soldier, Sailor Pluto also bears one of the three Sacred Talisman, along with Sailor Uranus and Pluto, that are needed to find the Holy Grail, the only thing that can stop "The Silence", the big baddie in Season 3 of the original run.

Plus she's the only one with no sleeves on her tunic, so you KNOW she's badass.

Based on what I was reading, Pluto was a bit annoying to get due to her Exclusive release nature, something that I've run into with several of the Endgame releases.. hence my resorting to Mandarake.

Contents of the box are what you'd expect it to be - the figure, four total face plates (neutral, smiling, shouting, eyes closed), her weapon (Garnet Rod), various hands, and the standard base. The head of the staff comes off just like in the show so you can display Pluto holding her talisman.

While I wish I could say that this was just a copy and paste overview from the other Senshi, there are a few critical items worth noting.

First off, on the positive side of things, to my eyes Sailor Pluto is one of a handful of Sailor Moon Figuarts that got the proportions right, with the other two being Super Sailor Moon and Sailor Saturn. I'm not perfectly confident about her scaling, but that's another story.

Much like the other two, Sailor Pluto's faceplates seem to be the right shape, and actually wrap around her to her neck without any unsightly gaps around the ears.

Now that we got that out of the way, lets talk about the greatest barrier to enjoying this figure - her hair. Sailor Pluto has lovely knee length Olive green hair. Good news, Tamashii Nations replicated this. Bad news, it's one solid piece of hard plastic with one point of articulation on the top of her head which is much more annoying to position than you'd think. The same stiff plastic makes up the front of her hair as well, so overall Pluto has a slightly different sheen to her hair as compared to the other Senshi. Detailing on the hair is average - it won't impress, but it won't make you question the manufacturing process either.

There are a few more exciting poses you can get her into, but in general Pluto is going to be one of those figures that does a lot of epic standing, and even then you might want to consider using the stand full time.

Articulation wise, she's got what the ladies do (ankles, knees, hips with pull down, mid torso, shoulders with some collapse and bicep swivel, elbows, wrists, and head), but as stated above your limiting factor is going to be the hair. I guess if it is any consolation, I don't remember Pluto doing much other than her projectile attacks so no crazy gymnastics come to mind.

Paint work is the usual mix of good and meh when it comes to this line, with the messiest spots around her waist where the white paint meets the skirt - interesting thing to note is that the skirt is a separate piece, so basically this is not a masking issue.. they just really sucked at applying the paint. That's kind of the story overall - it's pretty good, then you hit a spot where you go "OOF". Decals on the face are pretty solid.

Finally there's build quality and yeah, good all around. If you've handled one Senshi you've generally handled them all. In the event you haven't, expect limbs to the right size, joints to be tight, and finishes on the various parts to range from "great" to "you really didn't try that hard did you", a common problem with earlier Figuarts. Overall, most handling will be find though as always extra caution when changing hands or doing any sudden movements is recommended.

That, friends, was the last Sailor Senshi. Pluto looks great as far as aesthetics go, but from an articulation perspective sadly the hair is quite limiting. Still, there's no doubt that Pluto will look great standing in with the rest of the crew, which is probably the only reason you'd be getting one of these to begin with.

This DBS pairing of Bombardier TRAXX 185 095 & 098 was recorded heading south at Wassen with bogie box wagons loaded with a trainload consignment of what looked like finished steel off-cuts from manufacturing processes that was being taken to Italy as scrap for re-cycling. The train could well have been 47025 an as required DBS working of scrap in Eaos-x wagons from Zwickau, Germany via Basel and then Chiasso to Terni in Italy.

All images on this site are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed written permission of the photographer. All rights reserved – Copyright Don Gatehouse

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

Date: January 1946

Place: Thorold, Ont.

Creator: Gilbert A. Milne

Reference Code: C 3-1-0-0-25

Archives of Ontario, I0019715

In the heart of Old Town, historic factory is among the oldest in Grasse ... Indeed the current premises sheltered from their beginning in 1782, a perfume factory. In 1926, after the famous painter Jean Honoré Fragonard, it takes the name of Parfumerie Fragonard. Since then, every day, we produce are our perfumes, cosmetics and soaps in a respectful environment of tradition. We would be happy to welcome you and offer you a guided tour during which you will discover the different manufacturing processes and packaging our products. At the end of your visit, you can admire 3000 years of history of perfume through our private museum.

Dedicated to the perfume and aromatic plants, Flower Factory is surrounded by a beautiful garden scented plants ... the gates of Grasse, this contemporary factory opened in 1986 is equipped with very modern machinery for the manufacture and packaging of our products.

WORKSHOP ODOR "Perfumer's Apprentice"

Available on the French Riviera and Paris, in factories, workshops Perfumers Apprentice can discover the expertise of Perfumer: the history of perfume, raw materials and different extraction methods.

Experience unforgettable sense centered on the composition of a toilet water (100 ml) in aromatic notes of citrus and orange blossom, by assembling the different species made available. A fun and exciting experience in the world of perfumery, which proposes the course led by the teacher, the bottle and its bag, apron "apprentice" printed Fragonard, the diploma signed by the teacher and the summary of the composition .

One of our guides will accompany you as a result of the workshop for a visit "Prestige" from our factory.

Located in one of the oldest houses in the historic center of the city, this perfume offers original creations of Didier Gaglewski.

Didier Gaglewski, "nose" in Grasse, began offering its achievements in the framework Living in Provence and in Paris, Germany and Switzerland. Both "artisan", "artist", he decided to offer his achievements directly driven by the idea that the quality, originality and respect perfume composition will dress with fun, humor and quality its customers.

Requiring each of its perfumes, made ​​in the privacy of his laboratory, took several months of research. In partnership with Michelle Cavalier and the "garden of La Bastide," Didier Gaglewski also remains closer to the flowers and working the land. Try to trace extraction techniques inherited from the past and plants specific to the region perfumes seduce and make a very personal and authentic. This atypical creator is distinguished by its compositions made ​​in Grasse basin, its choice to favor natural raw materials and the search for sobriety.

Front satisfaction and customer demands wishing to regain the proposed perfumes, shop in Grasse, 12 rue of the Oratory, just steps from the International Perfume Museum to discover the scents and recent creations.

The country house of Aromas

Based in Saint Cézaire on Siagne in the Pays de Grasse, the Bastide aromas manufactures and packages fragrances since 1995.

Saint Cézaire on Siagne is a typical Provencal village a few kilometers from Grasse, the world capital of perfumery.

The homemade studio human scale can meet all your demands. The 100% handmade is carried out in the workshop without intermediary, under the control of a chemist.

La Bastide des Aromas, respects the traditions of the Grasse region and offers the exclusive fragrances custom made in the workshop on-site, high quality, with particular stress on the fragrance concentration, her outfit and originality.

After 3 months of travel, which included approximately 7 weeks of sitting at Osaka International Airport, my Mandarake purchase in April 2020 finally arrived.

Here she is in all her glory, Sailor Pluto, the last of the Sailor Senshi on my "to get list".

BFF to Chibi-Usa, Sailor Pluto, or "Pu" is the Guardian of Time and leader of the Outer Senshi, soldiers gifted with stronger power than their Inner Senshi cohorts. She is generally stationed at that one spot preventing trespassers from entering the future. Well, things got screwy and required Pluto to not only abandon her post, but eventually abandon her timeline completely and return to the present under the civilian guise of Setsuna Meioh.

In addition to being a very competent soldier, Sailor Pluto also bears one of the three Sacred Talisman, along with Sailor Uranus and Pluto, that are needed to find the Holy Grail, the only thing that can stop "The Silence", the big baddie in Season 3 of the original run.

Plus she's the only one with no sleeves on her tunic, so you KNOW she's badass.

Based on what I was reading, Pluto was a bit annoying to get due to her Exclusive release nature, something that I've run into with several of the Endgame releases.. hence my resorting to Mandarake.

Contents of the box are what you'd expect it to be - the figure, four total face plates (neutral, smiling, shouting, eyes closed), her weapon (Garnet Rod), various hands, and the standard base. The head of the staff comes off just like in the show so you can display Pluto holding her talisman.

While I wish I could say that this was just a copy and paste overview from the other Senshi, there are a few critical items worth noting.

First off, on the positive side of things, to my eyes Sailor Pluto is one of a handful of Sailor Moon Figuarts that got the proportions right, with the other two being Super Sailor Moon and Sailor Saturn. I'm not perfectly confident about her scaling, but that's another story.

Much like the other two, Sailor Pluto's faceplates seem to be the right shape, and actually wrap around her to her neck without any unsightly gaps around the ears.

Now that we got that out of the way, lets talk about the greatest barrier to enjoying this figure - her hair. Sailor Pluto has lovely knee length Olive green hair. Good news, Tamashii Nations replicated this. Bad news, it's one solid piece of hard plastic with one point of articulation on the top of her head which is much more annoying to position than you'd think. The same stiff plastic makes up the front of her hair as well, so overall Pluto has a slightly different sheen to her hair as compared to the other Senshi. Detailing on the hair is average - it won't impress, but it won't make you question the manufacturing process either.

There are a few more exciting poses you can get her into, but in general Pluto is going to be one of those figures that does a lot of epic standing, and even then you might want to consider using the stand full time.

Articulation wise, she's got what the ladies do (ankles, knees, hips with pull down, mid torso, shoulders with some collapse and bicep swivel, elbows, wrists, and head), but as stated above your limiting factor is going to be the hair. I guess if it is any consolation, I don't remember Pluto doing much other than her projectile attacks so no crazy gymnastics come to mind.

Paint work is the usual mix of good and meh when it comes to this line, with the messiest spots around her waist where the white paint meets the skirt - interesting thing to note is that the skirt is a separate piece, so basically this is not a masking issue.. they just really sucked at applying the paint. That's kind of the story overall - it's pretty good, then you hit a spot where you go "OOF". Decals on the face are pretty solid.

Finally there's build quality and yeah, good all around. If you've handled one Senshi you've generally handled them all. In the event you haven't, expect limbs to the right size, joints to be tight, and finishes on the various parts to range from "great" to "you really didn't try that hard did you", a common problem with earlier Figuarts. Overall, most handling will be find though as always extra caution when changing hands or doing any sudden movements is recommended.

That, friends, was the last Sailor Senshi. Pluto looks great as far as aesthetics go, but from an articulation perspective sadly the hair is quite limiting. Still, there's no doubt that Pluto will look great standing in with the rest of the crew, which is probably the only reason you'd be getting one of these to begin with.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

The sculptor Kai Nielsen visited Kähler for the first time in 1921. Only three years before his death.

During those three years, he was very productive, but many of his works were discarded due to his extreme self-criticism. His ambition was to achieve broad reach. He would rather sell his works and produce thousands of copies than have them on display in a museum.

He produced a number of small figures, which were copies of his larger sculptures in order to disseminate knowledge of his art. This was also a good idea in terms of his earnings.

Kai Nielsen teamed with Thirslund and organised a large production of figures in 1922. These figures were made in old bronze moulds, which had previously been used to cast bronze sculptures.

The names of these figures were just as creative as the manufacturing process: ”Dovendyret”, ”Susanne i badet”, ”Prinsessen på ærten”, ”Eva på æblet”, ”Nina på kuglen” and ”Globetrotteren”, ("Sloth", "Susanna in the bath", "Princess and the Pea", "Eve at the apple", "Nina on the ball" and "Globetrotting") just to mention a few.

The figures became very popular in Denmark and abroad. After a trip to Denmark, a dealer brought ”Prinsessen på ærten” (Princess and the Pea) back with him to San Francisco and put it on display at his shop. However, a US women’s organisation was strongly opposed to ”Princess and the Pea” as they believed that the figure thrust her abdomen forward.

Even though Kai Nielsen’s objective was to bring art to the people, the question is whether he was actually known for this work. Most people will probably remember him for his large sculptures such as ”Vandmoderen” (Water Mother), which is located in the winter garden at the Glyptothek in Copenhagen.

With thanks to:

www.kahlerdesign.com/en/om-kaehler/history?showall=1

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www.fosurf.com/?p=B004JKDLVW

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Round watch featuring mother-of-pearl dial with luminous hands and date window at 3 o'clock 26 mm stainless steel case with mineral dial window Japanese quartz movement with analog display Stainless steel bracelet with fold-over push-button clasp with safety closure Water resistant to 100 m (330 ft): In general, suitable for swimming and snorkeling, but not scuba diving Ladies Eco Drive sport watch with MOP dial and date Since its foundation in 1930, CITIZEN has promoted a multi-cultural mindset that fosters excellence and creativity. The very name of the brand conveys a deep respect toward craftsmanship and considered as familiar by citizens the world-over. So as a “citizen†of the world, we bear the responsibility to help cultivate a culture of positive change and on-going evolution through our craft. We take that mission seriously and steadfastly welcome what the future may bring.

As a true manufacture d’horlogerie, CITIZEN integrates a comprehensive manufacturing process from creating individual components to a watch’s final assembly. It’s an artisan’s approach to watch making based on pushing forward the boundaries of technology and leveraging our experience toward exploring new possibilities.

One pivotal technological breakthrough was the development of a light-driven watch. CITIZEN pioneered this engineering innovation well ahead of other watch manufacturers as early as 1976, which led to the launch of the highly acclaimed Eco-Drive in 1995. Utilizing electrical power converted from virtually any light source, this extraordinary innovation changed forever the way watches could be powered. Eco-Drive eliminated the need to ever replace batteries, which made it especially beneficial to areas where such specialist batteries were not obtainable. This leveled the field for citizens of virtually every country to be able to experience unrestricted joy of wearing and using a CITIZEN watch.

The product development policy, “The Fusion of Technology and Beauty,†remains a constant motivation for us to merge cutting-edge technology with perfection of design beauty, which as a consequence inspires people to strive to be their best at any time.

CITIZEN launches a new campaign in collaboration with Wieden+Kennedy, Better Starts Now. This is the simple belief that no matter who you are or what you do, it is always possible to make something better  and now is the time to start doing it. We believe that better and now are both infinite, and that there is always a next ‘better’ and a new ‘now’ in which you can start pursuing it. It was clear from the onset of this project that we are dedicated to this ideal…not to the past but to the present, and all the way we can improve it. To help communicate this belief to the world we have created a new global CITIZEN brand movie, brand identity and brand website that represents out Better Starts Now philosophy.

A change-making, industry-shaking fabric, Revolution is a breakthrough in textile circularity.

The first fabric to be produced using Camira’s advanced textile recycling capability, iinouiio, Revolution uses waste wool yarn from our own manufacturing processes to create a fabric that is truly closing the loop, and opening the door to a new, exciting era of sustainability.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

During the de-manufacturing process, glass, metal, plastic, foam insulation, oil and refrigerant are removed from the units. Glass, metal, plastic and oil are recycled.

February 27-3 March 2017, the external AMC Environmental Performance Assessment System (EPAS) performed an inspection of CCAD Environmental Program Areas. The EPAS group sent more inspectors to CCAD than Environmental has staff, and the result ended with a successful inspection result. This is the first time in the 20 years of the EPAS at any industrial installation, that zero deficiencies were identified for Hazardous Material and Hazardous Waste Programs. The following individuals receiving coins were instrumental in that effort and result. Directorate of Manufacturing Process Production (pictured left to right) Joshua Buck; Ricardo Garcia, Marde Gideon, David Laguna, Gerald Phipps, Nestor Villarreal and Sergio Franco.

Blue Edge -Mach 8-10 Hypersonic Commercial Aircraft, It-1, 202 Passenger

Seating: 202 | Crew 2+4 (250 if denser seating)

Length: 195ft | Span: 93ft

Engines: 4 U-TBCC (Unified Turbine Based Combined Cycle)

+1 Aerospike for sustained 2G acceleration to Mach 10.

Fuel: H2 (Compressed Hydrogen)

Cruising Altitude: 100,000-125,000ft

Airframe: 75% Proprietary Composites

Operating Costs, Similar to a 737. $7,000-$15,000hr, including averaged maintenence costs

Iteration 1

IO Aircraft www.ioaircraft.com

Drew Blair www.linkedin.com/in/drew-b-25485312/

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hypersonic plane, hypersonic aircraft, hypersonic commercial plane, hypersonic commercial aircraft, hypersonic airline, tbcc, glide breaker, fighter plane, hyperonic fighter, boeing phantom express, phantom works, boeing phantom works, lockheed skunk works, hypersonic weapon, hypersonic missile, scramjet missile, scramjet engineering, scramjet physics, boost glide, tactical glide vehicle, Boeing XS-1, htv, Air Launched Rapid Response Weapon, (ARRW), hypersonic tactical vehicle, space plane, scramjet, turbine based combined cycle, ramjet, dual mode ramjet, darpa, onr, navair, afrl, air force research lab, office of naval research, defense advanced research project agency, defense science, missile defense agency, aerospike, hydrogen, hydrogen storage, hydrogen fueled, hydrogen aircraft

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Unified Turbine Based Combined Cycle. Current technologies and what Lockheed is trying to force on the Dept of Defense, for that low speed Mach 5 plane DOD gave them $1 billion to build and would disintegrate above Mach 5, is TBCC. 2 separate propulsion systems in the same airframe, which requires TWICE the airframe space to use.

Unified Turbine Based Combined Cycle is 1 propulsion system cutting that airframe deficit in half, and also able to operate above Mach 10 up to Mach 15 in atmosphere, and a simple nozzle modification allows for outside atmosphere rocket mode, ie orbital capable.

Additionally, Reaction Engines maximum air breather mode is Mach 4.5, above that it will explode in flight from internal pressures are too high to operate. Thus, must switch to non air breather rocket mode to operate in atmosphere in hypersonic velocities. Which as a result, makes it not feasible for anything practical. It also takes an immense amount of fuel to function.

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Advanced Additive Manufacturing for Hypersonic Aircraft

Utilizing new methods of fabrication and construction, make it possible to use additive manufacturing, dramatically reducing the time and costs of producing hypersonic platforms from missiles, aircraft, and space capable craft. Instead of aircraft being produced in piece, then bolted together; small platforms can be produced as a single unit and large platforms can be produces in large section and mated without bolting. These techniques include using exotic materials and advanced assembly processes, with an end result of streamlining the production costs and time for hypersonic aircraft; reducing months of assembly to weeks. Overall, this process greatly reduced the cost for producing hypersonic platforms. Even to such an extent that a Hellfire missile costs apx $100,000 but by utilizing our technologies, replacing it with a Mach 8-10 hypersonic missile of our physics/engineering and that missile would cost roughly $75,000 each delivered.

Materials used for these manufacturing processes are not disclosed, but overall, provides a foundation for extremely high stresses and thermodynamics, ideal for hypersonic platforms. This specific methodology and materials applications is many decades ahead of all known programs. Even to the extend of normalized space flight and re-entry, without concern of thermodynamic failure.

*Note, most entities that are experimenting with additive manufacturing for hypersonic aircraft, this makes it mainstream and standardized processes, which also applies for mass production.

What would normally be measured in years and perhaps a decade to go from drawing board to test flights, is reduced to singular months and ready for production within a year maximum.

Unified Turbine Based Combined Cycle (U-TBCC)

To date, the closest that NASA and industry have achieved for turbine based aircraft to fly at hypersonic velocities is by mounting a turbine into an aircraft and sharing the inlet with a scramjet or rocket based motor. Reaction Engines Sabre is not able to achieve hypersonic velocities and can only transition into a non air breathing rocket for beyond Mach 4.5

However, utilizing Unified Turbine Based Combine Cycle also known as U-TBCC, the two separate platforms are able to share a common inlet and the dual mode ramjet/scramjet is contained within the engine itself, which allows for a much smaller airframe footprint, thus engingeers are able to then design much higher performance aerial platforms for hypersonic flight, including the ability for constructing true single stage to orbit aircraft by utilizing a modification/version that allows for transition to outside atmosphere propulsion without any other propulsion platforms within the aircraft. By transitioning and developing aircraft to use Unified Turbine Based Combined Cycle, this propulsion system opens up new options to replace that airframe deficit for increased fuel capacity and/or payload.

Enhanced Dynamic Cavitation

Dramatically Increasing the efficiency of fuel air mixture for combustion processes at hypersonic velocities within scramjet propulsion platforms. The aspects of these processes are non disclosable.

Dynamic Scramjet Ignition Processes

For optimal scramjet ignition, a process known as Self Start is sought after, but in many cases if the platform becomes out of attitude, the scramjet will ignite. We have already solved this problem which as a result, a scramjet propulsion system can ignite at lower velocities, high velocities, at optimal attitude or not optimal attitude. It doesn't matter, it will ignite anyways at the proper point for maximum thrust capabilities at hypersonic velocities.

Hydrogen vs Kerosene Fuel Sources

Kerosene is an easy fuel to work with, and most western nations developing scramjet platforms use Kerosene for that fact. However, while kerosene has better thermal properties then Hydrogen, Hydrogen is a far superior fuel source in scramjet propulsion flight, do it having a much higher efficiency capability. Because of this aspect, in conjunction with our developments, it allows for a MUCH increased fuel to air mixture, combustion, thrust; and ability for higher speeds; instead of very low hypersonic velocities in the Mach 5-6 range. Instead, Mach 8-10 range, while we have begun developing hypersonic capabilities to exceed 15 in atmosphere within less then 5 years.

Conforming High Pressure Tank Technology for CNG and H2.

As most know in hypersonics, Hydrogen is a superior fuel source, but due to the storage abilities, can only be stored in cylinders thus much less fuel supply. Not anymore, we developed conforming high pressure storage technology for use in aerospace, automotive sectors, maritime, etc; which means any overall shape required for 8,000+ PSI CNG or Hydrogen. For hypersonic platforms, this means the ability to store a much larger volume of hydrogen vs cylinders.

As an example, X-43 flown by Nasa which flew at Mach 9.97. The fuel source was Hydrogen, which is extremely more volatile and combustible then kerosene (JP-7), via a cylinder in the main body. If it had used our technology, that entire section of the airframe would had been an 8,000 PSI H2 tank, which would had yielded 5-6 times the capacity. While the X-43 flew 11 seconds under power at Mach 9.97, at 6 times the fuel capacity would had yielded apx 66 seconds of fuel under power at Mach 9.97. If it had flew slower, around Mach 6, same principles applied would had yielded apx 500 seconds of fuel supply under power (slower speeds required less energy to maintain).

Enhanced Fuel Mixture During Shock Train Interaction

Normally, fuel injection is conducted at the correct insertion point within the shock train for maximum burn/combustion. Our methodologies differ, since almost half the fuel injection is conducted PRE shock train within the isolator, so at the point of isolator injection the fuel enhances the combustion process, which then requires less fuel injection to reach the same level of thrust capabilities.

Improved Bow Shock Interaction

Smoother interaction at hypersonic velocities and mitigating heat/stresses for beyond Mach 6 thermodynamics, which extraordinarily improves Type 3, 4, and 5 shock interaction.

6,000+ Fahrenheit Thermal Resistance

To date, the maximum thermal resistance was tested at AFRL in the spring of 2018, which resulted in a 3,200F thermal resistance for a short duration. This technology, allows for normalized hypersonic thermal resistance of 3,000-3,500F sustained, and up to 6,500F resistance for short endurance, ie 90 seconds or less. 10-20 minute resistance estimate approximately 4,500F +/- 200F.

*** This technology advancement also applies to Aerospike rocket engines, in which it is common for Aerospike's to exceed 4,500-5,000F temperatures, which results in the melting of the reversed bell housing. That melting no longer ocurrs, providing for stable combustion to ocurr for the entire flight envelope

Scramjet Propulsion Side Wall Cooling

With old technologies, side wall cooling is required for hypersonic flight and scramjet propulsion systems, otherwise the isolator and combustion regions of a scramjet would melt, even using advanced ablatives and ceramics, due to their inability to cope with very high temperatures. Using technology we have developed for very high thermodynamics and high stresses, side wall cooling is no longer required, thus removing that variable from the design process and focusing on improved ignition processes and increasing net thrust values.

Lower Threshold for Hypersonic Ignition

Active and adaptive flight dynamics, resulting in the ability for scramjet ignition at a much lower velocity, ie within ramjet envelope, between Mach 2-4, and seamless transition from supersonic to hypersonic flight, ie supersonic ramjet (scramjet). This active and dynamic aspect, has a wide variety of parameters for many flight dynamics, velocities, and altitudes; which means platforms no longer need to be engineered for specific altitude ranges or preset velocities, but those parameters can then be selected during launch configuration and are able to adapt actively in flight.

Dramatically Improved Maneuvering Capabilities at Hypersonic Velocities

Hypersonic vehicles, like their less technologically advanced brethren, use large actuator and the developers hope those controls surfaces do not disintegrate in flight. In reality, it is like rolling the dice, they may or may not survive, hence another reason why the attempt to keep velocities to Mach 6 or below. We have shrunken down control actuators while almost doubling torque and response capabilities specifically for hypersonic dynamics and extreme stresses involved, which makes it possible for maximum input authority for Mach 10 and beyond.

Paradigm Shift in Control Surface Methodologies, Increasing Control Authority (Internal Mechanical Applications)

To date, most control surfaces for hypersonic missile platforms still use fins, similar to lower speed conventional missiles, and some using ducted fins. This is mostly due to lack of comprehension of hypersonic velocities in their own favor. Instead, the body itself incorporates those control surfaces, greatly enhancing the airframe strength, opening up more space for hardware and fuel capacity; while simultaneously enhancing the platforms maneuvering capabilities.

A scramjet missile can then fly like conventional missile platforms, and not straight and level at high altitudes, losing velocity on it's decent trajectory to target. Another added benefit to this aspect, is the ability to extend range greatly, so if anyone elses hypersonic missile platform were developed for 400 mile range, falling out of the sky due to lack of glide capabilities; our platforms can easily reach 600+ miles, with minimal glide deceleration.

Graham Harwood (UK), Matsuko Yokokoji (JP).

A coal-fired boiler powers a network of computers exploring the relationships between power and media. Coal Fired Computers explores the ecologies that have created and maintained power, and the subsequent health residues and crisis of fuelling that power. The work responds to the displacement of coal production to distant India, China or Vietnam and our industrial heritage, in particular the work of Charles Parsons whose steam turbine is used to produce 40% of today’s electricity. In many countries this rate is much higher (more than 70% in India and China).

According to the World Health Organization, 318.000 deaths occur annually from chronic bronchitis and emphysema caused by exposure to coal dust. The common perception is that wealthy countries have put this all behind them, displacing coal dust into the lungs of unrecorded, unknown miners in distant lands, coal returning in our lives in the form of cheap and apparently clean goods we consume.

Coal fired energy not only powers our computers here in Europe, but is integral to the production of the 300.000.000 computers made each year. 81% of the energy used in a computer’s life cycle is expended in the manufacturing process, now taking place in countries with high levels of coal consumption.

yoha.co.uk/cfc

www.artefact-festival.be/2011/

From Barfoot's series of coloured lithographs of 1840 depicting the cotton manufacturing process.

Original text written to accompany Lithograph No.5:

"When the COTTON has been carded, it is brought to the Drawing-Frame, which you see on the left of the picture. Here the long strips of Cotton are drawn from the Cans between sets of small iron or brass rollers; the motion of these rollers is slow. You see that four of these strips are then drawn together, through a small brass tube or funnel, by another pair of rollers at the front, and as these rollers are turning round four times as quick as the other, they reduce the four united strips to the same thickness that each one was before it left the Can. But it is made a great deal longer, and the fibres of the Cotton are more completely drawn into the right position. The Bobbin-Frame, which appears the third in the picture, receives the Cotton from the drawing; here it passes between rollers similar to the first set in the Drawing-Frame, but weighted so as to hold more firmly, whilst a set of Spindles, by means of Flyers on the tops of them, twists the Cotton a little, and thus turns it into a soft string, when it runs upon large Bobbins about nine inches long. The Jack-Frame, the second in the picture, then carries on the process by working the slightly twisted string finer and tighter, and running it on Bobbins of smaller size. When the Cotton is intended to be spun into a very fine thread, it has still to undergo a similar process, called stretching, and is made into rovings. I wonder what the Girl has done amiss who is being rebuked by the Overlooker!"

From Barfoot's series of coloured lithographs of 1840 depicting the cotton manufacturing process.

Original text written to accompany Lithograph No.11:

Some people are afraid that the use of such wonderous Machines as Throstles, Mules, Jennies and Steam-Looms, will do harm, by throwing many workmen out of employment; but let us not forget that whilst the steam-power is performing the hardest part of the work, many hands are needed to make the engines; and, as the goods are made better, quicker, and cheaper, the demand for them is much increased. It seems, too, that where machines increase, the working people increase faster, for Manchester, which is the chief seat of the cotton trade, is three of four times as large now as it was before the steam factories were built. The Dyer's Machinery is very simple, and so are the operations; but the management of the colouring requires much skill. When the colours are to be fixed upon cloth which has gone through the Printing Machine, the pieces are first passed through a number of rollers, in a stone Cistern filled with cowdung and hot water, to take away the printer's colouring. After this they are well washed in a Dash-wheel, tied four together and put into a Dying Cistern filled with water and the dye stuff required, such as Madder for red, or lilacs, Indigo for blues, &c. the pieces are rinsed in cold water and put again into the Dash-wheel. The dye is thus fixed in the pattern given by the machine, and as the rest of the cloth is slightly tinted, it is washed in hot water and bran, and put into a cistern of bleaching liquid. It is next passed between two squeezers, and dried by the drying machine.

Shimano has released only 1000 of these sets to North America. If you are a collector or someone that just likes the best, than this is for you. This group is almost too beautiful to put on your bike.

The Dura-Ace name speaks for itself. You can feel the quality and see the attention to detail when you hold the parts. It is quality that has made Dura-Ace successful for 25 years.

The shifts are very fast and accurate with a smooth action. The refined dual pivot brakes stop on a dime even in wet conditions. The bearings of the bottom bracket and hubs are smooth. The new SPDR pedal locks your foot to the pedal better than anything we have tried.

The components are based on the 1999 Dura-Ace 7700 series components, but there are significant differences. Component surfaces have been hand polished to a mirror like finish and more titanium hardware is used throughout the group. Each components is also identified with a special 25th Anniversary emblem. Detailed specifications are provided with the group.

The components are packaged in ready-to-display condition in a handsome aluminum presentation case which also provides ample protection for long term storage. The package also includes a book which details the history of the group, briefly explains the manufacturing process, and provides comments from the people who have been closely involved with Dura-Ace over the years.

When Dura-Ace first appeared in Europe, cycling enthusiasts thought there was little chance a Japanese component maker could make inroads into the conservative and tradition-bound sport of professional bicycle racing. Much to everyone’s surprise, Shimano’s commitment to quality, innovative engineering, and attention to the needs of racing cyclists resulted in Dura-Ace becoming a very popular and well respected component group. It is estimated that more than 60 percent of high-end road racers are now riding Dura-Ace.

The dependability and functionality of the components are integral to the performance of the racing bicycle and the athlete riding it. Dura-Ace is designed to create a highly efficient link between the racer and the bicycle. It’s an interface that allows racing cyclists to concentrate more on the race, and less on controlling the bicycle. As a result, Dura-Ace is now recognized by road racers and cycling enthusiasts around the world as the performance standard for racing components.

A beautiful Prim Sport "Igen" 38 being rebuilt in the watch restoration and assembly room at Prim.

On September 26, 2008 my family and I were privileged to spend the day in the beautiful town of Nové Mesto nad Metují in the east of the Czech Republic, close to the Polish border. Our host was Mr. Jan Prokop, Marketing Director (and principal designer) at the ELTON hodinárská, a.s. - the manufacturers of fine bespoke Prim wristwatches.

Mr. Prokop collected us from our hotel in Prague, drove us to Nové Mesto nad Metují and back (a round trip of three hours), presented their current product range, guided us through their interesting museum, and led us on a tour of the full manufacturing operation at Prim. This was a fantastic opportunity, and we got to see everything from the manufacturing of cases, dials, hesatite crystals and hands through to the final assembly process. We also saw great examples of their bespoke manufacturing capability as well as their top class restoration service. Mr Prokop ended a fine day with a meal and good local beer in a restaurant on the old town square.

Six weeks after our visit I sent my prized Prim Sport "Igen" 38 (produced in the 60's and early-70's) to ELTON where it is currently being restored and modernised to my specification, as well as being personalised. I can't wait to get it back - my first bespoke wristwatch and an heirloom to pass on to my son!

Although obviously sensitive about certain parts of their operation, Mr. Prokop graciously allowed me to take many photographs during our visit, and here they are for your viewing pleasure. As you will see, these are truly hand-made watches that combine both leading edge design and manufacturing processes and age-old processes and technologies. It is this progressive traditionalism and craftsmanship that gives these unique timepieces their individual character...and I love them!

Io Aircraft - www.ioaircraft.com

Drew Blair

www.linkedin.com/in/drew-b-25485312/

io aircraft, phantom express, phantom works, boeing phantom works, lockheed skunk works, hypersonic weapon, hypersonic missile, scramjet missile, scramjet engineering, scramjet physics, boost glide, tactical glide vehicle, Boeing XS-1, htv, Air-Launched Rapid Response Weapon, (ARRW), hypersonic tactical vehicle, hypersonic plane, hypersonic aircraft, space plane, scramjet, turbine based combined cycle, ramjet, dual mode ramjet, darpa, onr, navair, afrl, air force research lab, defense science, missile defense agency, aerospike,

Advanced Additive Manufacturing for Hypersonic Aircraft

Utilizing new methods of fabrication and construction, make it possible to use additive manufacturing, dramatically reducing the time and costs of producing hypersonic platforms from missiles, aircraft, and space capable craft. Instead of aircraft being produced in piece, then bolted together; small platforms can be produced as a single unit and large platforms can be produces in large section and mated without bolting. These techniques include using exotic materials and advanced assembly processes, with an end result of streamlining the production costs and time for hypersonic aircraft; reducing months of assembly to weeks. Overall, this process greatly reduced the cost for producing hypersonic platforms. Even to such an extent that a Hellfire missile costs apx $100,000 but by utilizing our technologies, replacing it with a Mach 8-10 hypersonic missile of our physics/engineering and that missile would cost roughly $75,000 each delivered.

Materials used for these manufacturing processes are not disclosed, but overall, provides a foundation for extremely high stresses and thermodynamics, ideal for hypersonic platforms. This specific methodology and materials applications is many decades ahead of all known programs. Even to the extend of normalized space flight and re-entry, without concern of thermodynamic failure.

*Note, most entities that are experimenting with additive manufacturing for hypersonic aircraft, this makes it mainstream and standardized processes, which also applies for mass production.

What would normally be measured in years and perhaps a decade to go from drawing board to test flights, is reduced to singular months and ready for production within a year maximum.

Unified Turbine Based Combined Cycle (U-TBCC)

To date, the closest that NASA and industry have achieved for turbine based aircraft to fly at hypersonic velocities is by mounting a turbine into an aircraft and sharing the inlet with a scramjet or rocket based motor. Reaction Engines Sabre is not able to achieve hypersonic velocities and can only transition into a non air breathing rocket for beyond Mach 4.5

However, utilizing Unified Turbine Based Combine Cycle also known as U-TBCC, the two separate platforms are able to share a common inlet and the dual mode ramjet/scramjet is contained within the engine itself, which allows for a much smaller airframe footprint, thus engingeers are able to then design much higher performance aerial platforms for hypersonic flight, including the ability for constructing true single stage to orbit aircraft by utilizing a modification/version that allows for transition to outside atmosphere propulsion without any other propulsion platforms within the aircraft. By transitioning and developing aircraft to use Unified Turbine Based Combined Cycle, this propulsion system opens up new options to replace that airframe deficit for increased fuel capacity and/or payload.

Enhanced Dynamic Cavitation

Dramatically Increasing the efficiency of fuel air mixture for combustion processes at hypersonic velocities within scramjet propulsion platforms. The aspects of these processes are non disclosable.

Dynamic Scramjet Ignition Processes

For optimal scramjet ignition, a process known as Self Start is sought after, but in many cases if the platform becomes out of attitude, the scramjet will ignite. We have already solved this problem which as a result, a scramjet propulsion system can ignite at lower velocities, high velocities, at optimal attitude or not optimal attitude. It doesn't matter, it will ignite anyways at the proper point for maximum thrust capabilities at hypersonic velocities.

Hydrogen vs Kerosene Fuel Sources

Kerosene is an easy fuel to work with, and most western nations developing scramjet platforms use Kerosene for that fact. However, while kerosene has better thermal properties then Hydrogen, Hydrogen is a far superior fuel source in scramjet propulsion flight, do it having a much higher efficiency capability. Because of this aspect, in conjunction with our developments, it allows for a MUCH increased fuel to air mixture, combustion, thrust; and ability for higher speeds; instead of very low hypersonic velocities in the Mach 5-6 range. Instead, Mach 8-10 range, while we have begun developing hypersonic capabilities to exceed 15 in atmosphere within less then 5 years.

Conforming High Pressure Tank Technology for CNG and H2.

As most know in hypersonics, Hydrogen is a superior fuel source, but due to the storage abilities, can only be stored in cylinders thus much less fuel supply. Not anymore, we developed conforming high pressure storage technology for use in aerospace, automotive sectors, maritime, etc; which means any overall shape required for 8,000+ PSI CNG or Hydrogen. For hypersonic platforms, this means the ability to store a much larger volume of hydrogen vs cylinders.

As an example, X-43 flown by Nasa which flew at Mach 9.97. The fuel source was Hydrogen, which is extremely more volatile and combustible then kerosene (JP-7), via a cylinder in the main body. If it had used our technology, that entire section of the airframe would had been an 8,000 PSI H2 tank, which would had yielded 5-6 times the capacity. While the X-43 flew 11 seconds under power at Mach 9.97, at 6 times the fuel capacity would had yielded apx 66 seconds of fuel under power at Mach 9.97. If it had flew slower, around Mach 6, same principles applied would had yielded apx 500 seconds of fuel supply under power (slower speeds required less energy to maintain).

Enhanced Fuel Mixture During Shock Train Interaction

Normally, fuel injection is conducted at the correct insertion point within the shock train for maximum burn/combustion. Our methodologies differ, since almost half the fuel injection is conducted PRE shock train within the isolator, so at the point of isolator injection the fuel enhances the combustion process, which then requires less fuel injection to reach the same level of thrust capabilities.

Improved Bow Shock Interaction

Smoother interaction at hypersonic velocities and mitigating heat/stresses for beyond Mach 6 thermodynamics, which extraordinarily improves Type 3, 4, and 5 shock interaction.

6,000+ Fahrenheit Thermal Resistance

To date, the maximum thermal resistance was tested at AFRL in the spring of 2018, which resulted in a 3,200F thermal resistance for a short duration. This technology, allows for normalized hypersonic thermal resistance of 3,000-3,500F sustained, and up to 6,500F resistance for short endurance, ie 90 seconds or less. 10-20 minute resistance estimate approximately 4,500F +/- 200F.

*** This technology advancement also applies to Aerospike rocket engines, in which it is common for Aerospike's to exceed 4,500-5,000F temperatures, which results in the melting of the reversed bell housing. That melting no longer ocurrs, providing for stable combustion to ocurr for the entire flight envelope

Scramjet Propulsion Side Wall Cooling

With old technologies, side wall cooling is required for hypersonic flight and scramjet propulsion systems, otherwise the isolator and combustion regions of a scramjet would melt, even using advanced ablatives and ceramics, due to their inability to cope with very high temperatures. Using technology we have developed for very high thermodynamics and high stresses, side wall cooling is no longer required, thus removing that variable from the design process and focusing on improved ignition processes and increasing net thrust values.

Lower Threshold for Hypersonic Ignition

Active and adaptive flight dynamics, resulting in the ability for scramjet ignition at a much lower velocity, ie within ramjet envelope, between Mach 2-4, and seamless transition from supersonic to hypersonic flight, ie supersonic ramjet (scramjet). This active and dynamic aspect, has a wide variety of parameters for many flight dynamics, velocities, and altitudes; which means platforms no longer need to be engineered for specific altitude ranges or preset velocities, but those parameters can then be selected during launch configuration and are able to adapt actively in flight.

Dramatically Improved Maneuvering Capabilities at Hypersonic Velocities

Hypersonic vehicles, like their less technologically advanced brethren, use large actuator and the developers hope those controls surfaces do not disintegrate in flight. In reality, it is like rolling the dice, they may or may not survive, hence another reason why the attempt to keep velocities to Mach 6 or below. We have shrunken down control actuators while almost doubling torque and response capabilities specifically for hypersonic dynamics and extreme stresses involved, which makes it possible for maximum input authority for Mach 10 and beyond.

Paradigm Shift in Control Surface Methodologies, Increasing Control Authority (Internal Mechanical Applications)

To date, most control surfaces for hypersonic missile platforms still use fins, similar to lower speed conventional missiles, and some using ducted fins. This is mostly due to lack of comprehension of hypersonic velocities in their own favor. Instead, the body itself incorporates those control surfaces, greatly enhancing the airframe strength, opening up more space for hardware and fuel capacity; while simultaneously enhancing the platforms maneuvering capabilities.

A scramjet missile can then fly like conventional missile platforms, and not straight and level at high altitudes, losing velocity on it's decent trajectory to target. Another added benefit to this aspect, is the ability to extend range greatly, so if anyone elses hypersonic missile platform were developed for 400 mile range, falling out of the sky due to lack of glide capabilities; our platforms can easily reach 600+ miles, with minimal glide deceleration.

Enterprise Minister Arlene Foster today announced an £8million export sales boost for Yardmaster International in Draperstown.

The company produces flat pack metal garden sheds and garages and secured the new business in its key markets of Europe and the UK over the past twelve months.

Invest Northern Ireland provided support to help Yardmaster review its manufacturing processes and identify areas which could be improved to make the business even more efficient. Over the past twelve months the company has incorporated a series of lean manufacturing techniques into its operations.

Arlene Foster said: “Yardmaster’s drive to improve its productivity has delivered significant results to date. The firm’s proactive and enthusiastic approach to this project has helped it to achieve efficiencies and grow sales.

“By optimising how the company uses existing resources Yardmaster has been able to double the number of sheds produced per week. Embedding lean principles throughout the entire company will continue to benefit Yardmaster’s bottom line moving forward.”

Willie McKeown, Managing Director at Yardmaster International, added: “Implementing lean manufacturing techniques into our operations has made an immediate and positive impact to our overall business performance. Working with Invest NI helped us to recognise the benefits we could gain by focusing on productivity improvement.

“We plan to further increase production and will continue to focus on improving our processes in order to maximise efficiencies, free up time to progress research and development on next generation products and maintain a strong competitive position in export markets.”

The Minister concluded: “Businesses today face many pressures and in order to survive and grow, they must respond and take steps to become more efficient, flexible and at the same time reduce costs. This is an excellent example of how Invest NI can support companies by helping them to review productivity levels and identify areas for improvement."

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

The Ice Factory is a modernist style building built in 1944, under the name of Marqués de Valterra. It is located on Avenida Bajo de Guía in Sanlúcar

This supplied ice to the fishing boats in Sanlúcar and remained in operation in its original role until 1978, after having overcome a serious explosion caused by the gases used in the manufacturing process. It is decorated with tiles from Triana (Seville).

In the year 2000 it was converted into the Visitor Center of the Doñana National Park

en.wikipedia.org/wiki/Sanl%C3%BAcar_de_Barrameda#:~:text=...

Accession number: 1078.63

Place made: England

Date made: 19th Century

Materials used: Wood, copper

A slicker with a wooden handle and a metal blade.

Slickers are used for the leather manufacturing processes of hand-staking or striking. Striking was used to increase the area yield of thin, delicate skins or skins of an awkward shape. The skin would be placed grain-side down on a flat surface and the blunt blade, made of glass, steel or copper, would be pushed forward over the flesh side to squeeze out excess water, flatten the skin and stretch it out.

Slickers made from steel were also used in the paste-drying process. A glass plate would be covered with a thin starch paste and the wet skin would be slicked out, grain side to the glass to which it adheres, preventing shrinkage on drying.

This particular slicker is one of four held by the museum and was exhibited at the Great Exhibition in 1851.

»You & Me« from the Scrappies series - cast in 925 Sterling silver.

The body parts of the Scrappies are inspired by everything that can be found in a scrapyard: Old bolts and nuts, rusty coils, pipes, parts of ball bearings, tin cans, and more.

The figurines are cast in minute detail, including "rust holes" and traces of an alleged "welding". The scrap metal look gives the characters their own special, irresistible charm.

Each of the pendants is individually and uniquely created in a complex, novel manufacturing process:

It all begins with a digital 3D design which is then used to build a wax model. The wax model is created layer by layer on a special 3D wax printer. The wax model is used to produce a negative, heat-resistant shell around the wax.

Heat is applied to the outer shell such that the wax melts out and leaves room for liquid silver to be poured in. Finally, the shell has to be destroyed to take the finished object out.

More at www.indiegogo.com/you-n-me

A beautiful Prim Sport "Igen" 38 being rebuilt in the watch restoration and assembly room at Prim.

On September 26, 2008 my family and I were privileged to spend the day in the beautiful town of Nové Mesto nad Metují in the east of the Czech Republic, close to the Polish border. Our host was Mr. Jan Prokop, Marketing Director (and principal designer) at the ELTON hodinárská, a.s. - the manufacturers of fine bespoke Prim wristwatches.

Mr. Prokop collected us from our hotel in Prague, drove us to Nové Mesto nad Metují and back (a round trip of three hours), presented their current product range, guided us through their interesting museum, and led us on a tour of the full manufacturing operation at Prim. This was a fantastic opportunity, and we got to see everything from the manufacturing of cases, dials, hesatite crystals and hands through to the final assembly process. We also saw great examples of their bespoke manufacturing capability as well as their top class restoration service. Mr Prokop ended a fine day with a meal and good local beer in a restaurant on the old town square.

Six weeks after our visit I sent my prized Prim Sport "Igen" 38 (produced in the 60's and early-70's) to ELTON where it is currently being restored and modernised to my specification, as well as being personalised. I can't wait to get it back - my first bespoke wristwatch and an heirloom to pass on to my son!

Although obviously sensitive about certain parts of their operation, Mr. Prokop graciously allowed me to take many photographs during our visit, and here they are for your viewing pleasure. As you will see, these are truly hand-made watches that combine both leading edge design and manufacturing processes and age-old processes and technologies. It is this progressive traditionalism and craftsmanship that gives these unique timepieces their individual character...and I love them!

After 3 months of travel, which included approximately 7 weeks of sitting at Osaka International Airport, my Mandarake purchase in April 2020 finally arrived.

Here she is in all her glory, Sailor Pluto, the last of the Sailor Senshi on my "to get list".

BFF to Chibi-Usa, Sailor Pluto, or "Pu" is the Guardian of Time and leader of the Outer Senshi, soldiers gifted with stronger power than their Inner Senshi cohorts. She is generally stationed at that one spot preventing trespassers from entering the future. Well, things got screwy and required Pluto to not only abandon her post, but eventually abandon her timeline completely and return to the present under the civilian guise of Setsuna Meioh.

In addition to being a very competent soldier, Sailor Pluto also bears one of the three Sacred Talisman, along with Sailor Uranus and Pluto, that are needed to find the Holy Grail, the only thing that can stop "The Silence", the big baddie in Season 3 of the original run.

Plus she's the only one with no sleeves on her tunic, so you KNOW she's badass.

Based on what I was reading, Pluto was a bit annoying to get due to her Exclusive release nature, something that I've run into with several of the Endgame releases.. hence my resorting to Mandarake.

Contents of the box are what you'd expect it to be - the figure, four total face plates (neutral, smiling, shouting, eyes closed), her weapon (Garnet Rod), various hands, and the standard base. The head of the staff comes off just like in the show so you can display Pluto holding her talisman.

While I wish I could say that this was just a copy and paste overview from the other Senshi, there are a few critical items worth noting.

First off, on the positive side of things, to my eyes Sailor Pluto is one of a handful of Sailor Moon Figuarts that got the proportions right, with the other two being Super Sailor Moon and Sailor Saturn. I'm not perfectly confident about her scaling, but that's another story.

Much like the other two, Sailor Pluto's faceplates seem to be the right shape, and actually wrap around her to her neck without any unsightly gaps around the ears.

Now that we got that out of the way, lets talk about the greatest barrier to enjoying this figure - her hair. Sailor Pluto has lovely knee length Olive green hair. Good news, Tamashii Nations replicated this. Bad news, it's one solid piece of hard plastic with one point of articulation on the top of her head which is much more annoying to position than you'd think. The same stiff plastic makes up the front of her hair as well, so overall Pluto has a slightly different sheen to her hair as compared to the other Senshi. Detailing on the hair is average - it won't impress, but it won't make you question the manufacturing process either.

There are a few more exciting poses you can get her into, but in general Pluto is going to be one of those figures that does a lot of epic standing, and even then you might want to consider using the stand full time.

Articulation wise, she's got what the ladies do (ankles, knees, hips with pull down, mid torso, shoulders with some collapse and bicep swivel, elbows, wrists, and head), but as stated above your limiting factor is going to be the hair. I guess if it is any consolation, I don't remember Pluto doing much other than her projectile attacks so no crazy gymnastics come to mind.

Paint work is the usual mix of good and meh when it comes to this line, with the messiest spots around her waist where the white paint meets the skirt - interesting thing to note is that the skirt is a separate piece, so basically this is not a masking issue.. they just really sucked at applying the paint. That's kind of the story overall - it's pretty good, then you hit a spot where you go "OOF". Decals on the face are pretty solid.

Finally there's build quality and yeah, good all around. If you've handled one Senshi you've generally handled them all. In the event you haven't, expect limbs to the right size, joints to be tight, and finishes on the various parts to range from "great" to "you really didn't try that hard did you", a common problem with earlier Figuarts. Overall, most handling will be find though as always extra caution when changing hands or doing any sudden movements is recommended.

That, friends, was the last Sailor Senshi. Pluto looks great as far as aesthetics go, but from an articulation perspective sadly the hair is quite limiting. Still, there's no doubt that Pluto will look great standing in with the rest of the crew, which is probably the only reason you'd be getting one of these to begin with.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

040

Friday, December 8th, 2017

Fortune Global Forum 2017

Guangzhou, China

8:00 AM–9:20 AM

SMART MANUFACTURING AND THE INTERNET OF THINGS

Around the world, factory floors and assembly lines are becoming highly automated, combining human ingenuity with data and technology to revolutionize product and productivity outcomes. As the notion of a “factory of the future” continues to evolve, how are companies incorporating “smart” and connected products into their manufacturing process? From sensors and robots to 3D printing and green technology, global companies are experimenting with a variety of methods to streamline, scale, and sustain their business. Here in China, manufacturers have been asked to deliver on the nation’s “Made in China 2025” strategy and are aggressively pursuing their own strategies to become smarter, greener, and more efficient. As these changes take hold, what are the implications for those doing business in China and for supply chains worldwide? And how are companies redeploying and reeducating their workforces as traditional factory jobs become automated and the need for technically proficient talent increases?

Hosted by The City of Guangzhou

Börje Ekholm, President and CEO, Ericsson Group

Till Reuter, Chief Executive Officer, KUKA

Tony Tan, Partner, Shanghai Office, McKinsey & Company

Wang Wenyin, Chairman, Amer International Group

Shoei Yamana, President and CEO, Konica Minolta

Zhang Jing, Founder and Chairman, Cedar Holdings Group

Moderator: Adam Lashinsky, Fortune

Photograph by Vivek Prakash/Fortune

Graham Harwood (UK), Matsuko Yokokoji (JP).

A coal-fired boiler powers a network of computers exploring the relationships between power and media. Coal Fired Computers explores the ecologies that have created and maintained power, and the subsequent health residues and crisis of fuelling that power. The work responds to the displacement of coal production to distant India, China or Vietnam and our industrial heritage, in particular the work of Charles Parsons whose steam turbine is used to produce 40% of today’s electricity. In many countries this rate is much higher (more than 70% in India and China).

According to the World Health Organization, 318.000 deaths occur annually from chronic bronchitis and emphysema caused by exposure to coal dust. The common perception is that wealthy countries have put this all behind them, displacing coal dust into the lungs of unrecorded, unknown miners in distant lands, coal returning in our lives in the form of cheap and apparently clean goods we consume.

Coal fired energy not only powers our computers here in Europe, but is integral to the production of the 300.000.000 computers made each year. 81% of the energy used in a computer’s life cycle is expended in the manufacturing process, now taking place in countries with high levels of coal consumption.

yoha.co.uk/cfc

www.artefact-festival.be/2011/

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

Visited the Cup Noodle museum and I was suprised to learn so much about the history of how it all started. Mr. Momofuku was the inventor of the dried ramen and the company was called Nissin.

Here's a timeline of events and read the NYT article.

(Mr. Momofuku was about 48)

8/26/1958: first ramen was created

1960: mass production of the ramen started

(Mr. Momofuku was 65 years young)

1965: Mr. Momofuku created a global goal

1966: the cup of noodle was invented based on his visit to America. Americans put the ramen in a cup and poured the hot water over it since they didn't eat them out of bowls like the Japanese

9/18/1971: finally perfected the entire manufacturing process of the cup of noodle and tested it at the Ginza pedestrian mall.

1973: Cup Of Noodle went global

1996: Cup Of Noodle billboard went up in NYC Times Square

(Mr. Momofuku was 90 years young)

7/27/2005: he invented ramen for the astronauts and called it space noodles

1/5/2007: Mr Momofuku died at the young age of 96

BlueEdge - Mach 8-10 Hypersonic Commercial Aircraft, 220 Passenger Hypersonic Commercial Plane - Iteration 3

Seating: 220 | Crew 2+4

Length: 195ft | Span: 93ft

Engines: 4 U-TBCC (Unified Turbine Based Combined Cycle) +1 Aerospike for sustained 2G acceleration to Mach 10.

Fuel: H2 (Compressed Hydrogen)

Cruising Altitude: 100,000-125,000ft

Airframe: 75% Proprietary Composites

Operating Costs, Similar to a 737. $7,000-$15,000hr, including averaged maintenence costs

Iteration 3 (Full release of IT3, Monday January 14, 2019)

IO Aircraft www.ioaircraft.com

Drew Blair www.linkedin.com/in/drew-b-25485312/

-----------------------------

hypersonic plane, hypersonic aircraft, hypersonic commercial plane, hypersonic commercial aircraft, hypersonic airline, tbcc, glide breaker, fighter plane, hyperonic fighter, boeing phantom express, phantom works, boeing phantom works, lockheed skunk works, hypersonic weapon, hypersonic missile, scramjet missile, scramjet engineering, scramjet physics, boost glide, tactical glide vehicle, Boeing XS-1, htv, Air Launched Rapid Response Weapon, (ARRW), hypersonic tactical vehicle, space plane, scramjet, turbine based combined cycle, ramjet, dual mode ramjet, darpa, onr, navair, afrl, air force research lab, office of naval research, defense advanced research project agency, defense science, missile defense agency, aerospike, hydrogen, hydrogen storage, hydrogen fueled, hydrogen aircraft, virgin airlines, united airlines, sas, finnair ,emirates airlines, ANA, JAL, airlines, military, physics, airline, british airways, air france

-----------------------------

Unified Turbine Based Combined Cycle. Current technologies and what Lockheed is trying to force on the Dept of Defense, for that low speed Mach 5 plane DOD gave them $1 billion to build and would disintegrate above Mach 5, is TBCC. 2 separate propulsion systems in the same airframe, which requires TWICE the airframe space to use.

Unified Turbine Based Combined Cycle is 1 propulsion system cutting that airframe deficit in half, and also able to operate above Mach 10 up to Mach 15 in atmosphere, and a simple nozzle modification allows for outside atmosphere rocket mode, ie orbital capable.

Additionally, Reaction Engines maximum air breather mode is Mach 4.5, above that it will explode in flight from internal pressures are too high to operate. Thus, must switch to non air breather rocket mode to operate in atmosphere in hypersonic velocities. Which as a result, makes it not feasible for anything practical. It also takes an immense amount of fuel to function.

-------------

Advanced Additive Manufacturing for Hypersonic Aircraft

Utilizing new methods of fabrication and construction, make it possible to use additive manufacturing, dramatically reducing the time and costs of producing hypersonic platforms from missiles, aircraft, and space capable craft. Instead of aircraft being produced in piece, then bolted together; small platforms can be produced as a single unit and large platforms can be produces in large section and mated without bolting. These techniques include using exotic materials and advanced assembly processes, with an end result of streamlining the production costs and time for hypersonic aircraft; reducing months of assembly to weeks. Overall, this process greatly reduced the cost for producing hypersonic platforms. Even to such an extent that a Hellfire missile costs apx $100,000 but by utilizing our technologies, replacing it with a Mach 8-10 hypersonic missile of our physics/engineering and that missile would cost roughly $75,000 each delivered.

Materials used for these manufacturing processes are not disclosed, but overall, provides a foundation for extremely high stresses and thermodynamics, ideal for hypersonic platforms. This specific methodology and materials applications is many decades ahead of all known programs. Even to the extend of normalized space flight and re-entry, without concern of thermodynamic failure.

*Note, most entities that are experimenting with additive manufacturing for hypersonic aircraft, this makes it mainstream and standardized processes, which also applies for mass production.

What would normally be measured in years and perhaps a decade to go from drawing board to test flights, is reduced to singular months and ready for production within a year maximum.

Unified Turbine Based Combined Cycle (U-TBCC)

To date, the closest that NASA and industry have achieved for turbine based aircraft to fly at hypersonic velocities is by mounting a turbine into an aircraft and sharing the inlet with a scramjet or rocket based motor. Reaction Engines Sabre is not able to achieve hypersonic velocities and can only transition into a non air breathing rocket for beyond Mach 4.5

However, utilizing Unified Turbine Based Combine Cycle also known as U-TBCC, the two separate platforms are able to share a common inlet and the dual mode ramjet/scramjet is contained within the engine itself, which allows for a much smaller airframe footprint, thus engingeers are able to then design much higher performance aerial platforms for hypersonic flight, including the ability for constructing true single stage to orbit aircraft by utilizing a modification/version that allows for transition to outside atmosphere propulsion without any other propulsion platforms within the aircraft. By transitioning and developing aircraft to use Unified Turbine Based Combined Cycle, this propulsion system opens up new options to replace that airframe deficit for increased fuel capacity and/or payload.

Enhanced Dynamic Cavitation

Dramatically Increasing the efficiency of fuel air mixture for combustion processes at hypersonic velocities within scramjet propulsion platforms. The aspects of these processes are non disclosable.

Dynamic Scramjet Ignition Processes

For optimal scramjet ignition, a process known as Self Start is sought after, but in many cases if the platform becomes out of attitude, the scramjet will ignite. We have already solved this problem which as a result, a scramjet propulsion system can ignite at lower velocities, high velocities, at optimal attitude or not optimal attitude. It doesn't matter, it will ignite anyways at the proper point for maximum thrust capabilities at hypersonic velocities.

Hydrogen vs Kerosene Fuel Sources

Kerosene is an easy fuel to work with, and most western nations developing scramjet platforms use Kerosene for that fact. However, while kerosene has better thermal properties then Hydrogen, Hydrogen is a far superior fuel source in scramjet propulsion flight, do it having a much higher efficiency capability. Because of this aspect, in conjunction with our developments, it allows for a MUCH increased fuel to air mixture, combustion, thrust; and ability for higher speeds; instead of very low hypersonic velocities in the Mach 5-6 range. Instead, Mach 8-10 range, while we have begun developing hypersonic capabilities to exceed 15 in atmosphere within less then 5 years.

Conforming High Pressure Tank Technology for CNG and H2.

As most know in hypersonics, Hydrogen is a superior fuel source, but due to the storage abilities, can only be stored in cylinders thus much less fuel supply. Not anymore, we developed conforming high pressure storage technology for use in aerospace, automotive sectors, maritime, etc; which means any overall shape required for 8,000+ PSI CNG or Hydrogen. For hypersonic platforms, this means the ability to store a much larger volume of hydrogen vs cylinders.

As an example, X-43 flown by Nasa which flew at Mach 9.97. The fuel source was Hydrogen, which is extremely more volatile and combustible then kerosene (JP-7), via a cylinder in the main body. If it had used our technology, that entire section of the airframe would had been an 8,000 PSI H2 tank, which would had yielded 5-6 times the capacity. While the X-43 flew 11 seconds under power at Mach 9.97, at 6 times the fuel capacity would had yielded apx 66 seconds of fuel under power at Mach 9.97. If it had flew slower, around Mach 6, same principles applied would had yielded apx 500 seconds of fuel supply under power (slower speeds required less energy to maintain).

Enhanced Fuel Mixture During Shock Train Interaction

Normally, fuel injection is conducted at the correct insertion point within the shock train for maximum burn/combustion. Our methodologies differ, since almost half the fuel injection is conducted PRE shock train within the isolator, so at the point of isolator injection the fuel enhances the combustion process, which then requires less fuel injection to reach the same level of thrust capabilities.

Improved Bow Shock Interaction

Smoother interaction at hypersonic velocities and mitigating heat/stresses for beyond Mach 6 thermodynamics, which extraordinarily improves Type 3, 4, and 5 shock interaction.

6,000+ Fahrenheit Thermal Resistance

To date, the maximum thermal resistance was tested at AFRL in the spring of 2018, which resulted in a 3,200F thermal resistance for a short duration. This technology, allows for normalized hypersonic thermal resistance of 3,000-3,500F sustained, and up to 6,500F resistance for short endurance, ie 90 seconds or less. 10-20 minute resistance estimate approximately 4,500F +/- 200F.

*** This technology advancement also applies to Aerospike rocket engines, in which it is common for Aerospike's to exceed 4,500-5,000F temperatures, which results in the melting of the reversed bell housing. That melting no longer ocurrs, providing for stable combustion to ocurr for the entire flight envelope

Scramjet Propulsion Side Wall Cooling

With old technologies, side wall cooling is required for hypersonic flight and scramjet propulsion systems, otherwise the isolator and combustion regions of a scramjet would melt, even using advanced ablatives and ceramics, due to their inability to cope with very high temperatures. Using technology we have developed for very high thermodynamics and high stresses, side wall cooling is no longer required, thus removing that variable from the design process and focusing on improved ignition processes and increasing net thrust values.

Lower Threshold for Hypersonic Ignition

Active and adaptive flight dynamics, resulting in the ability for scramjet ignition at a much lower velocity, ie within ramjet envelope, between Mach 2-4, and seamless transition from supersonic to hypersonic flight, ie supersonic ramjet (scramjet). This active and dynamic aspect, has a wide variety of parameters for many flight dynamics, velocities, and altitudes; which means platforms no longer need to be engineered for specific altitude ranges or preset velocities, but those parameters can then be selected during launch configuration and are able to adapt actively in flight.

Dramatically Improved Maneuvering Capabilities at Hypersonic Velocities

Hypersonic vehicles, like their less technologically advanced brethren, use large actuator and the developers hope those controls surfaces do not disintegrate in flight. In reality, it is like rolling the dice, they may or may not survive, hence another reason why the attempt to keep velocities to Mach 6 or below. We have shrunken down control actuators while almost doubling torque and response capabilities specifically for hypersonic dynamics and extreme stresses involved, which makes it possible for maximum input authority for Mach 10 and beyond.

Paradigm Shift in Control Surface Methodologies, Increasing Control Authority (Internal Mechanical Applications)

To date, most control surfaces for hypersonic missile platforms still use fins, similar to lower speed conventional missiles, and some using ducted fins. This is mostly due to lack of comprehension of hypersonic velocities in their own favor. Instead, the body itself incorporates those control surfaces, greatly enhancing the airframe strength, opening up more space for hardware and fuel capacity; while simultaneously enhancing the platforms maneuvering capabilities.

A scramjet missile can then fly like conventional missile platforms, and not straight and level at high altitudes, losing velocity on it's decent trajectory to target. Another added benefit to this aspect, is the ability to extend range greatly, so if anyone elses hypersonic missile platform were developed for 400 mile range, falling out of the sky due to lack of glide capabilities; our platforms can easily reach 600+ miles, with minimal glide deceleration.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

Graham Harwood (UK), Matsuko Yokokoji (JP).

A coal-fired boiler powers a network of computers exploring the relationships between power and media. Coal Fired Computers explores the ecologies that have created and maintained power, and the subsequent health residues and crisis of fuelling that power. The work responds to the displacement of coal production to distant India, China or Vietnam and our industrial heritage, in particular the work of Charles Parsons whose steam turbine is used to produce 40% of today’s electricity. In many countries this rate is much higher (more than 70% in India and China).

According to the World Health Organization, 318.000 deaths occur annually from chronic bronchitis and emphysema caused by exposure to coal dust. The common perception is that wealthy countries have put this all behind them, displacing coal dust into the lungs of unrecorded, unknown miners in distant lands, coal returning in our lives in the form of cheap and apparently clean goods we consume.

Coal fired energy not only powers our computers here in Europe, but is integral to the production of the 300.000.000 computers made each year. 81% of the energy used in a computer’s life cycle is expended in the manufacturing process, now taking place in countries with high levels of coal consumption.

yoha.co.uk/cfc

www.artefact-festival.be/2011/

After 3 months of travel, which included approximately 7 weeks of sitting at Osaka International Airport, my Mandarake purchase in April 2020 finally arrived.

Here she is in all her glory, Sailor Pluto, the last of the Sailor Senshi on my "to get list".

BFF to Chibi-Usa, Sailor Pluto, or "Pu" is the Guardian of Time and leader of the Outer Senshi, soldiers gifted with stronger power than their Inner Senshi cohorts. She is generally stationed at that one spot preventing trespassers from entering the future. Well, things got screwy and required Pluto to not only abandon her post, but eventually abandon her timeline completely and return to the present under the civilian guise of Setsuna Meioh.

In addition to being a very competent soldier, Sailor Pluto also bears one of the three Sacred Talisman, along with Sailor Uranus and Pluto, that are needed to find the Holy Grail, the only thing that can stop "The Silence", the big baddie in Season 3 of the original run.

Plus she's the only one with no sleeves on her tunic, so you KNOW she's badass.

Based on what I was reading, Pluto was a bit annoying to get due to her Exclusive release nature, something that I've run into with several of the Endgame releases.. hence my resorting to Mandarake.

Contents of the box are what you'd expect it to be - the figure, four total face plates (neutral, smiling, shouting, eyes closed), her weapon (Garnet Rod), various hands, and the standard base. The head of the staff comes off just like in the show so you can display Pluto holding her talisman.

While I wish I could say that this was just a copy and paste overview from the other Senshi, there are a few critical items worth noting.

First off, on the positive side of things, to my eyes Sailor Pluto is one of a handful of Sailor Moon Figuarts that got the proportions right, with the other two being Super Sailor Moon and Sailor Saturn. I'm not perfectly confident about her scaling, but that's another story.

Much like the other two, Sailor Pluto's faceplates seem to be the right shape, and actually wrap around her to her neck without any unsightly gaps around the ears.

Now that we got that out of the way, lets talk about the greatest barrier to enjoying this figure - her hair. Sailor Pluto has lovely knee length Olive green hair. Good news, Tamashii Nations replicated this. Bad news, it's one solid piece of hard plastic with one point of articulation on the top of her head which is much more annoying to position than you'd think. The same stiff plastic makes up the front of her hair as well, so overall Pluto has a slightly different sheen to her hair as compared to the other Senshi. Detailing on the hair is average - it won't impress, but it won't make you question the manufacturing process either.

There are a few more exciting poses you can get her into, but in general Pluto is going to be one of those figures that does a lot of epic standing, and even then you might want to consider using the stand full time.

Articulation wise, she's got what the ladies do (ankles, knees, hips with pull down, mid torso, shoulders with some collapse and bicep swivel, elbows, wrists, and head), but as stated above your limiting factor is going to be the hair. I guess if it is any consolation, I don't remember Pluto doing much other than her projectile attacks so no crazy gymnastics come to mind.

Paint work is the usual mix of good and meh when it comes to this line, with the messiest spots around her waist where the white paint meets the skirt - interesting thing to note is that the skirt is a separate piece, so basically this is not a masking issue.. they just really sucked at applying the paint. That's kind of the story overall - it's pretty good, then you hit a spot where you go "OOF". Decals on the face are pretty solid.

Finally there's build quality and yeah, good all around. If you've handled one Senshi you've generally handled them all. In the event you haven't, expect limbs to the right size, joints to be tight, and finishes on the various parts to range from "great" to "you really didn't try that hard did you", a common problem with earlier Figuarts. Overall, most handling will be find though as always extra caution when changing hands or doing any sudden movements is recommended.

That, friends, was the last Sailor Senshi. Pluto looks great as far as aesthetics go, but from an articulation perspective sadly the hair is quite limiting. Still, there's no doubt that Pluto will look great standing in with the rest of the crew, which is probably the only reason you'd be getting one of these to begin with.

After 3 months of travel, which included approximately 7 weeks of sitting at Osaka International Airport, my Mandarake purchase in April 2020 finally arrived.

Here she is in all her glory, Sailor Pluto, the last of the Sailor Senshi on my "to get list".

BFF to Chibi-Usa, Sailor Pluto, or "Pu" is the Guardian of Time and leader of the Outer Senshi, soldiers gifted with stronger power than their Inner Senshi cohorts. She is generally stationed at that one spot preventing trespassers from entering the future. Well, things got screwy and required Pluto to not only abandon her post, but eventually abandon her timeline completely and return to the present under the civilian guise of Setsuna Meioh.

In addition to being a very competent soldier, Sailor Pluto also bears one of the three Sacred Talisman, along with Sailor Uranus and Pluto, that are needed to find the Holy Grail, the only thing that can stop "The Silence", the big baddie in Season 3 of the original run.

Plus she's the only one with no sleeves on her tunic, so you KNOW she's badass.

Based on what I was reading, Pluto was a bit annoying to get due to her Exclusive release nature, something that I've run into with several of the Endgame releases.. hence my resorting to Mandarake.

Contents of the box are what you'd expect it to be - the figure, four total face plates (neutral, smiling, shouting, eyes closed), her weapon (Garnet Rod), various hands, and the standard base. The head of the staff comes off just like in the show so you can display Pluto holding her talisman.

While I wish I could say that this was just a copy and paste overview from the other Senshi, there are a few critical items worth noting.

First off, on the positive side of things, to my eyes Sailor Pluto is one of a handful of Sailor Moon Figuarts that got the proportions right, with the other two being Super Sailor Moon and Sailor Saturn. I'm not perfectly confident about her scaling, but that's another story.

Much like the other two, Sailor Pluto's faceplates seem to be the right shape, and actually wrap around her to her neck without any unsightly gaps around the ears.

Now that we got that out of the way, lets talk about the greatest barrier to enjoying this figure - her hair. Sailor Pluto has lovely knee length Olive green hair. Good news, Tamashii Nations replicated this. Bad news, it's one solid piece of hard plastic with one point of articulation on the top of her head which is much more annoying to position than you'd think. The same stiff plastic makes up the front of her hair as well, so overall Pluto has a slightly different sheen to her hair as compared to the other Senshi. Detailing on the hair is average - it won't impress, but it won't make you question the manufacturing process either.

There are a few more exciting poses you can get her into, but in general Pluto is going to be one of those figures that does a lot of epic standing, and even then you might want to consider using the stand full time.

Articulation wise, she's got what the ladies do (ankles, knees, hips with pull down, mid torso, shoulders with some collapse and bicep swivel, elbows, wrists, and head), but as stated above your limiting factor is going to be the hair. I guess if it is any consolation, I don't remember Pluto doing much other than her projectile attacks so no crazy gymnastics come to mind.

Paint work is the usual mix of good and meh when it comes to this line, with the messiest spots around her waist where the white paint meets the skirt - interesting thing to note is that the skirt is a separate piece, so basically this is not a masking issue.. they just really sucked at applying the paint. That's kind of the story overall - it's pretty good, then you hit a spot where you go "OOF". Decals on the face are pretty solid.

Finally there's build quality and yeah, good all around. If you've handled one Senshi you've generally handled them all. In the event you haven't, expect limbs to the right size, joints to be tight, and finishes on the various parts to range from "great" to "you really didn't try that hard did you", a common problem with earlier Figuarts. Overall, most handling will be find though as always extra caution when changing hands or doing any sudden movements is recommended.

That, friends, was the last Sailor Senshi. Pluto looks great as far as aesthetics go, but from an articulation perspective sadly the hair is quite limiting. Still, there's no doubt that Pluto will look great standing in with the rest of the crew, which is probably the only reason you'd be getting one of these to begin with.

Here are images from my recent visit to the Cambo (www.cambo.com) factory in the Netherlands while I was visiting Amsterdam. Rene Rook of Cambo was nice enough to guide me through the entire production process as well as show me some vintage cameras from the companies history and show me their current product line (which was just recently updated at Photokina 2012)

for a full review of the products and a discussion of the images you see here (especially the vintage products) you can read the full article on my website www.brianhirschfeldphotography.com

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.

Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.

Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.

Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.

Graham Harwood (UK), Matsuko Yokokoji (JP).

A coal-fired boiler powers a network of computers exploring the relationships between power and media. Coal Fired Computers explores the ecologies that have created and maintained power, and the subsequent health residues and crisis of fuelling that power. The work responds to the displacement of coal production to distant India, China or Vietnam and our industrial heritage, in particular the work of Charles Parsons whose steam turbine is used to produce 40% of today’s electricity. In many countries this rate is much higher (more than 70% in India and China).

According to the World Health Organization, 318.000 deaths occur annually from chronic bronchitis and emphysema caused by exposure to coal dust. The common perception is that wealthy countries have put this all behind them, displacing coal dust into the lungs of unrecorded, unknown miners in distant lands, coal returning in our lives in the form of cheap and apparently clean goods we consume.

Coal fired energy not only powers our computers here in Europe, but is integral to the production of the 300.000.000 computers made each year. 81% of the energy used in a computer’s life cycle is expended in the manufacturing process, now taking place in countries with high levels of coal consumption.

yoha.co.uk/cfc

www.artefact-festival.be/2011/

After 3 months of travel, which included approximately 7 weeks of sitting at Osaka International Airport, my Mandarake purchase in April 2020 finally arrived.

Here she is in all her glory, Sailor Pluto, the last of the Sailor Senshi on my "to get list".

BFF to Chibi-Usa, Sailor Pluto, or "Pu" is the Guardian of Time and leader of the Outer Senshi, soldiers gifted with stronger power than their Inner Senshi cohorts. She is generally stationed at that one spot preventing trespassers from entering the future. Well, things got screwy and required Pluto to not only abandon her post, but eventually abandon her timeline completely and return to the present under the civilian guise of Setsuna Meioh.

In addition to being a very competent soldier, Sailor Pluto also bears one of the three Sacred Talisman, along with Sailor Uranus and Pluto, that are needed to find the Holy Grail, the only thing that can stop "The Silence", the big baddie in Season 3 of the original run.

Plus she's the only one with no sleeves on her tunic, so you KNOW she's badass.

Based on what I was reading, Pluto was a bit annoying to get due to her Exclusive release nature, something that I've run into with several of the Endgame releases.. hence my resorting to Mandarake.

Contents of the box are what you'd expect it to be - the figure, four total face plates (neutral, smiling, shouting, eyes closed), her weapon (Garnet Rod), various hands, and the standard base. The head of the staff comes off just like in the show so you can display Pluto holding her talisman.

While I wish I could say that this was just a copy and paste overview from the other Senshi, there are a few critical items worth noting.

First off, on the positive side of things, to my eyes Sailor Pluto is one of a handful of Sailor Moon Figuarts that got the proportions right, with the other two being Super Sailor Moon and Sailor Saturn. I'm not perfectly confident about her scaling, but that's another story.

Much like the other two, Sailor Pluto's faceplates seem to be the right shape, and actually wrap around her to her neck without any unsightly gaps around the ears.

Now that we got that out of the way, lets talk about the greatest barrier to enjoying this figure - her hair. Sailor Pluto has lovely knee length Olive green hair. Good news, Tamashii Nations replicated this. Bad news, it's one solid piece of hard plastic with one point of articulation on the top of her head which is much more annoying to position than you'd think. The same stiff plastic makes up the front of her hair as well, so overall Pluto has a slightly different sheen to her hair as compared to the other Senshi. Detailing on the hair is average - it won't impress, but it won't make you question the manufacturing process either.

There are a few more exciting poses you can get her into, but in general Pluto is going to be one of those figures that does a lot of epic standing, and even then you might want to consider using the stand full time.

Articulation wise, she's got what the ladies do (ankles, knees, hips with pull down, mid torso, shoulders with some collapse and bicep swivel, elbows, wrists, and head), but as stated above your limiting factor is going to be the hair. I guess if it is any consolation, I don't remember Pluto doing much other than her projectile attacks so no crazy gymnastics come to mind.

Paint work is the usual mix of good and meh when it comes to this line, with the messiest spots around her waist where the white paint meets the skirt - interesting thing to note is that the skirt is a separate piece, so basically this is not a masking issue.. they just really sucked at applying the paint. That's kind of the story overall - it's pretty good, then you hit a spot where you go "OOF". Decals on the face are pretty solid.

Finally there's build quality and yeah, good all around. If you've handled one Senshi you've generally handled them all. In the event you haven't, expect limbs to the right size, joints to be tight, and finishes on the various parts to range from "great" to "you really didn't try that hard did you", a common problem with earlier Figuarts. Overall, most handling will be find though as always extra caution when changing hands or doing any sudden movements is recommended.

That, friends, was the last Sailor Senshi. Pluto looks great as far as aesthetics go, but from an articulation perspective sadly the hair is quite limiting. Still, there's no doubt that Pluto will look great standing in with the rest of the crew, which is probably the only reason you'd be getting one of these to begin with.

Mach 8-10 Hypersonic Commercial Aircraft, It-1, 202 Passenger

Seating: 202 | Crew 2+4 (250 if denser seating)

Length: 195ft | Span: 93ft

Engines: 4 U-TBCC (Unified Turbine Based Combined Cycle)

+1 Aerospike for sustained 2G acceleration to Mach 10.

Fuel: H2 (Compressed Hydrogen)

Cruising Altitude: 100,000-125,000ft

Airframe: 75% Proprietary Composites

Operating Costs, Similar to a 737. $7,000-$15,000hr, including averaged maintenance costs

Iteration 1

IO Aircraft www.ioaircraft.com

Drew Blair www.linkedin.com/in/drew-b-25485312/

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Unified Turbine Based Combined Cycle. Current technologies and what Lockheed is trying to force on the Dept of Defense, for that low speed Mach 5 plane DOD gave them $1 billion to build and would disintegrate above Mach 5, is TBCC. 2 separate propulsion systems in the same airframe, which requires TWICE the airframe space to use.

Unified Turbine Based Combined Cycle is 1 propulsion system cutting that airframe deficit in half, and also able to operate above Mach 10 up to Mach 15 in atmosphere, and a simple nozzle modification allows for outside atmosphere rocket mode, ie orbital capable.

Additionally, Reaction Engines maximum air breather mode is Mach 4.5, above that it will explode in flight from internal pressures are too high to operate. Thus, must switch to non air breather rocket mode to operate in atmosphere in hypersonic velocities. Which as a result, makes it not feasible for anything practical. It also takes an immense amount of fuel to function.

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Advanced Additive Manufacturing for Hypersonic Aircraft

Utilizing new methods of fabrication and construction, make it possible to use additive manufacturing, dramatically reducing the time and costs of producing hypersonic platforms from missiles, aircraft, and space capable craft. Instead of aircraft being produced in piece, then bolted together; small platforms can be produced as a single unit and large platforms can be produces in large section and mated without bolting. These techniques include using exotic materials and advanced assembly processes, with an end result of streamlining the production costs and time for hypersonic aircraft; reducing months of assembly to weeks. Overall, this process greatly reduced the cost for producing hypersonic platforms. Even to such an extent that a Hellfire missile costs apx $100,000 but by utilizing our technologies, replacing it with a Mach 8-10 hypersonic missile of our physics/engineering and that missile would cost roughly $75,000 each delivered.

Materials used for these manufacturing processes are not disclosed, but overall, provides a foundation for extremely high stresses and thermodynamics, ideal for hypersonic platforms. This specific methodology and materials applications is many decades ahead of all known programs. Even to the extend of normalized space flight and re-entry, without concern of thermodynamic failure.

*Note, most entities that are experimenting with additive manufacturing for hypersonic aircraft, this makes it mainstream and standardized processes, which also applies for mass production.

What would normally be measured in years and perhaps a decade to go from drawing board to test flights, is reduced to singular months and ready for production within a year maximum.

Unified Turbine Based Combined Cycle (U-TBCC)

To date, the closest that NASA and industry have achieved for turbine based aircraft to fly at hypersonic velocities is by mounting a turbine into an aircraft and sharing the inlet with a scramjet or rocket based motor. Reaction Engines Sabre is not able to achieve hypersonic velocities and can only transition into a non air breathing rocket for beyond Mach 4.5

However, utilizing Unified Turbine Based Combine Cycle also known as U-TBCC, the two separate platforms are able to share a common inlet and the dual mode ramjet/scramjet is contained within the engine itself, which allows for a much smaller airframe footprint, thus engingeers are able to then design much higher performance aerial platforms for hypersonic flight, including the ability for constructing true single stage to orbit aircraft by utilizing a modification/version that allows for transition to outside atmosphere propulsion without any other propulsion platforms within the aircraft. By transitioning and developing aircraft to use Unified Turbine Based Combined Cycle, this propulsion system opens up new options to replace that airframe deficit for increased fuel capacity and/or payload.

Enhanced Dynamic Cavitation

Dramatically Increasing the efficiency of fuel air mixture for combustion processes at hypersonic velocities within scramjet propulsion platforms. The aspects of these processes are non disclosable.

Dynamic Scramjet Ignition Processes

For optimal scramjet ignition, a process known as Self Start is sought after, but in many cases if the platform becomes out of attitude, the scramjet will ignite. We have already solved this problem which as a result, a scramjet propulsion system can ignite at lower velocities, high velocities, at optimal attitude or not optimal attitude. It doesn't matter, it will ignite anyways at the proper point for maximum thrust capabilities at hypersonic velocities.

Hydrogen vs Kerosene Fuel Sources

Kerosene is an easy fuel to work with, and most western nations developing scramjet platforms use Kerosene for that fact. However, while kerosene has better thermal properties then Hydrogen, Hydrogen is a far superior fuel source in scramjet propulsion flight, do it having a much higher efficiency capability. Because of this aspect, in conjunction with our developments, it allows for a MUCH increased fuel to air mixture, combustion, thrust; and ability for higher speeds; instead of very low hypersonic velocities in the Mach 5-6 range. Instead, Mach 8-10 range, while we have begun developing hypersonic capabilities to exceed 15 in atmosphere within less then 5 years.

Conforming High Pressure Tank Technology for CNG and H2.

As most know in hypersonics, Hydrogen is a superior fuel source, but due to the storage abilities, can only be stored in cylinders thus much less fuel supply. Not anymore, we developed conforming high pressure storage technology for use in aerospace, automotive sectors, maritime, etc; which means any overall shape required for 8,000+ PSI CNG or Hydrogen. For hypersonic platforms, this means the ability to store a much larger volume of hydrogen vs cylinders.

As an example, X-43 flown by Nasa which flew at Mach 9.97. The fuel source was Hydrogen, which is extremely more volatile and combustible then kerosene (JP-7), via a cylinder in the main body. If it had used our technology, that entire section of the airframe would had been an 8,000 PSI H2 tank, which would had yielded 5-6 times the capacity. While the X-43 flew 11 seconds under power at Mach 9.97, at 6 times the fuel capacity would had yielded apx 66 seconds of fuel under power at Mach 9.97. If it had flew slower, around Mach 6, same principles applied would had yielded apx 500 seconds of fuel supply under power (slower speeds required less energy to maintain).

Enhanced Fuel Mixture During Shock Train Interaction

Normally, fuel injection is conducted at the correct insertion point within the shock train for maximum burn/combustion. Our methodologies differ, since almost half the fuel injection is conducted PRE shock train within the isolator, so at the point of isolator injection the fuel enhances the combustion process, which then requires less fuel injection to reach the same level of thrust capabilities.

Improved Bow Shock Interaction

Smoother interaction at hypersonic velocities and mitigating heat/stresses for beyond Mach 6 thermodynamics, which extraordinarily improves Type 3, 4, and 5 shock interaction.

6,000+ Fahrenheit Thermal Resistance

To date, the maximum thermal resistance was tested at AFRL in the spring of 2018, which resulted in a 3,200F thermal resistance for a short duration. This technology, allows for normalized hypersonic thermal resistance of 3,000-3,500F sustained, and up to 6,500F resistance for short endurance, ie 90 seconds or less. 10-20 minute resistance estimate approximately 4,500F +/- 200F.

*** This technology advancement also applies to Aerospike rocket engines, in which it is common for Aerospike's to exceed 4,500-5,000F temperatures, which results in the melting of the reversed bell housing. That melting no longer ocurrs, providing for stable combustion to ocurr for the entire flight envelope

Scramjet Propulsion Side Wall Cooling

With old technologies, side wall cooling is required for hypersonic flight and scramjet propulsion systems, otherwise the isolator and combustion regions of a scramjet would melt, even using advanced ablatives and ceramics, due to their inability to cope with very high temperatures. Using technology we have developed for very high thermodynamics and high stresses, side wall cooling is no longer required, thus removing that variable from the design process and focusing on improved ignition processes and increasing net thrust values.

Lower Threshold for Hypersonic Ignition

Active and adaptive flight dynamics, resulting in the ability for scramjet ignition at a much lower velocity, ie within ramjet envelope, between Mach 2-4, and seamless transition from supersonic to hypersonic flight, ie supersonic ramjet (scramjet). This active and dynamic aspect, has a wide variety of parameters for many flight dynamics, velocities, and altitudes; which means platforms no longer need to be engineered for specific altitude ranges or preset velocities, but those parameters can then be selected during launch configuration and are able to adapt actively in flight.

Dramatically Improved Maneuvering Capabilities at Hypersonic Velocities

Hypersonic vehicles, like their less technologically advanced brethren, use large actuator and the developers hope those controls surfaces do not disintegrate in flight. In reality, it is like rolling the dice, they may or may not survive, hence another reason why the attempt to keep velocities to Mach 6 or below. We have shrunken down control actuators while almost doubling torque and response capabilities specifically for hypersonic dynamics and extreme stresses involved, which makes it possible for maximum input authority for Mach 10 and beyond.

Paradigm Shift in Control Surface Methodologies, Increasing Control Authority (Internal Mechanical Applications)

To date, most control surfaces for hypersonic missile platforms still use fins, similar to lower speed conventional missiles, and some using ducted fins. This is mostly due to lack of comprehension of hypersonic velocities in their own favor. Instead, the body itself incorporates those control surfaces, greatly enhancing the airframe strength, opening up more space for hardware and fuel capacity; while simultaneously enhancing the platforms maneuvering capabilities.

A scramjet missile can then fly like conventional missile platforms, and not straight and level at high altitudes, losing velocity on it's decent trajectory to target. Another added benefit to this aspect, is the ability to extend range greatly, so if anyone elses hypersonic missile platform were developed for 400 mile range, falling out of the sky due to lack of glide capabilities; our platforms can easily reach 600+ miles, with minimal glide deceleration.