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© roseinthedark. All rights reserved.

 

View On Black

 

22nd October 2007: I posted my first shots on Flickr.

It was a year ago and I couldn't imagine how much it would have changed myself.

For me, Flickr and burning passion for photography have come together. I couldn't say how much I've learnt and keep on learning, my friends, looking at your shots, talking with you. I didn't know what "bokeh", "DoF", "panning" or whatever meant before, and I would have been afraid to use manual mode while shooting, fearing to make mistakes. Then...I felt in love with many photos of yours, not the usual "point-and-shot" photos, but the ones that mean passion, study, willing to learn. I've decided to try myself, with a lot of mistakes, but also growing passion.

I have learnt a lot, I have a lot to learn, and this makes me happy like nothing else, expecially in time of changes and state of uncertainty - the time that I'm living nowadays. It's hard to describe the way I feel when I'm able to take "that" shot I had in mind, no matters if that means attempts, patience, time, sometimes going beyond my own fears (I can overcome vertigo for a shot only!); it's hard, but I know it's the same for many of you. And I know that I'll be always late for lunch or whatever if I go for a walk with my camera, because I'm sure that after a while I will find something that worths a stop for a picture, and then something else, and else...I had never understood how world is beautiful before seeing it through a lens. That's a precious gift that photography (and Flickr, in a way) made to me.

But there's also another gift: and it's you, my friends. Wonderful photographers, and often wonderful people that I was so lucky to find.

 

So: 366 days of Flickr, 366 times thank you.

 

...generalmente para el que no ha aprendido a volar...

el que esta arriba es cada vez mas pequeño...

 

pero para el que ya ha aprendido a volar...

el que esta abajo esta mucho mas pequeño aùn...

 

cuestion de enfoques...

 

no es cuestion de estar arriba o abajo....

de saber volar o no...

simplemente de saber que todos podemos hacerlo...

 

VUELA..SUEÑA...DISFRUTA...AD-MIRA...

AGRADECE TODO....

CANTA...BAILA...RIE...SIENTE... AMA...

RECONOCE TUS ERRORES !!!!!

Y DI UN " LO SIENTO"

 

CUESTA MUCHO TRABAJO ??? ...YO CREO QUE NO.

 

An L&N train on the old Monon approaches Gatemen's towers in Downtown Hammond IN. in March of 1976.

Pentax K-1, SMC Pentax-M 28/2.8

 

Very proud of myself for mounting this lens, seeing this subject, cranking the settings and getting the exact exposure I wanted on the first snap. I've still got it!

Manual typewriter keyboard at Upton House, 'Dressed for War' theme.

 

May 2016

~ Our "eat the pic“ bookstore opened with some great picture books - check it out ~ Follow us on Facebook ~

 

Impressions from Salzburg/Austria last weekend.

 

Captured with a manual Nikkor 20 mm ƒ1:2.8 on my Nikon Df, post processed in Lightroom using Silver Efex Pro 2.

San Francisco, California, USA.

Sony Camera / Tamron AF 18-200MM f/3.5-6.3 Len.

1/40 sec, f/5.6, ISO 100, DRO Level 5.

Photo taken on the last day of Manual Greenwaste Collection in Buena Park, CA

Pen-F f1.5/60mm on "FF" Sony A7III ( no crop )

Watercolor Exercises from

 

Tate watercolor manual

 

amzn.to/1tE4MXw

Porsche 911 R, Monaco, january 2017.

Leicester Square, London

Leica M2, Voigtlander 35/2.5 Color Skopar, HP5 at 800asa in Rodinal 1+50

Manual HDR 3 frames

Старые двери Краснодара

Industar 2 50 mm

 

vk.com/lyubov_ph

 

t.me/lyubov_ph

 

inst: shortvertigooftabitha_photo

Pixii A2572 Voightlander Ultron 28mm. Taken in the Botanical Garden in Athens, Greece.

practising manual focussing with the Sigma 120-400. Tricky!

Two Crosville Bristol REs with with two different types of transmission at Hooton Park Hangars, Wirral, Merseyside, 29-05-2016.

Taken in manual mode WYSIWYG works great, loving my new Fuji. 18mm, F9.0, 1/4000, ISO 200

Manual HDR from three exposures, blended in GIMP.

Olympus PEN FT and 40mm f/1.4 G-Zuiko Auto-S

 

Fujichrome Astia 100F

 

view large

Dublin

 

FED 2

Jupiter 12 35mm 2.8

Kentmere 400 en Xtol Stock

Two of three bracket shots used.

Spread of an NBC brand guidelines manual. The logo was designed by John J. Graham, an art director at NBC. 1959

Street Candid (Vintage lens manual focus)

I have a acquired a bundle of old user manuals and brochures for Zeiss Ikon (and Voigtländer, which belonged to Zeiss Ikon since the 1950s) cameras and lenses.

 

I need only some of this material, but I had to buy the whole bundle, so I will divest myself of the remainder in the near future. Please contact me via direct message if you are interested in any of the items I will be putting up.

 

I own two Bessamatics and am unlikely to acquire an Ultramatic, so I am unlikely to be needing this manual in the future.

 

Shot with:

Canon EOS600D

Leica Bellows R (16860)

Leica 100mm f/4 Macro Elmar-R, bellows version (11230)

7-photo stitched panorama from a lunch break walkabout I took about a week ago, manual focus legacy lens: H.Zuiko 42mm 1:1.2

Week 3 - Technical: Full Manual

While the camera often determines shutter speed and aperture for the photographer, it doesn't know your creative intent. This week, challenge your self to assume creative control over the camera by using full manual mode. Select a subject where varying the aperture and / or shutter speed helps enhance the composition and visual qualities of the image.

single off-camera flash, f/13 1/250sec ISO250 163mm

taken using a manual focus Auto Chinon 135mm

Minolta XG1, Fuji 400. 28mm f/2.8 lens I think.

Jupiter 37A 135mm f3.5

 

No Yes

Olympus OM1 instruction manual yes/no...

Watercolor Exercises from

 

Tate watercolor manual

 

amzn.to/1tE4MXw

This one is late, but better late than never!

 

I like to use the manual setting on my camera when I'm taking pictures. Getting the lighting and colors I want without editing is hard in other settings.

 

I decided to use my bar cart for this photo in order to play with the reflection of the light off the bottles, the color of the bourbons and woods, and get a light airy brightness.

Nikon FM2n manual 35mm camera

Nikkor AI-S 50mm 1:1.8 manual focus lens

Ilford Delta 100 Black&White film

Developed and scanned by www.meinfilmlab.de

 

Museum Mathildenhöhe, Darmstadt, Germany

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