Manual photography only
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A couple of MPD operatives read through the Duty Maintenance manuals for the loco they are working on.
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It's not so pronounced but here one can see a bit of that famous defect which this lens is known for. What do you think Simon : ) ?
Pentax K-5
Helios 44-2 58mm F/2
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© 2018 stefanorugolo | All rights reserved.
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My tiny little helpers from little world gave me once more a helping hand. They did the presets for my last manual focus shooting. :)
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Die kleinen Helferlein aus little world haben mir ein weiteres Male geholfen. Diesesmal stellten Sie für mich die Blende an einer MF Linse ein. :)
#macromondays #numbers
Presentation on my phone
Macro Mondays
theme: battery
Die Knopfzelle
Presentation auf meinem Handy
For you all HMM
Though I do have technologically advanced cameras, I tend to prefer older cameras (all these are second-hand cameras with a 16MP sensor) and use them manually. I am not rejecting technological excellence and sophisticated algorithms. All I am saying is that I have more joy when working manually and that Fuji's old 16MP sensor is really good enough for my purposes. This shot was done with my new (ten year old) Fuji X-Pro1.
♫ Alessandra Amoroso, DB Boulevard - Camera 209
♫ Olivia Ruiz - My Lomo & Me (Jacqueline)
♫ Depeche Mode - Photographic (Paco)
I love everything about nature and to be able to walk under this huge and very old Beech Tree at the Bayard Cutting Arboretum, is so awe inspiring.... this lens and image does not do this tree justice.... she totally surrounds you with her limbs....
you come out feeling warm and fuzzy....
...we all need to hug a tree whenever we can!!!
Samsung NX1 & Carl Zeiss Jena 'Pancolar' 50mm f/1.8
10mm Macro Tube | Wide Open | Manual Focus | Available Light | Handheld
All Rights Reserved. © Nick Cowling 2018.
Samsung NX300 & Kiron 105mm f/2.8 Macro Lens | Manual Focus | Available Light | Handheld
All Rights Reserved. Nick Cowling 2016
This Image was taken with an vintage lens called Pentacon 50mm F1.8 made by Meyer-Optik Görlitz - Those old lenses do have their own caracters and most of the times you gotta focus manually. They do have their own special look. The 50mm Pentacon Lens got produced fromn 1971 - 1978.
Meyer Optik Görlitz Pentacon 50 mm F1.8
Another attempt with this old manual lens. There are some C/A tracks on contours, but the total result is good. (Small white points are by light rain drops, not lens fault)
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Captured with a Nikon Df and a manual Nikkor AiS 24mm ƒ1:2, post processed in Lightroom using VSCO Film.
Please don't spam my photo thread! Comments with awards or photos will be removed immediately!
Talat Noi is a working class neighbourhood in Bangkok that houses a range of workshops which deal with used car parts. Here's another worker meticulously cleaning these parts.
It looks best full-screen so please press "L" and check it
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:5.6
Speed:1/640
ISO:280
Focal Length:300.0 mm (35 mm equivalent 300.0 mm)
Focus Mode:AF-C
AF Area:Single Area
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:On
WB:Auto0
Picture Control:Neutral
Focus Distance:14.13 m
Dof:0.73 m (13.77 - 14.50)
HyperFocal:534.89 m
Another bubble bokeh lens; not a prime but a zoom.
Lens find courtesy of Matt's Crazy Lens Adventures . Thanks Matt.
June 10, 2023 - Between Minden & Axtell Nebraska US
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Watch the Video of that afternoon on Flickr
Hail Core was on top of me on that first storm to the north of the City... I deiced to bail & go pick up my daughter, as she had called & said I want to go...I scooped her up & proceeded south of the city about 20 miles between Minden & Axtell Nebraska!
The 2nd supcell of the day was coming at us from Dawson County. @ That time that would be direcly to our west northwest. This storm was a fast mover. The first storm of the afternoon was only moving at 14 mph... So we didn't have much time to take snaps.
Though I did take a lot of snaps ...but I made a rookie play & didn't reset this focus from manual. I can be a knucklehead sometimes with I'm in the thick of things....
These were the final images of that afternoon. The ones in focus... We arrived just minutes ahead of its approach. Just in time to get these phenomenal captures right underneath the base of this monster!!!
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Copyright 2023
Dale Kaminski @ NebraskaSC Photography
All Rights Reserved
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
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Taken on: Yellowknife, Northwest Territories, Canada. (1972)
The original image was shot on Kodachrome ll colour slide film (ASA 25), with Nikon F camera, Nikkor 50mm f2.0 lens. The 50 year old slide had collected a lot of dust and dirt as you can see. The note that I wrote on the slide mount is barely readable: 11.30pm, June 21, 1972. Yes, it was the Summer Solstice, the longest day of the year.
It was during the summer break back in 1972 in my first year of university. I took a train across Canada (Montreal to Vancouver), travelled north to the Northwest Territories, and got a summer labourer job in the capital city.
Yellowknife is situated on the northern shore of the Great Slave Lake, about 400km (250 mi) south of the Arctic Circle.
The sunset picture was taken from the shore of Frame Lake, just behind the City's Hockey Arena and Community Hall. Even after the sun had set, the sky never got dark, and the sun would come back up three hours later. On this day, the City was like no other. It was a time to come out to celebrate. You could go shopping all day. Imagine going fishing at midnight, and hearing the birds chirp and loons call! The highlight of the day, of course, was the midnight Golf Tournament, which teed off at 11.59 pm! Yes, you read it right: 11.59pm.
This image is a 2nd generation copy. I converted the original slide image to digital image using an old 10 megapixel Nikon D200 DSLR, and a 55mm f2.8 manual focus Micro-Nikkor lens mounted on a Nikon bellows and a slide holder.
All rights reserved. No unauthorized use.
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TECHNICAL INFORMATION:
Camera Gear/Software used to produce this image. Lightroom CC, DXO Mark FilmPackV5 (file preparation, editing, colour grading). Canon 70D (20.2 Megapixel). Image size 7296x10944 pixels (uncropped). Sigma Art 18-35mm F1.8 Lens. Shot at 35mm F4, 1/8 Sec, ISO 100. Manual Focus, Manual Exposure.
The image is exceptionally vivid, sharp and detailed. Large prints of A2+ size can be easily achieved without detrimental effect on quality. My personal recommendation would be to use White Wall's ultraHD Photo Print.