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Daily 205

20.07

Today D3 learned that not all jellyfish are fun to play With. Just another fun day at the Beach. I grabbed the phone and took a photo of the culprit lying innocently in the shallows.

a look up the volta estuary from Manet resort

Three Citroen DS in front of Auberge du Manet, Trappes, 2005

ANKARA

15.02.2012

 

15ème Festival International de Jazz d'Ankara

15. Uluslararası Ankara Caz Festivali

   

ifturquie.org/fr/index.php/events/view/501

From the museum label: Long inspired by Spanish art and culture, Manet here depicted the star of a popular Spanish ballet that found great success in Paris. When the artist first exhibited the painting at the Galerie Martinet in 1863, Lola appeared against a neutral background. He later modified the setting by adding a stage backdrop seen from behind and a glimpse of the audience beyond. Portraying performers suspended between the spheres of public and private, real life and performance, later became a preoccupation of Degas's, which he first explored in Mademoiselle Fiocre in the Ballet "La Source," on view nearby.

 

Link to the full painting.

 

Link to other paintings from the exhibition “Manet/Degas".

 

Link to other Manet paintings.

From the museum label: Jeanne Duval was a young actress and the longtime mistress and companion of Manet's friend the poet Charles Baudelaire. Reclining on a sofa and staring directly at the viewer, she wears a voluminous white day dress that dominates the canvas. While Duval's pose and attire befit the presentation of a socially respectable bourgeois woman, Manet gave his sitter a light brown skin tone that conveys her biracial heritage, as well as bright coral earrings, a long-established ethnic marker of Black femininity, also worn by the maid in Olympia. In this way, Manet signifies Duval's liminal status in nineteenth-century Parisian society.

Link to other Manet paintings

Link to other paintings from the exhibition “Manet/Degas".

Manet's bust at the cimetière de Passy, Paris, France.

Legion Of Honor, San Francisco, May 20, 2007

Oil on Canvas, (2006). 24" x 18". Nothing innovative here- was a study of French painter Édouard Manet's application of color.

 

Original Painting: www.paintingall.com/images/P/Edouard-Manet-Bouquet-of-Flo...

Röd brännmanet, Cyanea capillata

Re-creation of "Luncheon of the Boating Party" (1880-81), by August Renoir

Courtauld Gallery at Somerset House. Manet's Bar at the Folies Bergeres.

Après de long mois sans nouvelle manette collector, @PlayStationFR vient enfin de dévoiler une version Alpine Green au design vert et blanc avec des petites dorures !

 

+d'info sur le blog ➡️ editioncollector.fr/l4xe

From the museum label: Manet summered at Gennevilliers in 1874, often spending time with Monet and Renoir across the Seine at Argenteuil, where Boating was painted. In this scene of outdoor leisure, he not only adopted the lighter touch and palette of his younger Impressionist colleagues but also borrowed the broad planes of color, strong diagonals, high vantage point, and close cropping typical of Japanese prints. Rodolphe Leenhoff, the artist's brother-in-law, is thought to have posed for the sailor, but the identity of the woman is uncertain. Manet exhibited this painting at the Salon of 1879.

 

Link to the full painting.

 

Link to other paintings from the exhibition “Manet/Degas".

 

Link to other Manet paintings.

Pour rappel, la nouvelle manette #XboxOne édition spéciale Phantom Mangenta sort officiellement aujourd'hui ! (mais avec une livraison qui risque d'avoir quelques jours de retard selon les boutiques...)

 

+d'info (et dispo) sur le blog ➡️ edcollector.fr/9hrd

From the museum label (Met Museum special exhibition): Manet summered at Gennevilliers in 1874, often spending time with Monet and Renoir across the Seine at Argenteuil, where Boating was painted. In this scene of outdoor leisure, he not only adopted the lighter touch and palette of his younger Impressionist colleagues but also borrowed the broad planes of color, strong diagonals, high vantage point, and close cropping typical of Japanese prints. Rodolphe Leenhoff, the artist's brother-in-law, is thought to have posed for the sailor, but the identity of the woman is uncertain. Manet exhibited this painting at the Salon of 1879.

 

Link to a high-resolution close-up photo of details from this painting.

 

Link to other paintings from the exhibition “Manet/Degas".

 

Link to other Manet paintings.

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