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Édouard Manet, French
b. Paris 1832; d. Paris 1883
Manet summered at Gennevilliers in 1874, often spending time with Monet and Renoir across the Seine at Argenteuil, where Boating was painted. Beyond adopting the lighter touch and palette of his younger Impressionist colleagues, Manet exploits the broad planes of color and strong diagonals of Japanese prints to give inimitable form to this scene of outdoor leisure. Rodolphe Leenhoff, the artist’s brother-in-law, is thought to have posed for the sailor but the identity of the woman is uncertain.
Metropolitan Museum of Art
New York City
IMG_8187
ANKARA
15.02.2012
15ème Festival International de Jazz d'Ankara
15. Uluslararası Ankara Caz Festivali
Édouard Manet French, 1832-83
Victorine Meurent, c. 1862
Oil on canvas
Gift of Richard C. Paine in memory of his father. Robert Treat Paine 2nd. 1940, 48 846
While Edouard Manet never participated in the 1874 “Impressionist exhibitions" held between 1874 and 1876, he was a friend and mentor to Edgar Degas, Claude Monet, and other Impressionist artists. Victorine Meurent was Manet's great model and muse in the 1860s. Her oval face, russet hair, and gray eyes appear in many of the artist's most ambitious paintings of the period, including Street Singer, on view nearby. This smaller portrait was probably his first painting of Meurent, made when she was still a teenager. It conveys a sense of wary intimacy far removed from his subsequent large-scale works.
The 90 ccm engine is technically a two-cylinder - it has two parallel running pistons with a united combustion chamber.
A sculpture of Manet painting Monet and his wife on a barge, part of "Viral Art" by Seward Johnson (2019)
sewardjohnsonatelier.org/viral-art/
Grounds for Sculpture - Hamilton Twp, NJ
ANKARA
15.02.2012
15ème Festival International de Jazz d'Ankara
15. Uluslararası Ankara Caz Festivali
ANKARA
15.02.2012
15ème Festival International de Jazz d'Ankara
15. Uluslararası Ankara Caz Festivali
ANKARA
15.02.2012
15ème Festival International de Jazz d'Ankara
15. Uluslararası Ankara Caz Festivali
This celebrated work is Édouard Manet’s last major painting, completed a year before he died. At one of the bars in the Folies-Bergère — a popular Parisian music hall — wine, champagne and British Bass beer with its red triangle logo await customers. A fashionable crowd mingles on the balcony. The legs and green boots of a trapeze artist in the upper left hint at the exciting musical and circus acts entertaining the audience. This animated background is in fact a reflection in the large gold-framed mirror, which projects it into the viewer’s own space.
Manet made sketches on-site but painted this work entirely in his studio, where a barmaid named Suzon came to pose. She is the painting’s still centre. Her enigmatic expression is unsettling, especially as she appears to be interacting with a male customer. Ignoring normal perspective, Manet shifted their reflection to the right. The bottles on the left are similarly misaligned in the mirror. This play of reflections emphasises the disorientating atmosphere of the Folies-Bergère. In this work, Manet created a complex and absorbing composition that is considered one of the iconic paintings of modern life.
The Execution of Maximilian by Edouard Manet (about 1867-68). The painting was cut up after Manet's death in 1883, Edgar Degas later reassembled the fragments.
A trip to the amazing National Gallery in London, Saturday 26th October 2019
From the museum label: Manet's frequent model Victorine Meurent, who had recently posed for the brazen nudes in Olympia and Dejeuner sur L’herbe, here appears relatively demure. However, her silk dressing gown, the small bouquet of violets she holds to her nose, and the man's monocle hanging from her neck may signal a recent romantic encounter. Exhibited at the 1868 Salon, the painting was viewed by critics as a rejoinder to Gustave Courbet's provocatively erotic Woman with a Parrot (1866) and may have inspired a sketch by Degas in which a parrot is perched on a model's hand.
Link to the full painting.
Link to other paintings from the exhibition “Manet/Degas".
Link to other Manet paintings.
famosos bipolares Emile Zola,del que hizo este famoso retrato Eduard Manet,y que apoyo siempre a los impresionistas
Edouard Manet painted The Bench in 1881. It is a romantic, colorful painting set in the garden of Versailles.
It’s summer as the garden is in full bloom, with an abundance of red roses and blue cornflowers. Behind an intricate metal fence, a stretch of blue can be seen, possibly a pond, with behind it several green trees. Toward to end of a sandy path stand a wrought iron bench with a black wooden seat and back rest. In front of the bench is a wrought iron table, with on it what appears to be a carafe of water or a vase. The scene suggests that a lady had been sitting on the bench, to read or merely rest and left in a hurry, forgetting her yellow bonnet.
It makes the viewer wonder how many more people have sat in these beautiful, quiet surroundings. One might also wonder why Manet named this painting ‘The Bench’ rather than the garden as the bench seems like a small detail of the scene. Could it be that this bench held some significance for the painter? For Manet, The Bench was quite a change from his other paintings. Rather than people or still lives, he chose a landscape and gave it gave it a cheerful mood rather than a gloomy one.