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Edouard Manet French, 1832-1883
The Races, 1865-72
Crayon lithograph on chine collé
Gift of W. G. Russell Allen, 1923, 23.132
Damned Manet! Everything he does he always hits off straight away, while I take endless pains and never get it right. -Edgar Degas
From its debut in 1857, horse racing at the Longchamp track was a seasonal social event drawing fashionable crowds to the Bois de Boulogne, a park to the west of Paris. Here, horses gallop directly toward the viewer, intense clusters of squiggles indicating a throng of spectators on the right. Some figures rise above this crowd, training their field glasses on the charging horses, we sense the tension and excitement and anticipate the thunder of hooves passing close by.
Édouard Manet French, 1832-83
Victorine Meurent, c. 1862
Oil on canvas
Gift of Richard C. Paine in memory of his father. Robert Treat Paine 2nd. 1940, 48 846
While Edouard Manet never participated in the 1874 “Impressionist exhibitions" held between 1874 and 1876, he was a friend and mentor to Edgar Degas, Claude Monet, and other Impressionist artists. Victorine Meurent was Manet's great model and muse in the 1860s. Her oval face, russet hair, and gray eyes appear in many of the artist's most ambitious paintings of the period, including Street Singer, on view nearby. This smaller portrait was probably his first painting of Meurent, made when she was still a teenager. It conveys a sense of wary intimacy far removed from his subsequent large-scale works.
Descripción: Óleo sobre lienzo. 214 x 269 cm.
Localización: Museo de Orsay. París
Autor: Edouard Manet
L'Aquila, centro storico
4 ottobre 2010
ciò che resta della consegna, da parte degli ex residenti, delle chiavi di casa lungo le recinzioni protettive
Edouard Manet（1832 - 1883）
oil on canvas
Painted in 1878
Sotheby's
Impressionist & Modern Art Evening Sale
London 24 June 2015
Manet visited the Haarlem museum in 1872. He undoubtedly came especially for Frans Hals, whom he had admired since his early childhood. This boy with a jug is reminiscent of Hals's popular types in terms of subject matter, and the manner with loose brushstrokes and the dark background, is also Hals-like.
Manet saw a direct connection between Hals and Spanish baroque art, for example by Velásquez. He said: 'I cannot believe that Hals was not a Spaniard too. It would not be so strange after all, he came from Mechelen.' Mechelen was in the Spanish Netherlands.
Exhibition Frans Hals and the Moderns, Frans Hals Museum Haarlem
Edouard Manet French, 1832-1883
The Races, 1865-72
Crayon lithograph on chine collé
Gift of W. G. Russell Allen, 1923, 23.132
Damned Manet! Everything he does he always hits off straight away, while I take endless pains and never get it right. -Edgar Degas
From its debut in 1857, horse racing at the Longchamp track was a seasonal social event drawing fashionable crowds to the Bois de Boulogne, a park to the west of Paris. Here, horses gallop directly toward the viewer, intense clusters of squiggles indicating a throng of spectators on the right. Some figures rise above this crowd, training their field glasses on the charging horses, we sense the tension and excitement and anticipate the thunder of hooves passing close by.
Edouard Manet
Paris 1832 - Paris 1883
c. 1858-60
Oil on canvas
Manet was one of the modern painting's greatest innovators, yet he was also deeply rooted in the history of art, having studied first-hand the styles and techniques of important masters from all the European schools. The motif of woman pouring water from a jug is an old one, and this early and meditative work recalls the much loved subject of Venus or a woman "at her toilet" (combing her hair or looking in a mirror) by Venetian painters such as Titian and Giorgione, examples of which Manet would have seen at the Louvre. But the artist's radical loose and unfinished treatment of the basin and the hand holding it places the work firmly in the 19th-century avant-garde.
Ordrupgaard, Copenhagen (no. 282 WH)
T. J, Clark - The Painting of Modern Life. Paris in the Art of Manet and his Followers, Princeton University Press, 1984. Cover shows detail of Manet's painting LÈxposition Universelle de 1867.
ANKARA
15.02.2012
15ème Festival International de Jazz d'Ankara
15. Uluslararası Ankara Caz Festivali
ANKARA
15.02.2012
15ème Festival International de Jazz d'Ankara
15. Uluslararası Ankara Caz Festivali
Edouard Manet（1832 - 1883）
oil on canvas
Painted in 1878
Sotheby's
Impressionist & Modern Art Evening Sale
London 24 June 2015
At Auvers-sur-Oise, France
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no idea what painting this reminds me of but know it reminds me of SOMEthing. three mile lake, muskoka, ontario. (mile? very un-canadian).
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Manet / Degas, Metropolitan Museum of Art, September 24, 2023–January 7, 2024
This exhibition examines the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet and Degas were friends, rivals, and, at times, antagonists.
The exhibition contains more than 160 paintings and works on paper and is organized by The Metropolitan Museum of Art, New York, and the Musées d’Orsay and de l’Orangerie, Paris.
This photo was taken of my interpretation of The Girl at the Bar at the Follies painted in the same impossible perspective as in Manet’s original. My painting is actually done in dioramic form. Hence they are three dimensional and have depth (4 ft tall, 5 ft wide and 10 inches deep).
Although the skewed perspective of the original painting by Manet made it possible to see the reflection of the man standing in front of the bar, I wanted to examine what this scene would look like if done in the proper perspective. Please see next photo.
Gilbo e Manet
Cavalli del centro ippico "Il Vecchio Forte" di Alba Adriatica
Gilbo è uno stallone murgese nero di 10 anni che di solito prendo io per le passeggiate.
Manet invece è una femmina purosangue inglese.
La voce in sottofondo al video è di mia sorella.
Manet / Degas, Metropolitan Museum of Art, September 24, 2023–January 7, 2024
This exhibition examines the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet and Degas were friends, rivals, and, at times, antagonists.
The exhibition contains more than 160 paintings and works on paper and is organized by The Metropolitan Museum of Art, New York, and the Musées d’Orsay and de l’Orangerie, Paris.