View allAll Photos Tagged Manet
Roses and Lilacs in a Crystal Vase, 1882. Oil on canvas (1832-1883) Private collection. Getty Center
ALL PHOTOS WERE TAKEN BY ME/TODAS AS FOTOGRAFIAS FORAM TIRADAS POR MIM
41 – PHOTOS OF PEOPLE ON BOATS IN MY DATABASE/FOTOS DE PESSOAS EM BARCOS NA MINHA BASE DE DADOS: 3/5
AUTHOR/AUTOR:
MANET, EDOUARD (1832-1883)
NAME OF WORK/NOME DO TRABALHO:
DIE BARKE / MANET PAINTING IN HIS STUDIO BOAT
TECNIQUES/TÉCNICAS:
OIL ON CANVAS/ÓLEO SOBRE TELA
YEAR/ANO:
1874
DIMENSIONS/DIMENSÕES:
82,7X105CM
COUNTRY/PAÍS:
DEUTSCHLAND/GERMANY/ALEMANHA
CITY/CIDADE:
MUNCHEN/MUNICH/MUNIQUE
WHERE I TOOK THE PHOTO/ONDE TIREI A FOTO:
ALTE PINAKOTHEK/ANTIGA PINACOTECA
THE YEAR WHEN I TOOK THE PHOTO/ANO QUE TIREI A FOTO:
2024
LINK INFO OF THE AUTHOR/LIGAÇÃO PARA O AUTOR:
pt.wikipedia.org/wiki/%C3%89douard_Manet
LINK THE WORK/LIGAÇÃO PARA O TRABALHO:
www.sammlung.pinakothek.de/de/artwork/o5xr0jMG7X/edouard-...
LINK TO THE MUSEUM OR OTHER PLACE/LIGAÇÃO PARA O MUSEU OU OUTRO LUGAR:
www.pinakothek.de/de/alte-pinakothek
LINK INFO ABOUT THE PHOTOGRAPHED/INFORMAÇÃO SOBRE O FOTOGRAFADO:
SEM DADOS
ALREADY WORKED IN / JÁ TRABALHEI EM:
1 – GENERAL COUNT OF WORKS PRESENT IN THE DATABASE/CONTAGEM GERAL DOS TRABALHOS PRESENTES NA BASE DE DADOS – WORKING IN PROGRESS/A SER TRABALHADO
2 – SELF-PORTRAIT PHOTOGRAPHS OF PAINTERS/FOTOS DE AUTORRETRATOS DE PINTORES: 38 WORKS/TRABALHOS.
3 – PAINTERS AND PATRONS OF THE ARTS PHOTOGRAPHS/FOTOS DE PINTORES E PATRONOS DE ARTE: 36 WORKS/TRABALHOS.
4 – PORTRAITS OF THE EUROPEAN ARISTOCRACY. NOBILITY AND ROYALTY/FOTOS DA ARISTOCRACIA, NOBREZA E REALEZA EUROPEIA: 169 WORKS/TRABALHOS.
5 – PORTRAITS OF IDENTIFIED PEOPLE/RETRATOS DE PESSOAS IDENTIFICADAS: 46 WORKS/TRABALHOS
6 – FIGURATIVE ART/ARTE FIGURATIVA: 39 WORKS/TRABALHOS.
7 – PEOPLE’S MISCELLANEOUS PROFESSIONS/PROFISSÕES DIVERSAS: 16 WORKS/TRABALHOS.
8 – SCULPTORS/ESCULTORES: 9 WORKS/TRABALHOS.
9 – POETS/POETAS: 8 WORKS/TRABALHOS.
10 – PHILOSOPHERS/FILÓSOFOS: 3 WORKS/TRABALHOS
11 – WRITERS/ESCRITORES: 10 WORKS/TRABALHOS
12 – LAW AND JUSTICE/LEI E JUSTIÇA: 1 WORK/TRABALHO.
13 – TRADERS AND MERCHANTS/COMERCIANTES E TRABALHADORES: 5 WORKS/TRABALHOS.
14 – ENGRAVOURS/GRAVADORES: 1 WORK/TRABALHO
15 – EDUCATION/ENSINO: 4 WORKS/TRABALHOS.
16 – WORLD OF ARTS/MUNDO DAS ARTES: 3 WORKS/TRABALHOS.
17 – WORLD OF MUSIC/MUNDO DA MÚSICA: 9 WORKS/TRABALHOS.
18 – WORLD OF POLITICS/MUNDO DA POLITICA: 14 WORKS/TRABALHOS.
19 – WORLD OF ACTING/MUNDO DA REPRESENTAÇÃO: 9 WORKS/TRABALHOS.
20 – FAMILY PORTRAITS/RETRATOS DE FAMILIA: 17 WORKS/TRABALHOS.
21 – AGE OF INNOCENCE/FOTOS DA IDADE DA INOCÊNICA: 51 WORKS/TRABALHOS
22 – PHOTOS OF YOUTH/FOTOS DA JUVENTUDE: 14 WORKS/TRABALHOS.
23 – PHOTOS OF ADULT AGE/FOTOS DA IDADE ADULTA: 7 WORKS/TRABALHOS.
24 – PHOTOS OF ELDERLY PEOPLE/FOTOS DA 3ª E 4ª IDADE: 17 WORKS/TRABALHOS
25 – PHOTOS OF THE END OF LIFE/ FOTOS DO FIM DE VIDA: 24 WORKS/TRABALHOS
26 – PHOTOS OF ANNIVERSARIES/FOTOS DE ANIVERSÁRIOS: 1 WORK/TRABALHO.
27 – PHOTOS OF BAPTISMS/FOTOS DE BAPTISMOS: 0 WORKS/TRABALHOS
28 – PHOTOS OF WEDDINGS/FOTOS DE CASAMENTOS: 5 WORKS/TRABALHOS
29 – PHOTOS OF HONEYMOONS/FOTOS DE LUAS-DE-MEL: 1 WORK/TRABALHO
30 – PHOTOS OF VARIOUS PARTIES/FOTOS DE FESTAS DIVERSAS: 2 WORKS/TRABALHOS.
31 – PHOTOS OF THE STATES OF THE SOUL/FOTOS DOS ESTADOS DA ALMA: 16 WORKS/TRABALHOS.
32 – PHOTOS OF POVERTY/FOTOS DE POBREZA: 3 WORKS/TRABALHOS
33 – PHOTOS OF FAMINE/FOTOS DA FOME: 2 WORK/WORKS
34 – PHOTOS OF MILITARY ART: WARS AND BATTLES IN LAND/FOTOS DE ARTE MILITAR: GUERRAS E BATALHAS: 10 WORKS/TRABALHOS
35 – PHOTOS OF MILITARY ART: MILITARY/FOTOS DE ARTE MILITAR: MILITARES: 4 WORKS/TRABALHOS
36 – PHOTOS OF CONSPIRACIES, PRISIONERS AND REBELLIONS/FOTOS DE CONSPIRAÇÕES, PRISIONEIROS E REBELIÕES: 5 WORKS/TRABALHOS
37 – PHOTOS OF NAVAL BATTLES/FOTOS DE BATALHAS NAVAIS: 4 WORKS/TRABALHOS
38 – PHOTOS OF NAVAL FLEETS, GALLEONS AND LARGE SHIPS/FOTOS DE FROTAS NAVAIS, GALEÕES E NAVIOS DE GRANDES DIMENSÕES: 13 WORKS/TRABALHOS
39 – PHOTOS OF MEDIUM AND SMALL BOATS/FOTOS DE BARCOS DE MÉDIA E PEQUENA DIMENSÕES: 10 WORKS/TRABALHOS
40 – PHOTOS OF FISHERMEN/FOTOS DE PESCADORES: 11 WORKS/TRABALHOS
Édouard Manet
Oil paint on canvas
This celebrated work is Édouard Manet's last major painting, completed a year before he died.
At one of the bars in the Folies-Bergère - a popular Parisian music hall - wine, champagne and British Bass beer wiht its red triangle logo await customers. A fashionable crowd mingles on the balcony. The legs and green boots of a trapeze artist in the upper left hint at the exciting musical and circus acts entertaining the audience. This animated background is in fact a reflection in the large gold-framed mirror, which projects it into the viewer's own space.
Manet made sketches on-site but painted this work entirely in his studio, where a barmaid named Suzon came to pose. She is the painting's still centre. Her enigmatic expression is unsettling, especially as she appears to be interacting with a male customer. Ignoring normal perspective, Manet shifted their reflection to the right. The bottles on the left are similarly misaligned in the mirror. This play of reflections emphasises the disorientating atmostphere of the Folies-Bergère. In this work, Manet created a complex and absorbing composition that is considered one of the iconic paintings of modern life.
[The Courtauld]
Taken in the Courtauld Gallery
Intimate Impressionism from the National Gallery of Art (Washington) on display at the California Palace of the Legion of Honor, San Francisco
Edouard Manet
French, 1832 - 1883
Oysters
1862 ● oil on canvas
Gift of the Adele R. Levy Fund, Inc. ● National Gallery of Art
2014-July-D 163
From the museum label: Manet's wife, Suzanne, was a talented musician who had been one of his family's piano teachers. He portrayed her many times, but this particular painting seems to have been made in response to Degas's work nearby, which Manet defaced. The two compositions are set in the same room in the Manet apartment on the Rue de Saint-Pétersbourg where the couple received their friends, including Degas, on Thursdays.
Link to other Manet paintings
From the museum label: In the mid-1860s, Manet made an ambitious foray into religious painting, beginning with his submission of this work to the Salon of 1864. Inspired by Andrea del Sarto's Christ as the Man of Sorrows (ca. 1525), which he copied in Florence, Manet incorporated the two angels described in the Gospel according to Saint John, inscribing the New Testament citation on the rock in the foreground. Critics denounced the picture, particularly referencing the realism of Christ's cadaverous body, and faulted Manet for depicting Christ's wound on the wrong side. Degas later admired the work for its "real drawing" and the "transparent quality of the paint."
Link to other Manet paintings