Manet photos on Flickr

Museum description: "Edouard Manet offers an intriguing study in contrasts and ambiguity in The Railway, starting with the relationship between the two figures. Are they mother and daughter? A nanny with a child? The girl gazes through the iron fence, where steam billows up from the tracks below. Wearing a white dress with an enormous blue bow, she is the visual opposite of the seated woman, who wears a blue ensemble with white trim topped by a fashionable black hat. The girl’s locks are held up by a thin black ribbon, while the other figure’s long hair is down. The child keeps her back to us; the woman looks us in the eye."

ilustração 'maneta' by bruno sakamoto

Ilustração para o livro da matéria "Ilustração" da Ete Carlos de Campos

Brennmanet by Raymond

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Raghunath Manet Quartet by Institut Francais de Turquie

ANKARA

15.02.2012

15ème Festival International de Jazz d'Ankara

15. Uluslararası Ankara Caz Festivali

ifturquie.org/fr/index.php/events/view/501

Music with Tuileries - 1862 - National Gallery - London - Painting - oil on canvas 76x118 cm by CarlosR38

Edouard Manet

In the Garden by PaintingMania

Original Info:

1870

Oil on canvas

Musee Picasso, France.

Manet 90 by CML 1965

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manet by solglimt/sungleam

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Portrait of Monsieur and Madame Manet by Édouard Manet by Michael Gaylard

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Portrait of Monsieur and Madame Manet (1860) by Édouard Manet, a deeply personal and stylistically conservative work that marked his debut at the Paris Salon.

This double portrait depicts Manet’s parents: Auguste Manet, a retired judge, and Eugénie Désirée Fournier, seated side by side in a quiet, domestic setting. Manet painted it in a sober, academic style, with dark tones and restrained brushwork—likely influenced by Spanish masters like Velázquez and Goya, whom Manet admired. The composition is formal, almost austere, with little ornamentation, reflecting both the bourgeois dignity of the sitters and the conventions of mid-19th-century portraiture.

Though it lacks the radical flair of Manet’s later works, this painting was accepted by the Salon of 1861, shown alongside The Spanish Singer, which signaled his emerging interest in modern life and painterly innovation.

The portrait remained in the family for decades, passing from Manet’s brother Eugène to Julie Manet, daughter of Berthe Morisot, before being donated to the French state in 1977. It now hangs in the Musée d'Orsay.

Édouard Manet (1832-1883), A Bar at the Folies-Bergère (detail), 1882, oil paint on canvas, The Courtauld Gallery, London by Rein Coppens

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This celebrated work is Édouard Manet’s last major painting, completed a year before he died. At one of the bars in the Folies-Bergère — a popular Parisian music hall — wine, champagne and British Bass beer with its red triangle logo await customers. A fashionable crowd mingles on the balcony. The legs and green boots of a trapeze artist in the upper left hint at the exciting musical and circus acts entertaining the audience. This animated background is in fact a reflection in the large gold-framed mirror, which projects it into the viewer’s own space.

Manet made sketches on-site but painted this work entirely in his studio, where a barmaid named Suzon came to pose. She is the painting’s still centre. Her enigmatic expression is unsettling, especially as she appears to be interacting with a male customer. Ignoring normal perspective, Manet shifted their reflection to the right. The bottles on the left are similarly misaligned in the mirror. This play of reflections emphasises the disorientating atmosphere of the Folies-Bergère. In this work, Manet created a complex and absorbing composition that is considered one of the iconic paintings of modern life.

The Simpsowls Manets by JooSweetie

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Doooooooooooonut~

Onions & Olive Oil by MANet Maldon