View allAll Photos Tagged Manet
TOOOOOOTALLY accidental shot. See, I was taking this long exposure shot with manual settings, so it was like ND400, f16, 10" exposure.
I then moved the cam to another position to take a normal shot, and in the process I must've depressed the shutter. The cam started beeping, because––quite elementary my deer Watson––I had it set to use the 2 sec timer so that the shot would be taken with the mirror up.
So that's when I'm like crap, this is gonna be a stupid shot, but jeebus, how do I stop this thing from taking the pic? I dunno... ahhhhh, what the heck, I'll just switch the mo-fo off.
So I turned the cam off.
Didn't think to check in the field.
Got back home, downloaded my pics into Aperture, and this is what I found :-)
Proves that these kind of things *can* happen with digital and can be interesting, though perhaps not as cliché as Holga light leaks.
Take THAT film supremacists! :-p
Edouard MANET - 1832 - Paris - 1883 - Paris
Le Fifre (1866)
Huile sur Toile
H. 160,5 ; L. 97,0 cm.
À l’occasion des 150 ans de l’impressionnisme, le musée d'Orsay a prêté au musée Fabre deux chefs-d’œuvre d’Edouard Manet : "Le Fifre" (1866) et "Émile Zola" (1868).
(Exposition su 02 mars au 02 juillet 2024)
Manet, qui avait trouvé dans une manière et des sujets hispanisants, la voie de son propre talent, ne découvre que tardivement, en 1865, l'Espagne et le musée du Prado. Le Pablo de Valladolid de Velasquez l'impressionne particulièrement et le peintre confie alors à son ami Fantin-Latour : "[c'est] le plus étonnant morceau de peinture qu'on ait jamais fait... Le fond disparaît : c'est de l'air qui entoure le bonhomme, tout habillé de noir et vivant".
De retour à Paris, Manet applique ces principes à un sujet contemporain. Un simple et anonyme enfant de troupe se voit donc traité comme un grand d'Espagne. Non seulement, Manet bouleverse les hiérarchies de la représentation, mais il accompagne également ce choix d'un langage audacieusement simplifié. Le peintre utilise ainsi des aplats, très nets dans les noirs, quelques effets de modelé dans les chairs et dans l'étui de l'instrument, et des empâtements dans les blancs qui soulignent les plis des tissus. La palette colorée est très réduite, et l'espace sans profondeur. On distingue à peine la limite entre le plan horizontal du sol et le plan vertical du fond, coloré d'un gris très peu nuancé et totalement dépouillé.
L'oeuvre rejetée par le jury du Salon de 1866, est une de celles qui fonda l'enthousiasme d'Emile Zola pour le peintre. L'écrivain décela, dans la vérité du propos et de la manière, l'expression d'un sentiment proprement moderne.
CES PHOTOS NE SONT PAS À VENDRE ET NE PEUVENT PAS ÊTRE REPRODUITES, MODIFIÉES, REDIFFUSÉES, EXPLOITÉES COMMERCIALEMENT OU RÉUTILISÉES DE QUELQUE MANIÈRE QUE CE SOIT.
UNIQUEMENT POUR LE PLAISIR DES YEUX
Edouard Manet’s Monk in Prayer (1865) depicts a kneeling monk with arms outstretched and eyes closed in solemn devotion, while a skull in the foreground serves as a poignant reminder of mortality. The painting reflects Manet’s deep admiration for seventeenth-century Spanish baroque masters like Francisco de Zurbarán, evident in its stark lighting, austere composition, and somber palette. However, the dynamic brushstrokes and expressive rendering of the monk’s face and robes are quintessentially Manet, blending reverence with the artist’s modernist touch. Originally sold by Manet to Marcel Bernstein in 1882, the painting eventually came to the MFA in 1935 via the Marie Sterner Gallery.
The Museum of Fine Arts was founded in 1870 and relocated to its current neoclassical building designed by architect Guy Lowell at 465 Huntington Avenue in 1909. The museum's vast collection spans over 500,000 works of art, with highlights including ancient Egyptian artifacts, 18th- and 19th-century American art, French Impressionist and Post-Impressionist masterpieces, and a renowned collection of Asian art. Originally located in a Gothic Revival building in Copley Square, much of the museum’s early collection came from the Boston Athenaeum Art Gallery. Over the years, the museum expanded significantly, adding the Decorative Arts Wing in 1968, the Norman Jean Calderwood Garden Court and Terrace in 1997, and a modern Americas Wing in the mid-2000s designed by Foster and Partners.
The Monet Family in Their Garden at Argenteuil - Édouard Manet
1874
Oil on canvas
24 x 39 1/4 in. (61 x 99.7 cm)
The Metropolitan Museum of Art
1000 Fifth Avenue. New York, New York 10028 USA
From the museum label: At the end of Émile Zola's novel L'assommoir, a character named Nana appears, having been thrust into prostitution. In Zola's Nana, published a few years later, she has become a high-class courtesan, as Manet portrays her here. Nana addresses the viewer with a mischievous smile while applying her makeup. She is the protagonist, anchored at the center of the picture, while her patron-cast as a supporting character-looks on from the margin. As the model for Nana, Manet turned to Henriette Hauser, the mistress of the Prince of Orange and an aspiring actress, whom he had painted before. Rejected at the 1877 Salon, the painting was exhibited in the window of Chez Giroux, a shop selling "trinkets, paintings and fans," where it was a great success.
Link to other Manet paintings
Make an ATC based on a Manet painting. My gal looks a little more curvy :-) the photo copy is a little dark, if you look it up the colors are much brighter.
Link to a high-resolution close-up photo of details from this painting.
Link to other Manet paintings.
Edouard Manet’s Execution of the Emperor Maximilian (1867) portrays the dramatic moment of Maximilian’s execution alongside generals Miguel Miramón and Tomás Mejía, ordered by Benito Juárez. Breaking convention, Manet depicted this contemporary political event on a monumental scale, usually reserved for mythological or historical scenes. The composition, inspired by Francisco Goya’s “Third of May 1808,” emphasizes the immediacy of the tragic event through dynamic and unresolved brushwork. This painting is the earliest version of several Manet created, reflecting his ideological opposition to Napoleon III’s intervention in Mexico. The painting was acquired by Frank Gair Macomber in 1909, likely upon Mary Cassatt’s recommendation, and gifted to the MFA in 1930.
The Museum of Fine Arts was founded in 1870 and relocated to its current neoclassical building designed by architect Guy Lowell at 465 Huntington Avenue in 1909. The museum's vast collection spans over 500,000 works of art, with highlights including ancient Egyptian artifacts, 18th- and 19th-century American art, French Impressionist and Post-Impressionist masterpieces, and a renowned collection of Asian art. Originally located in a Gothic Revival building in Copley Square, much of the museum’s early collection came from the Boston Athenaeum Art Gallery. Over the years, the museum expanded significantly, adding the Decorative Arts Wing in 1968, the Norman Jean Calderwood Garden Court and Terrace in 1997, and a modern Americas Wing in the mid-2000s designed by Foster and Partners.
Kuma Museum / Kunsthalle Mannheim made the acquisition for their collection of one of Thierry Geoffroy / Colonel tent sculpture .
The tent was part of the Biennalist installation installed in front of The Fridericianum during documenta 13 in Kassel (2012) .
In 2019 it was placed and photographed by the museum curator Sebastian Baden placed in dialogue with Édouard Manet famous painting “The Execution of Emperor Maximilian”.
“The Emergency Will Replace The Contemporary”
Spray paint on Tent, 205 × 140 × 100cm /2012
------Artist exhibited about at documenta 13 ---
Abdul, Lida
Abidi, Bani
Adnan, Etel
Aigner, Korbinian
Akhunov, Vyacheslav
Akram, Barmak
Ali, Khadim
Allora & Calzadilla
Alÿs, Francis
Althoff, Kai
Alves, Maria Thereza
Anastas, Ayreen
AND AND AND (AND ...AND ...AND & ANDANDAND)
Applebroog, Ida
Araya Rasdjarmrearnsook (Rasdjarmrearnsook, Araya)
Asefi, Mohammad Yusuf
Ashford, Doug
Atoui, Tarek
Attia, Kader
Bachzetsis, Alexandra
Balestrini, Nanni
Balkin, Amy
Barry, Judith
Bartolini, Massimo
Baruchello, Gianfranco
Basiony, Ahmed
Bayrle, Thomas
Bel, Jérôme
Bennett, Gordon
Biscotti, Rossella
Boetti, Alighiero (Alighiero & Boetti)
Boghiguian, Anna
Bove, Carol
Büttner, Andrea
Buch, Kristina
Byrne, Gerard
CAMP
Cardiff, Janet & Miller, George Bures
Carr, Emily
Castillo Deball, Mariana (Deball, Mariana Castillo)
Chan, Paul
Chiurai, Kudzanai
Critical Art Ensemble
Cruzvillegas, Abraham (Cruzvillegas Fuentes, Abraham & Fuentes, Abraham Cruzvillegas)
Csákány, István
Csörgő, Attila (Csörgö, Attila)
Cumella, Antoni
Dalí, Salvador
Dean, Tacita
De Boer, Manon (Boer, Manon de)
Dion, Mark
Djordjadze, Thea
Doherty, Willie
Donnelly, Trisha
Durant, Sam
Durham, Jimmie
Epaminonda, Haris & Daniel Gustav Cramer
Erek, Cevdet
Faivovich, Guillermo & Nicolás Goldberg
Faldbakken, Matias (Rasul, Abo)
Farmer, Geoffrey
Fast, Omer
Favaretto, Lara
Floyer, Ceal
Foulkes, Llyn
Foushanji, Abul Qasem
Fumai, Chiara
Gabri, Rene
Gander, Ryan
Garcia, Dora
Garcia Torres, Mario (Torres, Mario Garcia-)
Gates, Theaster
Gaussi, Jeanno
Ghani, Mariam
Gill, Simryn
Gonzalez, Julio (Gonzales, Julio)
Haidary, Zainab
Hall, Fiona
Hecker, Florian
Henderson, Tamara
Hiller, Susan
Hoheisel, Horst
Hopf, Judith
Hourani, Khaled
Huyghe, Pierre
Ivekovic, Sanja
Jacir, Emily
Johannessen, Toril
Jonas, Joan
Jungen, Brian
Kaesbach, Rudolf
Kahn, Robin & La Cooperativa Unidad Nacional Mujeres Saharauis (Kahn, Robin & The National Union of Women from Western Sahara)
Kamandy, Masood
Kanwar, Amar
Kentridge, William
Khan, Hassan
Kurenniemi, Erkki
Lara, Adriana
Larrain Barros, Horacio (Barros, Horacio Larrain)
Lê, Dinh Q. (Dinh Q. Lê & Lê, Dinh Quang)
Lester, Gabriel
Link, David
Loboda, Maria
Lombardi, Mark
Lopez, Anibal
Lucas, Renata
Lutyens, Marcos und Raimundas Malasauskas, featuring Sissel Tolaas (Marcos Lutyens und Raimundas Malasauskas, featuring Sissel Tolaas)
Macuga, Goshka
Maiolino, Anna Maria
Malani, Nalini
Martins, Maria
Matarrese, Francesco
Mauri, Fabio
Mehretu, Julie
Menick, John
Menke, Christoph
Metzger, Gustav
Miller, Lee (Miller, Elizabeth)
Müller, Christian Philipp
Mojadidi, Aman
Moon, Kyungwon & Jeon, Joonho (Moon Kyungwon & Jeon Joonho)
Moore, Gareth
Morandi, Giorgio
Mroué, Rabih
Muholi, Zanele
Nordheim, Arne
Numminen, M.A. (Numminen, Mauri Antero)
Ohtake, Shinro
Omarzad, Rahraw
Ondák, Roman
Onur, Füsun
Otolith Group (The Otolith Group)
Panayiotou, Christodoulos
Penone, Giuseppe
Pentecost, Claire
Philipsz, Susan
Phinthong, Pratchaya (Phinthong Pratchaya)
Pich, Sopheap
Porsager, Lea
Portnoy, Michael
Preston, Margaret
Price, Seth
Prvacki, Ana
Raʼad, Walid (Atlas Group & The Atlas Group & Raad, Walid)
Rakowitz, Michael
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Texmon Rygh, Aase
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Trockel, Rosemarie
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Vaṇṇ Ṇāt (Vann, Nath & Vann Nath & Ṇāt, Vanṇ & Vaṇṇ, Ṇāt & Nath, Vann)
Villar Rojas, Adrián (Rojas, Adrián Villar-)
Voss, Jerónimo
Vu Giang Huong (Vu, Giang Huong & Huong, Vu Giang & Vu-Giang-Huong)
Warboys, Jessica
Waxman, Lori
Wedemeyer, Clemens von (Von Wedemeyer, Clemens)
Weerasethakul, Apichatpong (Apichatpong Weerasethakul)
Weiner, Lawrence
Worldly House (The Worldly House)
Yang, Haegue (Yang Haegue & Haegue Yang)
Yan, Lei (Yan Lei & Lei, Yan)
Zaatari, Akram
Zalmaï
Zeilinger, Anton
Zuse, Conrad
—--from wikipedia ----
German: Documenta Kassel Ausstellung für zeitgenössische Kunst
French: Documenta Kassel exposition d'art contemporain
Spanish: Documenta Kassel exposición de arte contemporáneo
Italian: Documenta Kassel mostra d'arte contemporanea
Portuguese: Documenta Kassel exposição de arte contemporânea
Dutch: Documenta Kassel tentoonstelling van hedendaagse kunst
Swedish: Documenta Kassel utställning av samtidskonst
Finnish: Documenta Kassel nykytaiteen näyttely
Danish: Documenta Kassel udstilling af samtidskunst
Norwegian: Documenta Kassel utstilling av samtidskunst
Icelandic: Documenta Kassel sýning á nútímalist
Polish: Documenta Kassel wystawa sztuki współczesnej
Czech: Documenta Kassel výstava současného umění
Hungarian: Documenta Kassel kortárs művészeti kiállítás
Romanian: Documenta Kassel expoziție de artă contemporană
Russian: Документа Кассель выставка современного искусства (Dokumenta Kassel' vystavka sovremennogo iskusstva)
Ukrainian: Документа Кассель виставка сучасного мистецтва (Dokumenta Kassel' vystavka suchasnoho mystetstva)
Bulgarian: Документа Касел изложба на съвременно изкуство (Dokumenta Kassel izlozhba na savremenno izkustvo)
Serbian: Документа Касел изложба савремене уметности (Dokumenta Kassel izložba savremene umetnosti)
Croatian: Documenta Kassel izložba suvremene umjetnosti
Slovak: Documenta Kassel výstava súčasného umenia
Slovenian: Documenta Kassel razstava sodobne umetnosti
Greek: Ντοκουμέντα Κάσελ έκθεση σύγχρονης τέχνης (Ntokouménta Kásel ékthesi sýnchronis téchnis)
Turkish: Documenta Kassel çağdaş sanat sergisi
Asian Languages
Japanese: ドクメンタ カッセル現代美術展 (Dokumenta Kassaru gendai bijutsuten)
Korean: 도쿠멘타 카셀 현대미술 전시회 (Dokumenta Kassel hyeondae misul jeonsihoe)
Chinese (Simplified): 卡塞尔文献展当代艺术展览 (Kǎsài'ěr wénxiànzhǎn dāngdài yìshù zhǎnlǎn)
Chinese (Traditional): 卡塞爾文獻展當代藝術展覽 (Kǎsài'ěr wénxiànzhǎn dāngdài yìshù zhǎnlǎn)
Hindi: डॉक्युमेंटा कासेल समकालीन कला प्रदर्शनी (Dŏkyumĕnṭā Kāsēl samakālīn kalā pradarśanī)
Bengali: ডকুমেন্টা কাসেল সমকালীন শিল্প প্রদর্শনী (Ḍakumenṭā Kāsēl samakālīn śilpa pradarśanī)
Arabic: دوكومنتا كاسل معرض الفن المعاصر (Dūkūmintā Kāsil maʿraḍ al-fann al-muʿāṣir)
Persian: دکومنتا کاسل نمایشگاه هنر معاصر (Dokumentā Kāsel namāyeshgāh-e honar-e mo’āser)
Thai: นิทรรศการศิลปะร่วมสมัย โดคูเมนตา คัสเซิล (Nittharas̄n̒ ṣ̄ilpa r̀wm s̄ay do khū men tā khas̄ sel̒)
Vietnamese: Triển lãm nghệ thuật đương đại Documenta Kassel
Other Languages
Hebrew: תערוכת אמנות עכשווית דוקומנטה קאסל (Ta’arukhat omanut akhshavit Dokumenta Kassel)
Swahili: Maonyesho ya sanaa ya kisasa ya Documenta Kassel
Esperanto: Documenta Kassel ekspozicio de nuntempa arto
Directors
The first four documentas, organized by Arnold Bode, established the exhibition's international credentials. Since the fifth Documenta (1972), a new artistic director has been named for each Documenta exhibition by a committee of experts. Documenta 8 was put together in two years instead of the usual five. The original directors, Edy de Wilde and Harald Szeemann, were unable to get along and stepped down. They were replaced by Manfred Schneckenburger, Edward F. Fry, Wulf Herzogenrath, Armin Zweite and Vittorio Fagone.[22] Coosje van Bruggen helped select artists for documenta 7, the 1982 edition. documenta IX's team of curators consisted of Jan Hoet, Piero Luigi Tazzi, Denys Zacharopoulos and Bart de Baere.[23] For documenta X Catherine David was chosen as the first woman and the first non-German speaker to hold the post. It is also the first and unique time that its website Documenta x was conceived by a curator (swiss curator Simon Lamunière) as a part of the exhibition. The first non-European director was Okwui Enwezor for Documenta11.[24]
------wikipedia references ---
References[edit]
^ Searle, Adrian (11 June 2012). "Documenta 13: Mysteries in the mountain of mud". The Guardian. Retrieved 16 January 2023.
^
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a b Smith, Roberta (14 June 2012). "Art Show as Unruly Organism". The New York Times.
^ Arnold Bode coined this phrase for the first time in the prologue of the first volume of the catalogue: documenta III. Internationale Ausstellung; Catalogue: Volume 1: Painting and Sculpture; Volume 2: Sketches; Volume 3: Industrial Design, Print; Kassel/Köln 1964; p. XIX
^ Kimpel, Harald (1997). Documenta: Mythos und Wirklichkeit (in German). Köln: DuMont. ISBN 978-3-7701-4182-1. OL 420383M.
^ Rawsthorn, Alice (3 June 2012). "A Symbol Is Born". The New York Times.
^ The documenta IV Exhibition in Kassel (1968) German History in Documents and Images (GHDI).
^
Jump up to:
a b Chang, Helen (22 June 2007). "Catching the Next Wave In Art at Documenta". The Wall Street Journal.
^ Roberta Smith (7 September 2007), "Documenta 5" The New York Times.
^ Gimeno-Martinez, Javier; Verlinden, Jasmijn (2010). "From Museum of Decorative Arts to Design Museum: The Case of the Design museum Gent". Design and Culture. 2 (3): 259–283. doi:10.2752/175470710X12789399279796. S2CID 193083412.
^ dX 1997 Archived 2013-06-14 at the Wayback Machine, documenta XII.
^ Valentin, Stephan (12 June 2007). "An art show in Kassel, Germany, rivals Venice Biennale". The New York Times. ISSN 0362-4331. Retrieved 16 January 2023.
^
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a b Crow, Kelly (8 June 2012). "A Party, Every Five Years, for 750,000 Guests". WSJ. Retrieved 16 January 2023.
^
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a b Saltz, Jerry (15 June 2012). "Jerry Saltz: Eleven Things That Struck, Irked, or Awed Me at Documenta 13". Vulture. Retrieved 16 January 2023.
^ Kalantzis, Konstantinos (2023). "The Indigenous Sublime Rethinking Orientalism and Desire from documenta 14 to Highland Crete". Current Anthropology. doi:10.1086/728171. S2CID 266120123.
^ Kabir Jhala (18 July 2022), Documenta's director steps down over antisemitism scandal The Art Newspaper.
^
Jump up to:
a b Kate Brown (28 July 2022). "Documenta, Battered by Scandals, Gets Hit With Yet Another Allegation of Antisemitic Imagery in the Show". ART News.
^ Alex Greenberger (22 July 2022). "Documenta's Anti-Semitism Controversy, Explained: How a German Art Show Became the Year's Most Contentious Exhibition". ART News.
^ Alex Greenberger (16 July 2022), Documenta Head Is Out Amid Anti-Semitism Controversies and Pressure from German Politicians ARTnews.
^ "Documenta finding panel resigns out of 'grave concern' for show's future". The Art Newspaper - International art news and events. 17 November 2023. Retrieved 17 November 2023.
^ "Instagram". www.instagram.com. Retrieved 17 November 2023.
^ Sella, Adam (18 December 2024). "An American Curator Takes the Helm at Crisis-Hit Documenta". The New York Times. ISSN 0362-4331. Retrieved 15 January 2025.
^ Michael Brenson (15 June 1987), "Documenta 8, Exhibition In West Germany", The New York Times.
^ Michael Kimmelman (5 July 1992) "At Documenta, It's Survival Of the Loudest", The New York Times.
^ Jackie Wullschlager (19 May 2012) Vertiginous doubt Financial Times.
^ Julia Halperin, Gareth Harris (18 July 2014) How much are curators really paid? Archived 20 July 2014 at the Wayback Machine The Art Newspaper.
^ Holland Cotter (22 June 2007). "Asking Serious Questions in a Very Quiet Voice". The New York Times. Retrieved 29 August 2014.
^ Ulrike Knöfel (8 June 2012). "What the 13th Documenta Wants You to See". Der Spiegel.
^
Jump up to:
a b "904,992 people visit documenta (13) in Kassel". documenta und Museum Fridericianum Veranstaltungs-GmbH. 16 September 2012. Archived from the original on 25 February 2014. Retrieved 8 August 2013.
^ Russeth, Andrew (22 February 2019). "Ruangrupa Artist Collective Picked to Curate Documenta 15". ARTnews.com. Retrieved 5 January 2020.
^ Siddhartha Mitter (24 June 2022), Documenta Was a Whole Vibe. Then a Scandal Killed the Buzz. New York Times.
^ "Naomi Beckwith to direct Documenta 16". artreview.com. Retrieved 15 January 2025.
^ "In Germany, Disguising Documentary As Art". The Huffington Post. 30 August 2012. Retrieved 28 September 2015.
^ Stephan Valentin (12 June 2007), An art show in Kassel, Germany, rivals Venice Biennale International Herald Tribune.
^ Roberta Smith (22 June 1992), A Small Show Within an Enormous One The New York Times.
^ Thomas Siemon (25 June 2015), Wieder aufgebaut: "Die Fremden" sind zurück in Kassel Hessische/Niedersächsische Allgemeine.
^ d9 1992 Archived 2014-02-22 at the Wayback Machine, documenta XII.
^ Searle, Adrian (19 June 2007). "100 days of ineptitude". The Guardian. Retrieved 16 January 2023.
^ Hickley, Catherine (24 September 2007). "Documenta Contemporary Art Show Draws Record 754,000 to Kassel". Bloomberg. Archived from the original on 22 February 2014.
^ Berwick, Carly (17 May 2007). "Documenta 'Mystery' Artists Are Revealed; Buzz Strategy Fizzles". Bloomberg. Archived from the original on 22 February 2014.
^ Donadio, Rachel (5 April 2017). "German Art Exhibition Documenta Expands Into Athens". The New York Times. ISSN 0362-4331. Archived from the original on 6 April 2017. Retrieved 16 January 2023.
^
Jump up to:
a b Hickley, Catherine (27 November 2017). "Documenta manager to leave post after budget overruns". The Art Newspaper. Retrieved 16 January 2023.
Oil on canvas
32 1/8 x 39 3/8 in. (81.6 x 100 cm)
The "Kearsarge" at Boulogne - Édouard Manet 1864
The Metropolitan Museum of Art
1000 Fifth Avenue. New York, New York 10028 USA
Edouard Manet - Berthe Morisot au bouquet de violetts, 1872 at Musée d'Orsay Paris France
Listed in the book "Impressionism 50 Paintings You Should Know"