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Wing Commander aircraft F-16's from around the country at DSM.
IA and OH are in the line behind this line, but not pictured...
The only one I didn't see on the ramp was the NM Tacos...
© Kris Klop
I first noticed this pickup truck coming across the cornfields. Not in this photo (I had my long 150-600mm lens on!) is the corn harvester in action.
I spoke with the two men in the truck. They were the farm owner/managers checking up on their harvesting operation.
Those guys, those gentlemen, were very nice. They were true farmers with the sun beaten skin. It was fun to hear their country 'dialect' as they spoke. It was also nice that they took the time to chat while knowing that every minute the clock ticks away at their harvest time with rains (and maybe snow!) around the corner.
J'ai d'abord remarqué que cette camionnette venait à travers les champs de maïs. Pas dans cette photo (j'ai eu ma longue lentille de 150 à 600 mm!) Est-ce que l'hravester de maïs est en action?
J'ai parlé avec les deux hommes du camion. Ce sont les propriétaires / gestionnaires de la ferme qui vérifient leur opération de récolte.
Ces gars, ces messieurs, étaient très gentils. Ils étaient de véritables agriculteurs avec la peau battue par le soleil. C'était amusant d'entendre le dialecte de leur pays alors qu'ils parlaient. C'était aussi agréable qu'ils aient pris le temps de discuter tout en sachant que toutes les minutes, l'horloge s'arrête à leur temps de récolte avec des pluies (et peut-être de la neige!) Autour du coin.
I’m looking for a Content Manager Supporter who can help me create videos, visuals, and organize content for my social media — TikTok, Instagram, YouTube, and Patreon.
You’ll also have access to my full photo library, be able to communicate with me directly, help with choosing outfits, themes, lighting, and assist with moderating my Live Sessions.
If you’re creative, organized, and excited to work closely on content creation, I’d love to hear from you.
Please send your portfolio, CV/resume, and a short motivation letter in English.
📩 nastjacd@gmail.com
28 juillet 2015, Nationale 12.
MN2702-Road Manager © alain-michel boley 2015
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The Website | Second Flickr | The Blog | Facing Beauty
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© alain-michel boley 2015 | All rights reserved
My images are not to be used, copied, edited, or blogged without my written permission. No multi fav without comment.
Shoosh is looking for a blogger manager!!
If you'd like the chance to join the team please fill in the form below <3
67029 leads the 1Z05 Torquay to Ealing Broadway DB Management train passing along the Teignmouth seawall.
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Office manager by day > Lounge singer by night Mrs Katie Wilson. says....
"You're so special to me".
Why?
Because
**You Make me Feel so Young**.
HA!
Don't you just Love ladies business suits? Hopefully that is a Yes because Aunt Katie is totally at home in a business suit
I'd guess it would be in the flea weight category, (is there a flea weight category?) His odds don't look good in any case, and his manager doesn't look too optimistic either.
A very Merry Christmas and best wishes for 2023 to all who have taken time looking through the images I have shared here.
This was a lucky quick shift for me due to the earlier than usual Christmas two day shut down taking place. I was rostered 14-00 orders duty sitting in the mess room alone when the Station Manager came in and told me they were locking the place up! I rang control at York who promptly told me I was done for the day.
A very rare treat so soon in a shift and very welcome😀!
I will continue to share more images next year and hope to see many that others have shared here too.
The two nearest West End bay platforms in the image were the ones primarily used to serve the former Border Counties branch in Northumberland until its closure in 1956.
The “ Castle Keep” can be seen in the distance to the right of the image.
That's my mug shot, they shot when I entered the hell. And that cigarette box was the summary. I had cigarette, but no lighter.
At the night of June 11, I did a thing to night guardians they will probably never forget. They wrote a complaint report about me. The prison's manager threw me out of prison 3 days before. F*****ck!
I don't know how the news spread but male wards were cheering and screaming while I going to exit door with guardians.
I came from hell, with a purple hand. Often I grabbed by the feeling it's too late, I would never get out of there. It was possible I would stay for months. The complaint report cause plus 2 months in prison. But the manager found it more convenient to throw me out!!
I saw life goes on here. Strange feeling.
YJ14CVG West Yorkshire Police BMW Blue and Amber light Exhibition National Association of Police fleet managers NAPFM conference Telford June 2015
American market-spec trucks in the U.K. are rare. And heavy-duty rigid American trucks outside of providing a niche for recovery vehicles are even rarer. This Peterbilt 6X3 is - according to its owner, a 1996 model 357, with Cummins diesel engine, and was imported from Florida, where it previously served as a cement mixer for the Rinker materials group, located in West Palm Beach. The truck was originally red, yet exposure to British weather has caused the paint to heavily dull and fade into a shade of pink. This vehicle is owned by a family friend and manager of a deepwater drilling business in Ryedale, North Yorkshire, U.K. The Peterbilt may soon be for sale.
Genesis Manager Tony Smith's ex-Phil Hill 1960 F1 Ferrari Dino 246 took 2nd and 4th places in the HGPCE Pre-1961 F1 cars races. This car was the last front-engined car to win a Grand Prix.
SRY managers switch one tank car with their big power... After going back and forth down various tracks several times they would just leave with the single tank car
Peugeot 308 Police Demonstrator Blue and Amber light Exhibition National Association of Police fleet managers NAPFM conference Telford June 2015
In honour of the International Day of Happiness on 20 March 2017, I asked a selection of people to choose an object that makes them happy. I then photographed and interviewed them about these items.
"One of the things that me and my wife Debbie first bonded over was a shared love of Agatha Christie. We decided to buy them all, and had a list we'd cross off on visits to second hand book shops. The last one, an American edition called 'The Golden Ball and Other Stories', we couldn't find anywhere so resorted to eBay.
We could of course have bought them all on Kindle, but there's nothing like having the objects on a bookshelf. It's also nice that there's a history to second hand books, knowing others have read them. And Penguin covers look lovely.
I'm reading them in chronological order; there are around 90. It's interesting comparing the pre-war stories (people with servants in country houses), to the post-war ones (people can no longer can find the staff as the nouveau rich servants have enough money to buy their own houses).
Since we started buying these, Debbie has had problems with her vision, so she is listening to them as audio books."
IMAGE INFO
- The view is looking north-east across the completely re-built second version of "J. H. Wills" boat-hire shed & the paddle steamer P.S. "TELEPHONE" docked at the floating pontoon/jetty facility.
- John "Jack" H. Wills (with partner Mr Press) was a well-known manager/operator of part of the local Como cruise & pleasure boat hiring business, along with the other primary boat-shed owners, Mr Wheatley & Mr James F. Murphy (also manager of the Holt-Sutherland Estate Land Company), who each owned & operated boat-sheds just to the east of the southern abutment of the rail bridge.
- The original boat-shed Mr Press & Jack Wills had planned for the site (application for lease in Oct 1893) had been granted on 17 Oct 1894 by the NSW Legislative Assembly, with construction completed sometime in 1895. However, the Sydney Morning Herald reports that a devastating fire destroyed the original boating facility shortly after, on 6 December 1895.
- Further in the background can be seen the original single line, steel lattice railway bridge crossing the Georges River at Como.
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SOURCE INFO
- I created this restored image version from a download of part of a screen capture of a digitized image of a very rare glass plate negative which is held in the National Library of Australia collection.
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CREDITS
- Credits go to -
(a) the creator of the original excellent negative used for this particular restoration - Charles Harper Bennett (1840-1927).
(b) the National Library of Australia
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ORIGINAL IMAGE COPYRIGHT STATUS
- Per the NLA advice -
"Out of Copyright
Reason for copyright status: Created/Published Date is Before 1955
Copyright status was determined using the following information:
Material type: Photograph
Published status: Unpublished
Government copyright ownership: No Government Copyright Ownership".
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HISTORIC INFO
- Bridge info from Wikipedia - "The original Como Railway Bridge opened on 26 December 1885 as part of the extension of the Illawarra railway line from Hurstville to Sutherland. It was a single track lattice truss bridge designed by John Whitton, the Chief Engineer of the New South Wales Government Railways. The double tracks converged to a single gauntlet track on the bridge, which enabled trains to cross in either direction without points. When the rest of the line was duplicated, it became a major bottleneck.
- Between 1935 and 1942, the Metropolitan Water Sewerage & Drainage Board built two 60 centimetre diameter pipelines to pump water from the recently completed Woronora Dam to the reservoir at Penshurst. The pipeline was supported on new steel outriggers cantilevered from the main girders.
- Second bridge -
To relieve the bottleneck, a new double track reinforced concrete bridge immediately to the west opened on 27 November 1972. The original bridge reopened as a cycleway (& pedestrian path) on 15 December 1985".
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RE-PROCESS INFO
- Latest version re-coloured using MyHeritage app.
- Image enhanced using Topaz Gigapixel AI, Skylum Luminar Neo AI & Adobe Photoshop CS2.
One of Hampshire's Critical Incident Manager seen here parked up near to St Mary's Stadium during a Southampton game.
24th August 2013
Dutch postcard by Int. Filmpers, Amsterdam, no. 363 / 817.
American actress Natalie Wood (1938-1981) was one of Hollywood's most valuable and wanted actresses in the early 1960s. At 4, she started out as a child actress and at 16, she became a star, when she co-starred with James Dean in Rebel Without a Cause (1955). For this role, she was nominated for an Oscar for Best Supporting Actress. In 1961, she played Maria in the hit musical West Side Story. She was nominated twice for an Academy Award for Best Actress in a Leading Role, for Splendor in the Grass (1961) and Love with the Proper Stranger (1963). Only 43, Wood drowned during a boating trip with husband Robert Wagner and Brainstorm (1983) co-star Christopher Walken.
Natalie Wood was born Natalia Nikolaevna Zakharenko in San Francisco, USA, in 1938. Her parents were Russian immigrants. Her father Nikolai Stepanovich Zakharenko was a day laborer and carpenter and her mother Maria Zudilova was a housewife. Wood's parents had to migrate due to the Russian Civil War (1917-1923). Maria had unfulfilled ambitions of becoming an actress or ballet dancer. She wanted her daughters to pursue an acting career, and live out her dream. Maria frequently took a young Wood with her to the cinema, where Maria could study the films of Hollywood child stars. The impoverished family could not afford any other acting training to Wood. The Zakharenko family eventually moved to Santa Rosa, where young Wood was noticed by members of a crew during a film shoot. The family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name "Natalie Wood for her. The first name was based on her childhood nickname Natalia, and the last name was in reference to director Sam Wood. Natalia's younger sister Svetlana Gurdin (1946) would eventually follow an acting career as well, under the stage name Lana Wood. Natalie made her film debut in the drama Happy Land (Irving Pichel, 1943) starring Don Ameche, set in the home front of World War II. She was only 5-years-old, and her scene as the 'Little Girl Who Drops Ice Cream Cone' lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family over the next few years. Wood had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role opposite Orson Welles as Wood's guardian and Claudette Colbert in the romance film Tomorrow Is Forever (Irving Pichel, 1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was "unable to cry on cue" for a key scene. So her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene. Wood started appearing regularly in films following this role and soon received a contract with the film studio 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (George Seaton, 1947), starring Edmund Gwenn and Maureen O'Hara. The film was a commercial and critical hit and Wood was counted among the top child stars in Hollywood. She received many more to play in films. She typically appeared in family films, cast as the daughter or sister of such protagonists as Fred MacMurray, Margaret Sullavan, James Stewart, Joan Blondell, and Bette Davis. Wood appeared in over twenty films as a child actress. The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom, Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. After school hours ended, Wood would hurry to the set to film her scenes.
Natalie Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953-1954). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (Nicholas Ray, 1955) opposite James Dean and Sal Mineo. She played the role of a teenage girl who dresses up in racy clothes to attract the attention of a father (William Hopper) who typically ignores her. The film's success helped Wood make the transition from child star to ingenue. She was nominated for the Academy Award for Best Actress in a Supporting Role, but the award was instead won by Jo Van Fleet. Her next significant film was the Western The Searchers (John Ford, 1956), playing the role of abduction victim Debbie Edwards, niece of the protagonist Ethan Edwards (John Wayne). The film was a commercial and critical hit and has since been regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School, with her graduation serving as the end of her school years. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, the studio had her paired up with teenage heartthrob Tab Hunter as a duo. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period is the role of the eponymous protagonist in the melodrama Marjorie Morningstar (Irving Rapper, 1958) with Gene Kelly, playing a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. Wikipedia: "The central conflict in the film revolves around the traditional models of social behavior and religious behavior expected by New York Jewish families in the 1950s, and Marjorie's desire to follow an unconventional path." The film was a critical success, and fit well with other films exploring the restlessness of youth in the 1950s. Wood's first major box office flop was the biographical film All the Fine Young Cannibals (Michael Anderson, 1960), examining the rags to riches story of jazz musician Chet Baker (played by Robert Wagner) without actually using his name. The film's box office earnings barely covered the production costs, and film studio Metro-Goldwyn-Mayer recorded a loss of 1,108,000 dollars. For the first time. Wood's appeal to the audience was in doubt.
With her career in decline following this failure, Natalie Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in Splendor in the Grass (Elia Kazan, 1961) with Warren Beatty. The film was a critical success and Wood for first nominated for the Academy Award for Best Actress in a Leading Role. The award was instead won by rival actress Sophia Loren. Wood's next important film was West Side Story (Jerome Robbins, Robert Wise, 1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth in a film, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about 44 million dollars in gross, the highest-grossing film of 1961. It was also critically acclaimed and is still regarded among the best films of Wood's career. However, Wood was disappointed that her singing voice was not used in the film. She was dubbed by Marni Nixon, who also dubbed Audrey Hepburn in My Fair Lady (George Cukor, 1964), and Deborah Kerr in The King and I (Walter Lang, 1956). Wood's next leading role was as burlesque entertainer and stripper Gypsy Rose Lee in the Biopic Gypsy (Mervyn LeRoy, 1962) alongside Rosalind Russell. Some film historians credit the part as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterisation. The film was the highest-grossing film of 1962 and well-received critically. Wood's next significant role was that of Macy's salesclerk Angie Rossini in the comedy-drama Love with the Proper Stranger (Robert Mulligan, 1963). In the film, Angie has a one-night-stand with musician Rocky Papasano (Steve McQueen), finds herself pregnant, and desperately seeks an abortion. The film underperformed at the box office but was critically well-received. The 25-year-old Wood received her second nomination for the Oscar for Best Actress in a Leading Role, but it was won by Patricia Neal. Wood continued her successful film career and made two comedies with Tony Curtis: Sex and the Single Girl (Richard Quine, 1964) and The Great Race (Blake Edwards, 1965), the latter with Jack Lemmon, and Peter Falk. For Inside Daisy Clover (Sydney Pollack, 1965) and This Property Is Condemned (Sydney Pollack, 1966), both of which co-starred Robert Redford, Wood received Golden Globe nominations for Best Actress. However, her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. 175,000 dollars to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Natalie Wood made her comeback in the comedy-drama Bob & Carol & Ted & Alice (Paul Mazursky, 1969), with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her 750,000 dollars fee on a percentage of the gross, earning a million dollars over the course of three years. Wood was pregnant with her first child, Natasha Gregson (1970). She chose to go into semi-retirement to raise the child, appearing in only four more theatrical films before her death. These films were the mystery-comedy Peeper (Peter Hyams, 1975) starring Michael Caine, the Science-Fiction film Meteor (Ronald Neame, 1979) with Sean Connery, the sex comedy The Last Married Couple in America (Gilbert Cates, 1980) with George Segal and Valerie Harper, and the posthumously-released Science-Fiction film Brainstorm (Douglas Trumbull, 1983). In the late 1970s, Wood found success in television roles. Laurence Olivier asked her to co-star with him in Cat on a Hot Tin Roof (Robert Moore, 1976). After that, she appeared in several television films and the mini-series From Here to Eternity (Buzz Kulik, 1979), with William Devane and Kim Basinger. For From Here to Eternity, she received a Golden Globe Award and high ratings. She had plans to make her theatrical debut in a 1982 production of 'Anastasia'. On 28 November 1981, during a holiday break from the production of Brainstorm (1983), Natalie Wood joined her husband Robert Wagner, their friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. The four of them were on board Wagner's yacht Splendour. On the morning of 29 November 1981, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat. The autopsy revealed that she had drowned. Wikipedia: "The events surrounding her death have been the subject of conflicting witness statements, prompting the Los Angeles County Sheriff's Department, under the instruction of the coroner's office, to list her cause of death as 'drowning and other undetermined factors' in 2012. In 2018, Wagner was named as a person of interest in the ongoing investigation into Wood's death." Natalie Wood was buried in Westwood Village Memorial Park Cemetery in Los Angeles. Her would-be comeback film Brainstorm (Douglas Trumbull, 1983) was incomplete at the time of her death. It was ultimately finished and released, but Wood's character had to be written out of three scenes while a stand-in and changing camera angles were used for crucial shots. Natalie Wood was married three times. Her second husband was the British film producer and screenwriter Richard Gregson (1969-1972). She was twice married to actor Robert Wagner, from 1957 till 1962 and from 1972 till her death in 1981. She had two daughters, Natasha Gregson Wagner (1970) with Richard Gregson, and Courtney Wagner (1974) with Robert Wagner. The 2004 TV film The Mystery of Natalie Wood chronicles Wood's life and career. It was partly based on the biographies 'Natasha: the Biography of Natalie Wood' by Suzanne Finstad and 'Natalie & R.J.' by Warren G. Harris. Justine Waddell portrays Wood.
Sources: Dimos I (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Volvo Fire Co Responder XC 70 Demonstrator Blue and Amber light Exhibition National Association of Police fleet managers NAPFM conference Telford June 2014
BlackRock is the world's largest asset manager with over $4.5 trillion in assets under management as of 2016.
Sometimes at lunch break I spotted this handsome mature businessman who is wearing everyday a suit. This was the frist time - I also tried to read his name on his ID card but it showed the wrong side. More important was to get some nice photos of him and his nice black dress shoes!
Check out the video of him when I walked behind him:
This Christmas Day, I considered all the options ahead of time and took a decision to 'go to ground'. In my case, that meant unplugging, getting out of the house, driving into Manchester and considering what I found.
I got up early and set off armed with my camera, batteries, flash and a tutu. What I thought I would find was a deserted city, what I discovered was so much more.
The city was surprisingly busy, The Spar was open, Starbucks was open (and really busy!) There were lots of homeless people. Lots of them. On the whole they wanted to chat, and were gentle and kind.
I met a homeless man on a bike when I arrived. He told me he got twatted by Wayne last night but it's ok he twatted him back and dislocated his arm. Wayne is gay and was jealous of this guy's new clothes (£170 trainers). They both cried in A&E last night. I gave him £1 and told him to stop twatting people.
Another homeless man had a silver holographic hat with flashing lights on it. He told me he got it especially for Christmas Day. That made me think. A homeless woman called Marie spoke to me, she intended not to speak to anyone today (especially not tell anyone her name), she drowned everyone out with Radio 4. She laughed at the idea of Andy Burnham eradicating homelessness by 2020. She told me if she was put in a house, it would have to be better than she had now. That made me think. The best part of her day had been having a wee behind a tree with a dog. That also made me think. She wasn't happy with anyone doing outreach either. She inferred that they have no idea what it is like to be homeless and was outraged at them giving her a blanket "why do I need that when I've got a sleeping bag?" That made me think. She was a fan of the C-word and rather racist. She was 50 years old, didn't wear underwear and was menopausal. That made me think.
As I wandered around all the areas usually so full of shoppers, commuters and tourists, I was struck by how much of the city is run by commercialism. The sale signs and crowd controls already in place for 6am tomorrow.
There was something quite magical about being in the city on Christmas Day, a collection of people, from all different nationalities, wandering around, marvelling at the quietness (not silence), taking selfies and photographing the empty streets. Those who were staying at hotels and apartments within the city, the homeless people who live there, the pigeons who wander the same streets, the Uber Drivers ruling the highways. All of us in the same place at the same time, everyone was polite, everyone noticed everyone else and smiled, acknowledged each other and said Merry Christmas. It was the closest thing I've experienced to a community in a long time.
I shot a couple of selfies and was reminded how far my confidence in modelling for my own photography has come. The idea for this came before I set out, a sort of 'broken fairy' or as it happened a cheeky fairy drinking pepsi, dancing to the tune of her own beat. Whilst I was shooting this, Uber drivers kept driving by with quizzical looking passengers :)
I drove into Rusholme in the evening, it was rammed, the traffic was manic and it seemed like the whole world had descended there.
I met a vulnerable older man who told me he was going into Manchester. I told him he was in Manchester, he looked a bit confused and said "Yes, it's Manchester but it's different today". I worried he had dementia and was lost. I asked him where he started his day he smiled and said "In the pub!".
I got a table for one at Shere Khan, the manager shook my hand and wished me a Merry Christmas. It was really busy, I had some paneer, aloo gobi and onion bhajis, the waiter tried to ask me out to dinner as I paid the bill, I was twice his height in trainers, he asked "Have you got Snapchat?" I slightly cringed inside (I'm sure that must make him at least 15 years younger than me?!) But I politely declined :)
So today I didn't go to church, I didn't have a veggie version of a roast dinner, I didn't open my presents until really late (I know!) I didn't spent it with friends, I didn't text my brother, but I did reflect on the Christmas message and what it means today to people struggling or vulnerable. I did find a part of myself I haven't found before, I felt a belonging to a bigger cause that I've been craving for so long. And I've had the best Christmas Day I've ever had for many years.
Thank you to all of you who invited me round and bought food on standby just in case, I didn't reject that in any way, I was and still am touched by the kindness.
I hope you all had a blessed day, however you chose to spend it.
More photos to follow.