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Maker: Louis Vignes (1831-1896)
Born: France
Active: Jordan
Medium: albumen print from a paper negative
Size: 10" x 7 3/4"
Location: Lebanon
Object No. 2017.844
Shelf: B-21
Publication: Louis Vignes (1831-1896) The 1864 Expedition, Daniel Blau Gallery, Munich, 2015, pg 10
Other Collections: Getty Research Institute
Provenance: The estate of the Duc de Luynes
Notes: Printed by Charles Negre. Vignes accompanied the Duc de Luynes an archaeologist, numismatist and art collector on a trip to Lebanon and Palestine in 1864, despite of or because of his passionate amateur status as a photographer. He took calotypes and collodion negatives to record key places. Upon his return to France the Duc gave the negatives to Charles Negre for printing. For more information on Vignes, see Henri Sauvaire (1831-1896)
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Top one is a rounded bent shank stamp meant for rings
The middle is a bent shank with my handwritten initials
The last one is a straight shanks maker's mark for general stamping.
Makers Club Members: Ryan Agnew, Joachim Bean, Levi Bedall, Katherine Beigel, Gretchen Cochran, Elizabeth Fischer, Matt Herrmann, Xinge Huang, Kay Bea Jones, Daniel Meredith, Henry Peller, Evan Rimoldi, Ken Rinaldo, Andrea Ross, Ethan Schaefer, Lindsay Scypte, Ann Silverman, Casey Slive, Krzysztof Topolski, Patrick Turner, Patrick Vokaty, and Zachary Weinberg.
Work from friends, colleagues and students who share an interest in creating culture for, or about, worms. Many were students of “Vermiculture Furniture”, a course I co-taught with Kay Bea Jones and Ann Silverman. Others are artist colleagues, volunteers, close friends and my partner, Ken Rinaldo. Together, we form a loosely affiliated club, which can include you. Please join us in the making. Visit wormculture.org
Vermiculture Makers Club: Amy M. Youngs + members of the Vermiculture Makers Club.
ON VIEW: March 6 – April 17, 2015.
849 Gallery, Kentucky School of Art, Louisville, KY.
Views from Maker Faire Bay Area 2019.
For photos of the LEGO exhibit I was part of, see www.flickr.com/photos/billward/albums/72157707155303811 or my blog at www.brickpile.com/
Highlights from the 2nd Annual Maker Faire 2018 presented by the Fountaindale Public Library and its Tinker Technoogy Troupe.
Maker Faire is the Greatest Show (and Tell) on Earth—a family-friendly showcase of invention, creativity and resourcefulness, and a celebration of the Maker movement. It’s a place where people show what they are making, and share what they are learning.
Makers range from tech enthusiasts to crafters to homesteaders to scientists to garage tinkerers. They are of all ages and backgrounds. The aim of Maker Faire is to entertain, inform, connect and grow this community.
The original Maker Faire was held in San Mateo, CA and in 2013 celebrated its eighth annual Bay Area event with some 900 makers and 120,000 people in attendance. World Maker Faire New York, the other flagship event, has grown in four years to 600+ makers and 75,000 attendees. Detroit, Kansas City, Rome, Oslo, Tokyo, Newcastle (UK), and Shenzhen are the home of "featured" 2014 Maker Faires (200+ makers), and almost 100 community-driven, independently organized Mini Maker Faires are now being produced around the United States and the world, including right here in Portland.
Photo by Gia Goodrich
Maker Faire 2017 was bigger, louder and hotter than previous years. Many of the attractions were still the same, but they felt more grown up. I particularly enjoyed the illuminated art in the Dark Room, such as Peter Hudson’s 3D Stroboscopic Zoetrope. I also enjoyed all the ingenious robot exhbits and the Traveling Spectacular’s vaudeville performance
I gave a talk about our Maker Art classes on Sunday morning. We teach children to create magical worlds together, combining art, tech and storytelling. Our students get really engaged in the process, which helps them develop their creative, problem-solving and social skills.
The presentation was well received by a great group of teachers, parents and kids. I connected with several librarians and teachers interested in teaching Maker Art in their communities. And one mom reached out to me afterwards to say this was the best talk she heard this year.
Maker Faire remains the Mecca for Bay Area DIY hobbyists and it was well worth the trip for me. I made some good connections after my talk and learned more about robots for our next classes. Onwards!
See more photos in my Maker Faire album:
www.flickr.com/photos/fabola/sets/72157633515937533
Here’s more info about my Maker Art talk:
makerfaire.com/maker/entry/60448/
Here are the slides I showed in the talk:
bit.ly/maker-art-talk-may-2017
Learn more about our Maker Art classes:
fabriceflorin.com//teaching-maker-art/
Learn more about Tam Makers:
#MakerFaire #MFBA17 #makers #makerart #makered #techedu
Maker Faire is the Greatest Show (and Tell) on Earth—a family-friendly showcase of invention, creativity and resourcefulness, and a celebration of the Maker movement. It’s a place where people show what they are making, and share what they are learning.
Makers range from tech enthusiasts to crafters to homesteaders to scientists to garage tinkerers. They are of all ages and backgrounds. The aim of Maker Faire is to entertain, inform, connect and grow this community.
The original Maker Faire was held in San Mateo, CA and in 2013 celebrated its eighth annual Bay Area event with some 900 makers and 120,000 people in attendance. World Maker Faire New York, the other flagship event, has grown in four years to 600+ makers and 75,000 attendees. Detroit, Kansas City, Rome, Oslo, Tokyo, Newcastle (UK), and Shenzhen are the home of "featured" 2014 Maker Faires (200+ makers), and almost 100 community-driven, independently organized Mini Maker Faires are now being produced around the United States and the world, including right here in Portland.
Photo by Gia Goodrich