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Created for TMI - In the style of... Pastels.
Dandelion, courtesy of PD.
Strange element, purchased from DS.
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This weathered metal tray was thrown away on the street as trash and catching some sunlight. I thought it was a baking sheet for cookies. But according to the experts, that's not the case. So it's just my imagination. :-)
I just found I was mostly right. It's a vintage baking tray for éclairs. :-D
A pattern-welded blade by Pete Mattila of Hobart.
This particular blade is one of a trio of such hand-forged pieces created by Pete, artist, designer and blacksmith.
Pattern-welded steel is often mistakenly referred to as 'Damascus steel' but there are notable differences in production techniques, chemical composition and metallurgy in a historical sense. Sufficient differences in fact to start whole wars on blade smithing forums so not going there... :-)
This particular blade is made from railway steel and another, higher carbon steel being forced together under extreme temperature and pressure - either by press or hammer.
The unique banding in this one-piece blade comes from the many layers being twisted very tightly together at the end of the welding process and when close to white hot. The blade shape has then been hammer forged out of the circular blank. The twisting is visible in the handle.
They are a very pretty blade after pickling in acid then strong coffee :-)
Nikon Z 6, Nikkor Z 24-200/4-6.3, 1/160th sec at f/6.3, ISO 400.
The butcher, the baker, the candlestick maker,
and all of them going to the fair.
The Dicken's Christmas Fair to be exact. It's a Victorian visual feast between now and Christmas at the Cow Palace in Daly City. It's well worth a visit if you're local.
This lady is technically a candle maker and not a candlestick maker, I guess.
This photo is licensed under a Creative Commons license. If you use this photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
This photo is licensed under a Creative Commons license. If you use this photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
Photo of this bread maker was taken on the West Bank of the Nile in Luxor during one of my trips to Egypt during the 1990s. Again, is a scanned image.
"Ah, it was a time of sharing, of remembering, building, adventuring, dreaming ... but above all, it was the time of my kind, the time of mask makers ... those for whom the art of creating great Kanohi Masks from Kanoka Disks was all that we lived for."
The red light effect is actually an LED tube rolled in some red sheets, complemented with a faint blue light behind his back.
-slightly edited
Long exposure taken from a great spot at the Narrow Neck Peninsula in Blue Mountains. I loved the strange rock pattern in the foreground and loved the motion of the trees and clouds. To me the trees looked like a dream maker, weaving the fabric of the clouds and creating their motion towards me.
An abandoned tool maker for shoes
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Shot with Canon 5Diii Body, Canon 16-35mm 2.8ii
Available as Limited Edition Signed Prints, Please message me for more information Available in small size in editions of 15, medium size in editions of 10 and large size in editions of 5, printed on art paper and all come with a hologram certificate of authenticity.
Shares, likes and especially comments are appreciated so much, I love to hear what you think of my artwork and sharing with the world, helps my page to grow, thank you so much.
Accession Number: 1975:0091:0001
Maker: Henry Peach Robinson (English 1830-1901)
Title: She Never Told Her Love
Date: ca. 1858
Medium: albumen print
Dimensions: Image: 18.5 x 24.3 cm Mount: 37.8 x 45.6 cm
George Eastman House Collection
General – information about the George Eastman House Photography Collection is available at http://www.eastmanhouse.org/inc/collections/photography.php.
For information on obtaining reproductions go to: www.eastmanhouse.org/flickr/index.php?pid=197500910001.
The new Design Museum on Kensington High Street. Maybe a few too many people but it's always difficult with London's landmark buildings
I set out to take a sunset photo, but found that a bit more was going on with these smokestacks here.
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Because of my eager eyes…I was rejected from Heaven! I wished I was blind unable to judge beauty, except I was just an artist enjoying liberally a living masterpiece.
Looking, touching, feeling it; when the owner of the museum started to scream friendly: “It’s not allowed to touch”.
I kept smiling from the inside: “I’m an artist; I wouldn’t ruin a piece of art”. I just needed to be injected by its fragrance.
My heedlessness pushed the old man to loud his voice: “If you want to touch it, you have to buy it”.
I went so irritated, I wished it was smaller so I can steal it and run away. But it was big enough to erase my stupid idea, just by accepting its reality.
By the time I was getting blown by hating it for being so big, it was asking me somehow if I can return to be a stone, so they can expose me next to it, and then people would come and benefit from our beauty together. I turned my back laughing:
“Why should I be a stone, while men are the stone makers?! Why should I kill my senses and be a stone While feelings still lives in me?! Would it be the nothing? Or would I feel the stillness and serenity just as if I’m the stone’s father?
…Maybe.
But what’s the point? Where is my ambition?
The stone said: “Being a model is like being the crimson idol that you have always wished to be.
sooner your body will die and you’ll be barred away from eyes, away in the darkness, while people keep on searching for stones left by old civilizations, and since it incomes a lot for them, they put it under spotlights and they even buy an insurance for its everlasting life”.
Ub.
Last saturday I visited a flea market and found this handmade lace collar which fits perfectly in my book The unknown maker ... happy days!
silvercrest yoghurt maker is my latest buy from a charity shop £10
i love it!! very easy to use. nothing fancy. it's simply a warmer with an on and off switch, a pink pot, a white pot, two lids and a strainer. that's all i need.
you tube video is to show the parts of the yoghurt maker not the 'advice' given by the gentleman www.youtube.com/watch?v=50Lxg9Q3o1w (from 01.22 to 02.05)
i followed this yoghurt making you tube recipe www.youtube.com/watch?v=6laRiO7iaOU having used this recipe when learning how to make yoghurt during covid lockdown.
please note
the milk must always be boiled first, then removed from the heat and only added to the pink container each time when the temperature has dropped from boiling to 110fah www.youtube.com/watch?v=6laRiO7iaOU
1. i made my own yoghurt culture using chillies placed at the bottom of the pink container and 110fah whole milk poured into the pink container just covering the chillies, placed the filled pink container in the yoghurt maker, replaced the lid and switched on flic.kr/p/2kzNqmg i left the milk and chillies to process for a few hours, until set
(see video www.youtube.com/watch?v=6laRiO7iaOU from 00.32)
2. i removed and discarded the chillies from the set yoghurt culture (1) and gradually poured 110fah whole milk into the yoghurt culture in the pink container to about halfway up the container, gradually stirring to prevent lumps, placed the filled pink container in the yoghurt maker, replaced the lid and switched on flic.kr/p/2kA7gKN i left the blended milk to process for a few hours until set
(see video www.youtube.com/watch?v=6laRiO7iaOU from 01.47)
3. when set, for the final time (2) i repeated the procedure by gradually pouring extra 110fah whole milk into the blended milk of procedure (2) this time to fill the pink container, stirring to prevent lumps, placed the filled pink container in the yoghurt maker, switched on and left it for a few hours, until set
(see video www.youtube.com/watch?v=6laRiO7iaOU from 03.50)
4. i decided to strain the final set yoghurt of (3) though it can be eaten unstrained
the yoghurt maker is switched off. i poured the set yoghurt from the pink container into the meshed strainer and placed the filled mesh strainer inside the white container to collect the whey, the watery liquid, from the strained yoghurt and covered with the lid
every so often i removed the whey from the white container and then returned the yoghurt filled strainer into the white container to continue straining the yoghurt
once i was happy with the texture the strained yoghurt was ready.
notes
by adding salt to the yoghurt in stage (3) and removing all the whey in the final stage (4) the set yoghurt would become creamy soft cheese
(see video www.youtube.com/watch?v=X6Z01S3GIGI&t=0s )
i'll make soft cheese another day :) flic.kr/p/2oqw3Q5
in the past to make the yoghurt i would have wrapped a lidded saucepan of warm milk in an electric blanket switched on to a low setting and safely placed both upstairs in a bedroom for hours.
a welcome tip to keep the milk at a constant warm temperature at each stage of the process sent from John Freshney www.flickr.com/photos/139753516@N02/
that method worked well for me when learning yoghurt making but this yoghurt maker placed on the kitchen work surface quietly processing is a game changer. simple, fun, much quicker and very happy with the result :)
ps i'm not recommending any of these cookery adventures. they suit my taste. photographing to encourage myself to eat more healthily
www.flickr.com/groups/cooking_is_my_hobby/ helps to gather ideas and encourages me to continue with healthy eating by learning from others if you're interested in cooking, sometimes or a lot, or enjoy the cooking of others, you're always welcome ...
In Cairo, Egypt there is a whole road designated for the tent makers. These people are highly skilled and very artistic. We were amazed at the level of detail in these pieces as they are hand made. We ended up buying the brown reddish one in the middle of the image.. It now hangs in our house as a reminder of this trip.
Himal Viraj leads a team of boiler makers in the Sri Lanka Railways vast workshops at Rathmalana, in the southern suburbs of Colombo. He was hoping to retire this year.
Sri Lanka, February 2020. © David Hill