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Details of the steam pumping station Hertog Reijnout . It is a piece of the Dutch industrial heritage. Nijkerk, 2021.
Again, I would like to thank everyone for your support, views, faves and comments!
See website: www.excitinghistory.com/location/nijkerk-stoomgemaal-hert...
Sony ILCE-7M2 | Lensbaby Burnside 35
The light shifting through the window is the glow from the forest fires on the west coast of the US specifically in Oregon.
Gebläsehalle Völklinger Hütte - Tandem-Großgasmaschine
Built 1900-1938
the middle section of the gas machine, original dynamo to the left, blower to the right, which has been equipped later
#Memories Flickr 21 Challenge
My old tv from the 80's. It now resides in the garage. It was from my first apartment and used it for a long time. It is very small. I can't imagine watching now with the giant screens of today !
Just for the guys this sci fi drink machine contains plenty of animations!
Full bento, RLV, INM, Physics, VAW, Lovense.
Check out the store for other great items.
This is actually the Grotto Geyser. It has a look to me that resembles the inside of a washing machine. The water thrashes around inside of it.
The newest version of Grauland is finished finally. This one is called The Divinity Machine.
The Divinity Machine is located in an ancient black alien pyramid, on a world with no continents. Here there are just millions of rocky islands and mist.
And on this particular island lies the heart of dreams and mysticism, spirituality and power.
But is it really divine? Or is it deception designed to control any and all who come in contact with it? And how does one decipher the Law Stones? How does one control the Pillars of Power and the Celestial Mother?
Come on by and form your own opinion. maps.secondlife.com/secondlife/Liberia%20Isle/31/181/27
The dunlin moves along the coastal beaches it prefers with a characteristic "sewing machine" feeding action, methodically picking small food items. Insects form the main part of the dunlin's diet on the nesting grounds; it eats molluscs, worms and crustaceans in coastal areas.
UP YPR60A switches its final customer at M19A: Industrial Warehouse off Kilbourn. This repurposed warehouse, located in the back, was originally Building M50, the machine shop of C&NW's enormous 40th Street shops complex. Bounded by Chicago Avenue to the north, Pulaski/Crawford to the east, the Galena Division to the south, and the Belt to the west, 40th Street was the North Western's general locomotive shops in Chicago and contained maintenance facilities for the railroad's long-distance passenger trains and a freight yard. Allegedly during its heyday, 40th Street employed more people than the entire railroad did during the 1995 merger. Over the course of several decades, C&NW downgraded 40th Street and converted most of the land into an industrial park. M50, the machine shop, was practically the only building besides M19 and M19A to survive.
Trade Fair Tower (Messeturm), Basel, Switzerland
Somehow a painful image for me: just moments after the exposure, while the camara did its long exposure noise reduction thing, the wind blew over my tripod, leaving me with a crushed camera and a $1,400 invoice to get it fixed -- punish your machine :-(((
Cette machine faisait partie d'un site industriel désaffecté depuis plus de 30 ans, un ancien moulin qui produisait des tourteaux (rien à voir avec les crabes), gâteaux de graines destinés à l'alimentation du bétail mais aussi d'engrais.
Un site décevant, tant il est en mauvais état, défiguré par les tags et les tirs des adeptes du paintball qui en ont fait leur fief !
Photo taken with the Insta360 One X
Just for fun. Super wide angle shot inside a washing machine. In camera stiching. Retouching in post.
If you want interactive movement ---> Have a look here: roundme.com/tour/446318/view/1537000
Today's theme for "Crazy Tuesday" is "embroidery". I based this on one of my chaffinch in flight photographs. The background fabrics were printed with acrylic paint and I've free motion machine embroidered and hand stitched the chaffinch.
In a night without sun, in a storm without clouds, I protect me where I can.
Use an umbrella to avoid contaminating me.
Go into a washing machine to keep me pure. I can not contaminate me with the world.
This picture winner the People's Choice: Creative Edit
I carry my time machine with me most of the time, it has come in many forms through the years but it is Music. A song can bring back the smell in the room the first time I heard a song play, music can bring back the taste I had with a food shared with music, a song will bring back vivid memories of friends all along the way. A second that crept in the frame is the camera that captures the moment forever.
Once brand new coal power for the new Powder River Basin, these green machines were at the end of the line by this late date. Avoiding the scrappers torch and finding a home hauling taconite pellets in Michigan for over 30 years since leaving the coal fields, time is up. Replaced by more modern machines from the same genetic lineage, soon they would fall to the scrappers torch.
This begins a series of photographs I took on a journey from New Orleans to Memphis via the Mississippi River.
This particular image reminds me of the photographic style of William Eggleston.
William Eggleston (born July 27, 1939) is an American photographer. He is widely credited with increasing recognition for color photography as a legitimate artistic medium. Eggleston's books include William Eggleston's Guide (1976) and The Democratic Forest (1989).
Eggleston's mature work is characterized by its ordinary subject matter. As Eudora Welty noted in her introduction to The Democratic Forest, an Eggleston photograph might include "old tires, Dr. Pepper machines, discarded air-conditioners, vending machines, empty and dirty Coca-Cola bottles, torn posters, power poles and power wires, street barricades, one-way signs, detour signs, No Parking signs, parking meters, and palm trees crowding the same curb."
Eudora Welty suggests that Eggleston sees the complexity and beauty of the mundane world: "The extraordinary, compelling, honest, beautiful and unsparing photographs all have to do with the quality of our lives in the everyday world: they succeed in showing us the grain of the present, like the cross-section of a tree... They focus on the mundane world. But no subject is fuller of implications than the mundane world!" Mark Holborn, in his introduction to Ancient and Modern, writes about the dark undercurrent of these mundane scenes as viewed through Eggleston's lens: "[Eggleston's] subjects are, on the surface, the ordinary inhabitants and environs of suburban Memphis and Mississippi—friends, family, barbecues, back yards, a tricycle and the clutter of the mundane. The normality of these subjects is deceptive, for behind the images there is a sense of lurking danger." American artist Edward Ruscha said of Eggleston's work, "When you see a picture he's taken, you're stepping into some kind of jagged world that seems like Eggleston World."
Hagley is the site of the gunpowder works founded by E. I. du Pont in 1802. This example of early American industry includes restored mills, a workers' community, and the ancestral home and gardens of the du Pont family. The machine shop.