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Artwork done for the american “Heavy Melody Music & Sound Design” team which regularly works for blockbusters trailers and video games.
Just a small creation I designed after a machine we have at my job. It's not much, but I think little details like this can make a bigger MOC a more realistic.
Danuser Machine Company in Fulton Missouri by Notley Hawkins Photography. Design by Simon Oswald Architecture of Columbia Missouri. Taken with a Canon EOS 5D Mark IV camera with a TS-E17mm f/4L lens at ƒ/8.0 with a 1/13 second exposure at ISO 200. Processed with Adobe Lightroom CC.
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©Notley Hawkins
Société française de matériel agricole et industriel - Vierzon
Le Compa, Conservatoire de l'agriculture
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Florence + The Machine, finalmente, in Italia per un attesissimo concerto invernale. La rock diva e la sua band, suoneranno infatti davanti al pubblico del Mediolanum Forum di Milano il 21 dicembre 2015 con il loro How Blue Tour .
Dopo la consacrazione definitiva del grandissimo live del 20 novembre 2012, la rossa più potente dell'indie-rock è pronta a regalarci un altro show epico.
Per Florence Welch il successo dei primi due dischi Lungs (2009 – Album of the year, Brit Awards 2010) e Ceremonials (2011) ha significato 5 anni di registrazione, promozione e tour. Cerimonials (disco candidato ai Grammy) è stato scritto mentre Florence e i musicisti erano on the road e registrato subito dopo la fine del tour. Gli Show diventavano sempre più grandi, i capelli sempre più rossi e il successo sempre più grande.
Pop star a 21 anni, con 2 album internazionali alle sue spalle, Florence ha scoperto che dedicando 7 anni della sua vita alla musica alcuni elementi della quotidianità erano stati lasciati da parte.
Florence Welch – voce
Robert Ackroyd e Rusty Bradshaw – chitarre
Mark Saunders – basso
Isabella Summers – tastiere
Christopher Lloyd Hayden – batteria
Tom Monger – arpa
File name: 10_03_002303a
Binder label: Thread
Title: Nonotuck Silk Co. Manufacturers of machine twist & sewing silk. [front]
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 8 x 12 cm.
Genre: Advertising cards
Subject: Moths; Silk; Thread
Notes: Title from item.
Statement of responsibility: Nonotuck Silk Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
Help!
I am in great need of Indy torsos,tan legs,M1 pots,And MMCB Brown trench coat!
FM me If you have anything.
Anyways like my Machine guns?
C&C is welcome!
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Wonderful image of an old Russell Cyclone Thresher, The Russell Company, Massillon Ohio, Circa 1910-1915.
Credit for the description of this negative goes to Ashtabula Archive and you can see his wonderful collection of photos here: www.flickr.com/photos/115892967@N03/
Image derived from the original glass negative.
This is my friend David, posing sheepishly with an open-air broad-daylight porno magazine vending machine in a main street in Sakado (if I remember correctly), Saitama, Japan...
I think it fits the "Only In Japan" niche quite well, though I did recently see a vending machine for bestseller novels at London's Heathrow airport...
This is another shot from the archives but pre-digital - shot on my old trusty Nikon FE and scanned in store at time of processing. It's a little too contrasty if you ask me, but I suppose I could tweak that... Another project for when there is time... Circa 2003
Office machine? I am not sure that's proper title. I am not English native. Maybe government or department machine? Maybe something else? Check out description and photos and tell me what would be better. Anyway it is hidden behind a puppet mindlessly obeying orders. Manipulated puppet doesn't even know that he is performing acts of evil. He is the link in the system, it's integral part. Getting his hands on the all kinds of goods and passes them to his soulless master.
Check out full story and view more photos at bricks.kalais.net/post11
The tunnel eventually led out into, wouldn't you know, Grand Central Terminal. Elixir had begun to heal Rogues wrist and soon she was able to move it again without it hurting. As we walked up to the platform across the tracks, making sure to avoid the charged track someone yelled out in a deep voice.
"Hey you! What do you think your doing down there?" A man in an oversized, well what looked like an oversized Iron Man suit called.
"Pardon Mon Ami, what is de problem?" I turned to ask the machine.
"Name's War Machine and I don't suppose you have a reason for walking out of a subway tunnel and into Grand Central for me?" He asked, lifting himself into the air.
"My name's Gambit, dis is Rogue and dat is Elixir. We are part of de X-Men. Maybe you 'eard of us? We may of destroyed part of the village in as battle wit' dese mutant hunters, you see..." I told him.
"Mutants!" Someone screamed and the citizens that were standing around began to panic and clear out for the nearest exit.
"Mutants?" The flying machine man thing said.
"Whatever you are, you're causing panic and from the sounds of it major damage to public property. That my friend is against the law" He continued, aiming one of his hands at me.
"Eat repulsor!" he called firing some energy beam at me. I jumped out of the way in time. What were my advantages? Well the confined space would limit his flight path, he won't use his missiles in case of collapsing the tunnels, my increased agility is a good evasive tactic and my ability to blow his armour away one piece at a time. I dodged a second shot and swung my staff into his side, swing myself onto his back. I charged the gun on his back and jumped off as it blew. He turned round and fired a line at me. I jumped high as it hit the ground. I saw an electric current flow through the line and into the track it had caught in. I grabbed a his feet and again I felt the energy build beneath my fingers and enter his leg armour. The way my mutation worked is the fact that I have a body which can hold a considerable higher amount of energy then a normal human and I can build such energy within me and pass it into another object, thing or even animal at times. I saw the rockets on his feet blow and he crashed into the ground. I jumped at him again and placed my hand to his helmet.
"Desole Mon Ami, but Gambit can't be delayed any more" I told him and I was about to reveal his face but the vibrating tracks told me I had to move.
I unleashed the energy into War Machine's arms instead and tossed him up. I leapt onto the platform as War Machine was flown into the oncoming train and smashed against the front of the train. The thing was automated and just kept going, War Machine stuck to the front of the vehicle and was taken away leaving us to hurry out.
"Gambit quick we need to get out of here before Omega One find us!" Rouge called to me.
"You right Cherie" I said taking her hand and me Elixer and her ran out of the Terminal.
Gambit moves from #102 Greenwich village by subway tunnel to #82 Grand Central Terminal placing War Machine in peril