View allAll Photos Tagged MULTITUDES
This was first in a project I've started born out of the fact that I shoot with a multitude of lo-fi equipment. So many of the rolls of film shot with them are way below par due to the type of camera (plastic, leaky, homemade, or just old) and the type of film (expired, half usable, or useless). If I took portions of my negatives which I've scanned and composited them with others, maybe I could come up with a fun scene, I thought, thus, the project was born.
Working on this reminded me of my start with compositing (ugh, I was horrible, it was more like a sloppy collage). I'd taken a photoshop class in 2002 not long after getting my first computer (I was late to the game; I didn't even have a camera back then and had no real interest in photography.) Those class images I would make was with stock photos, using an 'everything but the kitchen sink' philosophy to my image making.
So, perhaps I'm reliving the past. Sue me. I'm nostalgic.
NOTE: everything in this photo is taken on film with analog cameras. In case no one reads tags. (which is fine!)
All the photos were taken by me, all the negatives were scanned by me, and prints made from that. Of these, I then used some whole photos and portions of others to create the image you see here. It reminded me of when I took that PS class and did a similar thing using stock photos (only for practice, not to show anyone but the class). Hope that explains.
:)
There were multitudes of flowers blooming in November in Costa Rica. This beautiful red flower jumped out of the jungle floor bursting with its bright, cheery color. Amazing how something small such as this can stand out in the crowd of green.
Multitudes of painted lady butterflies were sunning themselves on the warm rocks; fun to get a two-fer like this.
Multitude Exhibit | MiMA Museum
A thought-provoking commentary on surveillance in our interconnected world?
Loved the display at Multitude exhibit at MIMA and how Vhils unearths hidden narratives from discarded objects while challenging our perceptions.
John 12:12-16
12 The next day a great multitude that had come to the feast, when they heard that Jesus was coming to Jerusalem, 13 took branches of palm trees and went out to meet Him, and cried out:
Hosanna!
'Blessed is He who comes in the name of the Lord!'
The King of Israel!"
14 Then Jesus, when He had found a young donkey, sat on it; as it is written:
15 "Fear not, daughter of Zion; Behold, your King is coming, Sitting on a donkey's colt."
16 His disciples did not understand these things at first; but when Jesus was glorified, then they remembered that these things were written about Him and that they had done these things to Him.
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Greetings everyone! Inspired in part by Marcel V and his day-by-day Harry Potter vigs, I decided to build the last week of Christ before He died and rose again. Since I was worried I wouldn't be able to build them all in time, I asked David to collab with me. Hope you enjoy these vigs!
P.S. The palm tree design is by Mark.
In the mid-nineteenth century still-life painting underwent revival in the northeastern United States.Working in a style based on Dutch models,which depicted a multitude of fruits and flowers,Severin Roesen cultivated a popular following with the German community in Pennsylvania.This composition,one of his most elaborate,portrays a grand arrangement of fruit,a bird's nest,and a finely painted glass of water,and conveys a sense of wealth and abundance-Brooklyn Museum
About the artist-Very little is known about the German-born artist Severin Roesen.He was born in the town of Boppard in Germany to Stephan,a surveyor and Margaretha Roesen.That he was artistically inclined is not in any doubt and it is also clear that he received formal training in art,probably in ceramics,porcelain making,and enamel painting.
Records show that Roesen married Sophia Jacobina Lambricht in March 1847. He held an exhibition of floral painting at the art society in Cologne the same year.
Germany at the time was going through political troubles,and a number of Germans were moving away to America.Roesen and his wife were part of this movement towards the United States.They left Germany at the end of 1847,and stopped briefly in England before making their way to the US,where they arrived in early 1848.
The couple settled in New York upon their arrival and Roesen began exhibiting his work immediately,starting at the American Art Union the same year.Unfortunately,his wife died that year.He remarried the following year to another German émigré,Wilhelmine Ludwig.The couple had two children,Minnie and Oscar,in the next few years.
Roesen abandoned his family in 1857,and moved away to Pennsylvania where he first lived in Philadelphia.He then sought out other German émigrés like himself in the German settlements in Huntingdon and Williamsport, where he arrived in 1863.
Roesen found success within the German community in America.They were a prosperous and hardworking people making a new life for themselves in a new country,and they were eager to purchase his works for their homes and also for hotels and social centers.In fact,a large number of his works have been found in homes in Williamsport.
Roesen's style never really changed.His technique was excellent,and his compositions were generally variations of the same,with some paintings being near copies of each other's.One of the few things we do know about him was that he was fond of beer,as he often placed a glass of beer in the corner of his compositions (A large number of these glasses were then painted over.)
Roesen disappeared from Williamsport in 1872,and there are no records of his life at all after this date.He painted more than 300 still lifes during his time in America.Though he had largely been forgotten after his disappearance,his work to the attention of the art world in 1961,when the White House purchased one of his paintings sparkling a renewed interest in his life and work.
-BLOUINARTINFO
"I will build a motor car for the great multitude...constructed of the best materials, by the best men to be hired, after the simplest designs that modern engineering can devise...so low in price that no man making a good salary will be unable to own one-and enjoy with his family the blessing of hours of pleasure in God's great open spaces."
-- Henry Ford (American industrialist, business magnate, founder of the Ford Motor Company, and chief developer of the assembly line technique of mass production)
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
Rancho San Antonio County Park. Shot with Fujifilm XPro2 and 60mm f2.4 macro lens converted to B&W from Classic Chrome.
ALBUM: RANCHO
“Mortal as I am, I know that I am born for a day. But when I follow at my pleasure the serried multitude of the stars in their circular course, my feet no longer touch the earth.” ― Ptolemy
Art installation by Marinella Senatore entitled "We Rise by Lifting Others". One of the Winter Light 2023-24 series of public artworks on the South Bank.
~ Jonathan Milne
Wishing happy birthday to this Slovenian Princesss, Tja'Sha ♥'s.
Also, this week theme for the group Whispery White Wednesday is white with lilac (the color or the flower).
Thanks to Adrisbow for the free texture.
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“Woe to the multitude of many people, which make a noise like the noise of the seas; and to the rushing of nations, that make a rushing like the rushing of mighty waters! / The nations shall rush like the rushing of many waters: but God shall rebuke them, and they shall flee far off, and shall be chased as the chaff of the mountains before the wind, and like a rolling thing before the whirlwind.”
Il y a dans le centre-ville une multitude de ponts qui enjambent les canaux et relient les quartiers les uns aux autres, mais le BRUG (« pont ») de Jarosław Kozakiewicz est une interprétation contemporaine revêtue d’une autre fonction. L’artiste remplace ici les briques et les pavés par des profilés en métal et des voiles afin de créer un pont permettant de rejoindre deux rives. Cela ne signifie pas pour autant que vous pouvez poursuivre votre voyage. Le pont vous amène plus près de la sculpture Niobe de Constant Permeke, jusqu’à un endroit où vous pouvez vous arrêter brièvement avant de repartir en empruntant obligatoirement le même chemin. L’installation est un lieu de rencontre, une proposition invitant à croiser l’autre, voire – qui sait ? – entamer une conversation. La structure formelle de la construction repose sur un système proportionnel où chaque intersection de deux lignes renvoie à un point d’un visage humain. Chaque angle, chaque lien est l’instantané d’un mouvement – celui de deux visages qui se rapprochent. BRUG est une métaphore géométrique à la fois pour une rencontre mutuelle de deux êtres humains et une rencontre entre le futur et le passé. Les relations entre les personnes et leur signification profonde sont le point de départ pour l'expérience artistique dans laquelle Kozakiewicz est engagé depuis quelques années. Le projet est basé sur la recherche de nouvelles formes sculpturales et para-architecturales par la manipulation d'un module créé en joignant les orifices de la tête humaine. Les orifices corporels sont une métaphore de "la vie intérieure", ils représentent l'entrée dans le monde de l'expérience personnelle. Les frontières/ passages sont à la fois des premiers et des derniers moments de rencontres mutuelles.
There are many bridges in the city center that span the canals and connect the neighborhoods to each other, but Jarosław Kozakiewicz's BRUG ("bridge") is a contemporary interpretation with a different function. The artist here replaces the bricks and pavers with metal profiles and veils to create a bridge to reach two banks. This does not mean that you can continue your journey. The bridge will take you closer to the Constant Permeke Niobe sculpture, to a point where you can stop briefly before setting out again by borrowing the same path. The installation is a meeting place, a proposal to meet the other, or even - who knows? - start a conversation. The formal structure of construction is based on a proportional system where each intersection of two lines refers to a point on a human face. Every angle, every link is the snapshot of a movement - that of two faces that are getting closer. BRUG is a geometrical metaphor for both a mutual encounter of two human beings and a meeting between the future and the past. Relationships between people and their deep meaning are the starting point for the artistic experience in which Kozakiewicz has been engaged for some years. The project is based on the search for new sculptural and para-architectural forms through the manipulation of a module created by joining the orifices of the human head. Body openings are a metaphor for "the inner life", they represent the entry into the world of personal experience. Borders / passages are both first and last moments of mutual encounters.
Le réchauffement climatique oblige les oies blanches, les canards et les bernaches de rester parmi nous un peu plus longtemps. J'ai assisté à cet événement en visitant ma mère lundi dernier. 10 000 oiseaux prenaient un bain de soleil sur la rivière Richelieu. On ne peut que rester bouche bée devant un tel spectacle.
Climate change has forced snow geese, ducks and Canada geese to still be with us. I attended this event while visiting my mother last Monday. 10 000 birds were getting a sun tan on the Richelieu River. One can only gaze in awe at such an incredible scene.
These six infrared images of Saturn's moon Titan represent some of the clearest, most seamless-looking global views of the icy moon's surface produced so far. The views were created using 13 years of data acquired by the Visual and Infrared Mapping Spectrometer (VIMS) instrument on board NASA's Cassini spacecraft. The images are the result of a focused effort to smoothly combine data from the multitude of different observations VIMS made under a wide variety of lighting and viewing conditions over the course of Cassini's mission.
Previous VIMS maps of Titan display great variation in imaging resolution and lighting conditions, resulting in obvious seams between different areas of the surface. With the seams now gone, this new collection of images is by far the best representation of how the globe of Titan might appear to the casual observer if it weren’t for the moon's hazy atmosphere, and it likely will not be superseded for some time to come.
Image credit: NASA/JPL-Caltech/Stéphane Le Mouélic, University of Nantes, Virginia Pasek, University of Arizona
Après une multitude de comparaisons je pense que c'est bien un bruant de Lincoln. Pas facile les bruants :-) J'ai eu seulement un bref moment où j'ai vue ce beau bruant qui me semblait un peu différent. Bien que, je ne suis vraiment pas un spécialiste de ce groupe. Je vais devoir travailler là dessus. SVP n'hésitez pas à confirmer ou infirmer mon identification :-) Merci pour votre aide et vos commentaires!
After a multitude of comparisons I think it's a Lincoln's sparrow. Not easy the sparrows :-) I had only a brief moment when I saw this beautiful bird that seemed a little different. Although, I'm really not an expert on this group. I will have to work on it. Please do not hesitate to confirm or deny my identification :-) Thank you for your help and your comments!
A sea of yellow with multitudes of Buttercups constantly swaying at the whim of a light summer breeze.
52 in 2024 #40 One of Many
www.flickr.com/groups/14851624@N20/discuss/72157721919950...
The Camargue (French pronunciation: [ka.maʁg]) (Occitan: Camarga in classical norm or Camargo in Mistralian norm) is the region located south of Arles, France, between the Mediterranean Sea and the two arms of the Rhône River delta. The eastern arm is called the Grand Rhône; the western one is the Petit Rhône.
Administratively it lies within the département of Bouches-du-Rhône, the appropriately named "Mouths of the Rhône", and covers parts of the territory of the communes of Arles – the largest commune in Metropolitan France, Saintes-Maries-de-la-Mer – the second largest – and Port-Saint-Louis-du-Rhône. A further expanse of marshy plain, the Petite Camargue (little Camargue), just to the west of the Petit Rhône, is in the département of Gard.
Camargue was designated a Ramsar site as a "Wetland of International Importance" on December 1, 1986. The area was also the inspiration for naming Operation Camargue during the First Indochina War.
The Camargue is home to more than 400 species of birds; its brine ponds provide one of the few European habitats for the greater flamingo. The marshes are also a prime habitat for many species of insects, notably (and notoriously) some of the most ferocious mosquitos to be found anywhere in France. It is also famous for the Camargue Bull and the Camargue Horse.
The flora of the Camargue is specially adapted to cope with the saline conditions. Sea lavender and glasswort flourish, along with tamarisks and reeds
La Camargue est une région naturelle de France située au bord de la Méditerranée. Il s'agit d'une zone humide paralique formée par le delta du Rhône, qui représente avec ses 150 000 ha le deuxième delta de Méditerranée derrière celui du Nil
C’est un espace terrestre de 145 300 ha au sud de la France, situé géographiquement entre les deux bras principaux du delta du Rhône et la mer Méditerranée. On peut l'étendre à l'est jusqu'à la plaine de la Crau, à l'ouest jusqu'à Aigues-Mortes et au nord jusqu'à Beaucaire. La Camargue s'étend donc sur les départements des Bouches-du-Rhône et du Gard.
On distingue ainsi 3 parties :
la Petite Camargue à l'ouest du Petit-Rhône (altitude moyenne : 0 à 1 mètre) ;
la Grande Camargue, entre les deux bras du Rhône (entre 0 et 5 mètres) ;
le Plan du Bourg, à l'est du Grand-Rhône (entre 0 et 5 mètres).
En son centre se trouve l'étang du Vaccarès, la partie située le long de la mer est bordée d'étangs salés.
La Camargue se trouve essentiellement dans le territoire des communes d'Arles, la plus étendue commune française métropolitaine, des Saintes-Maries-de-la-Mer, la deuxième plus étendue après Arles et de Port Saint Louis du Rhône.
Cette région est composée de deux parties : le nord avec des terres agricoles et le sud composé de marais et de plans d'eau salée qui forment un écosystème particulier.
Cet écosystème présente une végétation principalement composée de salicornes et de plantes halophiles (c'est-à-dire des plantes qui supportent l'eau salée) comme la saladelle. C'est également un domaine d'élevage de chevaux et de taureaux, de culture du riz et d'exploitation du sel (marais salants).
Cette faune et flore particulière a entrainé la création d'une réserve naturelle nationale sur 13 117 hectares (1927) et d'un parc naturel régional sur 30 000 hectares (1970).
L'évaporation annuelle est plus importante que l'apport pluvieux, le fleuve apporte la différence évitant ainsi à la région d'être brûlée par le sel.-source Wikipédia
A glittering multitude of stars in the globular cluster Terzan 4 fill this image from the NASA/ESA Hubble Space Telescope. Globular clusters are collections of stars bound together by their mutual gravitational attraction, and can contain millions of individual stars. As this image shows, the heart of a globular cluster such as Terzan 4 is a densely packed, crowded field of stars — which makes for spectacular images!
The launch of Hubble in 1990 revolutionised the study of globular clusters. The individual stars in these dense crowds are almost impossible to distinguish from one another with ground-based telescopes, but can be picked apart using space telescopes. Astronomers have taken advantage of Hubble’s crystal-clear vision to study the stars making up globular clusters, as well as how these systems change over time.
This particular observation comes from astronomers using Hubble to explore Terzan 4 and other globular clusters to understand the shape, density, age, and structure of globular clusters close to the centre of the Milky Way. Unlike globular clusters elsewhere in the sky, these globular clusters have evaded detailed observation because of the clouds of gas and dust swirling around the galactic core. These clouds blot out starlight in a process that astronomers refer to as ‘extinction’, and complicate astronomical observations.
Astronomers took advantage of the sensitivity of two of Hubble’s instruments — the Advanced Camera for Surveys and Wide Field Camera 3 — to overcome the impact of extinction on Terzan 4. By combining Hubble imagery with sophisticated data processing, astronomers were able to determine the ages of galactic globular clusters to within a billion years — a relatively accurate measurement in astronomical terms!
Credits: ESA/Hubble & NASA, R. Cohen; CC BY 4.0
Flying my drone over Halong Bay's multitudes of islands and islets (about 1600 of them) during an epic misty sunrise was literally an eye popping experience, but it was even more so when I came across this island with a fog filled lagoon. It looked like a volcanic crater spewing smoke from above.
A swarm of tadpoles in the Luderbach last may. There were literally cubic meters of tadpoles along the shores of this small lake... Their huge throbbing gelatinous mass had something vaguely creepy. But it gave me a seldom occasion to use that little polarizer I had once been so keenly expecting in the mail.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
Anti Abortion Rally outside Parliament House Brisbane Australia Arbortion is Murder !!!! Shame on the Palasczuk governmen for legalising abortion !!!!
Estamos de festa... calquer recuncho costeiro do noso país e un bule bule de xente, procesions que congregan a multitudes, postos de churrasco ateigados, atraccions cargadas de nenos, imposible aparcar, orquestas coa megafonía a tope. ¿Cal e teu punto de vista?
Photo recadré à partir d'une photo faite au ''téléobjectif''. Ce n'est pas un montage panorama, j'étais le matin à contre jour.
...and how many eyes are shining? A multitude of animal people, intimately related to us, but of whose lives we know almost nothing, are as busy about their own affairs as we are about ours. " --John Muir
So! It pays to think like a critter!
Yesterday I was sitting back in the woods. There is a huge tree about 100 yards or so into the tree line at the back of my property...it's a good 40 ft. tall...maybe more.
I sat there studying it. It has several large cavities in the massive trunk.
I thought to myself, "If I were a critter, this would be a great tree to make a home in."
As my eyes traveled on up the trunk toward the top, I suddenly spied a little masked face peering down at me.
NO WAY!!!
LOL....I immediately thought of this quote from Carl Spangler (Caddyshack): "My enemy, my foe, is an animal.
In order to conquer the animal.
I have to learn to think like an animal. And whenever possible, to look like one. I've gotta get inside this guy's pelt and crawl around for a few days!"
The other quote that came to mind were the immortal words of Dorothy from The Wizard of Oz... "If I ever go looking for my heart's desire again, I wont look any further than my own backyard."
I had been moping around the house, and lamenting the fact I hadn't been able to get to any of my favorite wildlife haunts....Peace Valley, the Pennypack Trust, Churchville........
I realized I have no reason to whine! Look at what I see right on my own property! All I have to do is get up off the couch, grab my camera and walk out the door!
I think it's a whole family of raccoons. I know there were at least 3 of them up there. I saw these two youngsters, and another tail sticking out of a different crevice.
Yeah, yeah.....I know I SAID that I preferred that the raccoons didn't hang around because they can become a bit pesky, and make a real mess with my trash....BUT the wildlife photographer in me hopes they'll stick around a give me more photo ops like this one!
Was out shooting the milky way when I got a nice surprise in auroras and meteorites / fireballs entering the atmoshphere! After days capturing insanly red auroras the game was over, or so we thought. Living up here makes it easy to be surprised with auroras even when forecasts are low.
To accompany the milky way this night I had a multi-colored aurora, a strong star, and a pretty massive shooting star.
I consider myself really lucky to have captured these multiple celestial objects in one single exposure.
Canon EOS 5D Mark II + Canon EF 15mm 2.8
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Hope you like it,
Best,
Ole
Debió aprender la sustentación agrícola de raíces y más raíces que suben, crecen, te recogen y te vuelven intrascendente. Fijo, soportado.
The multitude of mallards at Shakopee Memorial Park included a lone hooded merganser drake. Zoom in to see how different his bill is: shorter, hooked and serrated for catching fish and other prey. Mergansers are diving ducks, while mallards are "dabbling" ducks. Hoodies are one of my favorites; the male's ability to inflate and deflate his "hood" can be quite comical! No lady hoodie was nearby in this case. My nickname for these is "ba-was", which would make sense to you if you've ever seen and heard hoodie drakes displaying for the ladies!
Photo session in Girona (Spain). The challenging part here was to get the model in focus while everyone else was passing by and that they didn't become distracting elements of the main picture. The subject was nicely sharp and using the 85mm F1.8 I was able to blow out everything else giving a nice contrast. Handheld, natural light.
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