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Moving lights, captured in one singe exposure, no edit.
lightpaintingparadise.com plexy shapes & black fiber optic
Ryu's Lightworks Edition V1 & V2 torch
When you multiply any number by 9, then add the resulting digits and reduce them to a single digit, it always becomes a 9. For example, 6 x 9 = 54, reduce 54 to a single digit by adding them together: 5 + 4 = 9. Similarly, 8 x 9 = 72, and 7 + 2 = 9. Or 23 x 9 = 207, 2 + 0 + 7 = 9, and so forth.
Number 9 is also the number of Universal love, eternity, faith, Universal Spiritual Laws, the concept of karma, spiritual enlightenment, spiritual awakening, service to humanity, humanitarianism and the humanitarian, lightworking and lightworkers, leading by positive example, philanthropy and the philanthropist, charity, self-sacrifice, selflessness, destiny, life purpose and soul mission, generosity, a a higher perspective, romance, inner-strength, public relations, responsibility, intuition, strength of character. It's also the favorite number of stickmen around the world.
And that's all I got to say about the number 9.
San Francisco CA
all done in camera in one single exposure:
- lit up the back of the pcb
- lit up the front of the pcb a little
- changed focus and f-stop to 4 and lit the backside another time for the bokeh
- changed camera position, focus and f-stop to 11 again and lit up my face with modded Convoy M2 torch
- self cut acrylic blade with attached Ryu's Lightworks Edition V2 torch
post processing:
sharpening & crop
An internationally acclaimed sensation of light, colour and sound has the beautiful gardens of Kings Park / Kaarta Koomba as a canvas. The journey was beneath tree canopies illuminated in colour, walking under larger-than-life flowers and into dynamic, glowing tunnels. Enjoying breathtaking lightworks created by the best local and international artists. Winter in Perth Kings Park showing off in the dark
Not done a pcb shot for a while and wanted to put a bit of effort in as I've been slacking somewhat of late.
PCB framed in the kitchen by tripod 1. I draw around the chip with a dry wipe marker on the cam screen to make it easier to frame the other element. Tripod 2 in the front room with a piece of card with a square hole cut in, between the camera and the diffuser. Lined up with the square I drew earlier.
Macro tubes on the Pentax 28mm and lit the pcb in red and blue. Cap on, tubes off and seated the Pentax back on the camera. Swap to tripod 2, remove lens cap and illuminate my hand behind the diffuser using the www.lightpaintingbrushes.com black fibers and the Ryus Lightworks torch.
Raw conversion in Lightroom with minimal tweaks.
Shot during a single long exposure.