View allAll Photos Tagged Lightwork
The days when boxes arrive from America are the best days and can mean only 1 thing. New www.lightpaintingbrushes.com tools to play with. Love it.
This is a crystal tipped light writer (my description) used in conjunction with a camera rotation device, a Ryus Lightworks modded torch and my kitchen wall.
Crazy deep space possibilities with these things.
I can't wait to introduce this to the wilds for a proper play.
Single long exposure light art.
Trying to incorporate a few more elements but was torn between just getting the arch in the frame or the whole tower. Set up with the focus on the stencil and added the blue colour with black fibres with the lens at f16 then removed the stencil and backlit Phill, 1st with a tube and Ryu's Lightworks V2 torch on fast strobe then with the blue coloured black fibres then backlit with a pink/purple torch. Finished by painting the whole scene with a wash of orange. I'm not sure how long the exposure was but I definitely wasn't going to give it a third try. Top Night out.
PDS-03097
Spent a good couple of hours to get to this one. It just evolved over the course of the evening which I like.
Back-lit silhouette shot with the Minolta 50mm, Yongnuo 560iv on full power at 24mm fired at the wall behind. Lens swap to the Pentax 28mm and moved the flash to high camera left and mounted the beauty dish. Panned the camera up a little, lens cap off, pop flash now on 1/8th @70mm through the dish then filled in the dark space from the first silhouette with the Ryus Lightworks v2 awesome torch shone through the lp brushes black fibers.
Straight out the snappy box.
A video was created in Midjourney, then it was edited in Lightworks and a soundtrack was added, and then the resultant video was edited in Adobe Express.
single exposure light painting - no edit,
Light Painting Paradise plexy shapes, color filters and adpaters
Fenix PD36R, Ryus Lightworks magic torch
My second choice from last night. No circle behind but used the dlw instead for a bit of abstract pillar action. Side lit by the Ryus Lightworks mini beast torch.
Great night in perfect conditions.
Cheers to Leon for standing still. Top man.
Moving lights, captured in one singe exposure, no edit.
lightpaintingparadise.com plexy shapes, adapters & color filters.
Ryu's Lightworks Edition V2 torch
Meyer Optik Görlitz 35/2
Little time or inclination this evening so out with my crt, light blade rig and the diy v24.
Circular blade from www.lightpaintingbrushes.com paired with the sublime Ryus Lightworks vii torch. Edge of blade coloured with highlighter pens and v24 set to orange as I have lost the remote :)
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Telus World of Science/ Formerly the Expo'86 Centre
Science World at Telus World of Science, Vancouver is a science centre run by a not-for-profit organization.
This geodesic dome ( golf ball shaped ) building was constructed for Expo '86. It was opened in 1985 as the Expo preview center and became the Expo '86 World's Fair Centre.
The height is 155 feet tall with a foundation of reinforced steel in a cement slab.
The dome is supported by 182 piles
There are 391 lights and 766 triangles on the Science World dome.
Constructed using 15,000 pounds of extruded aluminium and aluminium panels on the dome. The panels are 1 mm thick and are covered with a vinyl surface.
Science World has a total building area of 10,220 square metres and a total exhibit area of 4,275 square metres. The building’s volume is 36,790 cubic metres.
The air-conditioning system uses chilled water for cooling and gas-fired boilers for heating.
The OMIMAX Theatre seats 400 people
The screen is 27 metres in diameter. The theatre’s sound system uses high-fidelity, six-channel, two-way sound with sub-bass to create an unparalleled surround sound experience.
28 speakers are located behind the theatre’s screen.
I read that the 15,000 watt xenon lamp that lights the movie screen is so bright that t if it was placed on the surface of the moon and focused it at a spot on Earth, you could actually see its light.
(Please note** All information has been taken from various online sources and has not been verified to be accurate)
one single exposure, no edit except crop
Meyer Optik Görlitz 2/35 @f8 for the blade fidgeting, lens swap to my modified Helios 44-2 @f~3 for the attacking jellyfishs.
LightPaintingParadise plexy shapes, black fiber optic & adapters
Ryu's Lightworks Edition torches
I don't know who was the first to come up with the crazy idea of swapping lenses, working with several tripods and moving/rotating the camera during exposure. Without artists like Tim Gamble , Mart Barras and some others I would probably never have had the idea to do such crazy things. Thank you for the inspiration friends.
First i mounted a brush of black fiber from Light Painting Paradise with attached self made multicolor filter and the Ryu's Lightworks torch in slow strobe mode with a clamp. So the fibers were held in position. I used a modified Helios 44 (reversed front and back lens) for the jellyfish bokeh. I rotated the camera 24 stops, capping the lens between the stops. Then i swapped to the Nikkor 17-35/2,8, put the skull in place and lit it up with my Emisar D4V2 3000K 95+CRI torch. I removed the skull, changed from 35 to 24mm, changed the focus, mounted some light blue and gold fabric on a small motor and rotate the fabric. I put the Ryu's Lightworks torch with increased strobe frequency in positon and lit up the fabric. I rotated the camera again. This time without stops or capping the lens. I changed the focus to 17mm and rotated the camera another round. And the picture was ready. Easy, isn't it? 😉 This one is the thrid attempt. Happy times, even if it rains all day.
Exposure time was 291 seconds, but I drank coffee and smoked a cigarette during the work. Next time i will need only 289 seconds. 😉