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A magical landscape of slate covered hills from the former quarry, alive with Foxgloves and Navelwort.
My child self still plays here
This Monarch butterfly came and went from all the volunteer Swamp milkweed plants in the garden several times. I tried to get close with the macro lens and she was having none of it. The big glass worked best with me keeping in the shadow of the patio roof and shooting into the milkweeds around the pond.
The side of a local eatery.....the challenge this time was to group a portrait shot, a square shot and a landscape version of the same subject.
#4/52, Composition - 1 scene, 3 formats, 52 weeks, the 2023 edition
More from 'that walk'. I think animals "trimmed" that tree so neatly. Otherwise the branches would reach down to the ground I think 🌲
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan Infrared RG 1000 (87A) 800x filter
ISO3200, 21mm, f/6.3, 1/30sec (-1.3EV)
(therefore ~32mm FX / full frame equivalent)
single photo, handheld, finally mobile again..
Double Exposure - Adox Silvermax Film
Sea level rise is a physical and geological phenomenon that has occurred several times throughout Earth's history, while at other times the sea level has been lowered. There are many and complex factors that can influence this type of variation, including changes in climate and the movement of tectonic plates. In the last century the sea level has risen again as a result of global warming, which warms the waters and causes their thermal expansion, causing them to increase in volume. Another effect of warming is the melting of mountain and polar ice, which adds more liquid water to the seas. These are the two main direct factors causing the current rise in sea level.
Film: Fuji Superia X-Tra 400iso Expired 03/2011
Camera: Canon A1
Shot: Sept.27,2014
F-stop: F16
Shutter: 8sec
Lens: 28mm
Location: High Level Bridge, Edmonton, Alberta, Canada
Explored
We had such a magic morning with these little beauties a few weeks ago and were hopeful to see some chicks soon. But then the rain came and the water levels started to rise. Now all islands are flooded and the birds are gone...
DSC0215
This is one image in a series I'm shooting on parking decks ... shapes and forms, light and shadow play, mood and atmosphere. Some images are minimalist; others representational; still others abstract. To see more in the series click Parking Deck Series
Blue Blue Blue
7DWF, Saturdays: Landscapes
Yes, I know. I should have taken a look at the Crazy Tuesday discussions a little earlier. Though it is debatable whether this blue is pretty at all. The apartments there are certainly very expensive. Nonetheless, after the recent lost places decay (more will follow), I wanted to show something more glossy for a change ;-) Taken during a boat trip on the River Spree and Landwehr Canal in Berlin in summer 2016. This apartment house called "Living Levels" is a new residential tower located at the riverside of the Spree next to the famous East Side Gallery. The building, actually the entire development of the Spree riverside, is very controversial. Most of the new (residental) buildings are / will be luxury buildings, while affordable living space is a scarce commodity nowadays. The irony: The tenants of the Living Levels tower are now fighting against a new hotel which is supposed to be built next to their building. They claim that the hotel will block out the morning sun.
At this point I still had my manual vintage 50mm Zuiko lens mounted, but the 100 mm (crop factor 2 for MFT) on my OM-D were too much tele. Later on that trip I switched to the m.zuiko digital 17mm f1.8.
Wohnturm "Living Levels" am Spreeufer neben der East Side Gallery. Das Bauprojekt (eigentlich alle Bauprojekte dort) war sehr umstritten, Stichwörter: Verdrängung, Gentrifizierung, Mediaspree... Nun klagen die Bewohner des Luxubaus selbst, denn neben ihrem Haus soll nicht nur ein Hotel errichtet werden (bereits in der ursprünglichen Planung enthalten), es soll auch noch zwei Stockwerke höher werden als geplant. Und das nimmt ihnen die Morgensonne weg.
Aufgenommen während einer Bootsfahrt auf Spree und Landwehrkanal im Sommer 2016. Zu diesem Zeitpunkt hatte ich noch mein manuelles 50-mm-Zuiko drauf, aber die 100 mm, die daraus an meiner OM-D werden, waren doch zu viel Tele. Später habe ich dann das m.zuiko digital 17mm f1.8 angeschraubt.
At a roadside pullout around the The Inn at Death Valley with a view looking to the southwest to a sea level elevation sign in Death Valley National Park. My thought on composing this image was to pull back on the focal length to include more of the surrounding landscape while also including the mountain backdrop with the Panamint Range.