View allAll Photos Tagged Lettering

Original lead stencil for applying letters to enamel street signs. Amsterdam, 1960s. Typeface = NEN 3225 (1962)

Lettering in a rather Art Nouveau style on the facade of W.H. & H. Le May's former premises at 67 Borough High Street, Southwark

Graphite, pen & ink, marker sketches.

Since 1987, Redirections Sign & Design has become one of the leading creative centers in the custom sign industry. Over the past 24 years, our company has expanded into 6 Midwest locations with corporate office and production studios headquartered in Indianapolis, IN. Our growth is attributed to our mission to bring together a team of hand-picked professionals to provide customers with beautiful custom designs in a timely manner. Certified by the National Association of Women Business Owners (WBE), Redirections Sign & Design can assist your needs to fulfill minority requirements in national projects.

 

The Redirections Sign & Design production facility equips our team to meet almost any custom signage need. The 30,000 square foot building includes CNC routers, vinyl and digital printers, silk-screen printing, a full-size spray booth, a complete mill shop, and also custom metal fabrication. Redirections works with several brick, stone and concrete contractors, to assure our clients have the most options possible for their signage solutions.

 

From banners to digital graphics, to routed and sandblasted signs, Redirections Sign & Designs’ award-winning design team and graphic technicians are ready to work with you to fulfill your project's unique signage needs. Our experience and commitment to customer satisfaction has earned them a competitive place in the sign industry.

 

Please visit Redirections Sign & Design online at www.NeedSignage.com to begin the creative process on your next custom signage project.

 

Specialties

signs, custom signage, digital graphics, channel lettering, LED signs, vehicle wraps, car graphics, routed signs, sandblasted signs, screen printed signs, directional signs, vinyl graphics, indianapolis, cincinnati, columbus, nashville, st. louis

"Lettering Art in Modern Use" by Raymond A. Ballinger - 1952 - Teachers Edition

Variation of a brush script based font, finished in gold leaf on a dark brown satin base.

My Friend Susan Scott wanted her entryway to welcome her guests and family with a poem about nature and the woods. The Twig Lettering and Birch Banner were the perfect vehicle.

Finally in my hands! LETTERING - Drawing Letters - by Carolina Amell published by Monsa Edition. 19 of the best lettering artists from all over the world. Available to buy at www.monsashop.com

Calendar lettering I did in the 90s.

Calligraphy Practice

Lettering created in 1815.

 

EXP_2008. Handmade collage detail. Artwork by André Coelho.

adornbodyart.com

Custom Tattoos by Matt Shaver | Adorn West | Portland, Oregon

Myriad may have taken over airports, but Helvetica still rules Hungarian rail stations, and the Budapest metro has this beautiful lettering.

Lettering para o filme

T-BONE AÇOUGUE CULTURAL

Direção: Alisson Machado

Documentário, cor, 35mm, 70min, Livre, 2013

Texture by Artifex Textures

Bakersfield, CA. Photo by Laura.

Title lettering for the show. Each piece is silver colored pencil on black paper, made up of plant and flower shapes. Each are 4x6".

Have you always wanted to impress friends & family with a beautifully hand letter envelope? Looking to add a little pizzaz to your scrapbook pages? Now you can!

 

We'll get you started learning a beautiful italic writing and go from there as the group desires. You'll learn the tricks of the trade that make calligraphy easier than it looks. I'll bring a variety of tools and papers for students to try. Each student will take home a calligraphy marker, assortment of paper and practice sheets.

Soon to be released font Baghadeer; it's available in 2 weights.

Now live and available here: www.myfonts.com/fonts/stephen-rapp/baghadeer/refby

First pickup at the Ephemera Society Fair

On the train from Florence to Venice we were pulling into a town with a very familiar name. I was on staff at Sunset magazine with a guy named Nino Padova, a travel writer/editor who’s work I greatly admired. From my seat I ignored the window smudge and shot the station’s sign with the intent to send it to him. Photos that contain only a few people are the most graphic and group of women had just walked out of frame to the left as the old gentleman at the right was taking the first drag off his cigarette.

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