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National Trust. Kinver Edge and the Holy Austin Rock Houses. A truly fascinating place to visit and to learn about it's place in history. Kinver, Stourbridge, Dudley in the West Midlands.
On Kinver Edge there are several rock houses that have been carved out of the soft red sandstone. The Holy Austin rock houses were inhabited until the 1960s. The most famous are the homes at Holy Austin Rock, now restored and open to visitors. There are stoves, furniture, windows and doors – all set into the sandstone, just as they were when the houses were lived in. They are also known as Martindale Caves. The house that has been renovated represents life in the 1930s.
Up to 11 families lived in the cave homes. Three levels of homes were constructed in the rock. Each had a bedroom and living area. After the last two families moved out in the 1950s the buildings fell into disrepair.
These cave people led comparatively comfortable lives, away from society and surrounded by nature: their water came from the deepest private well in Britain and the easy-to-carve sandstone made house renovations simple. It’s thought that Kinver Edge’s first inhabitants stumbled on it in the early 17th century, though official records date from 1777. “We believe quarry workers arrived in the early 1600s and were the first people to excavate,”
Nanny’s Rock and Vale’s Rock aren’t restored but they can be seen from the Rock Houses walking trail. You can climb into Nanny’s Rock, peer through the remains of the windows and wander around the five empty rooms. Was Nanny a herbalist, a potion maker, a white witch? Passed down through time, there is no explanation for this curious name.
The National Trust was given 198 acres of Kinver Edge in 1917 in memory of Thomas Grosvenor Lee, a Birmingham solicitor born in Kinver. The National Trust care for close to 600 acres of this special landscape.
Only one of the cave houses in the study area is a listed building, Vales Rock, Wolverley, Grade II, and only one is a Scheduled Ancient Monument, the restored National Trust caves at Holy Austin Rock, Kinver.
Rock-cut Dwellings on Kinver Edge.
The group of cave houses and rock cut dwellings discussed here fit into a small geographical area and all lie on or within a couple of miles of a massive sandstone escarpment called Kinver Edge. This cuts through the county boundaries of Staffordshire and Worcestershire and the parish boundaries of Kinver, Staffordshire and Wolverley and Cookley, Worcestershire.
Album: National Trust & English Heritage
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WINDOWS by GOLDEN TRIANGLE by Nikki Painter at Washington Square Shopping Mall along L Street between Connecticut Avenue and 18th Street, NW, Washington DC on Tuesday afternoon, 20 April 2021 by Elvert Barnes Photography
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"To learn to appreciate difference, you must attentively contemplate apparent sameness."
- Venkatesh Rao, from "On Staying Grounded"
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For Yule this year, my aunt gave me a beautiful Word of the Day calendar -- the kind where the same words spiral through every month as the dates and days of the week change and shift around them. I keep it on the windowsill by my desk, and now each day when I sit down to work, the first thing I do is shuffle the little cards into place and sit for a moment contemplating that day's word.
It's the second month of the year, and already the practice is deepening. What praise do I have to give today, the 10th of February? What new things will I have to praise when the tenth rolls around again?
I love what Venkatesh Rao says about the role of ritual in helping us ground in meaningful relationship with the world around us. "Generalities are scaffolding that help me find, appreciate or relate to fertile particulars," he says, and I find myself nodding along and saying, Yes! Exactly!
To dig my soul-toes deeper into this fertile soil, I've decided that for the next 40 days, I'm going to pair my Word of the Day practice with reflections on the #UULent Photo-A-Day:
"As Unitarian Universalists, we share theological roots with our Christian siblings, who observe Lent from Ash Wednesday until Easter. However, rather than a practice of self-denial, we offer this opportunity to spend the Season of Lent engaged in a spiritual discipline of deep intention and appreciation of our world, our place in it, and an openness to Grace in our daily lives."
My WotD calendar is full of verbs. The #UULent reflections are mostly nouns. What intriguing combinations will I spiral through over the next six weeks?
What better way to begin, than to begin today: praise mindfulness.
#UULent #praise #mindfulness #meditation #spirituality #ritual
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“You will learn the hard way that on the long journey of life you will encounter many masks and few faces“
“Imparerai a tue spese che nel lungo tragitto della vita incontrerai tante maschere e pochi volti.”
Luigi Pirandello
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I was working on two of my photographic projects, then Carnival arrived, I put aside what I had done up until then, and so I created this group of photographs; they are shots taken during the Carnival which took place in Taormina center (Taormina alta) and in Trappitello (fraction of Taormina, the plain part of Taormina, located towards the hinterland; there is also Taormina seaside, but this part is not was affected by the Carnival). Carnival, from a photographic point of view, has always interested me not for its allegorical floats, not for its beautiful or refined masks, but for the people who find themselves "behind the masks", for their emotions, the their ability to have fun, to uninhibit themselves, even in front of the camera. I photographed a detail of the float dedicated to the mayor of Taormina, Cateno De Luca, I photographed boys and girls from the masked groups who paraded through the city streets, as well as boys and girls not belonging to any group, who had fun with clothes invented for the 'occasion; despite having placed heterogeneous photographs, I mostly followed a theme that refers to a work by Andy Warhol, an iconic figure of Pop Art as well as being one of the most important artists of the 20th century, ideally linking myself for its creation to the allegorical float of Pop Art of Taormina.
I conclude, I dedicate this work to the flicker-friend White Angel, hoping to please her.
www.flickr.com/photos/white-angel/
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Stavo lavorando a due miei progetti fotografici, poi è arrivato il Carnevale, ho messo da parte quanto avevo fino ad allora fatto, ed ho così realizzato questo gruppo di fotografie; sono scatti realizzati durante il Carnevale che si è svolto a Taormina centro (Taormina alta) ed a Trappitello (frazione di Taormina, la parte in pianura di Taormina, sita verso l’entroterra; c’è anche Taormina mare, ma questa parte non è stata interessata dal Carnevale). Il Carnevale, dal punto di vista fotografico, mi ha sempre interessato non per i suoi carri allegorici, non per le sue maschere belle o ricercate che siano, ma per le persone che si trovano “dietro le maschere”, per le loro emozioni, la loro capacità di divertirsi, di disinibirsi, anche davanti la macchina fotografica. Ho fotografato un dettaglio del carro dedicato al sindaco di Taormina, Cateno De Luca, ho fotografato ragazzi e ragazze dei gruppi in maschera che sfilavano per le vie cittadine, come ragazzi e ragazze non appartenenti a nessun gruppo, che si divertivano con vestiti inventati per l’occasione; pur avendo messo fotografie eterogenee, ho seguito maggiormente un tema che fa riferimento ad un lavoro di Andy Warhol, figura iconica della Pop Art oltre che essere uno dei più importanti artisti del XX secolo, agganciandomi idealmente per la sua realizzazione, al carro allegorico della Pop Art di Taormina.
Concludo, dedico questo lavoro alla flicker-friend White Angel, sperando di farle cosa gradita.