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Photograph taken at 10:07am on June 3rd 2012 off Ship Street by the Oxford Campus and William Blake House in the heart of Oxford, England.
Nikon D7000 48mm 1/80s f/4.8 iso200
Nikkor AF-S 18-105mm f/3.5-5.6G VR. Jessops UV filter. Nikon MB-D11 battery grip. Hoodman H-EYEN22S Hood eye eye cup. My memory 32GB class 10 20MB/s SDHC.
Official list entry
Heritage Category: Listed Building
Grade: II*
List Entry Number: 1209774
Date first listed: 10-Jan-1951
Statutory Address 1: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD
Location
Statutory Address: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD
County: Devon
District: Teignbridge (District Authority)
Parish: Buckfastleigh
National Park: DARTMOOR
National Grid Reference: SX 74147 67411
Details
Abbey church. Built 1907-1932, on the foundations of the medieval Cistercian abbey church (except the east end). FA Walters. For the Benedictine monks who established a house here in 1882. Most of the building work was carried out by a small group of monks working under a master mason. Snecked local grey limestone with Ham Hill dressings; copper roof. Style "mixture of English Cistercian and French early Gothic" (Pevsner). 1965 east end Blessed Sacrament chapel to the designs of Paul Pearn. Plan: church with 8-bay lean-to aisles plus galleried western bay; central crossing tower; transepts with chapels; 3-bay choir with choir aisles; east end Blessed Sacrament chapel with undercroft. EXTERIOR: west end of nave with flanking projecting buttresses containing stairs to gallery, rising as pinnacles with broach spire roofs, bases and pinnacles decorated with blind arcading. Round-headed west doorway with shafts, left and right shafts with cushion capitals and carved gable. Doorway has 3 orders of zigzag, billet and chevron moulding on engaged shafts; 2-leaf door with elaborate ironwork. Above the doorway a recessed 3-centred blind moulded arch containing 2 round-headed windows with shafts and a roundel window above. Above the archway blind arcading decorates the gable. West ends of lean-to aisles have smaller versions of the buttresses flanking the nave and paired round-headed openings (one blind) with roundels above. North side of 9-bay nave has pilasters and a corbelled parapet. Round-headed triforium windows linked by string rising as continuous hoodmould. Nave with parapet and round-headed windows, the hoodmould string interrupted by the pilasters. Small gabled porch in second bay from the west with set-back buttresses, parapet and round-headed outer doorway with shafts and chevron-carved arch. Easternmost 2 bays of aisle with taller roof and blind arcading above the windows. North end of north transept with tall paired arches containing 4 tiers of glazed blind and glazed windows, either round-headed or roundels. East side of transept has one-bay chapel. The choir continues in the same style with lean-to choir aisle roofs. 1965 concrete east end chapel on 4 columns with shallow gabled roof. Tower with 3 stages above nave roof. Clasping pilasters; corner pinnacles with 2 tiers of blind arcading and broach spires, crow-stepped parapet. Lower stage has lancet windows in round-headed recesses, middle stage has small lancet windows in moulded arched recesses; 2-light plate-traceried louvred belfry windows. INTERIOR: Stone-vaulted, the aisles with transverse vaults. Arcades with piers with engaged shafts and chamfred and moulded arches. Nave rib vault with red sandstone infill. Triforium has a pair of 2-light pointed arches to each bay with super-ordinate round-headed blind arch. Aisle walls decorated with blind round-headed recesses containing triple round-headed arches on shafts with moulded bases and carved capitals. Stone-vaulted west end gallery on piers with canted bays to parapet. Tower arches on short paired shafts with moulded bases and carved capitals. Crossing has corbelled stone gallery; transepts have simple galleries on moulded corbels with cast-iron railings. Choir has similar detail to nave but carved, not moulded capitals and stone infill to the vaulting of choir and choir aisles. East end of sanctuary has 2 round-headed arches and 2 round-headed windows above the triforium with a central shaft rising to a carving of the Coronation of the Virgin. The furnishings, floors, painted decoration and stained glass are unexpectedly lavish, particularly the outstanding metalwork, which is mostly 1928-1932 by Bernhard Witte of Aachen, inspired by German Romanesque metalwork and described in some detail in Pevsner. The stained glass is a remarkable collection, mostly still in the medievalising Victorian tradition and of the highest quality. In addition the church contains a C16 ivory crucifix donated by the Clifford family of Ugbrooke, the leading Roman Catholic family in Devon. 1965 Blessed Sacrament chapel by Paul Pearn conceived as a setting for ambitious mosaic stained glass designed by Father Charles Norris, one of the Buckfast Abbey monks. Historical note: the rebuilding of the abbey church by the Buckfast monks was well-publicised in the national and local press and one of the monks with an interest in photography recorded much of the work: the archive is held by the abbey. Buckfast Abbey became an important focus for Roman Catholicism in Devon in the late C19 and C20 with the monks serving private chapels in the area, including Ugbrooke in Chudleigh for the Clifford family and Dundridge in Harberton for the wife of Sir John Harvey. (Buildings of England: Pevsner N: Devon: London: 1989-: 222-226).
© Historic England 2022
andyarthur.org/new-york-state/catskills/windham/batavia-k...
Batavia Kill on Sunday Sep 29, 2013.
Copyright (c)2013 Andy Arthur. Creative Commons License.
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Sometimes in our lives we all have pain
We all have sorrow
But if we are wise
We know that there's always tomorrow
Refrain:
Lean on me, when you're not strong
And I'll be your friend
I'll help you carry on
For it won't be long
'Til I'm gonna need
Somebody to lean on
Please swallow your pride
If I have things you need to borrow
For no one can fill those of your needs
That you don't let show
Refrain
If there is a load you have to bear
That you can't carry
I'm right up the road
I'll share your load
If you just call me
So just call on me brother, when you need a hand
We all need somebody to lean on
I just might have a problem that you'd understand
We all need somebody to lean on
Refrain
Lean on me...
Lean on Me
By Bill Withers, Al Green, Rascal Flatts, etc, etc
A man leans with a tree and looks out over the ocean at one of the towns (La Spezia?) along Cinqua Terre, Italy
Model:Laurel Luminos
Photographer: Laurel Luminos
Necklace:Chloe - Red Winds Necklace
Clothing: -Phoenix Rising- Intentions-
Shoes: Stiletto Moody - Pump (Black Patent)
Hair: *JetDoll* - Turbine Black
Skin: Redgrave Deep Tan Skin - Leona
Accessories:
Showgirl Ostrich Dance Fan (Black) by Mika
Little is known of the origins of the Church of St Martin, but it dates back at least to the Middle Ages. Christianity was brought here by people such as St David at Llanthony, and St Issui at Partrishow. It is more than likely that there was a church at Cwmyoy before the Norman Conquest.
The present church is dedicated to St Martin of Tours, which is not a common dedication in Monmouthshire. There was an ancient chapel at Bwlch Trewyn also bearing the dedication to St Martin. All traces of this chapel have disappeared. Both these churches would have been on the Pilgrim route to St David's in Pembrokeshire. In medieval times, two pilgrimages to St David's were considered the equivalent of one pilgrimage to Rome - an indication of how rough and hazardous travelling was at that time.
After the Norman Conquest the church came under the jurisdiction of Llanthony Priory which was founded in 1100 AD. The Manor of Cwmyoy was conferred to the Priory by Hugh de Lacy, son of the founder of the Priory, William de Lacy.
On 8th June 1538, after the Dissolution of the Monasteries, Llanthony Priory, together with all the manors and churches under its control were given to Sir Nicholas Arnold, the Lord Chief Justice of Ireland.
During the monastic days, Cwmyoy was served by monks sent out by the Prior. After the dissolution, curates were appointed, but the names of those serving in the 17th century have never been recorded.
During the 18th century Cwmyoy became a perpetual curacy. Finally in 1830 it became a Vicarage, being formally joined to Llanthony. This was a formal recognition of an existing arrangement, since the curates had always shared both benefices.
To bring the record up to date, the two parishes of Cwmyoy and Llanthony became part of a larger grouping in 1969 when these parishes came together with Llanfihangel Crucorney and Oldcastle; in the 1990s Oldcastle church was closed, and the three remaining parishes joined to become the united parish of Llanfihangel Crucorney.
The name Cwmyoy - a phonetic spelling of the Monmouthshire pronunciation of "cwm lau" - means "valley (cwm) of the yoke (lau)" in reference to the curved shape of the valley near the church cutting deep into Hatterrall Hill behind (along which runs part of the long-distance trail, Offa's Dyke Path).
The Church of St Martin is probably unique. No part of it is square or at right angles with any other part. This striking irregularity is accounted for by the geology of the underlying rock. The shifting subsoil has caused the church to move, tilting to the north at the tower end and to the south, forward of the small window at the west end of the north wall. If you look towards the altar from inside the tower, you will see that the tower arch tilts to the left, and the chancel arch and east window tilt markedly to the right.
The tower itself, at the NW corner, leans 5.2 degrees out of perpendicular. The two large buttresses to support it were built in the 1960s.
The interior of the church is simple: it has a nave, chancel, tower and porch, and dates mainly from the 13th to 16th centuries. The remains of a stair in the chancel would have led to a rood loft (probably destroyed during the Reformation).
The church was restored in 1887, when the plaster ceiling of the nave was removed, and it is possible that moulded plaster decorations set in the porch wall are remnants of the ceiling.
There are interesting wall memorials, many of which are by members of the Bute family who carved many memorials in and around the churches of the Black Mountains.
The medieval cross in the centre of the church was dug up in 1861 at the nearby farm, and placed in the church in 1935. An unusual feature is the mitre with three crosses on the head of Christ. The chamfered edges indicate it is post-Conquest.
The simple font is medieval, the pulpit is 19th century.