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1985 ist the year, this lady was born as well as the 'best use before'-date from this agfachrome sheet-film
x-developed
An attempt at lighting an object: 150w builders lamp to the right, white card on the left picking out the shoulder of the toucan...
I thought that it'd turn out more low-key than this..!
MPP Micro Technical MkVI
1sec @f4.5
Fomapan 100
D76@8minutes
Reflective negscan in Epson V100
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Update: I contact-printed this last night and the difference is amazing - I will scan the CP as soon as I can, but the print (to my eyes) looks very nice :-)
I fired up the old 4x5. Breaking out all the film cameras actually.. Need to get used to using real cameras again.
I'll be taking a workshop at the end of summer at Penland on daguerreotype photography and don't want to have pinhole head when I get there.
Kids under a tree.
Vertical shift if I remember correctly (I think that explains the dark patch at the bottom of the frame, although looking at the top of the film it may be that the film wasn't correct;y seated).
MPP (1/50 @ f4.5),
Fomapan 100,
Rodinal 1+50, 6'30"
Reflective scan in Epson V100
Graflex Graphic View I ; 4x5" Shangai 100; Wollensak Optar 6 3/8’’/F 4.5 ; t 1/25; f 32; Rodinal 1:50; 20 C; 14 min
Graflex Anniversary Speed Graphic; Ross Wide Angle Xpres 5''/ F 4; t 1/30 ; f 11 ; Fomapan 100; Rodinal 1:50; 20C; 14 min.
Iford FP4+, 4x5
Sometimes you encounter a scene and you want to photograph it for some reason. Maybe it's the light, or the composition or texture. Maybe it strikes a cord of familiarity that you can't quite define. Regardless, you think it will make a good picture. I love those "finds".
For some reason I can't work in singularity anymore. Every picture I take now has to be part of some type of project. It has to be part of a new or existing portfolio of images that together form a single idea.
So this picture along with some other previous LF ones will be part of a new set called Domestic.
this started off as a large format studio shot which i transformed by boosting saturation and adding textures in photoshop
kodak portra 160 nc lab processed. digital light box capture with olympus epl1 and reversal in lightroom and photoshop.