sea ranch chapel

ilford fp4 125 developed in ID11 1+1. digital capture with olympus epl1 and inversion in lightroom classic.

First Uni Assignment

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Halibut Point State Park, MA. Canham DLC45, Nikkor SW 90mm f/8, two stop graduated neutral density filter, Ilford FP4+, Max Pyro. View Large.

Cambo SCX

Fujinon W 150mm f/5.6

4x5 sheet Ilford Delta100 in Ilfosol 3

@valeryshpakphotography

1930s Fotokor plate camera (9x12 cm), shot on photo paper, developed as positive image

at Yokohama Sakuragi-cho

Linhof Master Technica with Super Angulon 65mm/f8

By Chamonix 045N2 & Schneider-Kreuznach Symmar-s 135/5.6 & Fujichrome Velvia100

5x4 400

Large format digital prints

Exposed on FPP Frankenstein 200 with Pacemaker Speed Graphic + Ektar 127/4.7 lens; developed in HC-110H for 9 min @ 68˚F.

www.sirspeedyorlando.com

Testing large format lenses at NYC Resistor.

13 June 2022

sinar-f

rodenstock sironar210mm f5.6

f16 1/4s

Adox CHSⅡ iso80

spur 2525sd dev 20℃ 11min

Directly photographed on photopaper (13x18cm), developed, scanned and inverted.

Korona view camera

type: 5x7 large format

circa: 1910s?

Lens: Grundlach amastigmatic F6.8 (serial 213830)

shutter: Betax #4

stamped on bottom: 399

condition; needs work

Camera owner: Charlie Graf

film holder: Eastman portrait film holder

Camera ФК-13X18 1959 year

Lens INDUSTAR 51

1/25 f 5.6

Film GOST 65 1979 year

Busch Pressman D + Foma 100 + rodinal , stand dev

linhof technika + pentax165 2.8, kodak portra160

3 types of carl zeiss Planar 135mm 3.5 lens

Flautist Grave Stone

The progress of building a large format camera out of LEGO bricks.

GOMZ Fotokor, 9x12. Digitally inverted paper negative. Paper: Fomaspeed matte, ~ 4 ISO.

F4.5, 120 seconds.

Bus Stop, Wrightstown, NJ.

foto: Bjørn Christiansen

www.bj0rn.net

Bak kulissene for arkitekturfotograferinga på Realfagsbygget på NTNU Gløshaugen, April 2010

just another scar

#staysenigallia

First step is to build the film/plate holder. This is the main frame, without darkslides or end caps. This holder is designed to hold wet-plate callotypes, although it can just as easily hold film or photo paper.

Two sheets of 8x10 paper are inserted in the middle section, squeezed together by two pieces of glass, with either black construction paper (film, photo paper) or ruby lith film (wet plate) between. Darkslides on either side keep the film or paper unexposed until the holder is put into the camera, at which point one is removed in preparation for exposure.

After one exposure, the darkslide is re-inserted, the holder is removed from the camera and flipped around, and the process is repeated for a second exposure.

Built from plans in the book 'Primitive Photography' by Alan Greene.

Linhof Kardan Xenar 135mm Polaroid Sepia

Mill Point Park, Eaton St., Hampton, Va

Cambo 4x5 monorail. © Anthony Prater, 2009. All rights Reserved. No Use, copying, etc. without explicit consent.

'twas a dark stormy night

bigger

Fuji FP100c45, Shot on Gundlach Korona 4x5, F6.3 at 1 1/5sec.

fuji astia 100 shot in 2011-13? light box capture with olympus epl1 and adjusted in lightroom. as shot the slide was severely underexposed by 2-3 stops and looks like a black frame. using more recent camera sensors and software processing i managed to eke out a useable albeit not perfect image.

4x5 field camera, HP5 film, developed in Diafine

The progress of building a large format camera out of LEGO bricks.

Test shot with my 8x10 camera

Romania, May 2008