View allAll Photos Tagged LargeFormat

Ilford MG RC Pearl 17,8x24 cm taped into 8x10 holder

ISO 25, F22, 1 sec (I started from ISO 6, but that resulted too dark negative), some clouds in sky

Ilford Multigrade dev 1+14 1:30

Water 30sec

Fomafix 1:30

Canoscan 1200dpi, rescaled to 600dpi, PS invert and flip

 

Sironar-N MC 300mm f5.6

Linhof Kardan Xenar 135mm Polaroid Sepia

SINAR F 4X5"+NIKKOR SW 90/8+SHANGHI GP3 SHEET+HC110 B+GTX 970

 

F/16+ 2M

Rainbow Lake - September 2009

globica

10x15 orwo np22

 

fomaspeed

Chroma spring back release edition showing Fuji Quickload and Wista 6x7 Rollfilm backs in place.

4x5 available light

Toyo-View Recessed Lens Board Copal #1, USA CAT#180-619

 

Reduces focal length for wide angle lenses.

The lens board measures approximately 43 mm in depth and is 158 mm square, used for Toyo-View 45G, 57G and 810G large format cameras and some Omega-View models as well.

   

Cop1_rlb_IMG_1021

oude kerk_delft

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Church Oude Kerk in Oude Delft.

Delft, Netherlands.

6х12 back for my 4x5 folding, New Portra 160

I have just been kindly given this 5x7 monorail Toyo view camera. The package included the camera itself, a 5x7 back, a 4x5 back, film holders, a 240 mm Komura lens in Copal 3 shutter, and a 180 mm Bayer lens in Compur shutter.

 

The camera seems to be a M series as I understand, the predecessor of the famous G series. Still, if any of you have more info on this camera, please share !

Exhibition printing for stand graphics

Exhibition printing for stand graphics

Carl Zeiss protar 180mm/18

stadhuis_delft

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Stadhuis, Markt.

Delft, Netherlands.

Exhibition printing for stand graphics

Exhibition printing for stand graphics

My shadow as I walk along the road shouldering my 8x10 camera and tripod.

 

4X5 Film Kodak Ektar 100 Shot using Toyo 45AII large format camera.

Enjoy this in Large on Black View On Black

4x5 150mm lens with red filter 6 secs. pyrocat hd split development. Produces thin negative good for scanning but not so much for enlarger.

 

This is a 4x5 Large Format Film Shoot that I scanned and did some edits in photoshop. Let me know what you think!

Tachihara Fieldstand 45II, Fujinon W 5.6/150, ACROS

Sinar P2 + Rodenstock 155/6.8

GOMZ Fotokor, 9x12. Digitally inverted paper negative. Paper: Fomaspeed matte, ~ 4 ISO.

F4.5, 120 seconds. A bit overexposed, 90 seconds could be just fine.

Large Format Fuji Velvia 50 Film

Toyo 45AXEpson V750

Near Monterey, California.

 

Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.

After posing for the picture I thought I was making on this sheet (using T mode in the dark), I closed the shutter and turned on the lights. When I looked at my lens I was staring at a now-open shutter, meaning that the shutter never opened for my originally planned scene in the first place and was instead now photographing an empty bed. Oh well.

4x5 HP5

globica, ilford plus fp4

5x4 Pinhole camera. I use Fidelity double dark slides attached by Velcro straps. Sheet film or paper. Constructed entirely of wood, with black velvet light traps .I call it the Ghost Camera because I was using it in a local graveyard when I was asked by an interested/puzzled stranger "what kind of camera is that"? I couldn't resist it. (naughty I know)

La iarba verde cu Dacia.

At picknik with the Dacia car.

 

May 2008, Jud. Cluj, Romania

SINAR F 4X5"-NIKKOR SW90/8-SHANGHAI GP3-HC110-GTX970

 

F/22-2S

FKD 13x18

Slavich Unibrom 160 FB

Developer Caffenol (3 min @ 20C)

Scan. Inverstion

Romania, May 2008

1 2 ••• 40 41 43 45 46 ••• 79 80