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Sun, sea and sauna. Remainds me of those endless hot summers when I was a child. In those days it never rained and mosquitos were not even manufactured back then :) Golden memories.
Polaroid 59, Graflex Super Graphic
Intrepid 4x5 mk2, Schneider super symmar xl 72mm f5.6, Fujichrome velvia 100 developed in Arista Rapid E6. Epson 4990 fluid mount scan
Re-envisioning of Mapplethorpe's work with the two men with alopecia- 16" x 20" silver gelatin fiber print: 4" x 5" Negaive Film studio portrait
Schneider states that both groups of a Symmar lens may be used standalone, too, thereby making for instance a 260mm f/12 from a 135mm f/5.6. I had to try this out, given that I don't have a lens of this length that covers 4x5.
So this is the very interesting result wide open - reminds me very much of a very slow Petzval lens 😉.
Graflex Super Graphic + front group of Schneider Symmar 135mm f/5.6 (265mm f/12)
Foma Retropan 320 @ 640 in Foma Retro Special Developer
Built in the 14th Century.
Canham JMC 8x10 + Fujinon 300 C f8.5 Lens.
Ilford Direct Positive FB Glossy. Paper pre exposed under an enlarger before use.
Exposure f11 - 2sec.
participation pour l'exposition organisée par les Black Cat Bones dans leur BCB Café à Mexico pour les 20 ans de la série Twin Peaks
A neighborhood eatery called Melt. Taken with a 1910 Seneca 8 with expired Kodak Portrait Pan. Developed in Caffenol.
This is the other negative of Mell that I shot in this pose. Think I might like it better, although they are very similar.
"Porcupine"
Zion's backcountry washes take on an entirely different character in winter, and one of my favorite things to see was how the snow blanketed the various desert flora. The Yucca plants covered in snow in particular were really bizarre and fascinating to behold. This scene captures an ephemeral moment when a group of maples and cottonwoods in this wash were covered in a fresh coat of deep powder. The snow-buried Yucca made for a striking foreground element, and if you look closely, you’ll notice a set of bighorn sheep tracks leading through the deep snow around the Yucca on the bottom right of the frame. I captured this scene on Fuji Acros 100, and I admire the way it renders the red sandstone a dark charcoal grey and creates a strong contrast with the dark rocks and light snow. Acros has very fine grain structure, which results in gorgeous detail rendition & tonality.
2nd-Gen @intrepidcameraco 4x5
Fuji Neopan Acros 100
Schneider-Kreuznach 90mm Æ’/8 Super-Angulon
1.5s @ Æ’/45
4:20pm 12/28/2016
"The point is this. The arts are not the pretty but irrelevant bits around the border of reality. They are the highways into the center of a reality which cannot be glimpsed, let alone grasped, any other way. The present world is good, but broken and in any case incomplete; art of all kinds enables us to understand that paradox in its many dimensions. But the present world is also designed for something which has not yet happened. It is like a violin waiting to be played: beautiful to look at, graceful to hold-and yet if you'd never heard one in the hands of a musician, you wouldn't believe the new dimensions of beauty yet to be revealed. Perhaps art can show something of that, can glimpse the future possibilities pregnant within the present time." – N.T. Wright
Owner and founder of Roq La Rue Gallery in Seattle
This was shot with the 16" Vitax wide open at 3.8 for 4 seconds. I am finding the vitax to be great lens
I captured this beautiful tintype with a very fast lens (120mm f1)
More information in my recent video youtu.be/dXMn61ZcQjo and the plates are available here ebay.mhaustria.com or get a chance to get one free as Patron patreon.mhaustria.com #tintype #petzval #projectionlens #wetplate #largeformat #handmade #bokeh #lensporn #analogphotography #collodionprocess #keepfilmalive #lensporn