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Good morning Sunshine. Good morning Soul. Good Morning Earth. Good Morning Mist.
A peaceful morning, woken up by the sounds of the birds chirping and the cold breeze passing above the sleeping bag; the warm body within shudders awakened with a cold kiss of morning due. Taking in the first mountain breath; breathing in fresh air witnessing the rest of the world awakened from a distance.
- Honest Mini Rambling
From top to bottom: Korean, Dutch, Russian, American, British, French, Spanish, Canadian, German.
I'm starting a language comparison using the first Harry Potter book as the vehicle. I spoke fluent Korean fifty years ago. Studied Spanish in High School and French in College. I'm just going to see where it leads. I have Latin and Welsh on the way. The book has been translated into about 80 languages . :-)
Model & MUA: Suzanne Moran
It seems that nowadays our emotions are only expressed through the appropriate emoji, complex feelings distilled down to a single little face. Have our feelings become of such little consequence......
A boy playing his accordeon in the street, without a permit.
A policeman telling him to pack it in and leave.
Rue au Beurre (Boterstraat), Brussels, Belgium.
The poetical language of flowers, or, The pilgrimage of love /
London :Griffin, Bohn, and Company,1861
Nude Language Poet.
Et cantant canticum cuniculos femora iracundus oculos,
glorie di respirazione unwrapping vestiti contorni della pelle,
теплые пальцы скользят предвидя возможности пульсирующие подняться органы,
συγκινητικό ήσυχο χείλη αυξήθηκε αυξανόμενη οικειότητα χτίζει,
descrições sensualidade poetas sexuais juntos consciência borbulhantes sexo,
archwilio cariadon trosiadau pleserau fordeithiau rhywiol gariad synhwyrus,
kirkas rohkaisevia rinnat sininen aseiden suihkulähde luvut unelmia,
отечени затворене ветрови врте кључале блиставим Нигхт цара Афар,
uitgekleed schaduwen avond vrijheid billen ronde,
gnister blomstrende charms sprer stillinger brennende herligheter seng,
երկրային շուրթերը ժպտում հրամայական թարթիչներով բոցավառվող լուսաշող գագաթնակետն համբուրեց,
poete o multitudine de extaz fluxul de sucuri,
疲れたメロディーの真っ只容赦放射点滅呼気甘い漂流夢.
Steve.D.Hammond.
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La Seine ~ Urban Chronicles ~ Paris ~ MjYj
Please don't use this image on websites, blogs or other
media without my explicit permission.
MjYj© PC142766 All rights reserved
Thanks everyone, thanks for all the votes,comments,
visits, support, critics, invites, awards, etc ..
SPNC - Year 4 - Instruction # 03
"Avoid tunnel vision, let the edges compete for attention in the frame."
If waxwings could talk, I imagine the conversation went something like this: (on the right) "Hey, I was here first, why don't you just make like the birds and flock-off!"..... (the left one responds)--"Oh ya, you and whose army gonna' make me birdbrain!"
Because mountain ash berries ferment and produce alcohol after the first frost, sometimes the birds get quite drunk. CBC News did an interesting story that went viral recently about Yukon's "drunk tank" for waxwings www.cbc.ca/news/canada/north/drunk-birds-sober-up-in-envi...
The formal language of the ceramic figures by Berry Holslag (1947) connects seamlessly with the leading visual language of the 1980s, in which the image of man is once again in the spotlight. (...)
Holslag's monumental and colorful ceramic figures are immediately recognizable and accessible due to the clear visual language she uses. 'What you see is what you get': it is what it is? Or not? (...)
Despite the recognisability, the size and the distance make it impossible for the viewer to identify with it. This subtle alienation raises questions for the viewer.
This is also the case with 'The Observer'. With this incorruptible figure in a timeless, gray suit, Holslag presents passers-by in the busy center of The Hague with an image that in turn perceives.
Another pic: "The Poet"
www.flickr.com/photos/145400672@N02/50542166641/in/album-...
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De vormentaal van de keramische figuren van Berry Holslag (1947) sluit naadloos aan bij de toonaangevende beeldtaal van de jaren 1980 waarin het mensbeeld weer volop in de belangstelling staat. (...)
Holslags monumentale en kleurrijke keramische figuren zijn direct herkenbaar en toegankelijk door de heldere beeldtaal die zij gebruikt. ‘What you see is what you get': het is wat het is? Of toch niet? (...)
Ondanks de herkenbaarheid, lukt het de toeschouwer door het formaat en de afstand niet om zich ermee te identificeren. Deze subtiele vervreemding maakt dat er vragen rijzen bij de beschouwer.
Zo ook bij ‘The Observer'. Met deze onkreukbare figuur in een tijdloos, grijs kostuum presenteert Holslag voorbijgangers in het drukke Haagse centrum een beeld dat op zijn beurt waarneemt.
Bron: www.stroom.nl/nl/kor/project.php?pr_id=7606250
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