View allAll Photos Tagged Language,
The 2011 Census included questions for the first time on English language proficiency for those who had a main language other than English. For residents who lived in Wales, the English category included those whose main language was Welsh.
The latest analysis from ONS has looked at how proficiency in English varied across the different main languages spoken, how health related to proficiency in English and looked at the proficiency of 3-15 year olds across local authorities in England and Wales.
www.ons.gov.uk/ons/rel/census/2011-census/detailed-charac...
“Because of your smile, you make life more beautiful.”
(Thich Nhat Hanh - Vietnamese Monk, Peace Activist and Writer, b.1926)
Saurabh is an architect in Delhi, he wanted his portrait by me so we met recently for lunch in Hauz khas village which is in South Delhi.
As he was living in Milano for a few years, we spoke Italian for fun, he had many expressions and most of all an amazing smile.
We went outside to the Deer Park and I took several shots.
I selected this one where everything on his face is smiling, it is the universal language in the world and a source of joy and happiness.
Join the photographer at www.facebook.com/laurent.goldstein.photography
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Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.
Jun 7/11 I think this couple was having a kind of argument. Based on their body language. She had raised eyebrows almost all night and not one smile.
Info Island International (233,205,33)
International Plaza-Rare languages booth area
The Lakhota Language booth serves as an awareness to a language still in usage and under going a revival. The Booth put together by Willow Shenlin presents a web-browser (menu), a glossary (translations), a dreamcatcher (SLURLs list) and a mustang (audio URLs)
Title: Monash University, Sir Robert Menzies Wing, Language Laboratory [picture]
Author / Creator: Wolfgang Sievers 1913-2007 photographer.
Date: 1963
Contents / Summary: Interior; shows students wearing headphones, sitting in single cubicles.
Subjects:
Monash University (Vic.)
Universities and colleges -- Victoria -- Clayton
Language laboratories -- Victoria -- Clayton
Gelatin silver prints
Index terms:
Australia; Victoria; Wolfgang Sievers; Monash University; Clayton; language laboratories
Notes: Vintage print with the photographer's studio stamp on reverse.
Title and date taken from inscriptions in pencil in the photographer's hand on reverse.
Job number inscribed on verso: 3484-BK
Copyright status: This work is in copyright
Conditions of use: Copyright restrictions apply.
For Copyright queries, please contact the National Library of Australia.
Source: SLV
Identifier(s): Accession no: H2004.49/236
Source / Donor: Gift of Wolfgang Sievers, 2002.
Series / Collection: Wolfgang Sievers collection.
Link to online item:
handle.slv.vic.gov.au/10381/284487
Link to this record:
search.slv.vic.gov.au/permalink/f/1cl35st/SLV_VOYAGER1793210
search.slv.vic.gov.au/permalink/f/1cl35st/SLV_ROSETTAIE85...
'The Language Stone' by Gordon Young (White Marble) in Saltwell Park, Gateshead, England, UK. The marble was originally from Italy, but it lay on a Plymouth seabed for a century and a half after the ship carrying it to London sank in a storm. The text uses various languages to express the feeling of love.
What craziness is this, a day in that London on a weekday? Well, working one day last weekend, and another next weekend, meant I took a day in Lieu.
So there.
And top of my list of places to visit was St Magnus. This would be the fifth time I have tried to get inside, and the first since I wrote to the church asking whether they would be open a particular Saturday, and then any Saturday. Letters which were ignored
So, I walked out of Monument Station, down the hill there was St Magnus: would it be open?
It was, and inside it was a box, nay a treasure chest of delights.
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St Magnus the Martyr, London Bridge is a Church of England church and parish within the City of London. The church, which is located in Lower Thames Street near The Monument to the Great Fire of London,[1] is part of the Diocese of London and under the pastoral care of the Bishop of London and the Bishop of Fulham.[2] It is a Grade I listed building.[3] The rector uses the title "Cardinal Rector". [4]
St Magnus lies on the original alignment of London Bridge between the City and Southwark. The ancient parish was united with that of St Margaret, New Fish Street, in 1670 and with that of St Michael, Crooked Lane, in 1831.[5] The three united parishes retained separate vestries and churchwardens.[6] Parish clerks continue to be appointed for each of the three parishes.[7]
St Magnus is the guild church of the Worshipful Company of Fishmongers and the Worshipful Company of Plumbers, and the ward church of the Ward of Bridge and Bridge Without. It is also twinned with the Church of the Resurrection in New York City.[8]
Its prominent location and beauty has prompted many mentions in literature.[9] In Oliver Twist Charles Dickens notes how, as Nancy heads for her secret meeting with Mr. Brownlow and Rose Maylie on London Bridge, "the tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom". The church's spiritual and architectural importance is celebrated in the poem The Waste Land by T. S. Eliot, who adds in a footnote that "the interior of St. Magnus Martyr is to my mind one of the finest among Wren's interiors".[10] One biographer of Eliot notes that at first he enjoyed St Magnus aesthetically for its "splendour"; later he appreciated its "utility" when he came there as a sinner.
The church is dedicated to St Magnus the Martyr, earl of Orkney, who died on 16 April in or around 1116 (the precise year is unknown).[12] He was executed on the island of Egilsay having been captured during a power struggle with his cousin, a political rival.[13] Magnus had a reputation for piety and gentleness and was canonised in 1135. St. Ronald, the son of Magnus's sister Gunhild Erlendsdotter, became Earl of Orkney in 1136 and in 1137 initiated the construction of St. Magnus Cathedral in Kirkwall.[14] The story of St. Magnus has been retold in the 20th century in the chamber opera The Martyrdom of St Magnus (1976)[15] by Sir Peter Maxwell Davies, based on George Mackay Brown's novel Magnus (1973).
he identity of the St Magnus referred to in the church's dedication was only confirmed by the Bishop of London in 1926.[16] Following this decision a patronal festival service was held on 16 April 1926.[17] In the 13th century the patronage was attributed to one of the several saints by the name of Magnus who share a feast day on 19 August, probably St Magnus of Anagni (bishop and martyr, who was slain in the persecution of the Emperor Decius in the middle of the 3rd century).[18] However, by the early 18th century it was suggested that the church was either "dedicated to the memory of St Magnus or Magnes, who suffer'd under the Emperor Aurelian in 276 [see St Mammes of Caesarea, feast day 17 August], or else to a person of that name, who was the famous Apostle or Bishop of the Orcades."[19] For the next century historians followed the suggestion that the church was dedicated to the Roman saint of Cæsarea.[20] The famous Danish archaeologist Professor Jens Jacob Asmussen Worsaae (1821–85) promoted the attribution to St Magnus of Orkney during his visit to the British Isles in 1846-7, when he was formulating the concept of the 'Viking Age',[21] and a history of London written in 1901 concluded that "the Danes, on their second invasion ... added at least two churches with Danish names, Olaf and Magnus".[22] A guide to the City Churches published in 1917 reverted to the view that St Magnus was dedicated to a martyr of the third century,[23] but the discovery of St Magnus of Orkney's relics in 1919 renewed interest in a Scandinavian patron and this connection was encouraged by the Rector who arrived in 1921
A metropolitan bishop of London attended the Council of Arles in 314, which indicates that there must have been a Christian community in Londinium by this date, and it has been suggested that a large aisled building excavated in 1993 near Tower Hill can be compared with the 4th-century Cathedral of St Tecla in Milan.[25] However, there is no archaeological evidence to suggest that any of the mediaeval churches in the City of London had a Roman foundation.[26] A grant from William I in 1067 to Westminster Abbey, which refers to the stone church of St Magnus near the bridge ("lapidee eccle sci magni prope pontem"), is generally accepted to be 12th century forgery,[27] and it is possible that a charter of confirmation in 1108-16 might also be a later fabrication.[28] Nonetheless, these manuscripts may preserve valid evidence of a date of foundation in the 11th century.
Archaeological evidence suggests that the area of the bridgehead was not occupied from the early 5th century until the early 10th century. Environmental evidence indicates that the area was waste ground during this period, colonised by elder and nettles. Following Alfred's decision to reoccupy the walled area of London in 886, new harbours were established at Queenhithe and Billingsgate. A bridge was in place by the early 11th century, a factor which would have encouraged the occupation of the bridgehead by craftsmen and traders.[30] A lane connecting Botolph's Wharf and Billingsgate to the rebuilt bridge may have developed by the mid-11th century. The waterfront at this time was a hive of activity, with the construction of embankments sloping down from the riverside wall to the river. Thames Street appeared in the second half of the 11th century immediately behind (north of) the old Roman riverside wall and in 1931 a piling from this was discovered during the excavation of the foundations of a nearby building. It now stands at the base of the church tower.[31] St Magnus was built to the south of Thames Street to serve the growing population of the bridgehead area[32] and was certainly in existence by 1128-33.[33]
The small ancient parish[34] extended about 110 yards along the waterfront either side of the old bridge, from 'Stepheneslane' (later Churchehawlane or Church Yard Alley) and 'Oystergate' (later called Water Lane or Gully Hole) on the West side to 'Retheresgate' (a southern extension of Pudding Lane) on the East side, and was centred on the crossroads formed by Fish Street Hill (originally Bridge Street, then New Fish Street) and Thames Street.[35] The mediaeval parish also included Drinkwater's Wharf (named after the owner, Thomas Drinkwater), which was located immediately West of the bridge, and Fish Wharf, which was to the South of the church. The latter was of considerable importance as the fishmongers had their shops on the wharf. The tenement was devised by Andrew Hunte to the Rector and Churchwardens in 1446.[36] The ancient parish was situated in the South East part of Bridge Ward, which had evolved in the 11th century between the embankments to either side of the bridge.[37]
In 1182 the Abbot of Westminster and the Prior of Bermondsey agreed that the advowson of St Magnus should be divided equally between them. Later in the 1180s, on their presentation, the Archdeacon of London inducted his nephew as parson.
Between the late Saxon period and 1209 there was a series of wooden bridges across the Thames, but in that year a stone bridge was completed.[39] The work was overseen by Peter de Colechurch, a priest and head of the Fraternity of the Brethren of London Bridge. The Church had from early times encouraged the building of bridges and this activity was so important it was perceived to be an act of piety - a commitment to God which should be supported by the giving of alms. London’s citizens made gifts of land and money "to God and the Bridge".[40] The Bridge House Estates became part of the City's jurisdiction in 1282.
Until 1831 the bridge was aligned with Fish Street Hill, so the main entrance into the City from the south passed the West door of St Magnus on the north bank of the river.[41] The bridge included a chapel dedicated to St Thomas Becket[42] for the use of pilgrims journeying to Canterbury Cathedral to visit his tomb.[43] The chapel and about two thirds of the bridge were in the parish of St Magnus. After some years of rivalry a dispute arose between the church and the chapel over the offerings given to the chapel by the pilgrims. The matter was resolved by the brethren of the chapel making an annual contribution to St Magnus.[44] At the Reformation the chapel was turned into a house and later a warehouse, the latter being demolished in 1757-58.
The church grew in importance. On 21 November 1234 a grant of land was made to the parson of St Magnus for the enlargement of the church.[45] The London eyre of 1244 recorded that in 1238 "A thief named William of Ewelme of the county of Buckingham fled to the church of St. Magnus the Martyr, London, and there acknowledged the theft and abjured the realm. He had no chattels."[46] Another entry recorded that "The City answers saying that the church of ... St. Magnus the Martyr ... which [is] situated on the king's highway ... ought to belong to the king and be in his gift".[47] The church presumably jutted into the road running to the bridge, as it did in later times.[48] In 1276 it was recorded that "the church of St. Magnus the Martyr is worth £15 yearly and Master Geoffrey de la Wade now holds it by the grant of the prior of Bermundeseie and the abbot of Westminster to whom King Henry conferred the advowson by his charter.
In 1274 "came King Edward and his wife [Eleanor] from the Holy Land and were crowned at Westminster on the Sunday next after the Feast of the Assumption of Our Lady [15 August], being the Feast of Saint Magnus [19 August]; and the Conduit in Chepe ran all the day with red wine and white wine to drink, for all such as wished."[50] Stow records that "in the year 1293, for victory obtained by Edward I against the Scots, every citizen, according to their several trade, made their several show, but especially the fishmongers" whose solemn procession including a knight "representing St Magnus, because it was upon St Magnus' day".
An important religious guild, the Confraternity de Salve Regina, was in existence by 1343, having been founded by the "better sort of the Parish of St Magnus" to sing the anthem 'Salve Regina' every evening.[51] The Guild certificates of 1389 record that the Confraternity of Salve Regina and the guild of St Thomas the Martyr in the chapel on the bridge, whose members belonged to St Magnus parish, had determined to become one, to have the anthem of St Thomas after the Salve Regina and to devote their united resources to restoring and enlarging the church of St Magnus.[52] An Act of Parliament of 1437[53] provided that all incorporated fraternities and companies should register their charters and have their ordinances approved by the civic authorities.[54] Fear of enquiry into their privileges may have led established fraternities to seek a firm foundation for their rights. The letters patent of the fraternity of St Mary and St Thomas the Martyr of Salve Regina in St Magnus dated 26 May 1448 mention that the fraternity had petitioned for a charter on the grounds that the society was not duly founded.
In the mid-14th century the Pope was the Patron of the living and appointed five rectors to the benefice.[56]
Henry Yevele, the master mason whose work included the rebuilding of Westminster Hall and the naves of Westminster Abbey and Canterbury Cathedral, was a parishioner and rebuilt the chapel on London Bridge between 1384 and 1397. He served as a warden of London Bridge and was buried at St Magnus on his death in 1400. His monument was extant in John Stow's time, but was probably destroyed by the fire of 1666.[57]
Yevele, as the King’s Mason, was overseen by Geoffrey Chaucer in his capacity as the Clerk of the King's Works. In The General Prologue of Chaucer's The Canterbury Tales the five guildsmen "were clothed alle in o lyveree Of a solempne and a greet fraternitee"[58] and may be thought of as belonging to the guild in the parish of St Magnus, or one like it.[59] Chaucer's family home was near to the bridge in Thames Street.
n 1417 a dispute arose concerning who should take the place of honour amongst the rectors in the City churches at the Whit Monday procession, a place that had been claimed from time to time by the rectors of St Peter Cornhill, St Magnus the Martyr and St Nicholas Cole Abbey. The Mayor and Aldermen decided that the Rector of St Peter Cornhill should take precedence.[61]
St Magnus Corner at the north end of London Bridge was an important meeting place in mediaeval London, where notices were exhibited, proclamations read out and wrongdoers punished.[62] As it was conveniently close to the River Thames, the church was chosen by the Bishop between the 15th and 17th centuries as a convenient venue for general meetings of the clergy in his diocese.[63] Dr John Young, Bishop of Callipolis (rector of St Magnus 1514-15) pronounced judgement on 16 December 1514 (with the Bishop of London and in the presence of Thomas More, then under-sheriff of London) in the heresy case concerning Richard Hunne.[64]
In pictures from the mid-16th century the old church looks very similar to the present-day St Giles without Cripplegate in the Barbican.[65] According to the martyrologist John Foxe, a woman was imprisoned in the 'cage' on London Bridge in April 1555 and told to "cool herself there" for refusing to pray at St Magnus for the recently deceased Pope Julius III.[66]
Simon Lowe, a Member of Parliament and Master of the Merchant Taylors' Company during the reign of Queen Mary and one of the jurors who acquitted Sir Nicholas Throckmorton in 1554, was a parishioner.[67] He was a mourner at the funeral of Maurice Griffith, Bishop of Rochester from 1554 to 1558 and Rector of St Magnus from 1537 to 1558, who was interred in the church on 30 November 1558 with much solemnity. In accordance with the Catholic church's desire to restore ecclesiastical pageantry in England, the funeral was a splendid affair, ending in a magnificent dinner.
Lowe was included in a return of recusants in the Diocese of Rochester in 1577,[69] but was buried at St Magnus on 6 February 1578.[70] Stow refers to his monument in the church. His eldest son, Timothy (died 1617), was knighted in 1603. His second son, Alderman Sir Thomas Lowe (1550–1623), was Master of the Haberdashers' Company on several occasions, Sheriff of London in 1595/96, Lord Mayor in 1604/05 and a Member of Parliament for London.[71] His youngest son, Blessed John Lowe (1553–1586), having originally been a Protestant minister, converted to Roman Catholicism, studied for the priesthood at Douay and Rome and returned to London as a missionary priest.[72] His absence had already been noted; a list of 1581 of "such persons of the Diocese of London as have any children ... beyond the seas" records "John Low son to Margaret Low of the Bridge, absent without licence four years". Having gained 500 converts to Catholicism between 1583 and 1586, he was arrested whilst walking with his mother near London Bridge, committed to The Clink and executed at Tyburn on 8 October 1586.[73] He was beatified in 1987 as one of the eighty-five martyrs of England and Wales.
Sir William Garrard, Master of the Haberdashers' Company, Alderman, Sheriff of London in 1553/53, Lord Mayor in 1555/56 and a Member of Parliament was born in the parish and buried at St Magnus in 1571.[74] Sir William Romney, merchant, philanthropist, Master of the Haberdashers' Company, Alderman for Bridge Within and Sheriff of London in 1603/04[75] was married at St Magnus in 1582. Ben Jonson is believed to have been married at St Magnus in 1594.[76]
The patronage of St Magnus, having previously been in the Abbots and Convents of Westminster and Bermondsey (who presented alternatively), fell to the Crown on the suppression of the monasteries. In 1553, Queen Mary, by letters patent, granted it to the Bishop of London and his successors.[77]
The church had a series of distinguished rectors in the second half of the 16th and first half of the 17th century, including Myles Coverdale (Rector 1564-66), John Young (Rector 1566-92), Theophilus Aylmer (Rector 1592-1625), (Archdeacon of London and son of John Aylmer), and Cornelius Burges (Rector 1626-41). Coverdale was buried in the chancel of St Bartholomew-by-the-Exchange, but when that church was pulled down in 1840 his remains were removed to St Magnus.[78]
On 5 November 1562 the churchwardens were ordered to break, or cause to be broken, in two parts all the altar stones in the church.[79] Coverdale, an anti-vestiarian, was Rector at the peak of the vestments controversy. In March 1566 Archbishop Parker caused great consternation among many clergy by his edicts prescribing what was to be worn and by his summoning the London clergy to Lambeth to require their compliance. Coverdale excused himself from attending.[80] Stow records that a non-conforming Scot who normally preached at St Magnus twice a day precipitated a fight on Palm Sunday 1566 at Little All Hallows in Thames Street with his preaching against vestments.[81] Coverdale's resignation from St Magnus in summer 1566 may have been associated with these events. Separatist congregations started to emerge after 1566 and the first such, who called themselves 'Puritans' or 'Unspottyd Lambs of the Lord', was discovered close to St Magnus at Plumbers' Hall in Thames Street on 19 June 1567.
St Magnus narrowly escaped destruction in 1633. A later edition of Stow's Survey records that "On the 13th day of February, between eleven and twelve at night, there happened in the house of one Briggs, a Needle-maker near St Magnus Church, at the North end of the Bridge, by the carelessness of a Maid-Servant setting a tub of hot sea-coal ashes under a pair of stairs, a sad and lamentable fire, which consumed all the buildings before eight of the clock the next morning, from the North end of the Bridge to the first vacancy on both sides, containing forty-two houses; water then being very scarce, the Thames being almost frozen over."[83] Susannah Chambers "by her last will & testament bearing date 28th December 1640 gave the sum of Twenty-two shillings and Sixpence Yearly for a Sermon to be preached on the 12th day of February in every Year within the Church of Saint Magnus in commemoration of God's merciful preservation of the said Church of Saint Magnus from Ruin, by the late and terrible Fire on London Bridge. Likewise Annually to the Poor the sum of 17/6."[84] The tradition of a "Fire Sermon" was revived on 12 February 2004, when the first preacher was the Rt Revd and Rt Hon Richard Chartres, Bishop of London.
Parliamentarian rule and the more Protestant ethos of the 1640s led to the removal or destruction of "superstitious" and "idolatrous" images and fittings. Glass painters such as Baptista Sutton, who had previously installed "Laudian innovations", found new employment by repairing and replacing these to meet increasingly strict Protestant standards. In January 1642 Sutton replaced 93 feet of glass at St Magnus and in June 1644 he was called back to take down the "painted imagery glass" and replace it.[86] In June 1641 "rail riots" broke out at a number of churches. This was a time of high tension following the trial and execution of the Earl of Strafford and rumours of army and popish plots were rife. The Protestation Oath, with its pledge to defend the true religion "against all Popery and popish innovation", triggered demands from parishioners for the removal of the rails as popish innovations which the Protestation had bound them to reform. The minister arranged a meeting between those for and against the pulling down of the rails, but was unsuccessful in reaching a compromise and it was feared that they would be demolished by force.[87] However, in 1663 the parish resumed Laudian practice and re-erected rails around its communion table.[88]
Joseph Caryl was incumbent from 1645 until his ejection in 1662. In 1663 he was reportedly living near London Bridge and preaching to an Independent congregation that met at various places in the City.[89]
During the Great Plague of 1665, the City authorities ordered fires to be kept burning night and day, in the hope that the air would be cleansed. Daniel Defoe's semi-fictictional, but highly realistic, work A Journal of the Plague Year records that one of these was "just by St Magnus Church"
Despite its escape in 1633, the church was one of the first buildings to be destroyed in the Great Fire of London in 1666.[91] St Magnus stood less than 300 yards from the bakehouse of Thomas Farriner in Pudding Lane where the fire started. Farriner, a former churchwarden of St Magnus, was buried in the middle aisle of the church on 11 December 1670, perhaps within a temporary structure erected for holding services.[92]
The parish engaged the master mason George Dowdeswell to start the work of rebuilding in 1668. The work was carried forward between 1671 and 1687 under the direction of Sir Christopher Wren, the body of the church being substantially complete by 1676.[93] At a cost of £9,579 19s 10d St Magnus was one of Wren's most expensive churches.[94] The church of St Margaret New Fish Street was not rebuilt after the fire and its parish was united to that of St Magnus.
The chancels of many of Wren’s city churches had chequered marble floors and the chancel of St Magnus is an example,[95] the parish agreeing after some debate to place the communion table on a marble ascent with steps[96] and to commission altar rails of Sussex wrought iron. The nave and aisles are paved with freestone flags. A steeple, closely modelled on one built between 1614 and 1624 by François d'Aguilon and Pieter Huyssens for the church of St Carolus Borromeus in Antwerp, was added between 1703 and 1706.[97] London's skyline was transformed by Wren's tall steeples and that of St Magnus is considered to be one his finest.[98]
The large clock projecting from the tower was a well-known landmark in the city as it hung over the roadway of Old London Bridge.[99] It was presented to the church in 1709 by Sir Charles Duncombe[100] (Alderman for the Ward of Bridge Within and, in 1708/09, Lord Mayor of London). Tradition says "that it was erected in consequence of a vow made by the donor, who, in the earlier part of his life, had once to wait a considerable time in a cart upon London Bridge, without being able to learn the hour, when he made a promise, that if he ever became successful in the world, he would give to that Church a public clock ... that all passengers might see the time of day."[101] The maker was Langley Bradley, a clockmaker in Fenchurch Street, who had worked for Wren on many other projects, including the clock for the new St Paul's Cathedral. The sword rest in the church, designed to hold the Lord Mayor's sword and mace when he attended divine service "in state", dates from 1708.
Duncombe and his benefactions to St Magnus feature prominently in Daniel Defoe's The True-Born Englishman, a biting satire on critics of William III that went through several editions from 1700 (the year in which Duncombe was elected Sheriff).
Shortly before his death in 1711, Duncombe commissioned an organ for the church, the first to have a swell-box, by Abraham Jordan (father and son).[103] The Spectator announced that "Whereas Mr Abraham Jordan, senior and junior, have, with their own hands, joinery excepted, made and erected a very large organ in St Magnus' Church, at the foot of London Bridge, consisting of four sets of keys, one of which is adapted to the art of emitting sounds by swelling notes, which never was in any organ before; this instrument will be publicly opened on Sunday next [14 February 1712], the performance by Mr John Robinson. The above-said Abraham Jordan gives notice to all masters and performers, that he will attend every day next week at the said Church, to accommodate all those gentlemen who shall have a curiosity to hear it".[104]
The organ case, which remains in its original state, is looked upon as one of the finest existing examples of the Grinling Gibbons's school of wood carving.[105] The first organist of St Magnus was John Robinson (1682–1762), who served in that role for fifty years and in addition as organist of Westminster Abbey from 1727. Other organists have included the blind organist George Warne (1792–1868, organist 1820-26 until his appointment to the Temple Church), James Coward (1824–80, organist 1868-80 who was also organist to the Crystal Palace and renowned for his powers of improvisation) and George Frederick Smith FRCO (1856–1918, organist 1880-1918 and Professor of Music at the Guildhall School of Music).[106] The organ has been restored several times - in 1760, 1782, 1804, 1855, 1861, 1879, 1891, 1924, 1949 after wartime damage and 1997 - since it was first built.[107] Sir Peter Maxwell Davies was one of several patrons of the organ appeal in the mid-1990s[108] and John Scott gave an inaugural recital on 20 May 1998 following the completion of that restoration.[109] The instrument has an Historic Organ Certificate and full details are recorded in the National Pipe Organ Register.[110]
The hymn tune "St Magnus", usually sung at Ascensiontide to the text "The head that once was crowned with thorns", was written by Jeremiah Clarke in 1701 and named for the church.
Canaletto drew St Magnus and old London Bridge as they appeared in the late 1740s.[112] Between 1756 and 1762, under the London Bridge Improvement Act of 1756 (c. 40), the Corporation of London demolished the buildings on London Bridge to widen the roadway, ease traffic congestion and improve safety for pedestrians.[113] The churchwardens’ accounts of St Magnus list many payments to those injured on the Bridge and record that in 1752 a man was crushed to death between two carts.[114] After the House of Commons had resolved upon the alteration of London Bridge, the Rev Robert Gibson, Rector of St Magnus, applied to the House for relief; stating that 48l. 6s. 2d. per annum, part of his salary of 170l. per annum, was assessed upon houses on London Bridge; which he should utterly lose by their removal unless a clause in the bill about to be passed should provide a remedy.[115] Accordingly, Sections 18 and 19 of 1756 Act provided that the relevant amounts of tithe and poor rate should be a charge on the Bridge House Estates.[116]
A serious fire broke out on 18 April 1760 in an oil shop at the south east corner of the church, which consumed most of the church roof and did considerable damage to the fabric. The fire burnt warehouses to the south of the church and a number of houses on the northern end of London Bridge.
As part of the bridge improvements, overseen by the architect Sir Robert Taylor, a new pedestrian walkway was built along the eastern side of the bridge. With the other buildings gone St Magnus blocked the new walkway.[117] As a consequence it was necessary in 1762 to 1763 to remove the vestry rooms at the West end of the church and open up the side arches of the tower so that people could pass underneath the tower.[118] The tower’s lower storey thus became an external porch. Internally a lobby was created at the West end under the organ gallery and a screen with fine octagonal glazing inserted. A new Vestry was built to the South of the church.[119] The Act also provided that the land taken from the church for the widening was "to be considered ... as part of the cemetery of the said church ... but if the pavement thereof be broken up on account of the burying of any persons, the same shall be ... made good ... by the churchwardens"
Soldiers were stationed in the Vestry House of St Magnus during the Gordon Riots in June 1780.[121]
By 1782 the noise level from the activities of Billingsgate Fish Market had become unbearable and the large windows on the north side of the church were blocked up leaving only circular windows high up in the wall.[122] At some point between the 1760s and 1814 the present clerestory was constructed with its oval windows and fluted and coffered plasterwork.[123] J. M. W. Turner painted the church in the mid-1790s.[124]
The rector of St Magnus between 1792 and 1808, following the death of Robert Gibson on 28 July 1791,[125] was Thomas Rennell FRS. Rennell was President of Sion College in 1806/07. There is a monument to Thomas Leigh (Rector 1808-48 and President of Sion College 1829/30,[126] at St Peter's Church, Goldhanger in Essex.[127] Richard Hazard (1761–1837) was connected with the church as sexton, parish clerk and ward beadle for nearly 50 years[128] and served as Master of the Parish Clerks' Company in 1831/32.[129]
In 1825 the church was "repaired and beautified at a very considerable expense. During the reparation the east window, which had been closed, was restored, and the interior of the fabric conformed to the state in which it was left by its great architect, Sir Christopher Wren. The magnificent organ ... was taken down and rebuilt by Mr Parsons, and re-opened, with the church, on the 12th February, 1826".[130] Unfortunately, as a contemporary writer records, "On the night of the 31st of July, 1827, [the church's] safety was threatened by the great fire which consumed the adjacent warehouses, and it is perhaps owing to the strenuous and praiseworthy exertions of the firemen, that the structure exists at present. ... divine service was suspended and not resumed until the 20th January 1828. In the interval the church received such tasteful and elegant decorations, that it may now compete with any church in the metropolis.
In 1823 royal assent was given to ‘An Act for the Rebuilding of London Bridge’ and in 1825 John Garratt, Lord Mayor and Alderman of the Ward of Bridge Within, laid the first stone of the new London Bridge.[132] In 1831 Sir John Rennie’s new bridge was opened further upstream and the old bridge demolished. St Magnus ceased to be the gateway to London as it had been for over 600 years. Peter de Colechurch[133] had been buried in the crypt of the chapel on the bridge and his bones were unceremoniously dumped in the River Thames.[134] In 1921 two stones from Old London Bridge were discovered across the road from the church. They now stand in the churchyard.
Wren's church of St Michael Crooked Lane was demolished, the final service on Sunday 20 March 1831 having to be abandoned due to the effects of the building work. The Rector of St Michael preached a sermon the following Sunday at St Magnus lamenting the demolition of his church with its monuments and "the disturbance of the worship of his parishioners on the preceeding Sabbath".[135] The parish of St Michael Crooked Lane was united to that of St Magnus, which itself lost a burial ground in Church Yard Alley to the approach road for the new bridge.[136] However, in substitution it had restored to it the land taken for the widening of the old bridge in 1762 and was also given part of the approach lands to the east of the old bridge.[137] In 1838 the Committee for the London Bridge Approaches reported to Common Council that new burial grounds had been provided for the parishes of St Michael, Crooked Lane and St Magnus, London Bridge.
Depictions of St Magnus after the building of the new bridge, seen behind Fresh Wharf and the new London Bridge Wharf, include paintings by W. Fenoulhet in 1841 and by Charles Ginner in 1913.[139] This prospect was affected in 1924 by the building of Adelaide House to a design by John James Burnet,[140] The Times commenting that "the new ‘architectural Matterhorn’ ... conceals all but the tip of the church spire".[141] There was, however, an excellent view of the church for a few years between the demolition of Adelaide Buildings and the erection of its replacement.[142] Adelaide House is now listed.[143] Regis House, on the site of the abandoned King William Street terminus of the City & South London Railway (subsequently the Northern Line),[144] and the Steam Packet Inn, on the corner of Lower Thames Street and Fish Street Hill,[145] were developed in 1931.
By the early 1960s traffic congestion had become a problem[147] and Lower Thames Street was widened over the next decade[148] to form part of a significant new east-west transport artery (the A3211).[149] The setting of the church was further affected by the construction of a new London Bridge between 1967 and 1973.[150] The New Fresh Wharf warehouse to the east of the church, built in 1939, was demolished in 1973-4 following the collapse of commercial traffic in the Pool of London[151] and, after an archaeological excavation,[152] St Magnus House was constructed on the site in 1978 to a design by R. Seifert & Partners.[153] This development now allows a clear view of the church from the east side.[154] The site to the south east of The Monument (between Fish Street Hill and Pudding Lane), formerly predominantly occupied by fish merchants,[155] was redeveloped as Centurion House and Gartmore (now Providian) House at the time of the closure of old Billingsgate Market in January 1982.[156] A comprehensive redevelopment of Centurion House began in October 2011 with completion planned in 2013.[157] Regis House, to the south west of The Monument, was redeveloped by Land Securities PLC in 1998.[158]
The vista from The Monument south to the River Thames, over the roof of St Magnus, is protected under the City of London Unitary Development Plan,[159] although the South bank of the river is now dominated by The Shard. Since 2004 the City of London Corporation has been exploring ways of enhancing the Riverside Walk to the south of St Magnus.[160] Work on a new staircase to connect London Bridge to the Riverside Walk is due to commence in March 2013.[161] The story of St Magnus's relationship with London Bridge and an interview with the rector featured in the television programme The Bridges That Built London with Dan Cruickshank, first broadcast on BBC Four on 14 June 2012.[162] The City Corporation's 'Fenchurch and Monument Area Enhancement Strategy' of August 2012 recommended ways of reconnecting St Magnus and the riverside to the area north of Lower Thames Street.
A lectureship at St Michael Crooked Lane, which was transferred to St Magnus in 1831, was endowed by the wills of Thomas and Susannah Townsend in 1789 and 1812 respectively.[164] The Revd Henry Robert Huckin, Headmaster of Repton School from 1874 to 1882, was appointed Townsend Lecturer at St Magnus in 1871.[165]
St Magnus narrowly escaped damage from a major fire in Lower Thames Street in October 1849.
During the second half of the 19th century the rectors were Alexander McCaul, DD (1799–1863, Rector 1850-63), who coined the term 'Judaeo Christian' in a letter dated 17 October 1821,[167] and his son Alexander Israel McCaul (1835–1899, curate 1859-63, rector 1863-99). The Revd Alexander McCaul Sr[168] was a Christian missionary to the Polish Jews, who (having declined an offer to become the first Anglican Bishop in Jerusalem)[169] was appointed professor of Hebrew and rabbinical literature at King's College, London in 1841. His daughter, Elizabeth Finn (1825–1921), a noted linguist, founded the Distressed Gentlefolk Aid Association (now known as Elizabeth Finn Care).[170]
In 1890 it was reported that the Bishop of London was to hold an inquiry as to the desirability of uniting the benefices of St George Botolph Lane and St Magnus. The expectation was a fusion of the two livings, the demolition of St George’s and the pensioning of "William Gladstone’s favourite Canon", Malcolm MacColl. Although services ceased there, St George’s was not demolished until 1904. The parish was then merged with St Mary at Hill rather than St Magnus.[171]
The patronage of the living was acquired in the late 19th century by Sir Henry Peek Bt. DL MP, Senior Partner of Peek Brothers & Co of 20 Eastcheap, the country's largest firm of wholesale tea brokers and dealers, and Chairman of the Commercial Union Assurance Co. Peek was a generous philanthropist who was instrumental in saving both Wimbledon Common and Burnham Beeches from development. His grandson, Sir Wilfred Peek Bt. DSO JP, presented a cousin, Richard Peek, as rector in 1904. Peek, an ardent Freemason, held the office of Grand Chaplain of England. The Times recorded that his memorial service in July 1920 "was of a semi-Masonic character, Mr Peek having been a prominent Freemason".[172] In June 1895 Peek had saved the life of a young French girl who jumped overboard from a ferry midway between Dinard and St Malo in Brittany and was awarded the bronze medal of the Royal Humane Society and the Gold Medal 1st Class of the Sociâetâe Nationale de Sauvetage de France.[173]
In November 1898 a memorial service was held at St Magnus for Sir Stuart Knill Bt. (1824–1898), head of the firm of John Knill and Co, wharfingers, and formerly Lord Mayor and Master of the Plumbers' Company.[174] This was the first such service for a Roman Catholic taken in an Anglican church.[175] Sir Stuart's son, Sir John Knill Bt. (1856-1934), also served as Alderman for the Ward of Bridge Within, Lord Mayor and Master of the Plumbers' Company.
Until 1922 the annual Fish Harvest Festival was celebrated at St Magnus.[176] The service moved in 1923 to St Dunstan in the East[177] and then to St Mary at Hill, but St Magnus retained close links with the local fish merchants until the closure of old Billingsgate Market. St Magnus, in the 1950s, was "buried in the stink of Billingsgate fish-market, against which incense was a welcome antidote".
A report in 1920 proposed the demolition of nineteen City churches, including St Magnus.[179] A general outcry from members of the public and parishioners alike prevented the execution of this plan.[180] The members of the City Livery Club passed a resolution that they regarded "with horror and indignation the proposed demolition of 19 City churches" and pledged the Club to do everything in its power to prevent such a catastrophe.[181] T. S. Eliot wrote that the threatened churches gave "to the business quarter of London a beauty which its hideous banks and commercial houses have not quite defaced. ... the least precious redeems some vulgar street ... The loss of these towers, to meet the eye down a grimy lane, and of these empty naves, to receive the solitary visitor at noon from the dust and tumult of Lombard Street, will be irreparable and unforgotten."[182] The London County Council published a report concluding that St Magnus was "one of the most beautiful of all Wren's works" and "certainly one of the churches which should not be demolished without specially good reasons and after very full consideration."[183] Due to the uncertainty about the church's future, the patron decided to defer action to fill the vacancy in the benefice and a curate-in-charge temporarily took responsibility for the parish.[184] However, on 23 April 1921 it was announced that the Revd Henry Joy Fynes-Clinton would be the new Rector. The Times concluded that the appointment, with the Bishop’s approval, meant that the proposed demolition would not be carried out.[185] Fr Fynes-Clinton was inducted on 31 May 1921.[186]
The rectory, built by Robert Smirke in 1833-5, was at 39 King William Street.[187] A decision was taken in 1909 to sell the property, the intention being to purchase a new rectory in the suburbs, but the sale fell through and at the time of the 1910 Land Tax Valuations the building was being let out to a number of tenants. The rectory was sold by the diocese on 30 May 1921 for £8,000 to Ridgways Limited, which owned the adjoining premises.[188] The Vestry House adjoining the south west of the church, replacing the one built in the 1760s, may also have been by Smirke. Part of the burial ground of St Michael Crooked Lane, located between Fish Street Hill and King William Street, survived as an open space until 1987 when it was compulsorily purchased to facilitate the extension of the Docklands Light Railway into the City.[189] The bodies were reburied at Brookwood Cemetery.
The interior of the church was restored by Martin Travers in 1924, in a neo-baroque style,[191] reflecting the Anglo-Catholic character of the congregation[192] following the appointment of Henry Joy Fynes-Clinton as Rector.[193] Fr Fynes, as he was often known, served as Rector of St Magnus from 31 May 1921 until his death on 4 December 1959 and substantially beautified the interior of the church.[194]
Fynes-Clinton held very strong Anglo-Catholic views, and proceeded to make St Magnus as much like a baroque Roman Catholic church as possible. However, "he was such a loveable character with an old-world courtesy which was irresistible, that it was difficult for anyone to be unpleasant to him, however much they might disapprove of his views".[195] He generally said the Roman Mass in Latin; and in personality was "grave, grand, well-connected and holy, with a laconic sense of humour".[196] To a Protestant who had come to see Coverdale's monument he is reported to have said "We have just had a service in the language out of which he translated the Bible".[197] The use of Latin in services was not, however, without grammatical danger. A response from his parishioners of "Ora pro nobis" after "Omnes sancti Angeli et Archangeli" in the Litany of the Saints would elicit a pause and the correction "No, Orate pro nobis."
In 1922 Fynes-Clinton refounded the Fraternity of Our Lady de Salve Regina.[198] The Fraternity's badge[199] is shown in the stained glass window at the east end of the north wall of the church above the reredos of the Lady Chapel altar. He also erected a statue of Our Lady of Walsingham and arranged pilgrimages to the Norfolk shrine, where he was one of the founding Guardians.[200] In 1928 the journal of the Catholic League reported that St Magnus had presented a votive candle to the Shrine at Walsingham "in token of our common Devotion and the mutual sympathy and prayers that are we hope a growing bond between the peaceful country shrine and the church in the heart of the hurrying City, from the Altar of which the Pilgrimages regularly start".[201]
Fynes-Clinton was General Secretary of the Anglican and Eastern Orthodox Churches Union and its successor, the Anglican and Eastern Churches Association, from 1906 to 1920 and served as Secretary to the Archbishop of Canterbury's Eastern Churches Committee from 1920 to around 1924. A Solemn Requiem was celebrated at St Magnus in September 1921 for the late King Peter of the Serbs, Croats and Slovenes.
At the midday service on 1 March 1922, J.A. Kensit, leader of the Protestant Truth Society, got up and protested against the form of worship.[202] The proposed changes to the church in 1924 led to a hearing in the Consistory Court of the Chancellor of the Diocese of London and an appeal to the Court of Arches.[203] Judgement was given by the latter Court in October 1924. The advowson was purchased in 1931, without the knowledge of the Rector and Parochial Church Council, by the evangelical Sir Charles King-Harman.[204] A number of such cases, including the purchase of the advowsons of Clapham and Hampstead Parish Churches by Sir Charles, led to the passage of the Benefices (Purchase of Rights of Patronage) Measure 1933.[205] This allowed the parishioners of St Magnus to purchase the advowson from Sir Charles King-Harman for £1,300 in 1934 and transfer it to the Patronage Board.
St Magnus was one of the churches that held special services before the opening of the second Anglo-Catholic Congress in 1923.[207] Fynes-Clinton[208] was the first incumbent to hold lunchtime services for City workers.[209] Pathé News filmed the Palm Sunday procession at St Magnus in 1935.[210] In The Towers of Trebizond, the novel by Rose Macauley published in 1956, Fr Chantry-Pigg's church is described as being several feet higher than St Mary’s Bourne Street and some inches above even St Magnus the Martyr.[211]
In July 1937 Fr Fynes-Clinton, with two members of his congregation, travelled to Kirkwall to be present at the 800th anniversary celebrations of St Magnus Cathedral, Kirkwall. During their stay they visited Egilsay and were shown the spot where St Magnus had been slain. Later Fr Fynes-Clinton was present at a service held at the roofless church of St Magnus on Egilsay, where he suggested to his host Mr Fryer, the minister of the Cathedral, that the congregations of Kirkwall and London should unite to erect a permanent stone memorial on the traditional site where Earl Magnus had been murdered. In 1938 a cairn was built of local stone on Egilsay. It stands 12 feet high and is 6 feet broad at its base. The memorial was dedicated on 7 September 1938 and a bronze inscription on the monument reads "erected by the Rector and Congregation of St Magnus the Martyr by London Bridge and the Minister and Congregation of St Magnus Cathedral, Kirkwall to commemorate the traditional spot where Earl Magnus was slain, AD circa 1116 and to commemorate the Octocentenary of St Magnus Cathedral 1937"
A bomb which fell on London Bridge in 1940 during the Blitz of World War II blew out all the windows and damaged the plasterwork and the roof of the north aisle.[213] However, the church was designated a Grade I listed building on 4 January 1950[214] and repaired in 1951, being re-opened for worship in June of that year by the Bishop of London, William Wand.[215] The architect was Laurence King.[216] Restoration and redecoration work has subsequently been carried out several times, including after a fire in the early hours of 4 November 1995.[217] Cleaning of the exterior stonework was completed in 2010.
Some minor changes were made to the parish boundary in 1954, including the transfer to St Magnus of an area between Fish Street Hill and Pudding Lane. The site of St Leonard Eastcheap, a church that was not rebuilt after the Great Fire, is therefore now in the parish of St Magnus despite being united to St Edmund the King.
Fr Fynes-Clinton marked the 50th anniversary of his priesthood in May 1952 with High Mass at St Magnus and lunch at Fishmongers' Hall.[218] On 20 September 1956 a solemn Mass was sung in St Magnus to commence the celebration of the 25th anniversary of the restoration of the Holy House at Walsingham in 1931. In the evening of that day a reception was held in the large chamber of Caxton Hall, when between three and four hundred guests assembled.[219]
Fr Fynes-Clinton was succeeded as rector in 1960 by Fr Colin Gill,[220] who remained as incumbent until his death in 1983.[221] Fr Gill was also closely connected with Walsingham and served as a Guardian between 1953 and 1983, including nine years as Master of the College of Guardians.[222] He celebrated the Mass at the first National Pilgrimage in 1959[223] and presided over the Jubilee celebrations to mark the 50th anniversary of the Shrine in 1981, having been present at the Holy House's opening.[224] A number of the congregation of St Stephen's Lewisham moved to St Magnus around 1960, following temporary changes in the form of worship there.
In 1994 the Templeman Commission proposed a radical restructuring of the churches in the City Deanery. St Magnus was identified as one of the 12 churches that would remain as either a parish or an 'active' church.[226] However, the proposals were dropped following a public outcry and the consecration of a new Bishop of London.
The parish priest since 2003 has been Fr Philip Warner, who was previously priest-in-charge of St Mary's Church, Belgrade (Diocese in Europe) and Apokrisiarios for the Archbishop of Canterbury to the Serbian Orthodox Church. Since January 2004 there has been an annual Blessing of the Thames, with the congregations of St Magnus and Southwark Cathedral meeting in the middle of London Bridge.[227] On Sunday 3 July 2011, in anticipation of the feast of the translation of St Thomas Becket (7 July), a procession from St Magnus brought a relic of the saint to the middle of the bridge.[228]
David Pearson specially composed two new pieces, a communion anthem A Mhànais mo rùin (O Magnus of my love) and a hymn to St Magnus Nobilis, humilis, for performance at the church on the feast of St Magnus the Martyr, 16 April 2012.[229] St Magnus's organist, John Eady, has won composition competitions for new choral works at St Paul's Cathedral (a setting of Veni Sancte Spiritus first performed on 27 May 2012) and at Lincoln Cathedral (a setting of the Matin responsory for Advent first performed on 30 November 2013).[230]
In addition to liturgical music of a high standard, St Magnus is the venue for a wide range of musical events. The Clemens non Papa Consort, founded in 2005, performs in collaboration with the production team Concert Bites as the church's resident ensemble.[231] The church is used by The Esterhazy Singers for rehearsals and some concerts.[232] The band Mishaped Pearls performed at the church on 17 December 2011.[233] St Magnus featured in the television programme Jools Holland: London Calling, first broadcast on BBC2 on 9 June 2012.[234] The Platinum Consort made a promotional film at St Magnus for the release of their debut album In the Dark on 2 July 2012.[235]
The Friends of the City Churches had their office in the Vestry House of St Magnus until 2013.
Martin Travers modified the high altar reredos, adding paintings of Moses and Aaron and the Ten Commandments between the existing Corinthian columns and reconstructing the upper storey. Above the reredos Travers added a painted and gilded rood.[237] In the centre of the reredos there is a carved gilded pelican (an early Christian symbol of self-sacrifice) and a roundel with Baroque-style angels. The glazed east window, which can be seen in an early photograph of the church, appears to have been filled in at this time. A new altar with console tables was installed and the communion rails moved outwards to extend the size of the sanctuary. Two old door frames were used to construct side chapels and placed at an angle across the north-east and south-east corners of the church. One, the Lady Chapel, was dedicated to the Rector's parents in 1925 and the other was dedicated to Christ the King. Originally, a baroque aumbry was used for Reservation of the Blessed Sacrament, but later a tabernacle was installed on the Lady Chapel altar and the aumbry was used to house a relic of the True Cross.
The interior was made to look more European by the removal of the old box pews and the installation of new pews with cut-down ends. Two new columns were inserted in the nave to make the lines regular. The Wren-period pulpit by the joiner William Grey[238] was opened up and provided with a soundboard and crucifix. Travers also designed the statue of St Magnus of Orkney, which stands in the south aisle, and the statue of Our Lady of Walsingham.[239]
On the north wall there is a Russian Orthodox icon, painted in 1908. The modern stations of the cross in honey-coloured Japanese oak are the work of Robert Randall and Ashley Sands.[240] One of the windows in the north wall dates from 1671 and came from Plumbers' Hall in Chequer Yard, Bush Lane, which was demolished in 1863 to make way for Cannon Street Railway Station.[241] A fireplace from the Hall was re-erected in the Vestry House. The other windows on the north side are by Alfred Wilkinson and date from 1952 to 1960. These show the arms of the Plumbers’, Fishmongers’ and Coopers’ Companies together with those of William Wand when Bishop of London and Geoffrey Fisher when Archbishop of Canterbury and (as noted above) the badge of the Fraternity of Our Lady de Salve Regina.
The stained glass windows in the south wall, which are by Lawrence Lee and date from 1949 to 1955, represent lost churches associated with the parish: St Magnus and his ruined church of Egilsay, St Margaret of Antioch with her lost church in New Fish Street (where the Monument to the Great Fire now stands), St Michael with his lost church of Crooked Lane (demolished to make way for the present King William Street) and St Thomas Becket with his chapel on Old London Bridge.[242]
The church possesses a fine model of Old London Bridge. One of the tiny figures on the bridge appears out of place in the mediaeval setting, wearing a policeman's uniform. This is a representation of the model-maker, David T. Aggett, who is a Liveryman of the Worshipful Company of Plumbers and was formerly in the police service.[243]
The Mischiefs by Fire Act 1708 and the Fires Prevention (Metropolis) Act 1774 placed a requirement on every parish to keep equipment to fight fires. The church owns two historic fire engines that belonged to the parish of St Michael, Crooked Lane.[244] One of these is in storage at the Museum of London. The whereabouts of the other, which was misappropriated and sold at auction in 2003, is currently unknown.
In 1896 many bodies were disinterred from the crypt and reburied at the St Magnus's plot at Brookwood Cemetery, which remains the church's burial ground.
Prior to the Great Fire of 1666 the old tower had a ring of five bells, a small saints bell and a clock bell.[246] 47 cwt of bell metal was recovered[247] which suggests that the tenor was 13 or 14 cwt. The metal was used to cast three new bells, by William Eldridge of Chertsey in 1672,[248] with a further saints bell cast that year by Hodson.[249] In the absence of a tower, the tenor and saints bell were hung in a free standing timber structure, whilst the others remained unhung.[250]
A new tower was completed in 1704 and it is likely that these bells were transferred to it. However, the tenor became cracked in 1713 and it was decided to replace the bells with a new ring of eight.[251] The new bells, with a tenor of 21 cwt, were cast by Richard Phelps of the Whitechapel Bell Foundry. Between 1714 and 1718 (the exact date of which is unknown), the ring was increased to ten with the addition of two trebles given by two former ringing Societies, the Eastern Youths and the British Scholars.[252] The first peal was rung on 15 February 1724 of Grandsire Caters by the Society of College Youths. The second bell had to be recast in 1748 by Robert Catlin, and the tenor was recast in 1831 by Thomas Mears of Whitechapel,[253] just in time to ring for the opening of the new London Bridge. In 1843, the treble was said to be "worn out" and so was scrapped, together with the saints bell, while a new treble was cast by Thomas Mears.[254] A new clock bell was erected in the spire in 1846, provided by B R & J Moore, who had earlier purchased it from Thomas Mears.[255] This bell can still be seen in the tower from the street.
The 10 bells were removed for safe keeping in 1940 and stored in the churchyard. They were taken to Whitechapel Bell Foundry in 1951 whereupon it was discovered that four of them were cracked. After a long period of indecision, fuelled by lack of funds and interest, the bells were finally sold for scrap in 1976. The metal was used to cast many of the Bells of Congress that were then hung in the Old Post Office Tower in Washington, D.C.
A fund was set up on 19 September 2005, led by Dickon Love, a member of the Ancient Society of College Youths, with a view to installing a new ring of 12 bells in the tower in a new frame. This was the first of three new rings of bells he has installed in the City of London (the others being at St Dunstan-in-the-West and St James Garlickhythe). The money was raised and the bells were cast during 2008/9 by the Whitechapel Bell Foundry. The tenor weighed 26cwt 3qtr 9 lbs (1360 kg) and the new bells were designed to be in the same key as the former ring of ten. They were consecrated by the Bishop of London on 3 March 2009 in the presence of the Lord Mayor[256] and the ringing dedicated on 26 October 2009 by the Archdeacon of London.[257] The bells are named (in order smallest to largest) Michael, Margaret, Thomas of Canterbury, Mary, Cedd, Edward the Confessor, Dunstan, John the Baptist, Erkenwald, Paul, Mellitus and Magnus.[258] The bells project is recorded by an inscription in the vestibule of the church.
The first peal on the twelve was rung on 29 November 2009 of Cambridge Surprise Maximus.[260] Notable other recent peals include a peal of Stedman Cinques on 16 April 2011 to mark the 400th anniversary of the granting of a Royal Charter to the Plumbers' Company,[261] a peal of Cambridge Surprise Royal on 28 June 2011 when the Fishmongers' Company gave a dinner for Prince Philip, Duke of Edinburgh at their hall on the occasion of his 90th birthday[262] and a peal of Avon Delight Maximus on 24 July 2011 in solidarity with the people of Norway following the tragic massacre on Utoeya Island and in Oslo.[263] On the latter occasion the flag of the Orkney Islands was flown at half mast. In 2012 peals were rung during the Thames Diamond Jubilee Pageant on 3 June and during each of the three Olympic/Paralympic marathons, on 5 and 12 August and 9 September.
The BBC television programme, Still Ringing After All These Years: A Short History of Bells, broadcast on 14 December 2011, included an interview at St Magnus with the Tower Keeper, Dickon Love,[264] who was captain of the band that rang the "Royal Jubilee Bells" during the Thames Diamond Jubilee Pageant on 3 June 2012 to celebrate the Diamond Jubilee of Queen Elizabeth II.[265] Prior to this, he taught John Barrowman to handle a bell at St Magnus for the BBC coverage.
The bells are currently rung every Sunday around 12:15 (following the service) by the Guild of St Magnus.
Every other June, newly elected wardens of the Fishmongers' Company, accompanied by the Court, proceed on foot from Fishmongers' Hall[267] to St Magnus for an election service.[268] St Magnus is also the Guild Church of The Plumbers' Company. Two former rectors have served as master of the company,[269] which holds all its services at the church.[270] On 12 April 2011 a service was held to commemorate the 400th anniversary of the granting of the company's Royal Charter at which the Bishop of London, the Rt Revd and Rt Hon Richard Chartres KCVO, gave the sermon and blessed the original Royal Charter. For many years the Cloker Service was held at St Magnus, attended by the Coopers' Company and Grocers' Company, at which the clerk of the Coopers' Company read the will of Henry Cloker dated 10 March 1573.[271]
St Magnus is also the ward church for the Ward of Bridge and Bridge Without, which elects one of the city's aldermen. Between 1550 and 1978 there were separate aldermen for Bridge Within and Bridge Without, the former ward being north of the river and the latter representing the City's area of control in Southwark. The Bridge Ward Club was founded in 1930 to "promote social activities and discussion of topics of local and general interest and also to exchange Ward and parochial information" and holds its annual carol service at St Magnus.
take a minute to learn 15 things you may or may not know about old Mr R
1. Even Koko the Gorilla loved him
Most people have heard of Koko, the Stanford-educated gorilla who could speak about 1000 words in American Sign Language, and understand about 2000 in English. What most people don’t know, however, is that Koko was an avid Mister Rogers’ Neighborhood fan. As Esquire reported, when Fred Rogers took a trip out to meet Koko for his show, not only did she immediately wrap her arms around him and embrace him, she did what she’d always seen him do onscreen: she proceeded to take his shoes off!
2. He Made Thieves Think Twice
According to a TV Guide piece on him, Fred Rogers drove a plain old Impala for years. One day, however, the car was stolen from the street near the TV station. When Rogers filed a police report, the story was picked up by every newspaper, radio and media outlet around town. Amazingly, within 48 hours the car was left in the exact spot where it was taken from, with an apology on the dashboard. It read, “If we’d known it was yours, we never would have taken it.”
3. He Watched His Figure to the Pound!
In covering Rogers’ daily routine (waking up at 5; praying for a few hours for all of his friends and family; studying; writing, making calls and reaching out to every fan who took the time to write him; going for a morning swim; getting on a scale; then really starting his day), writer Tom Junod explained that Mr. Rogers weighed in at exactly 143 pounds every day for the last 30 years of his life. He didn’t smoke, didn’t drink, didn’t eat the flesh of any animals, and was extremely disciplined in his daily routine. And while I’m not sure if any of that was because he’d mostly grown up a chubby, single child, Junod points out that Rogers found beauty in the number 143. According to the piece, Rogers came “to see that number as a gift… because, as he says, “the number 143 means ‘I love you.’ It takes one letter to say ‘I’ and four letters to say ‘love’ and three letters to say ‘you.’ One hundred and forty-three.”
4. He Saved Both Public Television and the VCR
Strange but true. When the government wanted to cut Public Television funds in 1969, the relatively unknown Mister Rogers went to Washington. Almost straight out of a Capra film, his 5-6 minute testimony on how TV had the potential to give kids hope and create more productive citizens was so simple but passionate that even the most gruff politicians were charmed. While the budget should have been cut, the funding instead jumped from $9 to $22 million. Rogers also spoke to Congress, and swayed senators into voting to allow VCR’s to record television shows from the home. It was a cantankerous debate at the time, but his argument was that recording a program like his allowed working parents to sit down with their children and watch shows as a family.
5. He Might Have Been the Most Tolerant American Ever
Mister Rogers seems to have been almost exactly the same off-screen as he was onscreen. As an ordained Presbyterian minister, and a man of tremendous faith, Mister Rogers preached tolerance first. Whenever he was asked to castigate non-Christians or gays for their differing beliefs, he would instead face them and say, with sincerity, “God loves you just the way you are.” Often this provoked ire from fundamentalists.
6. He Was Genuinely Curious about Others
Mister Rogers was known as one of the toughest interviews because he’d often befriend reporters, asking them tons of questions, taking pictures of them, compiling an album for them at the end of their time together, and calling them after to check in on them and hear about their families. He wasn’t concerned with himself, and genuinely loved hearing the life stories of others. Amazingly, it wasn’t just with reporters. Once, on a fancy trip up to a PBS exec’s house, he heard the limo driver was going to wait outside for 2 hours, so he insisted the driver come in and join them (which flustered the host). On the way back, Rogers sat up front, and when he learned that they were passing the driver’s home on the way, he asked if they could stop in to meet his family. According to the driver, it was one of the best nights of his life—the house supposedly lit up when Rogers arrived, and he played jazz piano and bantered with them late into the night. Further, like with the reporters, Rogers sent him notes and kept in touch with the driver for the rest of his life.
7. He was Color-blind
Literally. He couldn’t see the color blue. Of course, he was also figuratively color-blind, as you probably guessed. As were his parents who took in a black foster child when Rogers was growing up.
8. He Could Make a Subway Car full of Strangers Sing
Once while rushing to a New York meeting, there were no cabs available, so Rogers and one of his colleagues hopped on the subway. Esquire reported that the car was filled with people, and they assumed they wouldn’t be noticed. But when the crowd spotted Rogers, they all simultaneously burst into song, chanting “It’s a wonderful day in the neighborhood.” The result made Rogers smile wide.
A few other things:
9. He got into TV because he hated TV. The first time he turned one on, he saw people angrily throwing pies in each other’s faces. He immediately vowed to use the medium for better than that. Over the years he covered topics as varied as why kids shouldn’t be scared of a haircut, or the bathroom drain (because you won’t fit!), to divorce and war.
10. He was an Ivy League Dropout. Rogers moved from Dartmouth to Rollins College to pursue his studies in music.
11. He composed all the songs on the show, and over 200 tunes.
12. He was a perfectionist, and disliked ad libbing. He felt he owed it to children to make sure every word on his show was thought out.
13. Michael Keaton got his start on the show as an assistant– helping puppeteer and operate the trolley.
14. Several characters on the show are named for his family. Queen Sara is named after Rogers’ wife, and the postman Mr. McFeely is named for his maternal grandfather who always talked to him like an adult, and reminded young Fred that he made every day special just by being himself. Sound familiar? It was the same way Mister Rogers closed every show.
15. The sweaters. Every one of the cardigans he wore on the show had been hand-knit by his mother.
-copied from www.mentalfloss.com/blogs/archives/5943
This sign on a bicycle trail in Tan-dz Taiwan is odd because you just never see oxen and carts like this even in rural areas.
My current job is relevant to languages. So one of my hobbies is collecting textbooks, dictionaries and autio CDs of different languages. I hope, someday, I can have time and mood to learn these languages one by one.
When I printed this scientific paper, all the letters were "translated" into this strange language. Only words in graphs (like "Control" and "Learning") were still in English (because graphs are treated as images and the computer cannot understand (hence translate) these words)
Voyage dans l'Amérique méridionale
Paris, :Chez Pitois-Levrault et ce., libraires-éditeurs, rue de la Harpe, no. 81;1835-1847.
No offense intended flickr peeps, just couldn't resist the obvious.
And well, since it's Monday, the working folk may just feel this way...
Thus the practice of alchemy involved a sort of auto-hypnosis on the part of the would-be adeptus, which led to a hallucinatory state in ... processes expressed in pseudochemical language », thus providing the essence of his interpretative model for alchemy . It might seem obvious that the burden of proof lies on the Jungian to demonstrate that alchemical metaphors such as the « green lion »
Cham, Kemi, Agypten, Land der schwarzen Erde leitet man das gr. chemeia und chymia ab, ferner lat. chymia und ... „Stein derWeisrn“ und Alchemie, aus diesem die Bezeichnung der Chemie in den verschiedenen modernen Sprachen.
M. M. Pattison Muir - Aperçu
The language of the alchemists was, therefore, rich in such expressions as these; "the elements are to be so conjoined that the ... The mastery of this instrument would give them powerto change any metal into gold, thecureof all diseases, and the happiness ... thedivinewater, the virginwater, the carbuncle ofthe sun, the olddragon, the lion,the basilisk, the phœnix; andmany other names were given toit.
Melvyn Bragg - 2011 - Aperçu - Autres éditions
STEPEN PUMFREY: I think it links in quite nicely with this idea that alchemists and indeed many philosophers had that there ... species of metal or whatever were growing or developing from some primitive base form such as a base metal of iron through ... sense as well because the alchemist's language is often loaded with religious language and allusions to theology. ... An alchemist like Paracelsus said you make the Philosopher's Stone by taking the rose-tinted blood of the lion and ...
At the School Of Open workshop Sam and I thought about what a language learning course should be about !
Following in Naomi's footsteps, I wanna start taking photos of T-shirts I find interesting. These will be my first attempts.
Here are a few of the Japanese language books I have in my collection. I do not speak or read Japanese, but I love the books I have.
Maybe some of my Japanese speaking Flickr friends can offer translations to these titles.
Translated by Mohammed Abd-Elhay
View or download larger version --> www.flickr.com/photos/lilita/7481134770/sizes/in/photostr...
Original English version: www.flickr.com/photos/lilita/5652847156/
More illustrations: www.doggiedrawings.net/dogtraining
Many people in the society are looking for helping hands. Let’s be a hope to them. Amma Nanna Charitable Trust is one among them.
We are joining more orphan children who have no parent’s age group between 3 to 12 years and also joining Widows, Deceived and Separated Women at free of charges only. Our children have been staying with us up to their life settlement that means they will stand with their own bases.
you feel you are also responsible to the society, please, if you come across such people in and around your surroundings, give a hope to them by providing our address and we take care of them with pleasure.
“Please don’t Drink Alcohol and other intoxicates Live a happily and make Peaceful Society”
Everyone should read and write his/her regional language. We don’t try to take any Loans it leads to bitter life. We can live a happily in Kutcha house without loans, and then granite floored building with Loans. Loans make damage peaceful life and leads us misbehavior and corrupt minding nature.
Address of our Free of cost orphanage home Aditya Nagar, Desapathrunipalem, Parawada, Near Steel Plant Quarters Sector-X, Visakhapatnam, Andhra Pradesh, India, and Asia. Cell no. 08886563252
For Orphan children we are providing good education, nutritious food, sports and games, cultural activities, meditation and yoga. We are very particular in teaching them good behavior, how to be responsible to the situations, moral and spiritual values and civic senses which in deed helps in providing a healthy citizen to the society in our Orphanage children home.
For deceived women or widows, we are providing nutritious food, shelter, healthy and spiritual environment, yoga and meditation. We even accept them as the Volunteers with a service motto as we all know “SERVICE TO LIFE IS SERVICE TO GOD”
Do you know depending upon parents and teachers’ behaviors children learn good or bad activities? For example we choose one regional language in particular state, different areas living people speak different stylish the same regional language because it’s their environment effect. So when parents/teachers create good environments to their children doing good things like social, civic, moral, spiritual, cultural, social response, kind, humanity etc… Then children growing such way if not they will grimy.
Now a day’s one in all are thinking about earn billions of billions of rupees whatever job they are doing and give it to their children on heredity properties. Suppose they will give children billions of billions rupees and there will be no moral values, civic senesce, social responsibilities, humanity, social behavior, kindness, social moving with others and also no pure air, water, earth and sky. Can they enjoy in that society? and live happily such wrinkle and blight society, we will give them not only money on heredity but also we learn or grow them good behaviors like cultural, spiritual, social, moral, civics, kind, help, social responsibility etc.. . Money is requiring for live but life is not money. Money may not make life happy but service must be making live happily that should be known one in all.
Our properties just like water level in the well if we use water purposefully the decreased water level in the well filled later. If we don’t use water the level of water remains the same suppose we add more water into the well it looks raise in the water level in movement but after sometime it comes to the original level. If we use water unnecessarily and dry it then we have no water when we want to drink even though our well water will be raised later. So we take a little amount of water and use it towards real needy people. We eat for living and not live for eating man/woman should working until last his/her breathe.
Friends we may not giving as light as the sun but we are giving as light as lamp and try to drive way darkness in the society as able as we can then darkness drive way from the society then we will live peacefully and happily in such society . I hope we make such world! We assure you of our ethical zeal of service to the tender generation born to serve our nation as differently able citizens because “Ability knows no Handicap”.
NEED YOUR SUPPORT
• could you please shake your hands in the humanitarian task and noble cause of raising funds in Aid of the real orphans needy?
• Your support empowers the society with the resources to share responsibility in one of the some common activity with this society as mentioned below:
• Orphan Children Home (50 Boys / Girls)
• Residential Primary School (child Labor /street children)
• Orphan Care Home for HIV infected children
• Mobile Medical Units (3 centers)
• Income Generating Programme (Widows)
Name of the Organization: Amma Nanna Charitable Trust (ACT)
Name of Bank: State Bank of India
SB Account No: 30030634007
IFS code: SBIN0002716
Micro Code: 530002009
Branch: Visakhapatnam
Note: Please visit before give your donations to Orphanages/Voluntary Organizations/Charitable Trust
Please don’t donate anything to Orphanages/Volunteer organizations without your personal visit
Joining in our Orphanage at Free of Cost
We are joining more orphan children who have no parent’s age group between 3 to 12 years and also joining Widows and Separated/Deceived Women who have good character and willing to serve to orphan children as volunteer with their children at free of charges only. Our children have been staying with us up to their life settlement that means they will stand with their own bases.
Please don’t donate anything to orphanages/NGO/Charitable Trusts/Children homes/old age home/volunteer organizations without your personal visit. Most of organizations are making business in the name of charity. So be careful for donate to any
We are not accepting any thing to our orphanage without personal visit before he/she wants donate.
Amma Nanna Charitable Trust (ACT) was started in providing services for noble cause that includes orphanage for children who have no parent’s and also Widows/Separated /Deceived Women at free of cost only. It is a NGO providing non-profit voluntary social services organization orphanage at free charges homes, that includes promoting education to children and counseling for alcohol and other intoxicates. view to serve society, a non-profit and charitable trust, Volunteer NGO’s Services with the name “AMMA NANNA CHARITABLE TRUST (ACT)"established in year 2005 and acquired its registration (as per the Trust Act of A.P., India.) and Reg. 119/2005. And also License by Department for Women, Children, Disabled and Senior Citizen & CID-Police Department and License No. 0330/1/2011, under the leadership as Founder & Secretary Sri Gurubelli. Koteswara Rao M.sc, M.Phil, PGDCPA. And as Chairperson and Managing Trustee Smt Gurubelli Venkata Lakshmi alias Suguna M.A(Socialogy) We are so happy to expedite the meaning of “AMMA NANNA” as "MOTHER FATHER" and the exigency of naming this trust had been arisen in reminiscence of the beloved late parents ( Smt & sri Gurubelli. Ammayamma Ramamurthy) of Sri Gurubelli. Koteswara Rao, founder & secretary of this ministries following on their sympathetic favor, commitment and support launched for the neglected people who were drastically lack of food, clothes and other family problems. We are running this NGO Social Service Volunteer Organization with our own funds without any disparity in caste and creed in INDIA Asia and Boards.
Inmates are all district and states of India, like , 1 Town, 75 Feet Road, 4th Town Police Station 104 Area, Aanadha Ashramam, Abidnagar, Anatha Asram, Achampet , Achanta, Adarshnagar, Addanki, Addateegala, Addatheegala, Addakula, Addurodu, Adilabad, Adivivaram, Adoni , Air port, Aganampudi, Akividu,Akkayyapalem, Akkireddypalem, , Alair, Alamanda, Alampur, Alamuru, Allagadda, Allipuram, Allure, Alur, Amadalavalasa, Amalapuram, Amaravathi, Ambajeepeta,Amarchinta, Amaravathi, Amarevati, Anandapuram, Ananthagiri, Anaparthi, Annavaram, Anaparthy, Andhra Bhumi, Andhra University, Anantapur, Andole ,ANR Appikonda, Asifabad, Asifnagar, Asilmetta, Asheelmetta junction, Araku valley, Arasavalli, Arilova, , Armoor, Atchutapuram, Atmakur,, Attili, A U Campus, IN, Out Gate, Auto Nagar, Avanigadda, Badvel, Bala cheruvu, Balacheruvu Road, Balaji Nagar, Ballajura, Balkonda , Bangalore, Banswada, Bapujinagar, Bapatla,Baruva, Bayyavaram, Berhampur, Bhadrachalam, Bheemili, Bheemunipatnam, Bhimadolu, Bhimavaram, Bhogapuram, Bhongir, BHPV, Bhubaneswar, Bhupesh Nagar, Big Bazaar, Bazar, Birla, , Bimavaram, Boath, Bobbili, Bodhan, Bombay, Bowdara, Borra Caves, BRTS, B.S Layout Cheepurupalli, BSI Standard, Buddhavarapu Gardens, Budithi, Buggaram, Burgampahad, Butchirajupalem, Butchi Sundara Rao Street, Burujupeta, , Burugupudi, , Calcutta, CBM Compound, CBI, Chalakurthy, Challavanipeta, Chanakya Towers, Chandragiri, Chandrayangutta, Chapaluppada, Charminar , Chavulamadam, Chavulamadumu, Cheepurupalli, Chennai, Chennur, Cherial, Chevella , Chilakaluripet, Chilakapalem, China musidivada, chinnamusidivada, Chinnor, Chintalapudi, Chintapalli, krishna Chirala, Chittoor, Chodavaram, Chollangi village,Choppadandi, CMR center, Collectorate, Collectors Office Convent junction, corromendal, Coromandel gate, CDR Hospital, Cuddapah, Cumbum, Dabagarden, Dabagardens, Dagguvanipalem, Dasapalla Hills , Darsi, Dayalapuram, Dayal nagar, Delhi, Denduluru, Devarakonda, devipatnam, Dabhagaden, Dharmavaram, Dhavaleswaram, dhayal nagar, Dolphin, Dhondaparthi, Dhone , Dhorathota, , Diamond Park, Dibbalapalem, Dichpalli, Doctors Colony, Dommat,Dondaparthy, Dorakanagar, Dorathota, Dornakal , Duggirala, Duvvada, Dwaraka Nagar, Dwaraka Tirupati, Dwarapudi, , East Godavari, East Point Colony, Ecchapuram, Elamanchili, Eluru, ENDADA, Enadu, Eenadu, Etcherla, Etikoppaka, Femur, Fishing Harbour, Harbor Approach Road, Gadwal, Gajapathinagaram, Gajwel , Ganavaram Port, Gannavaram, Gangulavari, Gannavaram, Gara, Garividi, Ghanpur, Giddalur, Gumma Lakshmipuram, GL Puram, Gunnies Book, Record, Gnanapuram, Gandhigram, Gokavaram, Golkonda, Gollapalem,Gollavanipalem, Golukonda, Golugonda Gopalapatnam, Gooty, Gopalapuram, Gorantla, Gorllivanipalem, Green Park, Greater Visakhapatnam, , G.S.N. Gullipadu, Gudivada, Gudur, Guntur, Gurazala, Gurudwara, Hanamkonda, Hanuman Junction, Temple, Hanumanthavaka, Hall Mark, Hanumantuvaka, Harichandrapuram, Harischandrapuram, Harishchandrapur, HB colony, Head Post Office, Heccherla, Himayat Nagar, Hindupur, Hiramandalam, HPCL,hukumpeta, Huzurabad, Hyderabad, Ibrahimpatnam, Ichapuram, India, INDIA, Indurthi, Industrial estate, IT, IN, INL Kalinga, Isukathota, iskathota, Jadcherla,Jagadam, Jagadamba centre, Jagamba Theatre, Jail Road, Jaggampeta, Jagarajupeta, Jaggayyapalem, Jaggayyapet, Jaghadham Jagtial, Jalandhar, Jalumuru, Jammalamadugu, Jangaon, Jangareddygudem, Jodugullapalem, ,Jukkal, Kadapa, Kadiri, Kadiyam, Kaikalur, Kaikaluru, Kailashmetta, Kaka Nagar, Kakani Nagar, Kailasagiri, Kailasapuram, Kakinada, Kalaniketan, Kalanikhetan, Kalingapatnam, Kalinganagar, , Kalwakurthy, Kalyandurg, Kamalapur, Kamalapuram, Kamareddy, Kancharapalem, Kandukur, Kanigiri, Kankipadu, Kapuluppada, , Kapu uppada, Kapuluppada, Kantipudi, Kanithi Road, , Karimnagar, Karnal, Karnataka, Karnool, Karunol, Karwan, Kasibugga, Kasimkota, Kattipudi, Kavali, KGH, Khairatabad , Khammam, Khanapur, Kirlampudi, layout, K. Kotapadu, Kobbari Thota, Kodad, Kodangal , Kodumur, Koduru, Koduruand, Koilkuntla , Kolhapur, Kolkata, Kondepi, Koppaka, Korasavada, Kotabommali, Kotananduru, Kotavalasa, Kotaveedhi, , Kothagudem, Kothapet, Kotha Road, Kothavalasa, Kothuru, Kotipalli, Koturu, Kovur, Kovvur,Krishna College, Krantinagar, KRM Colony, Kuchinapudi, Kuppam, Kurupam Market, Kurmanpalem, Kurmam, Kummaripalem, Kurmannapalem , Kurnool, Kusalapuram, Lakkireddipalli, Lalitha Nagar, Lankhilapallem, Lakshminagar, Lankelapalem, Lankilapallem, LB Colony, Leela Mahal, Luxettipet, Macherla, Machilipatnam, Madakasira, Madanpalle, Madapamu, Maddilapalem, Madduru, Madivala, Madhira, Madhavadhara, Madhurawada, Madhya Pradesh, Madugula Reddi, Maharanipeta, Mahbubabad , Mahabubnagar, Mahbubnagar, Maharajgunj , Makthal, Malkapuram, Malakpet, Malleswaram, Mandapeta, Mandavaripeta, , Mangalagiri, Manthani, Marikavalasa Maredumilli, Markapur, Marripalem, Martur , Maruteru, Medak, Medchal, Medivada, Metpalli, Meghadripeta, Meghadri gadda, Meghadrigadda, Midilapuri, Mindi, Mindhi, Miryalguda, MMTC Colony, Mud Hole, Mudhole, Mudinepalli, Mulug, Mumbai, Mulagada, Mummidivaram, Muppidi Colony, Mungode, Murali Nagar, Musheerabad, Nagari , Nagarkurnool , MVP colony, Myadaram, Mydukur, Mylavaram, NAD junction, Nagaram, Naguru, Naiduthota Nakkapalem, Nakkapalli, Nakkavanipalem, Nakrekal, Nalgonda, Nallamada, Nandigama, Nandyal, Narasannapeta, Narasaraopet, Narasimha, Narayankhed , Narasapur, narsapur, Narsampet, Narsipatnam, Narisipatnam, Natavalasa, Nathavaram, Nathayyapalem, Naval Dock, Yard Neelamma Vepaqchettu, Naval Dock Yard Neelamma Vepachettu, Nellimarla, Nellore, Nerella, new Gajuwaka, Nidadavole,nidadhavole, Nidadhavolu, Nidumolu ,Nimmada, Nirmal, Nivagam, Nizamabad, N.R. I NSTL, NTPC, NTPC-Parawada, Nuzvid, Odessa, Old post office, Ongole, Orissa, Paderu, Palacole, Palair, Palakonda, Palakollu, Palamaner, Palasa, Pallavaram, Panchadarla, Panyam, Parawada, Parchur, Parkal, Pargi, Parlakimidi, Parvathipuram, Patapatnam, Pata Polavaram, Pathapatnam, Pattikonda , Payakaraopeta, Pedakurapadu, Peda Peddapalli, Peddipalem, Peddapuram, Pendurthi, pendurthy, Penugonda, Penukonda Pillala Ashramam, Piler, Pithapuram, PM Palem, PNT Colony, Pandurangapuram, Polaki, Polavaram, Ponduru, Ponnur, Poondi, Poorna Market, Porur, Prakasam, Prathipadu, Priya, Proddat, Proddatur, Pudimadaka, Pulivendula, Pundi, Pune, Punganur, purna, Purushothapuram, Purusotapuram, puspatera, Puttur , Pydibheemavaram, Rail Way New Colony, Rajahmundry, Rajam, Rajampet, Raj, Raja Nagar, rajavommangi, Rajolu, Ramachandrapuram, Ramagundam, Rama Nagar, Ramnagar, Ramannapet, Rama Talkies Center, ramatheertham, Ramtherdham, Neusan Bhag,Ramatheertham, ramavaram, Ramayampet, Rambilli, Ramnagar, Rampachodavaram, Rangapuram, Ranastalam, Rangareddy, Ravulapalem, Rayachoty, Rayadurg, Raya Durg, Rayavaram, , Razole, Reddipalli, RegupaduRepalle, Rapur, Regupalem, Revidi, Revit, RK Beach, Rotherham, Rushikonda,rusu konda, Rushukonda, Sabbavaram, Sagar Nagar, Sakhsi, Salur, Sampara , Sanath Nagar, Sangareddy, Santhanuthalapadu , Sarasota, Saraswati Park, Saravakota, Sarvepalli, Sathivada, Sathupalli, Sattenapalli Sastry Road, Satyam centre, Satyavedu, Secunderabad, seetampeta, Seethammadhara, Seethampeta, Shadnagar, Shayampet, Sholur, Shopping Mall, Siddhantam, Siddipet, Simhachalam, Sindhiya, Singanamala, Sircilla , Sirpur, Siripuram, S. Kota, Soluru, Sompeta, Sriharipuram, Srikakulam, Sri Kalahasti, Sri Kalahsti, Srikurmam, Srimukalingam, Srimukhalingam, Srungavarapukota, Steel Plant Quarters Sector, Sujathanagar, Sulurpet, Suryabagh, Surya Bhag, Suryapet, Tadepalligudem, Tadepellegudem, tadepalli gudum, Tadikonda, Tadipatri, Tagarapuvalasa, , Tallapalem, Talarevu, Tallarevu, Tamil nadu, Tandur, Tanuku , Tekkali, Tenali, Thamballapalle, Thatichetlapalem, Therlam, Thotapalli, Tilaru, Tikkavanipalem, Timaru, Tirumala, Tirupati, Tiruvuru, Tuni, Tungaturthi, UDA Park, Udda Udayagiri, Ukkumpeta, Ukkunagaram, Undi, Unguturu, Universal records, Uravakonda, Ushodaya Colony, Uttarahalli, Uttarapalli, Vada cheepurupalli, Vadacheepurapalli, Vaddadi, Vanukuru, Vartha, varthaa, Vayalpad, Vellanki, Vemur, Venkatagiri , Venkojipalem, Velampeta, Vepada, Vepagunta, Vepanjeri , Vijayawada, Vikarabad, Vinukonda, Visakhapatnam, Visakha Valley, Vitanthula ashramam, Vizag, Vizianagaram, Vrudhula ashramam Vuyyuru, Waltair, Wanaparthy, Warangal, Wardhannapet, West Godavari World Record, Yalamanchili, Yakutpura, Yeleswaram, Yellandu, Yellareddy, Yellavaram, Yemmiganur, Yendada, Y junction, Zahirabad, Zoo Park center, and other state of India.
Guntur District Macherla , Veldurthi , Narasaraopeta, Rentacrintala , Bollapalle , Rompicherla , Gurazala , Nakarikallu , Ipur Dachepalle, Muppalla , Savalyapuram , Machavaram , Phirangipuram , Vinukonda , Bellamkonda , Medikonduru , Nuzendla , Achampeta , Guntur , Chilakaluripet , Krosuru , Pedakakani , Pedanandipadu , Amaravathi , Duggirala , Kakumanu, Thullur , Kollipara , Ponnur , Thadepalle , Kollur , Amruthalur , Mangalagiri , Vemuru , Cherukupalle , Tadikonda , Tenali , Bhattiprolu , Pedakurapadu , Tsundur , Repalle , ,Sattenapalle , Chebrole , Nagaram , Rajupalem , Vatticherukuru , Nizampatnam , Piduguralla , Prathipadu , Pittalavanipalem , Karempudi , Edlapadu , Karlapalem , Durgi , Nadendla , Bapatla. Narasaraopet, Rentachintala, Bollapalli, Nekarikallu, Jaipur, Thadepalli, Cherukupalli Chebrolu, Georgia
Krishna District Vijayawada A.Konduru, Agiripalli, Avanigadda, Bantumilli, Bapulapadu, Challapalli, Chandralapadu, Chatrai, Gampalogudem, Gannavaram, G. Konduru, Ghantasala, Guduru, Gudivada, Gudlavalleru, Ibrahimpatnam, Jaggayyapeta, Kaikalur, Kalidindi , Kanchikacherla , Kankipadu, Koduru , Kruthivennu, Mailavaram , Machilipatam, Mandavalli , Movva , Mopidevi , Mudinepalle , Musunuru , Nagayalanka , Nandigama , Nandivada, Nuzvid , Pamidimukkala , Pedana, Pamarru, Pedaparupudi , Penuganchiprolu , Penamaluru , Reddigudem , Tiruvuru , Thotlavalluru , Unguturu, Vatsavai, Vissannapeta, Vuyyuru, Veerullapadu , Chandarlapadu, Gampalagudem, benz circle, ring road, Machilipatnam, gunadala matha , kondapalli , gollapalli , Telaprolu.
Srikakulam District Veeraghattam , Bhamini , Vangara , Kothuru , Regidiamadala Valasa , Hiramandalam , Rajam , Sarubujjili , Ganguvari Singadam , Amadalavalasa , Laveru , Srikakulam , Ranastalam , Gara , Hetcherla , Polaki , Ponduru , Narasannapeta , Santhakaviti , Jalumuru , Burja , Saravakota, Palakonda , Pathapatnam , Seethampeta , Meliaputti, Kotabommali , Santha Bommali , Nandigam , Vajrapu Kothuru , Palasa , Mandasa , Sompeta , Kanchili , Kaviti , Tekkali, Ichchapuram , Regidi amadalaValasa ,Santhabommali.
Vizianagaram District Komarada , Ramabhadrapuram , Gummalakshmipuram , Badangi , Kurupam , Therlam , Jiyyammavalasa , Merakamudidam , Garugubilli , Dattirajeru , Parvathipuram , Mentada , Makkuva , Gajapathinagaram , Seethanagaram , Bondapalle , Balajipeta , Gurla , Bobbili , Garividi , Salur , Cheepurupalle , Pachipenta , Nellimarla , Bhoghapuram , Denkada , Vizianagaram , Gantyada , Srungavarapukota , Vepada , Lakkavarapukota , Jami , Kothavalasa, Pusapatirega, Colorado, Thermal Bondapalli.
Visakhapatnam District Munchingiputtu, Nathavaram , Pedagantyada , Pedabayalu , Narsipatnam , Paravada , Hukumpetau , Rolugunta , Anakapalli , Dumbriguda , Ravikamatham , Munagapaka , Arakuvalley , Butchayyapeta , Kasimkota , Ananthagiri , Chodavaram , Makavarapalem, Devarapalle , K Kotapadu, Kotauratla , Cheedikada , Sabbavaram , Payakaraopeta , Madugula , Pendurthi , Nakkapalli , Paderu , Anandapuram , S. Rayavaram , Gangaraju Madugula , Padmanabham , Yelamanchili , Chintapalle , Bheemunipatnam , Rambilli , Gudemkothaveedhi , Visakhapatnam , Atchutapuram, Koyyuru , Visakhapatnam urban, rural, Golugonda , Gajuwaka . Munching Puttu, Devarapalli , Gudem Kotha Veedhi.
East Godavari District Maredumilli , Pithapuram , Kapileswarapuram , Y Ramavaram , Kothapalle , Alamuru , Addateegala , Kakinada, Atreyapuram , Rajavommangi , Ravula Palem , Kotananduru , Samalkota , Pamarru , Tuni , Rangampeta , Kothapeta , Thondangi , Gandepalle , P Gannavaram , Gollaprolu , Rajanagaram , Ambajipeta , Sankhavaram , Rajahmundry, Ainavilli , Prathipadu , Mummidivaram , Yeleswaram , Kadiam , I.Polavaram , Gangavaram , Mandapeta , Katrenikona, Rampachodavaram , Anaparthy , Uppalaguptam , Devipatnam , Biccavolu , Amalapuram , Seethanagaram , Pedapudi , Allavaram , Korukonda , Karapa , Mamidikuduru , Gokavaram , Thallarevu , Razole , Jaggampeta , Kajuluru , Malikipuram , Kirlampudi , Ramachandrapuram , Sakhinetipalle, Peddapuram , Rayavaram , sankavaram, Samalkot, Kothapet , Gandepalli , Sakhinetipalli, samrlakota.
West Godavari District Jeelugumilli , Nidadavole , Undi , Buttayagudem , Tadepalligudem , Akiveedu , Polavaram , Unguturu , Kalla , Thallapudi , Bhimadole , Bheemavaram , Gopalapuram , Pedavegi , Palakoderu , Koyyalagudem , Pedapadu , Veeravasaram , Jangareddigudem , Eluru , Penumantra , T.Narasapuram , Denduluru , Penugonda , Chintalapudi , Nidamarru , Achanta , Lingapalem , Ganapavaram , Poduru , Kamavarapukota , Pentapadu , Palacole , Dwarakatirumala , Tanuku , Yelamanchili , Nallajerla , Undrajavaram , Narasapuram , Devarapalle , Peravali , Mogalthur Chagallu , Iragavaram , Kovvur , Attili . Tallapudi, Bhimavaram, Palakol, chebrolu Dwaraka Tirumala, Devarapalli.
Khammam District Cherla , Yellandu , Enkuru , Pinapaka , Singareni , Konijerla , Gundala , Bayyaram , Khammam Urban , Manuguru ,Garla , Khammam Rural , Aswapuram , Kamepalle , Thirumalayapalem , Dummugudem , Julurpad , Kusumanchi , Bhadrachalam , Chandrugonda , Nelakondapalle , Kunavaram , Mulakalapalle ,Mudigonda , Chintur , Aswaraopeta , Chinthakani , Vararamachandrapuram , Dammapeta , Wyra , Velairpad , Sathupalle , Bonakal , Kukunoor , Vemsoor , Madhira , Burgampadu , Penuballi , Yerrupalem, Palawancha, Wazeed , Kothagudem , Kalluru , Venkatapuram , Tekulapalle , Thallada . Cherla , Nakuru , Uganda , Kamepalli , Nelakondapalli ,Mulakalapalli Va Ramachandrapuram , Palvancha , Tekulapally.
Prakasam District Yerragondapalem , Martur , Veligandla , Pullalacheruvu , Parchur , Pedacherlopalle , Tripuranthakam , Karamchedu , Ponnaluru , Kurichedu , Chirala , Kondapi , Donakonda , Vetapalem , Santhanuthlapadu , Pedaaraveedu , Inkollu , Ongole , Dornala , Janakavaram, Panguluru , Naguluppalapadu , Ardhaveedu , Korisapadu , Chinaganjam , Markapur , Maddipadu , Kothapatnam , Tarlapadu , Chimakurthi , Tangutur , Konakanamitla , Marripudi , Zarugumilli , Podili , Kanigiri , Kandukur , Darsi , Hanumanthunipadu , Voletivaripalem , Mundlamuru , Bestavaripeta , Pamur , Thallur , Cumbum , Lingasamudram , Addanki , Racherla , Gudluru , Ballikuruva , Giddaluru , Ulavapadu , Santhamaguluru , Komarolu , Singarayakonda , Yeddanapudi , Chadrasekara, Puram . Peda Cherlopalli, Peddaraveedu, Tarlupadu, Chimakurthy, Jarugumilli, Ballikurava, Chandrasekara.
Sri Potti Sri Ramulu Nellore District Seetharamapuram, Kodavalur , Sydapuram , Varikuntapadu , Butchireddipalem , Dakkili , Kondapuram , Sangam , Venkatagiri , Jaladanki , Chejerla , Balayapalle , Kavali , Ananthasagaram , Ojili , Bogole , Kaluvoya , Chillakur , Kaligiri , Rapur , Kota , Vinjamur , Podlakur , Vakadu , Duttalur , Nellore , Chittamur , Udayagiri , Kovur , Naidupeta , Marripadu , Indukurpet , Pellakur , Atmakur , Thotapalligudur , Doravarisatram , Anumasamudrampeta , Muthukur , Sullurpeta , Dagadarthi , Venkatachalam , Tada , Allur , Manubolu , Vidavalur , Gudur Buchireddypalem, Balayapalli , Podalakur , Thotapalli Gudur ,Anamasamudrampeta , Allure .
Dr. Y.S.Rajasekhara Reddy Cuddapah District Muddanur, Vempalle , Kondapuram , Simhadripuram , Chaknayapet , Mylavaram , Lingala , Lakkireddipalle , Peddamudium , Pulivendla , Ramapuram , Raju Palem , Vemula , Veeraballe , Duvvur , Thandur , Rajampet , S Mydukur , Veerapunayunipalle , Nandalur , Brahmamgarimattam , Yerraguntla , Penagaluru , B Kodur , Kamalapuram , Chitvel , Kalasapadu , Vallur , Kodur , Porumamilla , Chennur , Obulavaripalle , Badvel , Atlur , Pullampeta , Gopavaram , Vontimitta , T.Sundupalle , Khajipet , Sidhout , Sambepalle , Chapad , Chinnamandem , Proddutur , Chintha Kommadinne , Rayachoti , Jammalamadugu , Pendlimarri , Galiveedu Vempalli , Chakrayapet , Pulivendula , Tandur , Veerapunayuni Palli , Penagalur , Obulavaripalli , Atlanta , Pullampet , T.Sundupalli , Kazipet, Sambepalli, Proddatur.
Chittoor District Peddamandyam , K V P Puram , Nagari , Thamballapalle , Narayanavanam , Karvetinagar , Mulakalacheruvu , Vadamalapeta , Srirangaraja Puram , Peddathippa Samudram , Tirupati Rural , Palasamudram , B.Kothakota , Kammapalle , Gangadhara Nellore , Kurabalakota , Chandragiri , Penumuru , Gurramkonda , Chinnagottigallu , Puthalapattu , Kalakada , Rompicherla , Irala , Kambhamvaripalle , Pileru , Thavanampalle , Yerravaripalem , Kalikiri ,Chittoor , Tirupati Urban , Vayalpad , Gudipala , Renigunta , Nimmanapalle , Yadamari , Yerpedu , Mandopalle , Bangarupalem , Srikalahasti , Ramasamudram , Palamaner , Thottambedu , Punganur , Gangavaram , Buchinaidu Khandriga , Chowdepalle , Pedda Panjani , Varadaiahpalem , Somala , Baireddi Palle , Satyavedu , Sodam , Venkatagiri Kota , Nagalapuram , Pulicherla , Ramakuppam , Pichatur , Pakala , Santhi Puram , Vijaya Puram , Veduru Kuppam , Gudi Palle , Nindra , Puttur , Kuppam K V B Puram , Sri Rangaraja Puram , Pedda Thippa , Kammapalli , Kambham Vari Palli , Piler , Madanapalle , Madanapalle, Bangarupalem , Srikalahasti , Kandireega , Peddapanjani , Somalia , Baireddipalle ,Sathyavedu , Sodom, Santhipuram , Vijayapuram , Vedurukuppam , Gudipalle , Nidra.
Ananthapur District D.Hirchal , Kunurpi , Gandlapenta , Bommanahal , Kalyandurg , Kadiri , Vidapanakal , Atmakur , Amadagur , Vajrakarur , Anantapur , Obuladevaracheruvu , Guntakal , Bukkarayasamudram , Nallamada , Gooty , Narpala , Gorantla , Peddavadugur , Putlur , Puttaparthi , Yadiki , Yellanur , Bukkapatnam , Tadpatri , Tadimarri , Kothacheruvu , Peddapappur , Bathalapalle , Penu Konda , Singanamala , Raptadu , Roddam , Pamidi , Kanaganapalle , Somandepalle , Garladinne , Kambadur , Chilamathur , Kudair , Ramagiri , Lepakshi , Uravakonda , Chenne Kothapalle , Hindupur , Beluguppa , Dharmavaram , Parigi , Kanekal , Mudigubba , Madakasira , Rayadurg , Talupula , Gudibanda , Gummagatta , Nambulipulikunta , Amarapuram , Brahmasamudram , Tanakal , Agali , Settur , Nallacheruvu , Rolla D.Hirehal, Kundurpi , Bommanahalli , Bathalapalli , Penukonda , Kanaganapalli , Sattur.
Kurnool District Kowthalam , Kodumur , Rudravaram , Kosigi , Gonegandla , Allagadda , Mantralayam , Yemmiganur , Chagalamarri , Nandavaram , Pedda Kadalur , Uyyalawada , C.Belagal , Adoni , Dornipadu , Gudur , Holagunda , Gospadu , Kurnool , Alur , Koilkuntla , Nandi Kotkur , Aspari , Banaganapalle , Pagidyala , Devanakonda , Sanjamala , Kothapalle , Krishnagiri , Kolimigundla , Atmakur , Veldurthi , Owk , Srisailam , Bethamcherla , Peapally , Velgode , Panyam , Dhone , Pamulapadu , Gadivemula , Tuggali , Jupadu Bungalow , Bandi Atmakur , Pattikanda , Midthur , Nandyal , Maddikera East , Orvakal , Mahanandi , Chippagiri , Kallur , Sirvel , Halaharvi . Nandikotkur, Banaganapalli, Dhoni, Jupadu Bunglow, Silver.
Mahabubnagar District Kodangal , Jadcherla , Amrabad , Bomraspeta , Bhoothpur , Balmoor , Kosgi , Mahbubnagar , Lingal , Doulatabad , Addakal , Peddakothapalle , Damaragidda , Devarkadara , Kodair , Maddur , Dhanwada , Gopalpeta , Koilkonda , Narayanpet , Wanaparthy , Hanwada , Utkoor , Pangal , Nawabpet , Maganoor , Pebbair , Balanagar , Makthal , Gadwal , Kondurg , Narva , Dharur , Farooqnagar , Chinna Chinta Kunta , Maldakal , Kothur , Atmakur , Ghattu , Keshampeta , Kothakota , Aiza , Talakondapalle , Peddamandadi , Waddepalle , Amangal , Ghanpur , Itikyal , Madgul , Bijinapalle , Manopadu , Vangoor , Nagar Kurnool , Alampur , Veldanda , Tadoor , Veepangandla , Kalwakurthy , Telkapalle , Kollapur , Midjil , Uppununthala , Thimmajipeta , Achampeta . Daulatabad, Tandoor, Telkapally, Kolhapur, Thimmajipet.
Rangareddy District Marpalle ,Hayathnagar , Gandeed , Mominpet , Saroornagar , Kulkacharla , Nawabpet , Rajendranagar , Pargi , Shankarpalle , Moinabad , Pudur , Malkajgiri , Chevella , Shabad , Serilingampalle , Vikarabad , Shamshabad , Quthbullapur , Dharur , Maheswaram , Medchal , Bantaram , Ibrahimpatam , Shamirpet ,Peddemul , Manchal , Balanagar , Tandur , Yacharam , Keesara , Basheerabad , Kandukur , Ghatkesar , Yelal , Uppal , Doma . Shankarpalli, puduraya, Serilingampally, Maheshwaram, Yell.
Nalgonda District Bommalaramaram , Chityala , Thripuraram , M Turkapalle , Narketpalle , Miryalaguda , Rajapet , Kattangoor , Garide Palle , Yadagirigutta , Nakrekal , Chilkur , Alair , Kethepalle , Kodad , Gundala , Suryapet , Mellachervu , Thirumalagiri , Chivvemla , Huzurnagar , Thunga Thurthi , Mothey , Mattampalle , Nuthankal , Nadigudem , Nered Cherla , Atmakur (S) , Munagala , Dameracherla , Jaji Reddi Gudem , Penpahad , Anumula , Saligouraram , Vemulapalle , Peddavura , Mothkur , Thipparthi , Pedda Adiserlapalle , Atmakur (M) , Nalgonda , Gurrampode , Valigonda , Munugode , Nampalle , Bhuvanagiri , Narayanapur , Chintha Palle , Bibinagar , Marri Guda , Devarakonda , Pochampalle , Chandur , Gundla Palle , Choutuppal , Kangal , Chandam Pet , Ramannapeta , Nidamanur . Tripuraram , M Turkapally , Narketpally , Kethepally , Uganda , Mellacheruvu , Tirumalagiri , Chivemla ,Thoonga , Mattampally, Need Cherla , Damaracherla , Shaligouraram , Vemulapalli ,Peddavura , Narayanpur , Chintapalli , Marriguda , Pochampally , Gundlapalli ,Chandampet , Ramannapet.
Medak District Manoor , Siddipet , Kohir , Kangti , Chinna Kodur , Munpalle , Kalher , Nanganur , Pulkal , Narayankhed , Kondapak , Sadasivpet , Regode , Jagdevpur , Kondapur ,Shankarampet (A) , Gajwel , Sangareddy , Alladurg , Doultabad , Patancheru , Tekmal , Chegunta , Ramachandrapuram , Papannapet , Yeldurthy , Jinnaram , Kulcharam , Kowdipalle , Hathnoora , Medak , Andole , Narsapur , Shankarampet (R) , Raikode , Shivampet , Ramayampet , Nyalkal , Tupran , Dubbak , Jharasangam , Wargal , Mirdoddi , Zahirabad , Mulug . Manoor, Munipalle, Nanganallur, Daulatabad, Veldurthy, Kowdipally, Toopran, to Oprah
Warangal District Cheriyal , Thorrur , Duggondi , Maddur , Nellikudur , Geesugonda , Narmetta , Narsimhulapet , Atmakur , Bachannapeta , Maripeda , Shayampet , Jangaon , Dornakal , Parkal , Lingala Ghanpur , Kuravi , Regonda , Raghunatha Palle , Mahabubabad , Mogullapalle , Ghanpur(Stn) , Kesamudram , Chityal , Dharmasagar , Nekkonda , Bhupalpalle , Hasanparthy , Gudur , Ghanapur , Hanamkonda , Kothagudem , Mulug , Wardhannapet , Khanapur , Venkatapur , Zaffergadh , Govindaraopet , Palakurthi , Chennaraopet , Tadvai , Devaruppula , Parvathagiri , Eturnagaram , Kodakandla , Sangam , Mangapet , Raiparthy , Nallabelly , Warangal Cherial, Cheryl, Bachannapet, Kuruvi, Mogullapally, Bhupalpally, Ghanpur.
Karimnagar District Ibrahimpatnam , Jagtial , Vemulawada , Mallapur , Medipalle , Konaraopeta , Raikal , Koratla , Yella Reddi Peta , Sarangapur , Metpalle , Gambhiraopet , Dharmapuri , Kathlapur , Mustabad , Velgatoor , Chandurthi , Sirsilla , Ramagundam , Kodimial , Ellanthakunta , Kamanpur , Gangadhara , Bejjanki , Manthani , Mallial , Thimmapur , Kataram , Pegadapalle , Kesavapatnam , Mahadevpur , Choppadandi , Huzurabad , Mutharam , Mahadevpur , Sultanabad , Kamalapur , Malharrao , Odela , Elkathurthi , Mutharam Manthani , Jammikunta , Saidapur , Srirampur , Veenavanka , Chigurumamidi , Peddapalle , Manakondur , Koheda , Julapalle , Karimnagar , Husnabad , Dharmaram , Ramadugu , Bheemadevarpalle , Gollapalle , Boinpalle Medipally , Konaraopet , Korutla , Yellareddy Peta , Sarangpur , ,Metpally , Kathalapur , Pegadapally , Elkathurthy , Shrirampur , Peddapalli , Julapalli , , Bheemadevarapally, Bowenpally.
Nizamabad District Ranjal , Yeda Palle , Sadasivanagar , Navipet , Bodhan , Gandhari , Nandipet , Kotgiri , Banswada , Armur , Madnur , Pitlam , Balkonda , Jukkal , Nizamsagar , Mortad , Bichkunda , Yellareddy , Kammar , Palle , Birkoor , Naga Reddipet , Bheemgal , Varni , Lingampet , Velpur , Dichpalle , Tadwai , Jakranpalle , Dhar Palle , Kamareddy , Makloor , Sirkonda , Bhiknur , Nizamabad , Machareddy , Domakonda . Sadashivanagar, Kotagiri, Armour, Pelle, Naga Reddit, Dichpally, Jakranpally, Sirikonda
Adilabad District Talamadugu , Lohesra , Tiryani , Tamsi , Dilawarpur , Asifabad , Adilabad , Nirmal , Wankdi , Jainad , Laxmanchanda , Kagaz Nagar , Bela , Mamda , Rebbana , Narnoor , Khanpur , Tandur , Inderavelly , Kaddampeddur , Bellampalle , Gudihatnur , Utnur , Nennal , Ichoda , Jainoor , Bheemini , Bazarhathnoor , Kerameri , Sirpur (T) , Boath , Sirpur (U) , Kouthala , Neradigonda , Jannaram , Bejjur , Sarangapur , Dandepalle , Dahegaon , Kuntala , Luxettipet , Vemanpalle , Kubeer , Mancherial , Kotapalle , Bhainsa , Mandamarri , Chennur , Tanur , Kasipet , Jaipur , Mudhole Lohara, Tampa , Kagaznagar , Bella , Kaddam Peddur , Gudihathnoor , Bheemili, boathouse , Sarangpur , Vempalli , Kazipet.
Hyderabad, Secendrabad kukatpally , tank bund , hussain sagar , birla mandir ,himayat nagar , begumpet, shamshabad, charminar, golconda , banjara hills ,stadhampton , khairabadi , yousufguda, patancheru,Musheerabad , Ameerpet ,Khairatabad , Bandlaguda, Amberpet , Secunderabad, Charminar , Asifnagar , Himayathnagar ,Tirumalagiri , Golconda , Saidabad , Maredalle,shaikpet ,nampally ,bahadurpura , Maryland .cyderabad, jubili hills, kazipally, bollaram, bachupally, swarnapuri, miyapur, kompally,thumkunta, hakimpet, ramachandra puram, vishwambhar enclave, bala nagar, serilingampally, sri ram nagar, gachibowli, madhapur, secretarial, tolichowki, gandipet, raghuram nagar, bharat nagar, budvel, rajendra nagar, bakaram, kothwalguda, ahmadpur, kavadiguda, asthma, jeedimetla, balaji nagar, alwal, yapral, dammaiguda, sainikpuri, kapra, sakthi nagar, asrao nagar, moulali, bowenpally, ramanthapur, pizza, saroor nagar, falaknuma, vansathi puram, hanuman nagar, brindavan colony, nadergul, indira reddy, rallaguda, gollapally, new hafeezpet, trimulgherry, safilguda, yellareddyguda, musheerabad, taj residency, hill font, apollo hospital, afzalgunj, tadbund, bahadurgarh, sri raghavendra, aradhana, marredpally, zaheerabad, film nagar, mehdipatnam, imperial, esi, kanchanbagh, yeddumailaram, manikonda, chandrayangutta, janwada, chilkur, bakaram, sacoor nagar, deshmukhi, doolapally, amberpet, dilsukhnagar, karwan, gosha mahal, bahadurpura,
Bombay Dilli, Dehli, Kolkata, Kalikata, Kalkutta, Bengaloru, engaluru, Bangalur, Madras, Chennapattanam, Ahmadâbâd, Ahmadabad, Amdabad, Ahmedabad , Haidarabad, Haidarabad, Haiderabad, Hyderabad, Haider-Abad Poona, Pune, Kanpur, Kanpur, Cawnpore, Khanpur, sorat, Surat, Jeypore, Lakhnau Lucknow, Nagpur, Thana, Calcutta, Delhi, Chennai, Bangalore, Pune, Surat, Jaipur, Vadodara, Indore, Patna, Madurai, Bhopal, Ludhiana, Coimbatore, Varanasi, Visakhapatnam, Agra, Mumbai.
Andhra Pradesh, Arunachal Pradeshm Itangar, Itanagar, Assam, Dispur, Bihar, Chhattisgarh, Raipur, Goa, Panaji, Gujaratm Gandhinagar, Haryana, Chandigarhm Himachal Pradesh, Shimla, Jammu and Kashmir, Srinagar, Jharkhand, Ranchi, Karnataka, Kerala, Thiruvananthapuram, Trivandrum, Madhya Pradesh, Maharashtra, Manipur, Imphal, Meghalaya, Shillong, Mizoram, Aizawi, Nagaland, Kohima, Orissa, Bhubaneswar, Bhubaneshwar, Punjab, Rajasthan, Jaipur, Sikkim, Gangtok, Tamil Nadu, Tripura, Agartala, Uttaranchal, West Bengal, Kolkata, Dehradun, Uttar Pradesh, Dada and Nagar Haveli, Silvassa, Andaman and Nicobar Islands, Port Blair, Daman and Diu, Lakshadeep, Kavaratti, Yanam, Pondicherry. Asia, USA, America, Washington, Belgium, New York, United States of America, United Kingdom, Columbia, Bangkok, Australia, Switzerland, Mexico, France, Sweden, Canada, Germany, Netherlands, Italy, Poland, Denmark, France, London, New Zealand, Spain. Indonesia, Brazil, Nigeria, Russia, Philippines, Ethiopia, Vietnam, Egypt, Turkey, Iran, Thailand, Burma, South Africa, Algeria,
A cheap Google Image hack for looking at the association of colors with terms, across different languages. More at uxblog.idvsolutions.com/2013/07/language-and-color.html
Menlo Middle School students visit a preschool to practice their Spanish language skills. Photo by Ruth Housenbold.
The are many form of expressing ourselves and getting our views out there. But people often overlook the non verbal forms of communication. Like Sign and Braille. Languages have always interested me, both the root of the many different languages and the cultures in which they were born. There are so many things that get lost in translation these days. With all the political double speak and the catchy sound bite phrase of the moment, Its sometimes hard for people to truly understand what someone is saying. The truth is, The majority of politicians on both sides of the isle are very adept in the art of saying a lot about nothing! Often we are more confused after their response than before we asked the question. “Smoke and Mirrors” and intellectual phrases and talking point arguments are just stall tactics. “We The People” have grown tired of all the words, it is time to stop talking about fixing the problem, and get to work. The true worth of a man can be assessed by he actions, not his words, And that’s a “Language” we can all understand………….
Music is the soul of Mizo life ; in every household you will find a guitar. Here you can see the leading Mizo singers paying tribute to legendary Mizo singer Ruati Hlate. It was a power packed program by a group of Stars who are very young. They enthralled, mesmerized and fascinated the selected audience present at the venue and kept the Aizawl town glued to the TV screen for that evening.
Do I understand Mizo language ? The answer is a big NO, not even a single word. This is a Tibet - o- Burmese language and got no connection with any Indo-Aryan dialect. Still, I laughed, I cried, I danced , I gave my heart to Mizoram ; arts and beauty speaks in one language that’s called “Emotion” , that is the universal language of mankind. And that day what was spoken in that language Monsoon ? Well, the rest is a story we hold too dear to share !
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Kindly View On Black
"still can see your brown skin, shining, shining.."
I am fully clothed in this picture,
Im sure that question would be coming.
I strongly believe that the human body is a piece of art, a masterpiece.
I was listening to the acoustic version of the song 'Still' by Matt Nathanson,
I feel like this picture depicts the mood the song sets.
I simply set my camera on the window sill on a ten second self timer.
Shiva, meaning "The Auspicious One"), also known as Mahadeva ("Great God"), is a popular Hindu deity. Shiva is regarded as one of the primary forms of God. He is the Supreme God within Shaivism, one of the three most influential denominations in contemporary Hinduism. He is one of the five primary forms of God in the Smarta tradition, and "the Destroyer" or "the Transformer" among the Trimurti, the Hindu Trinity of the primary aspects of the divine.
Shiva has many benevolent and fearsome forms. At the highest level Shiva is limitless, transcendent, unchanging and formless. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash, as well as a householder with wife Parvati and his two children, Ganesha and Kartikeya and in fierce aspects, he is often depicted slaying demons. Shiva is also regarded as the patron god of yoga and arts.
The main iconographical attributes of Shiva are the third eye on his forehead, the snake Vasuki around his neck, the crescent moon adorning, the holy river Ganga flowing from his matted hair, the trishula as his weapon and the damaru as his instrument.
Shiva is usually worshiped in the aniconic form of Lingam. Temples of Lord Shiva are called shivalayam.
ETYMOLOGY & OTHER NAMES
The Sanskrit word Shiva (Devanagari: शिव, śiva) comes from Shri Rudram Chamakam of Taittiriya Samhita (TS 4.5, 4.7) of Krishna Yajurveda. The root word śi means auspicious. In simple English transliteration it is written either as Shiva or Siva. The adjective śiva, is used as an attributive epithet not particularly of Rudra, but of several other Vedic deities.
The other popular names associated with Shiva are Mahadev, Mahesh, Maheshwar, Shankar, Shambhu, Rudra, Har, Trilochan, Devendra (meaning Chief of the gods) and Trilokinath (meaning Lord of the three realms).
The Sanskrit word śaiva means "relating to the God Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It is used as an adjective to characterize certain beliefs and practices, such as Shaivism. He is the oldest worshipped Lord of India.
The Tamil word Sivan, Tamil: சிவன் ("Fair Skinned") could have been derived from the word sivappu. The word 'sivappu' means "red" in Tamil language but while addressing a person's skin texture in Tamil the word 'Sivappu' is used for being Fair Skinned.
Adi Sankara, in his interpretation of the name Shiva, the 27th and 600th name of Vishnu sahasranama, the thousand names of Vishnu interprets Shiva to have multiple meanings: "The Pure One", or "the One who is not affected by three Gunas of Prakrti (Sattva, Rajas, and Tamas)" or "the One who purifies everyone by the very utterance of His name."Swami Chinmayananda, in his translation of Vishnu sahasranama, further elaborates on that verse: Shiva means "the One who is eternally pure" or "the One who can never have any contamination of the imperfection of Rajas and Tamas".
Shiva's role as the primary deity of Shaivism is reflected in his epithets Mahādeva ("Great God"; mahā "Great" and deva "god"), Maheśvara ("Great Lord"; mahā "great" and īśvara "lord"), and Parameśvara ("Supreme Lord").
There are at least eight different versions of the Shiva Sahasranama, devotional hymns (stotras) listing many names of Shiva. The version appearing in Book 13 (Anuśāsanaparvan) of the Mahabharata is considered the kernel of this tradition. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa. The Shri Rudram Chamakam, also known as the Śatarudriya, is a devotional hymn to Shiva hailing him by many names.
The worship of Shiva is a pan-Hindu tradition, practiced widely across all of India, Nepal and Sri Lanka.
ASSIMILATION OF TRADITIONS
The figure of Shiva as we know him today was built up over time, with the ideas of many regional sects being amalgamated into a single figure. How the persona of Shiva converged as a composite deity is not well documented. According to Vijay Nath:
Visnu and Siva [...] began to absorb countless local cults and deities within their folds. The latter were either taken to represent the multiple facets of the same god or else were supposed to denote different forms and appellations by which the god came to be known and worshipped. [...] Siva became identified with countless local cults by the sheer suffixing of Isa or Isvara to the name of the local deity, e.g., Bhutesvara, Hatakesvara, Chandesvara."
Axel Michaels the Indologist suggests that Shaivism, like Vaishnavism, implies a unity which cannot be clearly found either in religious practice or in philosophical and esoteric doctrine. Furthermore, practice and doctrine must be kept separate.
An example of assimilation took place in Maharashtra, where a regional deity named Khandoba is a patron deity of farming and herding castes. The foremost center of worship of Khandoba in Maharashtra is in Jejuri. Khandoba has been assimilated as a form of Shiva himself, in which case he is worshipped in the form of a lingam. Khandoba's varied associations also include an identification with Surya and Karttikeya.
INDUS VALLEY ORIGINS
Many Indus valley seals show animals but one seal that has attracted attention shows a figure, either horned or wearing a horned headdress and possibly ithyphallic figure seated in a posture reminiscent of the Lotus position and surrounded by animals was named by early excavators of Mohenjo-daro Pashupati (lord of cattle), an epithet of the later Hindu gods Shiva and Rudra. Sir John Marshall and others have claimed that this figure is a prototype of Shiva and have described the figure as having three faces seated in a "yoga posture" with the knees out and feet joined.
This claim has been criticised, with some academics like Gavin Flood and John Keay characterizing them as unfounded. Writing in 1997 Doris Srinivasan said that "Not too many recent studies continue to call the seal's figure a 'Proto-Siva'", rejecting thereby Marshall's package of proto-Siva features, including that of three heads. She interprets what John Marshall interpreted as facial as not human but more bovine, possibly a divine buffalo-man. According to Iravatham Mahadevan symbols 47 and 48 of his Indus script glossary The Indus Script: Texts, Concordance and Tables (1977), representing seated human-like figures, could describe Hindu deity Murugan, popularly known as Shiva and Parvati's son.
INDO-EUROPEAN ORIGINS
Shiva's rise to a major position in the pantheon was facilitated by his identification with a host of Vedic deities, including Purusha, Rudra, Agni, Indra, Prajāpati, Vāyu, and others.
RUDRA
Shiva as we know him today shares many features with the Vedic god Rudra, and both Shiva and Rudra are viewed as the same personality in Hindu scriptures. The two names are used synonymously. Rudra, the god of the roaring storm, is usually portrayed in accordance with the element he represents as a fierce, destructive deity.
The oldest surviving text of Hinduism is the Rig Veda, which is dated to between 1700 and 1100 BCE based on linguistic and philological evidence. A god named Rudra is mentioned in the Rig Veda. The name Rudra is still used as a name for Shiva. In RV 2.33, he is described as the "Father of the Rudras", a group of storm gods. Furthermore, the Rudram, one of the most sacred hymns of Hinduism found both in the Rig and the Yajur Vedas and addressed to Rudra, invokes him as Shiva in several instances, but the term Shiva is used as an epithet for the gods Indra, Mitra and Agni many times. Since Shiva means pure, the epithet is possibly used to describe a quality of these gods rather than to identify any of them with the God Shiva.
The identification of Shiva with the older god Rudhra is not universally accepted, as Axel Michaels explains:
Rudra is called "The Archer" (Sanskrit: Śarva), and the arrow is an essential attribute of Rudra. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages.
The word is derived from the Sanskrit root śarv-, which means "to injure" or "to kill", and Sharma uses that general sense in his interpretive translation of the name Śarva as "One who can kill the forces of darkness". The names Dhanvin ("Bowman") and Bāṇahasta ("Archer", literally "Armed with arrows in his hands") also refer to archery.
AGNI
Rudra and Agni have a close relationship. The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual development into the later character as Rudra-Shiva. The identification of Agni with Rudra is explicitly noted in the Nirukta, an important early text on etymology, which says, "Agni is also called Rudra." The interconnections between the two deities are complex, and according to Stella Kramrisch:
The fire myth of Rudra-Śiva plays on the whole gamut of fire, valuing all its potentialities and phases, from conflagration to illumination.
In the Śatarudrīya, some epithets of Rudra, such as Sasipañjara ("Of golden red hue as of flame") and Tivaṣīmati ("Flaming bright"), suggest a fusing of the two deities. Agni is said to be a bull, and Lord Shiva possesses a bull as his vehicle, Nandi. The horns of Agni, who is sometimes characterized as a bull, are mentioned. In medieval sculpture, both Agni and the form of Shiva known as Bhairava have flaming hair as a special feature.
INDRA
According to Wendy Doniger, the Puranic Shiva is a continuation of the Vedic Indra. Doniger gives several reasons for his hypothesis. Both are associated with mountains, rivers, male fertility, fierceness, fearlessness, warfare, transgression of established mores, the Aum sound, the Supreme Self. In the Rig Veda the term śiva is used to refer to Indra. (2.20.3, 6.45.17, and 8.93.3.) Indra, like Shiva, is likened to a bull. In the Rig Veda, Rudra is the father of the Maruts, but he is never associated with their warlike exploits as is Indra.
The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion, and the Indo-Iranian religion. According to Anthony, the Old Indic religion probably emerged among Indo-European immigrants in the contact zone between the Zeravshan River (present-day Uzbekistan) and (present-day) Iran. It was "a syncretic mixture of old Central Asian and new Indo-European elements", which borrowed "distinctive religious beliefs and practices" from the Bactria–Margiana Culture. At least 383 non-Indo-European words were borrowed from this culture, including the god Indra and the ritual drink Soma. According to Anthony,
Many of the qualities of Indo-Iranian god of might/victory, Verethraghna, were transferred to the adopted god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda. He was associated more than any other deity with Soma, a stimulant drug (perhaps derived from Ephedra) probably borrowed from the BMAC religion. His rise to prominence was a peculiar trait of the Old Indic speakers.
LATER VEDIC LITERATURE
Rudra's transformation from an ambiguously characterized deity to a supreme being began in the Shvetashvatara Upanishad (400-200 BCE), which founded the tradition of Rudra-Shiva worship. Here they are identified as the creators of the cosmos and liberators of souls from the birth-rebirth cycle. The period of 200 BCE to 100 CE also marks the beginning of the Shaiva tradition focused on the worship of Shiva, with references to Shaiva ascetics in Patanjali's Mahabhasya and in the Mahabharata.
Early historical paintings at the Bhimbetka rock shelters, depict Shiva dancing, Shiva's trident, and his mount Nandi but no other Vedic gods.
PURANIC LITERATURE
The Shiva Puranas, particularly the Shiva Purana and the Linga Purana, discuss the various forms of Shiva and the cosmology associated with him.
TANTRIC LITERATURE
The Tantras, composed between the 8th and 11th centuries, regard themselves as Sruti. Among these the Shaiva Agamas, are said to have been revealed by Shiva himself and are foundational texts for Shaiva Siddhanta.
POSITION WITHIN HINDUISM
SHAIVISM
Shaivism (Sanskrit: शैव पंथ, śaiva paṁtha) (Kannada: ಶೈವ ಪಂಥ) (Tamil: சைவ சமயம்) is the oldest of the four major sects of Hinduism, the others being Vaishnavism, Shaktism and Smartism. Followers of Shaivism, called "Shaivas", and also "Saivas" or "Saivites", revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer of all that is. The tantric Shaiva tradition consists of the Kapalikas, Kashmir Shaivism and Shaiva Siddhanta. The Shiva MahaPurana is one of the purāṇas, a genre of Hindu religious texts, dedicated to Shiva. Shaivism is widespread throughout India, Nepal, and Sri Lanka, mostly. Areas notable for the practice of Shaivism include parts of Southeast Asia, especially Malaysia, Singapore, and Indonesia.
PANCHAYATANA PUJA
Panchayatana puja is the system of worship ('puja') in the Smarta sampradaya of Hinduism. It is said to have been introduced by Adi Shankara, the 8th century CE Hindu philosopher. It consists of the worship of five deities: Shiva, Vishnu, Devi, Surya and Ganesha. Depending on the tradition followed by Smarta households, one of these deities is kept in the center and the other four surround it. Worship is offered to all the deities. The five are represented by small murtis, or by five kinds of stones, or by five marks drawn on the floor.
TRIMURTI
The Trimurti is a concept in Hinduism in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahmā the creator, Vishnu the maintainer or preserver and Śhiva the destroyer or transformer. These three deities have been called "the Hindu triad" or the "Great Trinity", often addressed as "Brahma-Vishnu-Maheshwara."
ICONOGRAPHY AND PROPERTIES
ATTRIBUTES
Shiva's form: Shiva has a trident in the right lower arm, and a crescent moon on his head. He is said to be fair like camphor or like an ice clad mountain. He wears five serpents and a garland of skulls as ornaments. Shiva is usually depicted facing the south. His trident, like almost all other forms in Hinduism, can be understood as the symbolism of the unity of three worlds that a human faces - his inside world, his immediate world, and the broader overall world. At the base of the trident, all three forks unite.
Third eye: (Trilochana) Shiva is often depicted with a third eye, with which he burned Desire (Kāma) to ashes, called "Tryambakam" (Sanskrit: त्र्यम्बकम् ), which occurs in many scriptural sources. In classical Sanskrit, the word ambaka denotes "an eye", and in the Mahabharata, Shiva is depicted as three-eyed, so this name is sometimes translated as "having three eyes". However, in Vedic Sanskrit, the word ambā or ambikā means "mother", and this early meaning of the word is the basis for the translation "three mothers". These three mother-goddesses who are collectively called the Ambikās. Other related translations have been based on the idea that the name actually refers to the oblations given to Rudra, which according to some traditions were shared with the goddess Ambikā. It has been mentioned that when Shiva loses his temper, his third eye opens which can destroy most things to ashes.
Crescent moon: (The epithets "Chandrasekhara/Chandramouli") - Shiva bears on his head the crescent moon. The epithet Candraśekhara (Sanskrit: चन्द्रशेखर "Having the moon as his crest" - candra = "moon"; śekhara = "crest, crown") refers to this feature. The placement of the moon on his head as a standard iconographic feature dates to the period when Rudra rose to prominence and became the major deity Rudra-Shiva. The origin of this linkage may be due to the identification of the moon with Soma, and there is a hymn in the Rig Veda where Soma and Rudra are jointly implored, and in later literature, Soma and Rudra came to be identified with one another, as were Soma and the moon. The crescent moon is shown on the side of the Lord's head as an ornament. The waxing and waning phenomenon of the moon symbolizes the time cycle through which creation evolves from the beginning to the end.
Ashes: (The epithet "Bhasmaanga Raaga") - Shiva smears his body with ashes (bhasma). The ashes are said to represent the end of all material existence. Some forms of Shiva, such as Bhairava, are associated with a very old Indian tradition of cremation-ground asceticism that was practiced by some groups who were outside the fold of brahmanic orthodoxy. These practices associated with cremation grounds are also mentioned in the Pali canon of Theravada Buddhism. One epithet for Shiva is "inhabitant of the cremation ground" (Sanskrit: śmaśānavāsin, also spelled Shmashanavasin), referring to this connection.
Matted hair: (The epithet "Jataajoota Dhari/Kapardina") - Shiva's distinctive hair style is noted in the epithets Jaṭin, "the one with matted hair", and Kapardin, "endowed with matted hair" or "wearing his hair wound in a braid in a shell-like (kaparda) fashion". A kaparda is a cowrie shell, or a braid of hair in the form of a shell, or, more generally, hair that is shaggy or curly. His hair is said to be like molten gold in color or being yellowish-white.
Blue throat: The epithet Nīlakaṇtha (Sanskrit नीलकण्ठ; nīla = "blue", kaṇtha = "throat"). Since Shiva drank the Halahala poison churned up from the Samudra Manthan to eliminate its destructive capacity. Shocked by his act, Goddess Parvati strangled his neck and hence managed to stop it in his neck itself and prevent it from spreading all over the universe, supposed to be in Shiva's stomach. However the poison was so potent that it changed the color of his neck to blue. (See Maha Shivaratri.)
Sacred Ganges: (The epithet "Gangadhara") Bearer of Ganga. Ganges river flows from the matted hair of Shiva. The Gaṅgā (Ganges), one of the major rivers of the country, is said to have made her abode in Shiva's hair. The flow of the Ganges also represents the nectar of immortality.
Tiger skin: (The epithet "Krittivasana").He is often shown seated upon a tiger skin, an honour reserved for the most accomplished of Hindu ascetics, the Brahmarishis.
Serpents: (The epithet "Nagendra Haara" or 'Vasoki"). Shiva is often shown garlanded with a snake.
Deer: His holding deer on one hand indicates that He has removed the Chanchalata of the mind (i.e., attained maturity and firmness in thought process). A deer jumps from one place to another swiftly, similar to the mind moving from one thought to another.
Trident: (Trishula): Shiva's particular weapon is the trident. His Trisul that is held in His right hand represents the three Gunas— Sattva, Rajas and Tamas. That is the emblem of sovereignty. He rules the world through these three Gunas. The Damaru in His left hand represents the Sabda Brahman. It represents OM from which all languages are formed. It is He who formed the Sanskrit language out of the Damaru sound.
Drum: A small drum shaped like an hourglass is known as a damaru (ḍamaru). This is one of the attributes of Shiva in his famous dancing representation known as Nataraja. A specific hand gesture (mudra) called ḍamaru-hasta (Sanskrit for "ḍamaru-hand") is used to hold the drum. This drum is particularly used as an emblem by members of the Kāpālika sect.
Axe: (Parashu):The parashu is the weapon of Lord Shiva who gave it to Parashurama, sixth Avatar of Vishnu, whose name means "Rama with the axe" and also taught him its mastery.
Nandī: (The epithet "Nandi Vaahana").Nandī, also known as Nandin, is the name of the bull that serves as Shiva's mount (Sanskrit: vāhana). Shiva's association with cattle is reflected in his name Paśupati, or Pashupati (Sanskrit: पशुपति), translated by Sharma as "lord of cattle" and by Kramrisch as "lord of animals", who notes that it is particularly used as an epithet of Rudra. Rishabha or the bull represents Dharma Devata. Lord Siva rides on the bull. Bull is his vehicle. This denotes that Lord Siva is the protector of Dharma, is an embodiment of Dharma or righteousness.
Gaṇa: The Gaṇas (Devanagari: गण) are attendants of Shiva and live in Kailash. They are often referred to as the bhutaganas, or ghostly hosts, on account of their nature. Generally benign, except when their lord is transgressed against, they are often invoked to intercede with the lord on behalf of the devotee. Ganesha was chosen as their leader by Shiva, hence Ganesha's title gaṇa-īśa or gaṇa-pati, "lord of the gaṇas".
Mount Kailāsa: Mount Kailash in the Himalayas is his traditional abode. In Hindu mythology, Mount Kailāsa is conceived as resembling a Linga, representing the center of the universe.
Varanasi: Varanasi (Benares) is considered to be the city specially loved by Shiva, and is one of the holiest places of pilgrimage in India. It is referred to, in religious contexts, as Kashi.
LINGAM
Apart from anthropomorphic images of Shiva, the worship of Shiva in the form of a lingam, or linga, is also important. These are depicted in various forms. One common form is the shape of a vertical rounded column. Shiva means auspiciousness, and linga means a sign or a symbol. Hence, the Shivalinga is regarded as a "symbol of the great God of the universe who is all-auspiciousness". Shiva also means "one in whom the whole creation sleeps after dissolution". Linga also means the same thing—a place where created objects get dissolved during the disintegration of the created universe. Since, according to Hinduism, it is the same god that creates, sustains and withdraws the universe, the Shivalinga represents symbolically God Himself. Some scholars, such as Monier Monier-Williams and Wendy Doniger, also view linga as a phallic symbol, although this interpretation is disputed by others, including Christopher Isherwood, Vivekananda, Swami Sivananda, and S.N. Balagangadhara.
JYOTIRLINGA
The worship of the Shiva-Linga originated from the famous hymn in the Atharva-Veda Samhitâ sung in praise of the Yupa-Stambha, the sacrificial post. In that hymn, a description is found of the beginningless and endless Stambha or Skambha, and it is shown that the said Skambha is put in place of the eternal Brahman. Just as the Yajna (sacrificial) fire, its smoke, ashes, and flames, the Soma plant, and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny matted hair, his blue throat, and the riding on the bull of the Shiva, the Yupa-Skambha gave place in time to the Shiva-Linga. In the text Linga Purana, the same hymn is expanded in the shape of stories, meant to establish the glory of the great Stambha and the superiority of Shiva as Mahadeva.
The sacred of all Shiva linga is worshipped as Jyotir linga. Jyoti means Radiance, apart from relating Shiva linga as a phallus symbol, there are also arguments that Shiva linga means 'mark' or a 'sign'. Jyotirlinga means "The Radiant sign of The Almighty". The Jyotirlingas are mentioned in Shiva Purana.
SHAKTI
Shiva forms a Tantric couple with Shakti [Tamil : சக்தி ], the embodiment of energy, dynamism, and the motivating force behind all action and existence in the material universe. Shiva is her transcendent masculine aspect, providing the divine ground of all being. Shakti manifests in several female deities. Sati and Parvati are the main consorts of Shiva. She is also referred to as Uma, Durga (Parvata), Kali and Chandika. Kali is the manifestation of Shakti in her dreadful aspect. The name Kali comes from kāla, which means black, time, death, lord of death, Shiva. Since Shiva is called Kāla, the eternal time, Kālī, his consort, also means "Time" or "Death" (as in "time has come"). Various Shakta Hindu cosmologies, as well as Shākta Tantric beliefs, worship her as the ultimate reality or Brahman. She is also revered as Bhavatārini (literally "redeemer of the universe"). Kālī is represented as the consort of Lord Shiva, on whose body she is often seen standing or dancing. Shiva is the masculine force, the power of peace, while Shakti translates to power, and is considered as the feminine force. In the Vaishnava tradition, these realities are portrayed as Vishnu and Laxmi, or Radha and Krishna. These are differences in formulation rather than a fundamental difference in the principles. Both Shiva and Shakti have various forms. Shiva has forms like Yogi Raj (the common image of Himself meditating in the Himalayas), Rudra (a wrathful form) and Natarajar (Shiva's dance are the Lasya - the gentle form of dance, associated with the creation of the world, and the Tandava - the violent and dangerous dance, associated with the destruction of weary worldviews – weary perspectives and lifestyles).
THE FIVE MANTRAS
Five is a sacred number for Shiva. One of his most important mantras has five syllables (namaḥ śivāya).
Shiva's body is said to consist of five mantras, called the pañcabrahmans. As forms of God, each of these have their own names and distinct iconography:
Sadyojāta
Vāmadeva
Aghora
Tatpuruṣha
Īsāna
These are represented as the five faces of Shiva and are associated in various texts with the five elements, the five senses, the five organs of perception, and the five organs of action. Doctrinal differences and, possibly, errors in transmission, have resulted in some differences between texts in details of how these five forms are linked with various attributes. The overall meaning of these associations is summarized by Stella Kramrisch:
Through these transcendent categories, Śiva, the ultimate reality, becomes the efficient and material cause of all that exists.
According to the Pañcabrahma Upanishad:
One should know all things of the phenomenal world as of a fivefold character, for the reason that the eternal verity of Śiva is of the character of the fivefold Brahman. (Pañcabrahma Upanishad 31)
FORMES AND ROLES
According to Gavin Flood, "Shiva is a god of ambiguity and paradox," whose attributes include opposing themes.[168] The ambivalent nature of this deity is apparent in some of his names and the stories told about him.
DESTROYER AND BENEFACTOR
In the Yajurveda, two contrary sets of attributes for both malignant or terrific (Sanskrit: rudra) and benign or auspicious (Sanskrit: śiva) forms can be found, leading Chakravarti to conclude that "all the basic elements which created the complex Rudra-Śiva sect of later ages are to be found here". In the Mahabharata, Shiva is depicted as "the standard of invincibility, might, and terror", as well as a figure of honor, delight, and brilliance. The duality of Shiva's fearful and auspicious attributes appears in contrasted names.
The name Rudra (Sanskrit: रुद्र) reflects his fearsome aspects. According to traditional etymologies, the Sanskrit name Rudra is derived from the root rud-, which means "to cry, howl". Stella Kramrisch notes a different etymology connected with the adjectival form raudra, which means "wild, of rudra nature", and translates the name Rudra as "the wild one" or "the fierce god". R. K. Sharma follows this alternate etymology and translates the name as "terrible". Hara (Sanskrit: हर) is an important name that occurs three times in the Anushasanaparvan version of the Shiva sahasranama, where it is translated in different ways each time it occurs, following a commentorial tradition of not repeating an interpretation. Sharma translates the three as "one who captivates", "one who consolidates", and "one who destroys". Kramrisch translates it as "the ravisher". Another of Shiva's fearsome forms is as Kāla (Sanskrit: काल), "time", and as Mahākāla (Sanskrit: महाकाल), "great time", which ultimately destroys all things. Bhairava (Sanskrit: भैरव), "terrible" or "frightful", is a fierce form associated with annihilation.
In contrast, the name Śaṇkara (Sanskrit: शङ्कर), "beneficent" or "conferring happiness" reflects his benign form. This name was adopted by the great Vedanta philosopher Śaṇkara (c. 788 - 820 CE), who is also known as Shankaracharya. The name Śambhu (Sanskrit: शम्भु), "causing happiness", also reflects this benign aspect.
ASCETIC AND HOUSEHOLDER
He is depicted as both an ascetic yogi and as a householder, roles which have been traditionally mutually exclusive in Hindu society.[185] When depicted as a yogi, he may be shown sitting and meditating. His epithet Mahāyogi ("the great Yogi: Mahā = "great", Yogi = "one who practices Yoga") refers to his association with yoga. While Vedic religion was conceived mainly in terms of sacrifice, it was during the Epic period that the concepts of tapas, yoga, and asceticism became more important, and the depiction of Shiva as an ascetic sitting in philosophical isolation reflects these later concepts. Shiva is also depicted as a corpse below Goddess Kali, it represents that Shiva is a corpse without Shakti. He remains inert. While Shiva is the static form, Mahakali or Shakti is the dynamic aspect without whom Shiva is powerless.
As a family man and householder, he has a wife, Parvati and two sons, Ganesha and Kartikeya. His epithet Umāpati ("The husband of Umā") refers to this idea, and Sharma notes that two other variants of this name that mean the same thing, Umākānta and Umādhava, also appear in the sahasranama. Umā in epic literature is known by many names, including the benign Pārvatī. She is identified with Devi, the Divine Mother; Shakti (divine energy) as well as goddesses like Tripura Sundari, Durga, Kamakshi and Meenakshi. The consorts of Shiva are the source of his creative energy. They represent the dynamic extension of Shiva onto this universe. His son Ganesha is worshipped throughout India and Nepal as the Remover of Obstacles, Lord of Beginnings and Lord of Obstacles. Kartikeya is worshipped in Southern India (especially in Tamil Nadu, Kerala and Karnataka) by the names Subrahmanya, Subrahmanyan, Shanmughan, Swaminathan and Murugan, and in Northern India by the names Skanda, Kumara, or Karttikeya.
Some regional deities are also identified as Shiva's children. As one story goes, Shiva is enticed by the beauty and charm of Mohini, Vishnu's female avatar, and procreates with her. As a result of this union, Shasta - identified with regional deities Ayyappa and Ayyanar - is born. Shiva is also mentioned in some scriptures or folktales to have had daughters like the serpent-goddess Manasa and Ashokasundari. Even the demon Andhaka is sometimes considered a child of Shiva.
NATARAJA
he depiction of Shiva as Nataraja (Tamil: நடராஜா,Kannada: ನಟರಾಜ, Telugu: నటరాజు, Sanskrit: naṭarāja, "Lord of Dance") is popular. The names Nartaka ("dancer") and Nityanarta ("eternal dancer") appear in the Shiva Sahasranama. His association with dance and also with music is prominent in the Puranic period. In addition to the specific iconographic form known as Nataraja, various other types of dancing forms (Sanskrit: nṛtyamūrti) are found in all parts of India, with many well-defined varieties in Tamil Nadu in particular. The two most common forms of the dance are the Tandava, which later came to denote the powerful and masculine dance as Kala-Mahakala associated with the destruction of the world. When it requires the world or universe to be destroyed, Lord Śiva does it by the tāṇḍavanṛtya. and Lasya, which is graceful and delicate and expresses emotions on a gentle level and is considered the feminine dance attributed to the goddess Parvati. Lasya is regarded as the female counterpart of Tandava. The Tandava-Lasya dances are associated with the destruction-creation of the world.
DAKSHINAMURTHY
Dakshinamurthy, or Dakṣiṇāmūrti (Tamil:தட்சிணாமூர்த்தி, Telugu: దక్షిణామూర్తి, Sanskrit: दक्षिणामूर्ति), literally describes a form (mūrti) of Shiva facing south (dakṣiṇa). This form represents Shiva in his aspect as a teacher of yoga, music, and wisdom and giving exposition on the shastras. This iconographic form for depicting Shiva in Indian art is mostly from Tamil Nadu. Elements of this motif can include Shiva seated upon a deer-throne and surrounded by sages who are receiving his instruction.
ARDANARISHVARA
An iconographic representation of Shiva called (Ardhanārīśvara) shows him with one half of the body as male and the other half as female. According to Ellen Goldberg, the traditional Sanskrit name for this form (Ardhanārīśvara) is best translated as "the lord who is half woman", not as "half-man, half-woman". According to legend, Lord Shiva is pleased by the difficult austerites performed by the goddess Parvati, grants her the left half of his body. This form of Shiva is quite similar to the Yin-Yang philosophy of Eastern Asia, though Ardhanārīśvara appears to be more ancient.
TRIRUPANTAKA
Shiva is often depicted as an archer in the act of destroying the triple fortresses, Tripura, of the Asuras. Shiva's name Tripurantaka (Sanskrit: त्रिपुरान्तक, Tripurāntaka), "ender of Tripura", refers to this important story.[216] In this aspect, Shiva is depicted with four arms wielding a bow and arrow, but different from the Pinakapani murti. He holds an axe and a deer on the upper pair of his arms. In the lower pair of the arms, he holds a bow and an arrow respectively. After destroying Tripura, Tripurantaka Shiva smeared his forehead with three strokes of Ashes. This has become a prominent symbol of Shiva and is practiced even today by Shaivites.
OTHER FORMS, AVATARS IDENTIFICATIONS
Shiva, like some other Hindu deities, is said to have several incarnations, known as Avatars. Although Puranic scriptures contain occasional references to "ansh" avatars of Shiva, the idea is not universally accepted in Saivism. The Linga Purana speaks of twenty-eight forms of Shiva which are sometimes seen as avatars. According to the Svetasvatara Upanishad, he has four avatars.
In the Hanuman Chalisa, Hanuman is identified as the eleventh avatar of Shiva and this belief is universal. Hanuman is popularly known as “Rudraavtaar” “Rudra” being a name of “Shiva”. Rama– the Vishnu avatar is considered by some to be the eleventh avatar of Rudra (Shiva).
Other traditions regard the sage Durvasa, the sage Agastya, the philosopher Adi Shankara, as avatars of Shiva. Other forms of Shiva include Virabhadra and Sharabha.
FESTIVALS
Maha Shivratri is a festival celebrated every year on the 13th night or the 14th day of the new moon in the Shukla Paksha of the month of Maagha or Phalguna in the Hindu calendar. This festival is of utmost importance to the devotees of Lord Shiva. Mahashivaratri marks the night when Lord Shiva performed the 'Tandava' and it is the day that Lord Shiva was married to Parvati. The holiday is often celebrated with special prayers and rituals offered up to Shiva, notably the Abhishek. This ritual, practiced throughout the night, is often performed every three hours with water, milk, yogurt, and honey. Bel (aegle marmelos) leaves are often offered up to the Hindu god, as it is considered necessary for a successful life. The offering of the leaves are considered so important that it is believed that someone who offers them without any intentions will be rewarded greatly.
BEYOND HINDUISM
BUDDHISM
Shiva is mentioned in Buddhist Tantra. Shiva as Upaya and Shakti as Prajna. In cosmologies of buddhist tantra, Shiva is depicted as active, skillful, and more passive.
SIKHISM
The Japuji Sahib of the Guru Granth Sahib says, "The Guru is Shiva, the Guru is Vishnu and Brahma; the Guru is Paarvati and Lakhshmi." In the same chapter, it also says, "Shiva speaks, the Siddhas speak."
In Dasam Granth, Guru Gobind Singh have mentioned two avtars of Rudra: Dattatreya Avtar and Parasnath Avtar.
OTHERS
The worship of Lord Shiva became popular in Central Asia through the Hephthalite (White Hun) Dynasty, and Kushan Empire. Shaivism was also popular in Sogdiana and Eastern Turkestan as found from the wall painting from Penjikent on the river Zervashan. In this depiction, Shiva is portrayed with a sacred halo and a sacred thread ("Yajnopavita"). He is clad in tiger skin while his attendants are wearing Sodgian dress. In Eastern Turkestan in the Taklamakan Desert. There is a depiction of his four-legged seated cross-legged n a cushioned seat supported by two bulls. Another panel form Dandan-Uilip shows Shiva in His Trimurti form with His Shakti kneeling on her right thigh. It is also noted that Zoroastrian wind god Vayu-Vata took on the iconographic appearance of Shiva.
Kirant people, a Mongol tribe from Nepal, worship a form of Shiva as one of their major deity, identifying him as the lord of animals. It is also said that the physical form of Shiva as a yogi is derived from Kirants as it is mentioned in Mundhum that Shiva took human form as a child of Kirant. He is also said to give Kirants visions in form of a male deer.
In Indonesia, Shiva is also worshiped as Batara Guru. His other name is "Sang Hyang Jagadnata" (king of the universe) and "Sang Hyang Girinata" (king of mountains). In the ancient times, all kingdoms were located on top of mountains. When he was young, before receiving his authority of power, his name was Sang Hyang Manikmaya. He is first of the children who hatched from the eggs laid by Manuk Patiaraja, wife of god Mulajadi na Bolon. This avatar is also worshiped in Malaysia. Shiva's other form in Indonesian Hindu worship is "Maharaja Dewa" (Mahadeva). Both the forms are closely identified with the Sun in local forms of Hinduism or Kebatinan, and even in the genie lore of Muslims. Mostly Shiva is worshipped in the form of a lingam or the phallus.
WIKIPEDIA
PRESIDIO OF MONTEREY, Calif. – More than 3,000 students from across California visited the Presidio of Monterey on May 13 for DLIFLC’s Language Day. Students, educators and other participants were treated to stage performances, classroom displays and ethnic cuisine, highlighting the cultures of the many foreign languages taught here.
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PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
Arabic (العربية al-ʻarabīyah or عربي/عربى ʻarabī ) ( [al ʕarabijja] (help·info) or ( [ʕarabi] (help·info)) is a name applied to the descendants of the Classical Arabic language of the 6th century AD. This includes both the literary language and the spoken Arabic varieties.
The literary language is called Modern Standard Arabic or Literary Arabic. It is currently the only official form of Arabic, used in most written documents as well as in formal spoken occasions, such as lectures and news broadcasts. In 1912, Moroccan Arabic was official in Morocco for some time, before Morocco joined the Arab League.