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Turn your worries into prayers.
-Phil 4:6
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#Philipians #JesusChrist #worries #prayers
Full contemporary (16th-century) calf over indented wooden boards; boards tooled in gold (now largely worn away); left board has central rectangular panel (Christ Child holding orb and cross, with motto: DIS IST MEIN GELIPTER SON MATH .17.) with owner's forename ("Margretha") above and surname ("Moserin") beneath, the whole surrounded by a roll frame of putti and 4 different escutcheons (arms of Saxony; arms of the electors of Saxony; unidentified arms featuring a raptor displayed; unidentified arms featuring a lion rampant); right board has central rectangular panel (Adam, Eve and the serpent with the Tree of the Knowledge of Good and Evil, with motto: SEMEN MVLIGEREIS CONTERET CAPVT TVVM GENESIS .3.) with the date "1569" above and ornaments below, the whole surrounded by a roll frame including the same elements as that of the left board; 4 raised bands on spine; blind-tooled(?) spine panels; 2 leather and metal clasps with metal catchplates.
Pictured here:
Left board.
Penn Libraries call number: GC5 Sp236 563e
part of my Under Attack series - a quick update Under Attack
We are all under attack - search:-
The whistleblower, Mandela Effect, chemtrails, mark of the beast, illuminati, Freemason, targeted individuals, New World Order, reptilians, Antichrist, Georgia guild stones, Agenda 21, aliens, mind control, beast system, secret societies. Watch the films - 1984, They Live, Soylent Green, The Terminator
Get your house in order by praying to God and asking him for the full armour of God to protect you from your enemy-- Please wake up.
Good Information on youtube -search: - .
Shaking My Head Productions
Truthstream Media
A Call For An Uprising
EYA
Thescariestmovieever
XtremeRealityCheck
Dr. Katherine Horton - Stop 007
Hacking the Headlines
Jane Tande
RichieFromBoston
Soulutionaries Media Network
Grace to You
The Lord's Prayer
Our Father, who art in heaven,
hallowed be thy name;
thy kingdom come;
thy will be done
on earth as it is in heaven.
Give us this day our daily bread.
And forgive us our trespasses,
as we forgive those who trespass against us.
And lead us not into temptation;
but deliver us from evil.
For thine is the kingdom,
the power and the glory,
for ever and ever.
Amen
Defend yorself against demons by saying thr words "I rebuke you in the name of Jesus Christ"
Get the full armor of God www.living-prayers.com/topics/armor_of_god_prayer.html
email me at mrgoth.clark@gmail.com (trolls will be sent directly to spam folder)
Get the full armer of God to protect you fro your enermies www.living-prayers.com/topics/armor_of_god_prayer.html
please wattch www.youtube.com/watch?v=hZBBGoXy1xs ia803206.us.archive.org/8/items/seeing-through-the-strong...
please wattch
GET SAVED www.xtremerealitycheck.com/getsaved.html
part of my Under Attack series - a quick update Under Attack
We are all under attack - search:-
The Mandela Effect, chemtrails, mark of the beast, illuminati, Freemason, targeted individuals, New World Order, reptilians, Antichrist, Georgia guild stones, Agenda 21, aliens, mind control, beast system, secret societies. Watch the films - 1984, They Live, Soylent Green, The Terminator
Get your house in order by praying to God and asking him for the full armour of God to protect you from your enemy-- Please wake up.
Good Information on youtube -search: -
Shaking My Head Productions
Truthstream Media
A Call For An Uprising
Thescariestmovieever
XtremeRealityCheck
Dr. Katherine Horton - Stop 007
Hacking the Headlines
Jane Tande
RichieFromBoston
Soulutionaries Media Network
Grace to You
The Lord's Prayer
Our Father, who art in heaven,
hallowed be thy name;
thy kingdom come;
thy will be done
on earth as it is in heaven.
Give us this day our daily bread.
And forgive us our trespasses,
as we forgive those who trespass against us.
And lead us not into temptation;
but deliver us from evil.
For thine is the kingdom,
the power and the glory,
for ever and ever.
Amen
Defend yorself against demons by saying thr words "I rebuke you in the name of Jesus Christ"
Get the full armor of God www.living-prayers.com/topics/armor_of_god_prayer.html
email me at mrgoth.clark@gmail.com (trolls will be sent directly to spam folder)
GET SAVED www.xtremerealitycheck.com/getsaved.html
Woodcut illustration (leaf [d]6v, f. xxvi) of the Erythraean sibyl and Christ, hand-colored in red, green, yellow and black, from an incunable German translation by Heinrich Steinhöwel of Giovanni Boccaccio's De mulieribus claris, printed by Johannes Zainer at Ulm ca. 1474 (cf. ISTC ib00720000). One of 76 woodcut illustrations (1 on leaf [e]8v dated 1473), each 80 x 110 mm., depicting scenes from the life of the women chronicled (for a full list of subjects, cf. W.L. Schreiber, Handbuch der Holz- und Metallschnitte des XV. Jahrhunderts (Nendeln: Kraus Reprints, 1969), no. 3506). "Pour la première moitie le nom se trouve inscrit à côte de la tête de chaque femme, pour le reste il es ajouté entre les deux réglettes. Il n'y en a que trois, qui n'ont qu'un seul trait carré."--Schreiber.
Established form: Zainer, Johannes, ‡d d. 1541?.
Established form: Jesus Christ.
Penn Libraries call number: Inc B-720 All images from this book
Penn Libraries catalog record
Woodcut illustration (partially hand-colored) of the meeting between Jesus Christ and his disciples with the Canaanite woman in Matthew 15:21-28. Used by Johann Schönsperger of Zwickau.
Established heading: Schönsperger, Johann, ‡d ca. 1480-1543
Penn Libraries call number: GC5 L6344 524e
The seventy-two returned rejoicing, and said, “Lord, even the demons are subject to us because of your name.” Jesus said, “I have observed Satan fall like lightning from the sky. Behold, I have given you the power to ‘tread upon serpents’ and scorpions and upon the full force of the enemy and nothing will harm you. Nevertheless, do not rejoice because the spirits are subject to you, but rejoice because your names are written in heaven.”
– Luke 10:17-20, which is today's Gospel for the 14th Sunday in Ordinary Time.
Ceiling fresco in San Carlo al Corso in Rome.
Our lady of Kfarmalkoun, or Our lady of ruins - Kfarhelda
Dating back to the 13th century, and laying on the high hills of Kfarhelda, this church was built following the traditional medieval style.
This church is located in the old Kfarmalkoun village that is found in the Ottoman records. With time, the villagers had left their village and the buildings started to fall apart, especially after it was hit by an earthquake. Thus the name: Our Lady of the Ruins.
Some of the Church walls are covered with a black layer caused by the fires that the pastors lit when they were cold.
On the Church's apse, one can find the Deisis fresco, surrounded by the words Jesus Christ written in a royal syriac font.
On the northen wall, we can see the drawing of a bald bishop, St. John Chrysostom. On the same wall, we can find the words Domtius written in Greek.
On the sourhern wall, on can find the remains of a fresco depicting the Nativity scene with four angels and a pastor playing on the flute next to two sheep.
كنيسة سيّدة كفرملكون (سيّدة الخرايب) - كفرحلدا
ترقى الكنيسة الى القرن الثالث عشر ، في أعالي بلدة كفرحلدا وكانت قد بنيت هذه الكنيسة بالطريقة البدائية التقليدية كما كان قائماً في القرون الوسطى، أما قبة الجرس فهي حديثة الصنع. هذه الكنيسة كانت جزءاً من قرية كفرملكون الواردة في السجلات العثمانية. مع مرور الزمن هُجّرت القرية وبدأت الابنية بالتفكك والانهيار خاصة بعد حدوث زلزال كان قد ضرب المنطقة أدى الى خرابها فسُميت بسيّدة الخرايب. أما السواد الذي يغطي بعضاً من معالم الرسومات داخل جدران الكنيسة، فكان بسبب ان بعض الرعاة كانوا يرتادون المكان ويشعلون النار للتدفئة.
في حنية الكنيسة جدارية الشفاعة مع كتابة يسوع المسيح بالخط السرياني الملكي في الوسط.
على الجدار الشمالي رسماً لأسقف أصلع الرأس، هو القديس يوحنا الذهبي الفم. وعلى الجدار نفسه نقرأ اسم ضومطيوس باللغة اليونانية.
أما على الجدار الجنوبي بقايا مشهد الميلاد مع أربع ملائكة وراعٍ يعزف على الناي وبجانبه حملان.
#fresco #art #sacredart #Lebanon #catholic #church #maronite #maronitechurch #jesuschrist #jesus #savior
Photograph of a print in the Phillip Medhurst Collection (owned by Philip De Vere) at St. George’s Court, Kidderminster
part of my Under Attack series - a quick update Under Attack
We are all under attack - for more information search:-
The Mandela Effect, chemtrails, mark of the beast, illuminati, Freemason, targeted individuals, New World Order, reptilians, Antichrist, Georgia guild stones, Agenda 21, aliens, mind control, beast system, secret societies. Watch the films - 1984, They Live, Soylent Green, The Terminator
Get your house in order by praying to God and asking him for the full armour of God to protect you from your enemy-- Please wake up.
Good Information on youtube -search: -
Shaking My Head Productions
Truthstream Media
A Call For An Uprising
Thescariestmovieever
XtremeRealityCheck
Dr. Katherine Horton - Stop 007
Hacking the Headlines
Jane Tande
RichieFromBoston
Soulutionaries Media Network
Grace to You
GET SAVED www.xtremerealitycheck.com/getsaved.html
Binding: Bound in contemporary full blind-tooled pig over indented angled-edge wooden boards; left board has central panel with image of Judith carrying a sword and Holofernes' head (with caption: HOLOFERNI CAPVT ABST PER MA IVD 1560) above date 1565, surrounded by a border of smaller rectangular images: Christ (with caption: DATA EST MICHI OM), King David (DE FRVCTV VENTRI [with N reversed]), St. Paul (with caption: APPARVIT BENIGNI [with Ns reversed]), St. John the Baptist (with caption: ECCE ANGNVS [sic] DEI [with Ns reversed]); right board (pictured here) has central panel image of Lucretia (signed: C E[?] 1560 above caption: LVCRETIA MORTEM SIBI ADSCIVIT[?]),surrounded by a similar border of smaller rectangular images; 3 raised bands on spine; 2 leather-and-metal clasps (1 intact) with metal catchplates.
Penn Libraries call number: GC5 K7498 552a All images from this book
Penn Libraries catalog record
Contemporary full blind-tooled pig over indented angled-edge wooden boards; left board has central panel with image of Judith carrying a sword and Holofernes' head (with caption: HOLOFERNI CAPVT ABST PER MA IVD 1560) above date 1565, surrounded by a border of smaller rectangular images: Christ (with caption: DATA EST MICHI OM), King David (DE FRVCTV VENTRI [with N reversed]), St. Paul (with caption: APPARVIT BENIGNI [with Ns reversed]), St. John the Baptist (with caption: ECCE ANGNVS [sic] DEI [with Ns reversed]).
Penn Libraries call number: GC5 K7498 552a All images from this book
Penn Libraries catalog record
Photograph of a print in the Phillip Medhurst Collection (owned by Philip De Vere) at St. George’s Court, Kidderminster
Christmas is an annual festival, commemorating the birth of Jesus Christ, observed primarily on December 25 as a religious and cultural celebration among billions of people around the world.
When Joseph and Mary arrived in the city, the inn had no room and so they were offered a stable where the Christ Child was soon born, with angels proclaiming this news to shepherds who then further disseminated the information.
Some 33-36 years later he is crucified on the cross - but that's a story for another time.
Pieter Van MOL
(Anvers, 1599 - Paris, 1650)
Descente de croix.
vers 1630-40
huile sur toile, 395 x 255 cm
Don de l'Evêché de Quimper et du Léon et du chapitre de la cathédrale en 1881
QUIMPER Musée des Beaux-Arts
12/06/2016 : nouveau tirage d'après le même fichier RAW
Cette monumentale Descente de croix inspirée par Rubens, provient du couvent des Minimes de Saint-Pol-de-Léon. Elle y décorait la chapelle placée sous le vocable de saint François de Paule qui est représenté à gauche. Après la démolition du couvent en 1769, le tableau est transféré à la cathédrale de Saint-Pol puis, en 1792, à celle de Quimper.
Cartel du musée
L’artiste :
Van Mol fréquente probablement l’atelier de Rubens et en subit l’influence. En 1622, il est reçu à la guilde des peintres d’Anvers. En 1631, il rejoint à Paris la colonie flamande du quartier de Saint-Germain-des-Prés qui est en faveur à la cour depuis que Rubens a travaillé au palais du Luxembourg pour la reine Marie de Médicis. Van Mol fait alors toute sa carrière en France. En 1640, il devient peintre ordinaire de la reine Anne d’Autriche, épouse de Louis XIII. Il est l’un des douze membres fondateurs de l’académie royale des beaux-arts en 1648. Il est portraitiste mais réalise surtout des sujets religieux.
La scène :
Cette monumentale Descente de croix inspirée de Rubens, provient du couvent des Minimes de Saint-Pol-de-Léon. Elle y décorait une chapelle, construite entre 1626 et 1638, placée sous le vocable de saint François de Paule (figuré à gauche), fondateur de l’ordre mendiant des Minimes et de sainte Geneviève, patronne de Paris (à droite). Après la dissolution du couvent en 1769, le tableau est transféré à la cathédrale de la ville. L’œuvre est saisie à la Révolution mais, à la demande du peintre François Valentin, qui tente de fonder à Quimper une école de dessin et un muséum, l’évêque fait transférer le tableau à la cathédrale de Quimper en 1792. La toile est en mauvais état. Valentin la garde dans son atelier pour la restaurer et signe son travail lisiblement (en bas à droite). Le tableau rejoint la chapelle Saint-Pierre de la cathédrale en 1802. Sachant que les conditions de conservation sont mauvaises, les responsables du musée des beaux-arts, nouvellement créé en 1872, réclament le dépôt de l’œuvre, qui sera effectif en 1881.
La Descente de croix est l’un des moments les plus dramatiques de l’Évangile. C’est le terme de la Passion. La vie terrestre du fils de Dieu est achevée. Son corps mort tombe de la croix. L’œuvre respire l’apaisement, le soulagement qui suit la fin d’une longue agonie. Les personnages de l’Évangile s’affairent autour du cadavre pour lui rendre les honneurs funéraires, le visage emprunt de tristesse. Les témoins modernes de la scène ont des gestes de prière et de contemplation.
L’artiste dispose les personnages selon la forme d’un triangle inversé :
- dans les cieux, deux angelots inventés par le peintre.
- au sommet de la croix, deux aides nus (également inventés) et Joseph d’Arimathie descendent de la croix le corps supplicié.
- au centre, le Christ est soutenu par saint Jean en rouge (à gauche) et Nicodème (à droite).
- aux pieds du Christ, la Vierge en bleu et Marie-Madeleine en jaune.
- de chaque côté du groupe central, l’artiste a placé des personnages étrangers à l’épisode biblique mais liés à la commande. Symétriquement à gauche, le moine agenouillé est saint François de Paule, à droite la nonne est sainte Geneviève. Le personnage nimbé et royal, au-dessus, pourrait être saint Louis sous les traits de Louis XIII.
Le peintre fait allusion à plusieurs épisodes de la Passion. La disposition des instruments au sol, au premier plan, marque le déroulement du récit biblique : la corde qui servit à lier Jésus, la couronne d’épines, les clous, le récipient avec l’eau vinaigrée, l’éponge au moyen de laquelle Jésus a bu. D’autres objets de menuiserie sont figurés : le marteau qui servit à enfoncer les clous, un serre-joints et une pierre. Le visage du Christ porte les stigmates d’heures douloureuses, tuméfié sous les coups. La blessure au côté est due au coup de lance du soldat. Enfin, la présence de Marie-Madeleine suggère la future découverte du tombeau vide et annonce donc la résurrection du Christ.
Les costumes :
On observe des vêtements de couleurs symboliques pour les personnages religieux :
- le périzonium (étoffe servant à cacher la nudité) du Christ et le linceul blancs pour l’envelopper évoquent sa pureté.
- le manteau bleu de la Vierge est une allusion à son rôle de médiatrice entre la vie terrestre et la vie céleste.
- le manteau rouge de saint Jean rappelle que Jésus le nomme son plus fidèle disciple. Traditionnellement, le rouge est en effet la couleur de l’élu. Ce rouge fait aussi penser au sang versé du Christ.
- la Madeleine est la prostituée que rencontre Jésus chez Simon, qui répand du parfum sur les pieds de Jésus, les baisant et les essuyant avec ses cheveux ou la sœur de Marthe qui accomplit le même geste. Dans le tableau, elle tient les pieds de Jésus qu’elle entoure de ses longs cheveux. Sa robe brillante jaune symbolise la trahison et rappelle son métier avant sa conversion.
- Nicodème est un pharisien, membre d’une élite religieuse, qui est venu rencontrer Jésus, la nuit par peur des juifs, et a pris sa défense. Il apporte les aromates (la myrrhe et l’aloès) pour les mettre dans son linceul et enterrer ainsi Jésus selon le rite juif.
- Joseph d’Arimathie est un homme riche, disciple de Jésus en secret, également par peur des Juifs. Sa condition sociale est révélée par la richesse de son costume.
En parallèle, saint François de Paule, saint Louis et sainte Geneviève portent des costumes issus du monde temporel :
- François de Paule porte une robe de bure marron à capuchon, héritage du vêtement paysan médiéval. Son vêtement symbolise l’idéal monastique en rappelant la simplicité de sa vie vouée au renoncement et au dépouillement le plus absolu.
- le roi tend son sceptre vers l’unique « roi du monde » qui, lui, est nu. Le roi est reconnaissable à ses attributs. Le sceptre prolonge son bras ; il est l’emblème de l’autorité et de la puissance. Il est surmonté d’une fleur de lis qui rappelle la pureté du roi. Autrefois, son nom « Flor de Loys » désignait directement le roi « la Fleur du Roi Louis ». De même, sa fourrure d’hermine (blanche à taches noires) symbolise la sagesse de son jugement. La couronne, par sa forme en cercle indique la perfection, et son matériau, l’or, la richesse et la puissance du roi. Il porte le collier de l’ordre de Saint-Michel, un ordre de chevalerie.
- quant à la religieuse, elle porte une robe rouge sous un manteau. Sa tête est couverte d’un voile marron cachant sa chevelure. Ce costume religieux féminin est hérité du Moyen-Âge. La sérénité de son visage contraste avec la gravité du moment. Tournant le dos à la scène, elle tient en mains le Livre des Ecritures dans lequel elle a lu la Résurrection de Jésus. Regardant le visiteur, elle semble l’inviter, en lui offrant son cierge allumé, à méditer sur la Rédemption.
Document du musée "Le costume dans les collections du musée - Dossier pour les enseignants" : www.mbaq.fr/fileadmin/mbaq/03.Mediation/Scolaires/Dossier...
www.mbaq.fr/fr/nos-collections/ecoles-flamande-et-holland...
collections.mbaq.fr/fr/search-notice/detail/881-1-1-desce...
Woodcut vignette of the Christ Child with the instruments of the Passion. Used by Melchior Ramminger of Augsburg.
Established heading: Ramminger, Melchior, ‡d d. 1543?
Penn Libraries call number: GC5 K2812 524s
Giovanni Bellini (circa 1435 - 1516),
Der tote Christus, von zwei Engeln gestützt / The Dead Christ supported by Two Angels / circa 1470 - 1475
Gemäldegalerie, Berlin
acquired 1821 in the purchase of the businessman Edward Solly.
20241006_120155 G Bellini
Photography and Post-production: Joseph Mayuga
Place: People's Park in the Sky Tagaytay City, Philippines.
Proverbs 13:9
The light of the righteous rejoiceth: but the lamp of the wicked shall be put out. (KJV)
#Savior #Israel #Purpose #Quote #Inspired #JesusChrist #QuoteOfTheDay
"The soldier baptizes the king, the slave his Lord, John baptizes his Saviour. The waters of the Jordan are astonished, the dove appears as a sign, the voice of the Father declares: ‘This is my Son.’" - Lauds antiphon for the feast of the Baptism of the Lord.
Mosaic from the Baptistery of St Lydia, built on the site of the baptism of the first Christian convert in Europe, St Lydia.
"No to sex
No to adultery
No to homosexualism
No to lesvians (sic)
No to abortion
JESUS CHRIST" huh, when did he say that?
The Book of RUTH ( part 2 )
And Naomi had a kinsman of her husband's, a mighty man of wealth, of the family of Elimelech; and his name was Boaz.
And Ruth the Moabitess said unto Naomi, Let me now go to the field, and glean ears of corn after him in whose sight I shall find grace. And she said unto her, Go, my daughter.
And she went, and came, and gleaned in the field after the reapers: and her hap was to light on a part of the field belonging unto Boaz, who was of the kindred of Elimelech.
And, behold, Boaz came from Bethlehem, and said unto the reapers, The Lord be with you. And they answered him, The Lord bless thee.
Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?
And the servant that was set over the reapers answered and said, It is the Moabitish damsel that came back with Naomi out of the country of Moab:
And she said, I pray you, let me glean and gather after the reapers among the sheaves: so she came, and hath continued even from the morning until now, that she tarried a little in the house.
Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:
Let thine eyes be on the field that they do reap, and go thou after them: have I not charged the young men that they shall not touch thee? and when thou art athirst, go unto the vessels, and drink of that which the young men have drawn.
Then she fell on her face, and bowed herself to the ground, and said unto him, Why have I found grace in thine eyes, that thou shouldest take knowledge of me, seeing I am a stranger?
And Boaz answered and said unto her, It hath fully been shewed me, all that thou hast done unto thy mother in law since the death of thine husband: and how thou hast left thy father and thy mother, and the land of thy nativity, and art come unto a people which thou knewest not heretofore.
The Lord recompense thy work, and a full reward be given thee of the Lord God of Israel, under whose wings thou art come to trust.
Then she said, Let me find favour in thy sight, my lord; for that thou hast comforted me, and for that thou hast spoken friendly unto thine handmaid, though I be not like unto one of thine handmaidens.
And Boaz said unto her, At mealtime come thou hither, and eat of the bread, and dip thy morsel in the vinegar. And she sat beside the reapers: and he reached her parched corn, and she did eat, and was sufficed, and left.
And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:
And let fall also some of the handfuls of purpose for her, and leave them, that she may glean them, and rebuke her not.
So she gleaned in the field until even, and beat out that she had gleaned: and it was about an ephah of barley.
And she took it up, and went into the city: and her mother in law saw what she had gleaned: and she brought forth, and gave to her that she had reserved after she was sufficed.
And her mother in law said unto her, Where hast thou gleaned to day? and where wroughtest thou? blessed be he that did take knowledge of thee. And she shewed her mother in law with whom she had wrought, and said, The man's name with whom I wrought to day is Boaz.
And Naomi said unto her daughter in law, Blessed be he of the Lord, who hath not left off his kindness to the living and to the dead. And Naomi said unto her, The man is near of kin unto us, one of our next kinsmen.
And Ruth the Moabitess said, He said unto me also, Thou shalt keep fast by my young men, until they have ended all my harvest.
And Naomi said unto Ruth her daughter in law, It is good, my daughter, that thou go out with his maidens, that they meet thee not in any other field.
So she kept fast by the maidens of Boaz to glean unto the end of barley harvest and of wheat harvest; and dwelt with her mother in law.
www.nancys-world.com/bible-share
#apostles #bible #faith #holyspirit #Jesuschrist #apostles #Christ #Jesus #God #Holy #Lord #servant #love #hope #king #hate #persecute #world
The Book of RUTH (part 3 )
Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?
And now is not Boaz of our kindred, with whose maidens thou wast? Behold, he winnoweth barley to night in the threshingfloor.
Wash thyself therefore, and anoint thee, and put thy raiment upon thee, and get thee down to the floor: but make not thyself known unto the man, until he shall have done eating and drinking.
And it shall be, when he lieth down, that thou shalt mark the place where he shall lie, and thou shalt go in, and uncover his feet, and lay thee down; and he will tell thee what thou shalt do.
And she said unto her, All that thou sayest unto me I will do.
And she went down unto the floor, and did according to all that her mother in law bade her.
And when Boaz had eaten and drunk, and his heart was merry, he went to lie down at the end of the heap of corn: and she came softly, and uncovered his feet, and laid her down.
And it came to pass at midnight, that the man was afraid, and turned himself: and, behold, a woman lay at his feet.
And he said, Who art thou? And she answered, I am Ruth thine handmaid: spread therefore thy skirt over thine handmaid; for thou art a near kinsman.
And he said, Blessed be thou of the Lord, my daughter: for thou hast shewed more kindness in the latter end than at the beginning, inasmuch as thou followedst not young men, whether poor or rich.
And now, my daughter, fear not; I will do to thee all that thou requirest: for all the city of my people doth know that thou art a virtuous woman.
And now it is true that I am thy near kinsman: howbeit there is a kinsman nearer than I.
Tarry this night, and it shall be in the morning, that if he will perform unto thee the part of a kinsman, well; let him do the kinsman's part: but if he will not do the part of a kinsman to thee, then will I do the part of a kinsman to thee, as the Lord liveth: lie down until the morning.
And she lay at his feet until the morning: and she rose up before one could know another. And he said, Let it not be known that a woman came into the floor.
Also he said, Bring the vail that thou hast upon thee, and hold it. And when she held it, he measured six measures of barley, and laid it on her: and she went into the city.
And when she came to her mother in law, she said, Who art thou, my daughter? And she told her all that the man had done to her.
And she said, These six measures of barley gave he me; for he said to me, Go not empty unto thy mother in law.
Then said she, Sit still, my daughter, until thou know how the matter will fall: for the man will not be in rest, until he have finished the thing this day.
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