View allAll Photos Tagged Intuition
For some intuitive reason I made a series of rather symbolic, spiritual images yesterday evening whilst watching the powers of Mother Nature proudly transform yet another beautiful day into an equally beautiful night. My intuition never seems to fail me.., there is always a reason.
Today we spent the day on a boat like the one you can see in the image above, visiting the many island beaches that surround the beautiful historic town of Paraty. We did the trip together with my good Norwegian friend, Inger Harrington, who also works with street children and other children at risk in Brazil and who was passing through Paraty with some friends from Norway on her way to Santos.
On arrival back at our holiday house, Inger reads through the messages left on her cellphone, and to her greatest shock, one short sentence brings her the tragic news: Inger’s 5-year old grandson, Daniel, had just drowned on the beach in Santos today.
Daniel was the first son of Leandro, one of Inger’s first kids rescued from the streets and a big favourite among Inger’s grandchildren after him having spent the first years of his short life living together on the same smallholding as his grandmother.
For some reason, my intuition never fails me. We are all saddened by the loss of this adorable little kid who has been taken long before his time. May he find more peace wherever his journey takes him.
The sea giveth, and the sea taketh away...
Looking off into the sky, you can often see what is headed your way. Wind comes ahead to signal something is on the horizon. Whirling around you, the wind influences things you cannot see. In a way, it is like your intuition. You sense something is coming and need to decide how to proceed. Gazing into the sky helps you put the puzzle pieces together. Does what you see feel calming? Does it signal you to take precautions? But if you look at it a different way, a storm can also signal a time to rest and wait. If you have cultivated your resources and prepared properly, when the storm passes you may have new assets available for your use. The rainfall may not be wasted, but instead collected and used. The limbs that have fallen from the trees have saved you the trouble of cutting them and are the firewood of tomorrow. Keeping an eye on the sky lets your intuition speak.
The basic version of the problem asks people to imagine that they see five passengers on a runaway trolley, headed for certain destruction. They can save these five by throwing a switch that would divert the trolley to a safe course, saving the five passengers, but the diversion will end up killing one bystander who happens to be standing on the safe route. The problem thus asks people if they will act in a way that kills one but saves five. Most people struggle, but agree that they would divert the trolley. But if the hypothetical is altered so that the only way to stop the trolley is by pushing a portly individual off of a footbridge onto the tracks so as to stop the trolley, fewer agree to sacrifice the one to save the five. The hypothetical is designed to illustrate the greater moral dilemma associated with direct, forceful action. Moral Heuristicsis not such a piece. It brings some psychological research to bear on legal issues, but the piece is more ambitious than that. It provides a new way for both psychologists and legal scholars to think about the concept of heuristics. It then uses this new approach to challenge the basic epistemological assumptions of contemporary moral philosophy. The basic thesis of Moral Heuristics is that people rely on simple habits of the mind when thinking about moral issues. As in many areas of life, they do not adhere to principles of deductive logic. They resist relying on broad-based optimization strategies (such as cost-benefit analysis) as a means of addressing hard moral questions in favor of simple rules of thumb. For example, Sunstein argues that people avoid making decisions that they know will result in the death of another person. This is a good principle to follow, of course, but blind application of it can lead to paradox because some fatalities are more invisible than others. The principle can produce condemnation of those who account for less visible, indirect fatalities, as happens in cost-benefit analysis. Cost- benefit analysis makes indirect fatalities transparent, thereby making those who rely on it seem callous, even if they are trying to minimize the total fatality rate. Intuitions about moral issues, he contends, are no more apt to be coherent than intuitions about probability theory. Therefore, founding a normative theory of moral philosophy upon intuition is just as misguided as founding mathematics on intuition. And yet, that is exactly what contemporary moral philosophers undertake. The primary methodological approach at the time was to study the ways that memory and perception might go astray. For example, psychologists studying memory found that when they presented people with lists of words to memorize, people more easily remember them. From this pattern, psychologists inferred that memory includes a short-term storage buffer with limited capacity. At the beginning of the list, the short-term buffer is not yet fully engaged, and hence, it can be used for active rehearsal of the words. At the end of the list, the buffer is not clouded with subsequent words and can be used to facilitate the transfer of the words into long-term storage. The errors in memory, in effect, guide the cognitive theory ofhow memory works. Cognitive psychologists assumed that human memory does not work the same way as a tape recorder, but they also reasoned that the departures from the concept of human memory as a tape recorder could provide insights into the underlying cognitive systems supporting memory. Likewise, cognitive psychologists studying human judgment and choice rejected the idea that human judgment and choice perfectly followed deductive logic and rationality, but they also reasoned that departures from this vision of human judgment would give clues as to how these systems actually worked. And thus, the methodology that produced insights into
the understanding of memory and perception should produce insights into understanding ofjudgment and choice as well. The heuristics and biases approach to assessing human judgment has extraordinary strengths. It provides a simple, inexpensive methodology for studying human judgment and decision making. It also capitalizes on the enormous success of the cognitive psychology of memory and perception in documenting how the brain functions. But, it also inspires criticisms. It arguably fails to account for variations in human ability in judgment, fails to account for motivated reasoning processes, and simply makes people seem too inept. People with different cultural worldviews may well experience betrayal in different settings. The idea that people react negatively to betrayal itself allows for such variations, making it easier to see how this heuristic is compatible with the research on cultural cognition than the representativeness heuristic. Handgun owners might not feel the betrayal of a gun accident (or they might feel more betrayed because they see the gun as a precaution not as a weapon), whereas handgun opponents might deem a handgun accident an ironic betrayal (or might feel that the owner got what was expected). Research on the representativeness heuristic suggests that to the extent to which activities resemble dangerous undertakings, people treat them as if they are dangerous, regardless of the underlying risk. But such treatment fails to account for variations in how individuals assess risk. Betrayal aversion, by contrast, has variation built in. Furthermore, the idea of betrayal aversion is one that proponents of ecological rationality can support much more easily than the representativeness heuristic. Evolutionary psychologists, in particular, argue that humans have an ancestral need to be highly vigilant against betrayal. Cooperation was essential to the survival of hunter- gatherer bands of human ancestors, but cooperative undertakings are vulnerable to exploitation by a defector. Human ancestors who were known to react strongly and punish betrayal aggressively likely deterred defection, therebyfacilitating productive cooperation within their group. Ancestors known to tolerate defection would attract defectors who would destroy group cohesiveness. Such accounts might be little more than "just so" stories, but the idea of a universally strong reaction to betrayal at least seems to have some advantages in social settings. Thus, it is easier to square with an ecological rationality than some of the more general heuristics. Koehler and Gershoff, Like betrayal aversion, the prohibition against deliberately causing another's death fits well with ecological rationality. Only in a vastly more interconnected modem world do humans face the moral consequences of indirectly causing each other harm through action (voting for a political candidate who starts a war that produces collateral injury to civilians) and inaction (failing to donate to charity that cannot save lives as a consequence of lack of funding). The human brain evolved to process a much smaller social universe than we face today. But in ordinary social settings, the prohibition against directly causing death functions as a sensible way of deciding how to act. It has been a great puzzle for psychologists studying judgment and choice, in fact, that intuition about probability and deductive logic deviates so markedly from logical principles. The discrepancy between the answers people's intuition produces and the teachings ofdeductive logic underlies some ofthe backlash against the early literature on heuristics and biases. It has led many to embrace ecological rationality, as discussed above. But most have simply accepted that intuition and deductive logic are not the same, and conclude that it is extremely difficult to develop a unified theory of human judgment and choice that is both descriptively accurate and normatively logical. If that is correct, then relying on intuition to construct a system of logic, probability, or mathematics would be deeply misguided.
scholarship.law.cornell.edu/cgi/viewcontent.cgi?article=1...
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
I figured since it said focus i'd make an unfocused edit but wasn't sure if people would get the irony.
In another sense I don't think enough people follow there intuition and wind up in horrible situations. Look if you here a creepy noise up in the attic DON'T go check it out. DUH.
I love eating Chinese food with Greg.
When I saw those stairs I was happy because I could use them to express an idea that I had some time ago and didn't know how to express.
Some people, when they're up to do something, hear in their head: "maybe I shouldn't do it". But with me it happens the other way around. I'm a kind of person who has it difficult to take steps forward, or just don't take them, and I frequently hear a voice in my head telling me: "maybe you should do it".
Much better in light box ;)
website · facebook · deviantART · blog (Spanish)
__________________________________________________________
Cuando me detuve a mirar estas escaleras me di cuenta de que podía usarlas para una idea que tenía hace tiempo y no sabía cómo expresar.
La mayoría de la gente, cuando da un paso, oye en su cabeza: "quizás no debería hacerlo". En mi caso ocurre al revés. Soy de esas personas que dan pasos con dificultad, o que simplemente no los dan, y suelo tener una vocecita en mi cabeza que me dice: "quizás sí que deberías hacerlo".
Mucho mejor en la caja de luz ;)
website · facebook · deviantART · blog
What we seek is an experience that transforms our lives and incorporates us into the destiny of the universe. We are looking for an intuition capable of giving us an orientation in life, even if for the time being, for our being in time.
—Raimon Panikkar, The Rhythm of Being
/************************************************
This quilt top was made entirely out of my scrap bins... I want to add one more round of scraps around the outer yellows/oranges, and then it will be done and ready to quilt...
Victoria Findlay Wolfe
Intuitions - by Jacqueline Damon.
artist's brief: Lighthouses have guided many past hazards. Our intuitions guide us past life's dangers and wrong turns. This transparent lighthouse is here but not obvious. How do we learn to honour and listen to our own intuitive warning system? Do we have the courage needed to pay attention to what we can't see.
Swell Sculpture Festival
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
Dedicated to the first flickr's entity that dedicates a photo to me: madriguera.
She dedicated a hinge to me, and as I know that she like the old doors of wood, I dedicate this one to her that allows to intuit what ironwork hides behind.
It belongs to the main door of the castle of the Marquesses of Alfarràs, in Cubelles, Barcelona. This castle was built in year 1675 over the rest of an old castle dated from century XI.
When you don't know How you know..."
But you know you know... and you know you knew and that's all you needed to know...
Have a wonderful day!!!
withart x TAOP The Act of Painting "INTUITION" (Works on Paper)
Moerenuma Park, Sapporo, Hokkaido
2022.09.07-16
withart x TAOP The Act of Painting "直感" (紙の作品)
モエレ沼公園 札幌 北海道
2022.09.07-16
does intuition travel so?
A new observation has clocked neutrinos at slightly faster than the speed of light. If verified, this would rock the scientific world, and be quite cool really. But it could also just be a mistake. Worth following to see what they decide... new scientist
Personally I have never been comfortable with a world of limits.
MAS BLENDS & DISEÑOS NUEVOS!, EN MI SITIO /// BLENDS & MORE NEW DESIGNS! IN MY SITE:
Hola!
Les traigo un nuevo diseño más como Otoño y mas Hogareño, Algo que me inspiro mucho fue la foto Original por eso Decidí Montar mi propia casa, hice las molduras todo, como tambien hoja por hoja…, El resultado final me convensio mucho
LA IDEA: Es que entra una fuerte rafaga de viento asia adentro de la casa por eso seve, las ojas, las cortinas y asta el vestido de Shakira, Con efecto de movimiento
Nota: Si algunos de Mis Diseños les agrada pueden tomarlos ya que para eso los traigo...
Photo by Akihiro Nakamura
withart x TAOP The Act of Painting "INTUITION" (Works on Paper)
Moerenuma Park, Sapporo, Hokkaido
2022.09.07-16
withart x TAOP The Act of Painting "直感" (紙の作品)
モエレ沼公園 札幌 北海道
2022.09.07-16
Oil on canvas; 180 x 130 cm.
Born in 1944 in Prague, Czech Republic, Lukáš Kándl is a well-known artist in Magic Realism. He started his pursuit in oil painting at the Prague College of Art from 1959 to 1963. He continued his graduate study at the Prague Academy of Applied Art (1963 to 1969) In 1969, Lukáš received his Masters from the Academy of Fine Arts. He then continued refining his skills following world renowned oil painting artists in France and Holland. Currently, his studio is located in Saint-Germain en Laye (France) where he resides with his family.
Lukáš' talent is recognized worldwide and he has been granted numerous Awards & Honors. A selected list of Honors and Awards are shown below:
Commander in orders of the European Star, Prize of the European Foundation
Michelin Prize, International Bibendum contest, France
Guest of Honor of the third, Biennale de la Rencontre des Arts, Orléans (France)
First Prize, Osaka's Art Festival, Osaka (Japan)
Second Prize, Champs-Elysées Contest, Paris (France)
Honorary Member, Copley Society, Boston (USA)
National Council Prize, Prix International de Monte-Carlo, Monte-Carlo
First Prize, Grand Prix de Cannes, Cannes (France)
Bronze Palm, Festival d'Art de Bruxelles, Bruxelles (Belgium)
Lukáš Kándl held his first solo exhibition in Köln (Germany) in 1973, and this was followed by a string of successful exhibitions in Europe, Asia, Australia and America.
61/365v4
Behind Prague office at night. During day people can sit here and have lunch or coffee break
my favorite photos here > www.flickr.com/photos/roderickma/sets/72157623272274082/
my photo sets here > www.flickr.com/photos/roderickma/sets
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
"Intuition is really a sudden immersion of the soul into the universal current of life.”
Paulo Coelho, The Alchemist
"This is the full immersion..."
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© Copyright Natalie Panga - All rights reserved.
* Lightbox: Best seen in larger size on black (click image above)
“I believe it is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.”
(Piet Mondrian - Dutch painter, 1872-1944)
This is a picture of the Odeon cinema at the corner of Panton Street and Whitcomb Street in the London area of Soho.
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The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.