View allAll Photos Tagged Intuition
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
Caminant per intuició, passejant sense un destí escollit pel centre (Barcelona); 5 de Juliol de 2008
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
DAY: two hundred twenty-seven / three hundred sixty-five
SRY for being late.
I was impeded from photographing more or less.
Model Yvonne Schwarz
you like my work? :)
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
@ the Singapore Botanic Gardens.
View large.
Although I have not reached a level where I feel confident, this is to me a small success after much failure :)
...
I was procrastinating - going back to my assignments now. The past hour in Flickr was a welcome 'recess'!
Thanks for all the mails, faves and comments - I promise to go through them as soon as I can.
Have a good week ahead :) Be safe, loved and blessed.
♡
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
Photo by YOSHISATO KOMAKI
写真：小牧寿里
withart x TAOP The Act of Painting "INTUITION" (Works on Paper)
Moerenuma Park, Sapporo, Hokkaido
2022.09.07-16
withart x TAOP The Act of Painting "直感" (紙の作品)
モエレ沼公園 札幌 北海道
2022.09.07-16
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
Emily by me, Michael by Ilary www.flickr.com/photos/ilaria83/
Shakira - Pure Intuition
Let us be wrong and let's begin
A mistake that turns into perfection
I want to see you sliding in
my underworld
This time I plan to let you win
I'll be a victim of my own invention
Let us be wrong and let's begin
Once and for all
What heaven weaves and braids no man shall undo
And I've been custom-made for no one but you
you know it's now or never
I have a feeling inside
(Despacio, despacio, comienzas a caer)
And intuition's always been a woman's guide
(Te siento, te siento, desde antes de nacer)
We've been wanting each other since before we were born
(Adentro, adentro te vas quedando)
And I will want you even after I am gone
(Así, estoy dispuesta a todo amor)
This time I plan to let you win
I'll be here in full subordination
I'll be devoted to your will
Once and for all
Love is only pain disguised as a kiss
So make me feel it now
Let's get on with this
and the sooner the better
I have a feeling inside
(Despacio, despacio, comienzas a caer)
And intuition's always been a woman's guide
(Te siento, te siento, desde antes de nacer)
We've been wanting each other since before we were born
(Adentro, adentro te vas quedando)
And I will want you even after I am gone
(Así, estoy dispuesta a todo)
I have a feeling inside
(Despacio, despacio, comienzas a caer)
And intuition's always been a woman's guide
(Te siento, te siento, desde antes de nacer)
We've been wanting each other since before we were born
(Adentro, adentro te vas quedando)
And I will love you even after I am gone
After I am gone...
For Macro Mondays - Theme: Pure Joy
For Daily Shoot 406 - What fuels your creative process?
I just love when I can express an idea in an unusual way. The intuitive process of 'dreaming-up' something from bits and peices of my past experience turns my crank.
Ituitive thought process seems to be connected to right brain activity while drawing from the knowledge of the left brain. People have at times accused me of being 'nuts' hehehe they just don't understand...
withart x TAOP The Act of Painting "INTUITION" (Works on Paper)
Moerenuma Park, Sapporo, Hokkaido
2022.09.07-16
withart x TAOP The Act of Painting "直感" (紙の作品)
モエレ沼公園 札幌 北海道
2022.09.07-16
I think this piece ended up being featured in a lot of design blogs. Apparently, people like smokey typography?
Print is also available here.
Wallpapers::
--1024x768
Can't find your desktop size? Just leave a comment! I'll make it for you. No promises though~
Intuition is the very force or activity of the soul in its experience through whatever has been the experience of the soul itself.
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"Rooted in Intuition Series 2"
Mixed media painting and Sculpture by Diane Marie Kramer
photo taken at the Artist Reception May 3 2016
Show up until June 30th 2016
Gallery hours and times:
Tues - Fri: 11 AM - 6 PM
Sat & 1st Sun: 11 PM - 3 PM
Closed Holiday Weekends
Admission: FREE
My intuition told me he was the one after the first time we made love. This is the ring he gave me when he told me he loved me.
The ring was top heavy and wouldn't stand up on it's own, so I spun it hoping I could get a pic of the word love that is cut out in the side, as it slowed. You can kinda see it, its still neat you can see the spinning motion.
In the 1960s Ferrari's Prototipo 'P series' sports car racers proved highly successful in terms of races won and imaginations captured. Of course speed rather than beauty was the goal of these cars, yet the two were seemingly inexorable at a time when intuition was a guiding principle. The P4, designed by Mauro Forghieri and William Casoli was both a zenith and nadir of the genre – perhaps the most beautiful, yet also increasingly outdated at a time when aerodynamics were coming to the fore.
And so Ferrari commissioned Pininfarina to explore advanced aerodynamics for the 250 P5. Young recruit Leonardo Fioravanti was chosen to design the car because of his mechanical engineering education at the Politecnico di Milano where his studies focused on aerodynamics and car body design.
Revealed at the 1968 Geneva motor show, the P5 won immediate acclaim for its futuristic design, even if some Ferrari purists grumbled at its perceived departure from Ferrari design orthodoxy. Built on P4 chassis number 0862, the two-seat coupe featured a three-litre V12 engine mounted in its tail. A walk around the brilliant white car (later repainted red) revealed a design composed of intersecting convex and concave volumes, its ovoid masses contrasting with deeply scalloped recesses for vents and wheel wells.
Revealed at the 1968 Geneva motor show, the P5 won immediate acclaim for its futuristic design, even if some Ferrari purists grumbled at its perceived departure from Ferrari design orthodoxy. Built on P4 chassis number 0862, the two-seat coupe featured a three-litre V12 engine mounted in its tail. A walk around the brilliant white car (later repainted red) revealed a design composed of intersecting convex and concave volumes, its ovoid masses contrasting with deeply scalloped recesses for vents and wheel wells.
The design featured a low, concave front fascia with a narrow slot for ventilation for the radiator. Just above this, integrated into the hood, was a bank of headlamps. Flanking this front assembly were pontoon-like fairings for the front wheels. It seems Enzo Ferrari was not overly impressed with this, referring to it as the “suppository”.
More successful were the Dino-like ventilation scoops with flow vanes integrated into the openings while at the rear a strong character line outlines the top of the wheel opening and then ascends and curves across the deck lid. Underneath this somewhat duck-tailed assembly, a strong composition of horizontal vanes covers the tail-lights and engine ventilation openings. It's clearly a theme Fioravanti was proud of as it was to reappear on his later Testarossa.
The upper body was almost entirely formed of a transparent teardrop canopy, its gullwing doors revealing a spartan composition of two seats, driving controls and little else. Seats were minimally ergonomic and the headrests are built into the firewall that separates the cabin from the engine compartment.
A Gentlemen’s Agreement
As popular as the P5 was on the car show circuit, changing racing rules and the complex and ever-developing programmes at Ferrari soon meant the P5 would not be developed further. Indeed, Fioravanti and his team were already working on a successor, the P6.
As it slowly became public knowledge that P5 was not to be a part of Modena’s future, an unusual request came to Enzo Ferrari from his longtime friend and associate, Dr. Giuseppe Luraghi, Chairman of Alfa Romeo. If Ferrari was not to continue the development of the P5, would he cede the project to his company to develop further? In a move that would be unheard of today, Il Commendatore granted the request.
[Text from CarDesignNews.com]
cardesignnews.com/articles/concept-car-of-the-week/2016/0...
JS Ineos Intuition which is a LNG Tanker was built in 2017. She is 180.3 meters long, 26.6 meters wide and has a draught of 9.2 meters. She sails under the flag of Malta, and has a carrying capacity of 27500 cubic meters Liquid Gas She is seen here on the River Forth, sailing past the City of Edinburgh, Scotland. Her home port is Valletta. Now you may ask what has a modern tankers to do with 100 years or more of history. .Read on.
The main rock formation of interest for shale gas exploration in the UK is called the Bowland Shale Formation, which occurs across a large area of central Britain. These shales were deposited in marine basins during the Visean and Namurian stages of the Carboniferous period (between 347 and 318 million years ago) when the UK was located around the equator. Carboniferous marine shales can reach thicknesses of up to 5000 m and contain enough organic matter (1–3 per cent, but locally over 10 per cent) to generate hydrocarbons. The Bowland Shale Formation is not restricted to the onshore environment; the basins extend offshore beneath the Southern North Sea and the East Irish Sea.Andrews (2013) estimated a total gas-in-place estimate for the Bowland Shale Formation and Hodder Mudstone Formation between 822 and 2281 trillion cubic feet (tcf). As a comparison, the total gas consumption in 2018 in the UK was 2.98 tcf.
Since then, other estimates have suggested the total gas-in-place volume could be considerably less (around 140 tcf; Whitelaw et al., 2019).Middle Carboniferous, organic-rich shales are also found in the subsurface Midland Valley of Scotland (Girvan to Greenock in the west; Dunbar to Stonehaven in the east) as part of the Strathclyde Group and the Clackmannan group. There, the shales reach a thickness of about 3000 m, contain 2–6 percent organic carbon and are considered as a potential target for shale gas exploration. Monaghan (2014) suggested a total of 49.4–134.6 tcf gas-in-place for the Midland Valley of Scotland.
Photo by YOSHISATO KOMAKI
写真：小牧寿里
withart x TAOP The Act of Painting "INTUITION" (Works on Paper)
Moerenuma Park, Sapporo, Hokkaido
2022.09.07-16
withart x TAOP The Act of Painting "直感" (紙の作品)
モエレ沼公園 札幌 北海道
2022.09.07-16
“Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.”
— Steve Jobs, You’ve got to find what you love, 2005 Stanford Commencement Speech
blog.seeminglee.com/2007/08/youve-got-to-find-what-you-lo...
/ SML.20121211.PHIL.Steve.Jobs.Youve.got.to.find.what.you.love.excerpt
/ #smlphil #ccby #smluniverse #stevejobs #philosophy #life #hacks #smllove #smlrec #humans #people #voice #important #courage #intuition #opinions #stanford #speech #love
INTUITIONS EXPERIMENTAL THEATRE COMPANY
Saturday, October 24, 2015
@ Irvine Auditorium
An annual family favorite, Family Performing Arts Night is a showcase of Penn's student theatrical, vocal, instrumental, dance and comedy groups.
Photo by Dyana Wing T. So.
From wikipedia: The Coit Tower murals were carried out under the auspices of the Public Works of Art Project, the first of the New Deal federal employment programs for artists. Ralph Stackpole and Bernard Zakheim successfully sought the commission in 1933, and supervised the muralists, who were mainly faculty and student of the California School of Fine Arts (CSFA), including Maxine Albro, Victor Arnautoff, Ray Bertrand, Rinaldo Cuneo, Mallette Harold Dean, Clifford Wight, Edith Hamlin, George Harris, Robert B. Howard, Otis Oldfield, Suzanne Scheuer, Hebe Daum and Frede Vidar.
After Diego Rivera's Man at the Crossroads mural was destroyed by its Rockefeller Center patrons for the inclusion of an image of Lenin, the Coit Tower muralists protested, picketing the tower. Sympathy for Rivera led some artists to incorporate leftist ideas and composition elements in their works. Bernard Zakheim's "Library" depicts fellow artist John Langley Howard crumpling a newspaper in his left hand as he reaches for a shelved copy of Karl Marx's Das Kapital with his right, and Stackpole is painted reading a newspaper headline announcing the destruction of Rivera's mural; Victor Arnautoff's "City Life" includes the The New Masses and The Daily Worker periodicals in the scene's news stand rack; John Langley Howard's mural depicts an ethnically diverse Labor March as well as showing a destitute family panning for gold while a rich family observes; and Stackpole's Industries of California was composed along the same lines as an early study of the destroyed Man at the Crossroads.[4]
Two of the murals are of San Francisco Bay scenes. Most murals are done in fresco; the exceptions are one mural done in egg tempera (upstairs, in the last decorated room) and the works done in the elevator foyer, which are oil on canvas. While most of the murals have been restored, a small segment (the spiral stairway exit to the observation platform) was not restored but durably painted over with epoxy surfacing.
I just came across of a picture of myself in this dress ... it is called "Intuition" and is a little revealing :)
An expert in the prediction and management of violence offers some intriguing advice on clues that inform our intuition plus a pant load of insights into human psychology. I've read quite a bit on developing intuition lately, but this is the first book that demystifies that gut feeling and then proceeds to highlight actual real world indicators that likely informed that bit of intuition including persistent thoughts, nagging feelings, anxiety, curiosity and humor i.e. "I'm going back to my office before the bomb goes off". (This in response to a suspicious package delivered to a workplace.)
The details of case study after case study makes the reading a bit sinister, but the insight gleaned from these real world cases is extremely informative and provides a mental toolkit for analyzing dicey situations. The author's message is that we spend too much time with wasteful worrying that ends up obscuring actual useful information in real time. He shows us how to use real fear, that pit of the stomach dread, to investigate and take precautions. Details are provided from debriefings with victims of violent crimes.
He deconstructs how criminals use human psychology to disarm their victims by taking liberties from the first hello that might appear friendly, but are actually meant to solicit a human response by being inappropriately familiar. The use of forced teaming to put you in same boat with him, loan sharking—offering help that puts you in his debt, giving too many details to make a story sound true, making unsolicited promises meant to put you at ease, typecasting to force you to prove otherwise and refusing to take no for an answer.
There is also good evidence of how violence is unintentionally escalated by victims who take the wrong precautions for their particular perpetrator. Getting a restraining order, for instance. This does nothing to actually protect the victim; it's just a piece of paper that makes it easier for police to categorize a case once they are called on the scene, but it will likely insult the aggressor and provoke him to escalate. Likewise the carelessness and avoidance with which difficult employees are handled.
There is also quite a bit of insight into the criminal mind; how the misplaced emotions of unresolved injuries done to them as children plays into their interpretations of events as adults. All this says volumes about how the treatment of children (or mistreatment) is a crucial component of a civil society. He also adds his own experience from his childhood pertaining to domestic abuse. He covers all the scenarios of public violence from the work place, to teens at school, to date rape and stalking, to assassinations, (but not terrorism). He points out that criminals have much the same emotions of human need as everyone else and are not particularly unusual so should not be treated as wackos because that will just turn the interaction into a war.
He also has quite a bit to say about how media perpetuates violence, both the news type and the entertainment variety. The first gives perpetrators a chance to be a star at critical events and appearances of celebrities. While the entertainment industry perpetuates the roles that men should be persistent and women should play hard to get and not know how to say no and mean it. Then there is the violent imagery in the music industry. Chilling case study of a couple of teens emulating certain heavy metal band. As for video games, he does not take the usual stand that they promote violence, but emphasizes that they take the place of time spent with other people learning relationship skills.
This book was recommended to me following my telling of being betrayed by grifters who rented from us. It helped me analyze why I chose to use certain tactics in order not to escalate the situation rather than demanding justice. It also showed tactics I used to get them to team up with me in restoring those houses as if I was offering a partnership. Because I know they had hopes too, that I would provide work for them. And by being overly familiar with them and treating them like family, I perpetuated that teaming. But I was not aiming to commit violence. I just wanted them to act responsibly and they weren't up to that.
The book also gave me more material to ponder regarding the developing of intuition as a real world skill rather than a relationship with spirit helpers. This is a secular view, but it does not discount developing a relationship with spirits as a way to highlight knowledge gained through intuition. One of my shaman workshop mates also mentioned the book and said it helped her to see her intuition at work.