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The temps finally reached above freezing this afternoon, the sun was shining so I thought I would have a look around the area.
I saw two eagles on their usual perch near the river and did not bother to stop as I have finally learned they are out of reach for my lens.
My goal was to capture a boreal. I found one but did not get a decent photo, the norm.
I saw two more eagles in their usual area and they were also out of reach.
On the way home my intuition was telling me to go and have a look at the first pair, my common sense was saying 'why bother'. I ignored the common sense and this was the result!
The closest I have been to an eagle. They flew right to the spot I had parked
The second eagle taking off. I followed it with the lens and expected it to fly out of sight...
Thank you for the views, comments and faves.
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
Just came back from helping to set up a Art Show for my wife in Bradford, PA. The show is open until February 25th.
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
Intuition Summer Festival 2009. Het was weer een topfeest. Hemelse trance onder een strak blauwe hemel. Jammer dat het geluid in de buitenarea niet echt top was. Binnen was het net een dampende sauna 's avonds. Dat bleek wel want alle lenzen besloegen, waardoor het focussen binnen lastig was. Al met al toch nog een aardig setje, dat de sfeer van de dag goed weergeeft. Beleef die topdag en jullie party-momenten nu nog één keer opniew, door de slideshow te draaien. Thx. again Paul voor de leuke foto's! En Menno en Alda, respect! Jullie zijn er weer ingeslaagd om een topfeest neer te zetten. Pachtige line-up met de beste trance van het moment! Klasse! En last but not least, thx. to all nice partypeople and dj's for the nice photo-opportunities. Het was weer fun om jullie allemaal ontmoet te hebben :) Vooral de mini-after in de camper van Anja was erg gezellig :) Leuk om nog even door te gaan tot 03.00 uur op de parkeerplaats. Thx. Frans & Ginny voor de music en ride home! Moeten we vaker doen :)
Laat je op- en aanmerkingen achter op de foto! Ik hoor het graag van jullie! Hiervoor moet je wel eerst een Flickr-account aanmaken. Kun je gelijk je eigen partypics van Intuition Summer Festival daar online zetten :) Doodeenvoudig en erg makkelijk! Een free account is gratis. Hiermee kun je tot 100 MB of 200 foto's per maand plaatsen op Flickr. Een pro-account kost je nog geen 15 Euro per jaar. En je kunt dan onbeperkt foto's uploaden in elk formaat.
Foto(s) van Intuition Summer Festival 2009 nabestellen voor maar 1 Euro? Geef het/de fotonummer(s) door. Stuur een mail naar: dutchpartypics@yahoo.com. Daarna volgen details en stuur ik je via e-mail de high res. foto zonder logo toe!
© Dutchpartypics | Korsjan Punt 2009. Powered by Nikon D50/D80 DSLR, Nikon AF-S 18 - 105 mm VR, f: 3.5 - 5.6, Nikon AF-S 55 - 200 mm VR, f 3.5 - 5.6, Nikon AF-S 70 - 300 mm, f 4 - 5.6, Tamron XR DI 17 - 35 mm, f 2.8 - 4.0, Tamron XR DI 28 - 75 mm, f: 2.8 - 4.0 en Sigma EX DC-HSM 10 - 20 mm, f 4.0 - 5.6. Flash: Nikon Speedlight SB600 / Sunpak PF30X, incl. omnibounce. Compact: Panasonic Lumix FX500 and Sony Cybershot DSC-H10.
NIKON: At the heart of the image! & DUTCHPARTYPICS: Pounding, vivid pictures! Make your photos come alive!
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Michelle Trachtenberg and mother Lana
Intuition and Shopintuition.com Host "Get With It" - Red Carpet
Intuition
Los Angeles, California United States
October 24, 2006
Photo by Lester Cohen/WireImage.com
To license this image (11064897), contact WireImage:
U.S. +1-212-686-8900 / U.K. +44-207 659 2815 / Australia +61-2-8262-9222 / Japan: +81-3-5464-7020
+1 212-686-8901 (fax)
info@wireimage.com (e-mail)
www.wireimage.com (web site)
In civilizations of a traditional nature, intellectual intuition lies at the root of everything; in other words, it is the pure metaphysical doctrine that constitutes the essential, everything else being linked to it, either in the form of consequences or applications to the various orders of contingent reality.
Not only is this true of social institutions, but also of the sciences, that is, branches of knowledge bearing on the domain of the relative, which in such civilizations are only regarded as dependencies, prolongations, or reflections of absolute or principial knowledge.
Thus a true hierarchy is always and everywhere preserved: the relative is not treated as non-existent, which would be absurd; it is duly taken into consideration, but is put in its rightful place, which cannot but be a secondary and subordinate one; and even within this relative domain there are different degrees of reality, according to whether the subject lies nearer to or further from the sphere of principles.
Thus, as regards science, there are two radically different and mutually incompatible conceptions, which may be referred to respectively as traditional and modern. We have often had occasion to allude to the 'traditional sciences' that existed in antiquity and the Middle Ages and which still exist in the East, though the very idea of them is foreign to the Westerners of today. It should be added that every civilization has had 'traditional sciences' of its own and of a particular type. Here we are no longer in the sphere of universal principles, to which pure metaphysics alone belongs, but in the realm of adaptations.
(…)
By seeking to sever the connection of the sciences with any higher principle, under the pretext of assuring their independence, the modern conception robs them of all deeper meaning and even of all real interest from the point of view of knowledge; it can only lead them down a blind alley, by enclosing them, as it does, in a hopelessly limited realm.
Moreover, the development achieved in this realm is not a deepening of knowledge, as is commonly supposed, but on the contrary remains completely superficial, consisting only of the dispersion in detail already referred to and an analysis as barren as it is laborious; this development can be pursued indefinitely without coming one step closer to true knowledge.
It must also be remarked that it is not for its own sake that, in general, Westerners pursue science; as they interpret it, their foremost aim is not knowledge, even of an inferior order, but practical applications, as can be deduced from the ease with which the majority of our contemporaries confuse science and industry, and from the number of those for whom the engineer represents the typical man of science.
(…)
Modern experimentalism involves the curious illusion that a theory can be proven by facts, whereas in reality the same facts can always be equally well explained by several different theories; some of the pioneers of the experimental method, such as Claude Bernard, have themselves recognized that they could interpret facts only with the help of preconceived ideas, without which they would remain 'brute facts' devoid of all meaning and scientific value.
Since we have been led to speak of experimentalism, the opportunity may be taken to answer a question that may be raised in this connection: why have the experimental sciences received a development in modern civilization such as they never had in any other?
The reason is that these sciences are those of the sensible world, those of matter, and also those lending themselves most directly to practical applications; their development, proceeding hand in hand with what might well be called the 'superstition of facts', is therefore in complete accord with specifically modern tendencies, whereas earlier ages could not find sufficient interest in them to pursue them to the extent of neglecting, for their sake, knowledge of a higher order. It must be clearly understood that we are not saying that any kind of knowledge can be deemed illegitimate, even though it be inferior; what is illegitimate is only the abuse that arises when things of this kind absorb the whole of human activity, as we see them doing at present.
(…)
One of the characteristics of the present age is the exploitation of everything that had hitherto been neglected as being of insufficient importance for men to devote their time and energy to, but which nevertheless had to be developed before the end of the cycle, since the things concerned had their place among the possibilities destined to be manifested within it; such in particular is the case of the experimental sciences that have come into existence in recent centuries.
There are even some modern sciences that represent, quite literally, residues of ancient sciences that are no longer understood: in a period of decadence, the lowest part of these sciences became isolated from all the rest, and this part, grossly materialized, served as the starting-point for a completely different development, in a direction conforming to modern tendencies; this resulted in the formation of sciences that have ceased to have anything in common with those that preceded them. Thus, for example, it is wrong to maintain, as is generally done, that astrology and alchemy have respectively become modern astronomy and modern chemistry, even though this may contain an element of truth from a historical point of view; it contains, in fact, the very element of truth to which we have just alluded, for, if the latter sciences do in a certain sense come from the former, it is not by 'evo-lution' or 'progress' - as is claimed - but on the contrary, by degeneration.
(…)
These are the two complementary functions proper to the traditional sciences: on the one hand, as applications of the doctrine, they make it possible to link the different orders of reality and to integrate them into the unity of a single synthesis, and on the other, they constitute, at least for some, and in accordance with their individual aptitudes, a preparation for a higher knowledge and a way of approach to it - forming by virtue of their hierarchical positioning, according to the levels of existence to which they refer, so many rungs as it were by which it is possible to climb to the level of pure intellectuality.
It is only too clear that modern sciences cannot in any way serve either of these purposes; this is why they can be no more than 'profane science', whereas the 'traditional sciences', through their connection with metaphysical principles, are effectively incorporated in 'sacred science'.
The ways leading to knowledge may be extremely different at the lowest degree, but they draw closer and closer together as higher levels are reached. This is not to say that any of these preparatory degrees are absolutely necessary, since they are mere contingent methods having nothing in common with the end to be attained; it is even possible for some persons, in whom the tendency to contemplation is predominant, to attain directly to true intellectual intuition without the aid of such means; but this is a more or less exceptional case, and in general it is accepted as being necessary to proceed upward gradually.
The whole question may also be illustrated by means of the traditional image of the 'cosmic wheel': the circumference in reality exists only in virtue of the center, but the beings that stand upon the circumference must necessarily start from there or, more precisely, from the point thereon at which they actually find themselves, and follow the radius that leads to the center. Moreover, because of the correspondence that exists between all the orders of reality, the truths of a lower order can be taken as symbols of those of higher orders, and can therefore serve as 'supports' by which one may arrive at an understanding of these; and this fact makes it possible for any science to become a sacred science, giving it a higher or 'anagogical' meaning deeper than that which it possesses in itself.
Every science, we say, can assume this character, whatever may be its subject-matter, on the sole condition of being constructed and regarded from the traditional standpoint; it is only necessary to keep in mind the degrees of importance of the various sciences according to the hierarchical rank of the diverse realities studied by them; but whatever degree they may occupy, their character and functions are essentially similar in the traditional conception.
What is true of the sciences is equally true of the arts, since every art can have a truly symbolic value that enables it to serve as a support for meditation, and because it’s rules, like the laws studied by the sciences, are reflections and 'applications of fundamental principles: there are then in every normal civilization 'traditional arts', but these are no less unknown to the modern West than are the 'traditional sciences'. The truth is that there is really no 'profane realm' that could in any way be opposed to a 'sacred realm'; there is only a 'profane point of view', which is really none other than the point of view of ignorance.
This is why 'profane science', the science of the moderns, can as we have remarked elsewhere be justly styled 'ignorant knowledge', knowledge of an inferior order confining itself entirely to the lowest level of reality, knowledge ignorant of all that lies beyond it, of any aim more lofty than itself, and of any principle that could give it a legitimate place, however humble, among the various orders of knowledge as a whole. Irremediably enclosed in the relative and narrow realm in which it has striven to proclaim itself independent, thereby voluntarily breaking all connection with transcendent truth and supreme wisdom, it is only a vain and illusory knowledge, which indeed comes from nothing and leads to nothing.
This survey will suffice to show how great is the deficiency of the modern world in the realm of science, and how that very science of which it is so proud represents no more than a deviation and, as it were, a downfall from true science, which for us is absolutely identical with what we have called 'sacred' or 'traditional' science. Modern science, arising from an arbitrary limitation of knowledge to a particular order-the lowest of all orders, that of material or sensible reality-has lost, through this limitation and the consequences it immediately entails, all intellectual value; as long, that is, as one gives to the word 'intellectuality' the fullness of its real meaning, and refuses to share the 'rationalist' error of assimilating pure intelligence to reason, or, what amount to the same thing, of completely denying intellectual intuition.
The root of this error, as of a great many other modern errors - and the cause of the entire deviation of science that we have just described - is what may be called 'individualism', an attitude indistinguishable from the anti-traditional attitude itself and whose many manifestations in all domains constitute one of the most important factors in the confusion of our time; we shall therefore now study this individualism more closely.
----
excerpts from The Crisis of the Modern World by René Guenon
Chapter 4: Sacred and profane science
withart x TAOP The Act of Painting "INTUITION" (Works on Paper)
Moerenuma Park, Sapporo, Hokkaido
2022.09.07-16
withart x TAOP The Act of Painting "直感" (紙の作品)
モエレ沼公園 札幌 北海道
2022.09.07-16
Michelle Trachtenberg
Intuition and Shopintuition.com Host "Get With It" - Inside
Intuition
Los Angeles, California United States
October 24, 2006
Photo by Lester Cohen/WireImage.com
To license this image (11064975), contact WireImage:
U.S. +1-212-686-8900 / U.K. +44-207 659 2815 / Australia +61-2-8262-9222 / Japan: +81-3-5464-7020
+1 212-686-8901 (fax)
info@wireimage.com (e-mail)
www.wireimage.com (web site)
"The only real valuable thing is intuition."
— Albert Einstein
Very seldom do I take pictures of myself, but when I have an urge to I like to experiment and do something simple, fun and meaningful. I was in the mood to create an image that depicts the strong bond between me and my intuition.
(I like to experiment with my photography. As of now, I am in the process of defining my style and honing my skills.)
Feel free to follow my daily post:
twitter.com/amariesvision
instagram: @amariesvision
Intuition Summer Festival 2009. Het was weer een topfeest. Hemelse trance onder een strak blauwe hemel. Jammer dat het geluid in de buitenarea niet echt top was. Binnen was het net een dampende sauna 's avonds. Dat bleek wel want alle lenzen besloegen, waardoor het focussen binnen lastig was. Al met al toch nog een aardig setje, dat de sfeer van de dag goed weergeeft. Beleef die topdag en jullie party-momenten nu nog één keer opniew, door de slideshow te draaien. Thx. again Paul voor de leuke foto's! En Menno en Alda, respect! Jullie zijn er weer ingeslaagd om een topfeest neer te zetten. Pachtige line-up met de beste trance van het moment! Klasse! En last but not least, thx. to all nice partypeople and dj's for the nice photo-opportunities. Het was weer fun om jullie allemaal ontmoet te hebben :) Vooral de mini-after in de camper van Anja was erg gezellig :) Leuk om nog even door te gaan tot 03.00 uur op de parkeerplaats. Thx. Frans & Ginny voor de music en ride home! Moeten we vaker doen :)
Laat je op- en aanmerkingen achter op de foto! Ik hoor het graag van jullie! Hiervoor moet je wel eerst een Flickr-account aanmaken. Kun je gelijk je eigen partypics van Intuition Summer Festival daar online zetten :) Doodeenvoudig en erg makkelijk! Een free account is gratis. Hiermee kun je tot 100 MB of 200 foto's per maand plaatsen op Flickr. Een pro-account kost je nog geen 15 Euro per jaar. En je kunt dan onbeperkt foto's uploaden in elk formaat.
Foto(s) van Intuition Summer Festival 2009 nabestellen voor maar 1 Euro? Geef het/de fotonummer(s) door. Stuur een mail naar: dutchpartypics@yahoo.com. Daarna volgen details en stuur ik je via e-mail de high res. foto zonder logo toe!
© Dutchpartypics | Korsjan Punt 2009. Powered by Nikon D50/D80 DSLR, Nikon AF-S 18 - 105 mm VR, f: 3.5 - 5.6, Nikon AF-S 55 - 200 mm VR, f 3.5 - 5.6, Nikon AF-S 70 - 300 mm, f 4 - 5.6, Tamron XR DI 17 - 35 mm, f 2.8 - 4.0, Tamron XR DI 28 - 75 mm, f: 2.8 - 4.0 en Sigma EX DC-HSM 10 - 20 mm, f 4.0 - 5.6. Flash: Nikon Speedlight SB600 / Sunpak PF30X, incl. omnibounce. Compact: Panasonic Lumix FX500 and Sony Cybershot DSC-H10.
NIKON: At the heart of the image! & DUTCHPARTYPICS: Pounding, vivid pictures! Make your photos come alive!
Intuition Summer Festival 2009. Het was weer een topfeest. Hemelse trance onder een strak blauwe hemel. Jammer dat het geluid in de buitenarea niet echt top was. Binnen was het net een dampende sauna 's avonds. Dat bleek wel want alle lenzen besloegen, waardoor het focussen binnen lastig was. Al met al toch nog een aardig setje, dat de sfeer van de dag goed weergeeft. Beleef die topdag en jullie party-momenten nu nog één keer opniew, door de slideshow te draaien. Thx. again Paul voor de leuke foto's! En Menno en Alda, respect! Jullie zijn er weer ingeslaagd om een topfeest neer te zetten. Pachtige line-up met de beste trance van het moment! Klasse! En last but not least, thx. to all nice partypeople and dj's for the nice photo-opportunities. Het was weer fun om jullie allemaal ontmoet te hebben :) Vooral de mini-after in de camper van Anja was erg gezellig :) Leuk om nog even door te gaan tot 03.00 uur op de parkeerplaats. Thx. Frans & Ginny voor de music en ride home! Moeten we vaker doen :)
Laat je op- en aanmerkingen achter op de foto! Ik hoor het graag van jullie! Hiervoor moet je wel eerst een Flickr-account aanmaken. Kun je gelijk je eigen partypics van Intuition Summer Festival daar online zetten :) Doodeenvoudig en erg makkelijk! Een free account is gratis. Hiermee kun je tot 100 MB of 200 foto's per maand plaatsen op Flickr. Een pro-account kost je nog geen 15 Euro per jaar. En je kunt dan onbeperkt foto's uploaden in elk formaat.
Foto(s) van Intuition Summer Festival 2009 nabestellen voor maar 1 Euro? Geef het/de fotonummer(s) door. Stuur een mail naar: dutchpartypics@yahoo.com. Daarna volgen details en stuur ik je via e-mail de high res. foto zonder logo toe!
© Dutchpartypics | Korsjan Punt 2009. Powered by Nikon D50/D80 DSLR, Nikon AF-S 18 - 105 mm VR, f: 3.5 - 5.6, Nikon AF-S 55 - 200 mm VR, f 3.5 - 5.6, Nikon AF-S 70 - 300 mm, f 4 - 5.6, Tamron XR DI 17 - 35 mm, f 2.8 - 4.0, Tamron XR DI 28 - 75 mm, f: 2.8 - 4.0 en Sigma EX DC-HSM 10 - 20 mm, f 4.0 - 5.6. Flash: Nikon Speedlight SB600 / Sunpak PF30X, incl. omnibounce. Compact: Panasonic Lumix FX500 and Sony Cybershot DSC-H10.
NIKON: At the heart of the image! & DUTCHPARTYPICS: Pounding, vivid pictures! Make your photos come alive!
“Intuition is the source of scientific knowledge.”
- Aristotle -
"A good artist lets his intuition lead him wherever it wants.”
- Lao Tzu -
“The intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honors the servant and has forgotten the gift.”
- Albert Einstein -
“When you expand your awareness, seemingly random events will be seen to fit into a larger purpose.”
“Synchronicity is choreographed by a great, pervasive intelligence that lies at the heart of nature, and is manifest in each of us through intuitive knowledge.”
- Deepak Chopra -
wakeuptimes.com/inspirational-quotes/44-inspirational-quo...
Intuition (of Cowes, Royal Yacht Squadron), a Hardy 42 see www.hardy-marine.co.uk/commodore42.html entering the RNSYC yacht basin from the Inner Harbour
Photo by YOSHISATO KOMAKI
写真：小牧寿里
withart x TAOP The Act of Painting "INTUITION" (Works on Paper)
Moerenuma Park, Sapporo, Hokkaido
2022.09.07-16
withart x TAOP The Act of Painting "直感" (紙の作品)
モエレ沼公園 札幌 北海道
2022.09.07-16
Intuition Summer Festival 2009. Het was weer een topfeest. Hemelse trance onder een strak blauwe hemel. Jammer dat het geluid in de buitenarea niet echt top was. Binnen was het net een dampende sauna 's avonds. Dat bleek wel want alle lenzen besloegen, waardoor het focussen binnen lastig was. Al met al toch nog een aardig setje, dat de sfeer van de dag goed weergeeft. Beleef die topdag en jullie party-momenten nu nog één keer opniew, door de slideshow te draaien. Thx. again Paul voor de leuke foto's! En Menno en Alda, respect! Jullie zijn er weer ingeslaagd om een topfeest neer te zetten. Pachtige line-up met de beste trance van het moment! Klasse! En last but not least, thx. to all nice partypeople and dj's for the nice photo-opportunities. Het was weer fun om jullie allemaal ontmoet te hebben :) Vooral de mini-after in de camper van Anja was erg gezellig :) Leuk om nog even door te gaan tot 03.00 uur op de parkeerplaats. Thx. Frans & Ginny voor de music en ride home! Moeten we vaker doen :)
Laat je op- en aanmerkingen achter op de foto! Ik hoor het graag van jullie! Hiervoor moet je wel eerst een Flickr-account aanmaken. Kun je gelijk je eigen partypics van Intuition Summer Festival daar online zetten :) Doodeenvoudig en erg makkelijk! Een free account is gratis. Hiermee kun je tot 100 MB of 200 foto's per maand plaatsen op Flickr. Een pro-account kost je nog geen 15 Euro per jaar. En je kunt dan onbeperkt foto's uploaden in elk formaat.
Foto(s) van Intuition Summer Festival 2009 nabestellen voor maar 1 Euro? Geef het/de fotonummer(s) door. Stuur een mail naar: dutchpartypics@yahoo.com. Daarna volgen details en stuur ik je via e-mail de high res. foto zonder logo toe!
© Dutchpartypics | Korsjan Punt 2009. Powered by Nikon D50/D80 DSLR, Nikon AF-S 18 - 105 mm VR, f: 3.5 - 5.6, Nikon AF-S 55 - 200 mm VR, f 3.5 - 5.6, Nikon AF-S 70 - 300 mm, f 4 - 5.6, Tamron XR DI 17 - 35 mm, f 2.8 - 4.0, Tamron XR DI 28 - 75 mm, f: 2.8 - 4.0 en Sigma EX DC-HSM 10 - 20 mm, f 4.0 - 5.6. Flash: Nikon Speedlight SB600 / Sunpak PF30X, incl. omnibounce. Compact: Panasonic Lumix FX500 and Sony Cybershot DSC-H10.
NIKON: At the heart of the image! & DUTCHPARTYPICS: Pounding, vivid pictures! Make your photos come alive!
"Rooted in Intuition Series 2"
Mixed media painting and Sculpture by Diane Marie Kramer
photo taken at the Artist Reception May 3 2016
Show up until June 30th 2016
Gallery hours and times:
Tues - Fri: 11 AM - 6 PM
Sat & 1st Sun: 11 PM - 3 PM
Closed Holiday Weekends
Admission: FREE
Blog Post:
www.mindmapinspiration.com/intuition-mind-map-paul-foreman/
You can subscribe to the Mind Map Inspiration Blog to receive new Mind Maps at www.mindmapinspiration.com/ and follow me on Twitter @mindmapdrawer twitter.com/mindmapdrawer
Also available: E-Books designed to help you create stylish and artistic mind maps of your own - visit the Mind Map Inspiration Website for more details: www.mindmapinspiration.co.uk/
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
Photo: Ryoma Suzuki
写真：鈴木竜馬
Group show "The Act of Painting, Intuition (Works on paper)"
Gallery Echo-ann Ginza, Tokyo
2021.03.02-11
この度、ギャラリー枝香庵 Flatにて オランダを拠点とした
The Act of Painting "絵画と行為"(TAOP) の日本での2回目となる展覧会
"The Act Of Painting INTUITION (Works on paper)" を開催させていただく運びとなりました。
TAOPは、抽象絵画の意味を探求しながら、世界を巡り活動する国際的なアーティスト集団です。
今回のテーマは "直感"と"紙の作品"
みなさまとご一緒に抽象絵画について考える機会になりましたら幸いです。
参加作家
1.Geeske Bijker (ゲースケ・ビーカー)
Berlin, Germany (ベルリン・ドイツ)
2.Raymond Cuijpers (レイモンド・ケホパーズ)
Amsterdam, The Netherlands (アムステルダム・オランダ)
3.Lukas Gothman (ルカス・ゴスマン)
Stockholm, Sweden (ストックホルム・スウェーデン)
4.Jeroen Hofhuizen (ジェロエン・ホフフィズン)
Maastricht, The Netherlands (マーストリヒト・オランダ)
5.Wieteke Heldens (ヴィエテケ・ヘルデンズ)
New York, U.S.A. (ニューヨーク・アメリカ)
6.Andre Kruysen (アンドレ・クルーセン)
Den Haag, The Netherlands (ハーグ・オランダ)
7.Ray Moon (レイ・ムーン)
Maastricht, The Netherlands (マーストリヒト・オランダ)
8.Romee van Oers (ロメー・ヴァン・オアーズ)
Tilburg, The Netherlands (ティルブルフ・オランダ)
9.Jacco Olivier (ヤッコ・オリヴィエ)
Amsterdam, The Netherlands (アムステルダム・オランダ)
10.Cole Verhoeven (コール・バーホーベン)
Amsterdam, The Netherlands (アムステルダム・オランダ)
11.Marie van Vollenhoven (マリー・ヴァン・ヴォレンホーフェン)
Maastricht, The Netherlands (マーストリヒト・オランダ)
12.Charlotte Warsen (シャーロット・ウォーセン)
Berlin, Germany (ベルリン・ドイツ)
13. Line Kramer (ライン・クレイマー)
Rotterdam, The Netherlands (ロッテルダム・オランダ)
14. Astrid Sylwan (アストリッド・シルワン)
Stockholm, Sweden (ストックホルム・スウェーデン)
15.Mayako Nakamura (中村 眞弥子)
Tokyo, Japan (東京・日本)
今回のThe Act Of Painting (以下 TAOP)の日本巡回展は
ギャラリー枝香庵（東京・銀座）をはじめ、パークホテル東京（2021年5月）、宝塚市立文化芸術センター（2021年9月）を予定しております。
ギャラリー枝香庵 (8F)では 中村眞弥子展
"Home Sweet Home・もうひとつの物語"を同時開催します。
あわせてご覧いただけましたら幸いです。
www.facebook.com/events/1351335738579312/
緊急事態宣言の延長。
現時点では しっかりと対策をとりながら
予定通り開催したいと考えております。
どうぞよろしくお願いいたします。
・・・・・・・・・・・・・・・・・・・・・
"The Act Of Painting INTUITION (Works on paper)"
"絵画と行為 "直感" (紙の作品)"
2021年3月2日(火)-11日(木)
11:30-19:00 (日曜日・最終日 -17:00)
〒104-0061 東京都中央区銀座3-3-12 銀座ビルディング８Ｆ
Tel 03-3567-8110
◎東京メトロ（丸ノ内線/銀座線/日比谷線）銀座駅 Ｃ８出口１分
◎東京メトロ銀座一丁目駅(有楽町線) ８番出口５分
◎ＪＲ有楽町駅(山手線/京浜東北線) ５分
ビル左横の細い通路を入りエレベーターでお越しください
・・・・・・・・・・・・・・・・・・・・・
絵画と行為 "直感" (紙の作品)
The Act Of Painting- 現代絵画の可能性を追求するわたしたちの活動にとっ て "直感"は とても重要なものだ。わたしたちは無意識を可視化することに関 心を持っている。絵画を制作する過程で、無意識から生み出される”直感”は、思 考の遥か前からはじまっている。身体意識の延長として筆を用い、絵を描く者は 絵画の中で自己の存在を再確認する。美術家は、自ら創り出す空間の一部となる と同時にそれを観察し、自身の行為について考え、評価している。よって、生み 出される作品はつくり手の個人的な意識に限りなく結びついている。作品には表 現者それぞれの感性により、身体性や構築性が強く現れてくる。
今回発表する紙作品には 無意識を反映した抽象的な概念が 挿入、適応、具体化されている。紙に描いた作品は、美術家の個人的な記録、記念碑的な作品のた めの日記や習作として鑑賞することもできる。それらの作品は 直感的思考そのものであり、変化しながら追求される掴みどころのないイメージでもある。更な る実験の余地があり、例えば油彩画と比較すると柔軟性を帯びている。この柔ら かさ故に、作品には”直感"が反映されている。
美術家集団 "The Act of Painting" による ”直感” (紙作品)の展覧会は 銀座・ギャラリー枝香庵をはじめ、パークホテル東京 コリドーギャラリー34、 宝塚市立文化芸術センター・キューブホール、モエレ沼公園(調整中)へと巡回し ながら、抽象芸術家のための国際的な地位を確立することを目的としている。わ たしたちは常に、絵画に対する新しい接し方を追い求めている。日本各地の展覧 会では、現地のキュレーター、美術家などと交流をしながら、西洋の概念と 東 洋の視点との融合を試みる。その融合は絵画における”直感”の意味を探求する 豊かな土壌を築く 更なる発展の鍵となるだろう。
レイモンド・ケホパーズ (アムステルダム 2021年1月)
・・・・・・・・・・・・・・・・・・・・・
We are pleased to announce the exhibition "The Act of Painting “Intuition” (Works on Paper)" at Gallery Echo-Ann (Flat) Ginza Tokyo. It is the second traveling exhibition in Japan by the artist collective, "The Act Of Painting" (TAOP) based in the Netherlands.
TAOP is an international artist collective that travels around the world in search of the meaning of abstract paintings. Their theme for the traveling exhibition in Japan this year is "intuition" reflected on works on paper.
We hope this will be an opportunity for you to feel/think about abstract paintings.
・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・
The Act of Painting, Intuition (works on paper)
Intuition covers a great deal of what The Act of Painting collective's exhibitions and projects are about. Selected artists are concerned with making visible the unconscious. In the process of painting, the act itself is often hundredths of a second ahead of the thought. With the brush as an extension of the body's awareness, practitioners create a painterly environment in which their own presence is essential. They are part of the space they are creating and are simultaneously observing, appraising and considering their actions. Thus the works they create are closely related to their personal consciousness. Depending on existential differences the works may have a gestural appearance or a more constructed figure.
In these works on paper the abstract notion of the unconscious is being inserted into the image, adapted, materialized. The works on paper can be seen as personal notes of the artists, journals, studies for large-scaled monumental works. They are thoughts, volatile, searching, non-fixed images. There is room for experiment, the works are less loaded than an oil painting for instance. The lightness provides the brain an opportunity to manifest itself in a more intuitive way.
In this series of exhibitions, starting in Tokyo at Gallery Echo-Ann and continuing at Park Hotel Tokyo, and Takarazuka Arts Center the artist's collective The Act of Painting establishes itself as an international platform for abstract artists. Furthermore, the collective explores new ways of approaching painting. By inviting Japanese artists to participate in the shows, The Act of Painting is merging the eastern vision with the European notion of intuitive painting. The fusion can prove to be a fertile ground for further development in defining intuition.
Raymond Cuijpers, Amsterdam, January 2021
Ship Type: Bulk carrier
Year Built: 2011
Length x Breadth: 229 m X 32 m
Gross Tonnage: 43754, DeadWeight: 80686 t
Speed recorded (Max / Average): 14.1 / 12.4 knots
Flag: Greece [GR]
Call Sign: SVBH7
IMO: 9471276, MMSI: 241118000
My logic and my intuition are ALWAYS fighting. Or... well... when one is happy, the other isn't...
I was brought up to be a very logical person. Anything and everything was always met with the question "Why?" Because of this, I ask it a lot too. And so logic dictated a lot of my life. Up until about this time last year. Logic was taking me places I didn't want to go. Forcing me into ideals that somehow, I took to be truths. For long periods, Intuition would just take off. Disappear. I wasn't listening to her so she'd take a vacation. Every couple of years I'd get flashes of where I should have been or things to knock me off the path I had me on, onto the more proper path for this lifetime. This time last year, was the last time my intuition had the strength to make me jump from where I was to where I needed to be. It was a rough couple of months. But it was good for me. I'm stronger and happier and more productive now than I have ever been. I am happy to say that that's Intuition lounging around, knowing things are going all right, while Logic is rocking herself, going crazy that the world is going to implode. But I'm much more at peace with Intuition HERE and content. I still use Logic to make sure Intuition doesn't go overboard, but for the most part, Intuition is in charge now :-)
My first cloning project :-) This was entertaining :-D
Learn to trust the voice inside. Leave the comfort place in which you hide and enter the wilderness of your intuition. Discover the instinctive and spontaneous wonder that is you.
Intuition Summer Festival, Beachclub Bloomingdale Bloemendaal, 8 augustus 2009
Voor mij de derde keer het Intuition Summer Festival. En daar is het eigenlijk allemaal begonnen: 07-07-07. Dus dat vergeet je je hele leven niet meer :) My addiction to trance and passion for party-photography! ! Als je voor het eerst dit feestje meemaakt, laat deze muziek je nooit meer los :) Dus of je nu voor het eerst komt, of al voor de zoveelste keer, het blijft een happening, waar je zeker bij wilt zijn! Over more than 12 hrs pure quality trance!
Naast mr. Intuition himself: Menno de Jong, nog 12 top trance dj's. En je hoort daar altijd de beste en nieuwste tracks! Hope to CU all that saturday: 8 august 2009 @ the beach! For some nice photos :) Line-up: partyflock.nl/party/149518:Intuition_Summer_Festival.html Om alvast in de stemming te komen en een goede indruk te krijgen van dit superfeest check je de set van vorig jaar: www.flickr.com/photos/dutchpartypics/sets/72157606468524210/
© Dutchpartypics | Korsjan Punt 2009. Powered by Nikon D50/D80 DSLR, Nikon AF-S 18 - 105 mm VR, f: 3.5 - 5.6, Nikon AF-S 55 - 200 mm VR, f 3.5 - 5.6, Nikon AF-S 70 - 300 mm, f 4 - 5.6, Tamron XR DI 17 - 35 mm, f 2.8 - 4.0, Tamron XR DI 28 - 75 mm, f: 2.8 - 4.0 en Sigma EX DC-HSM 10 - 20 mm, f 4.0 - 5.6. Flash: Nikon Speedlight SB600 / Sunpak PF30X, incl. omnibounce. Compact: Panasonic Lumix FX500 and Sony Cybershot DSC-H10
NIKON: At the heart of the image! & DUTCHPARTYPICS: Pounding, vivid pictures! Make your photo's come alive!
Photo: Ryoma Suzuki
写真：鈴木竜馬
Group show "The Act of Painting, Intuition (Works on paper)"
Gallery Echo-ann Ginza, Tokyo
2021.03.02-11
この度、ギャラリー枝香庵 Flatにて オランダを拠点とした
The Act of Painting "絵画と行為"(TAOP) の日本での2回目となる展覧会
"The Act Of Painting INTUITION (Works on paper)" を開催させていただく運びとなりました。
TAOPは、抽象絵画の意味を探求しながら、世界を巡り活動する国際的なアーティスト集団です。
今回のテーマは "直感"と"紙の作品"
みなさまとご一緒に抽象絵画について考える機会になりましたら幸いです。
参加作家
1.Geeske Bijker (ゲースケ・ビーカー)
Berlin, Germany (ベルリン・ドイツ)
2.Raymond Cuijpers (レイモンド・ケホパーズ)
Amsterdam, The Netherlands (アムステルダム・オランダ)
3.Lukas Gothman (ルカス・ゴスマン)
Stockholm, Sweden (ストックホルム・スウェーデン)
4.Jeroen Hofhuizen (ジェロエン・ホフフィズン)
Maastricht, The Netherlands (マーストリヒト・オランダ)
5.Wieteke Heldens (ヴィエテケ・ヘルデンズ)
New York, U.S.A. (ニューヨーク・アメリカ)
6.Andre Kruysen (アンドレ・クルーセン)
Den Haag, The Netherlands (ハーグ・オランダ)
7.Ray Moon (レイ・ムーン)
Maastricht, The Netherlands (マーストリヒト・オランダ)
8.Romee van Oers (ロメー・ヴァン・オアーズ)
Tilburg, The Netherlands (ティルブルフ・オランダ)
9.Jacco Olivier (ヤッコ・オリヴィエ)
Amsterdam, The Netherlands (アムステルダム・オランダ)
10.Cole Verhoeven (コール・バーホーベン)
Amsterdam, The Netherlands (アムステルダム・オランダ)
11.Marie van Vollenhoven (マリー・ヴァン・ヴォレンホーフェン)
Maastricht, The Netherlands (マーストリヒト・オランダ)
12.Charlotte Warsen (シャーロット・ウォーセン)
Berlin, Germany (ベルリン・ドイツ)
13. Line Kramer (ライン・クレイマー)
Rotterdam, The Netherlands (ロッテルダム・オランダ)
14. Astrid Sylwan (アストリッド・シルワン)
Stockholm, Sweden (ストックホルム・スウェーデン)
15.Mayako Nakamura (中村 眞弥子)
Tokyo, Japan (東京・日本)
今回のThe Act Of Painting (以下 TAOP)の日本巡回展は
ギャラリー枝香庵（東京・銀座）をはじめ、パークホテル東京（2021年5月）、宝塚市立文化芸術センター（2021年9月）を予定しております。
ギャラリー枝香庵 (8F)では 中村眞弥子展
"Home Sweet Home・もうひとつの物語"を同時開催します。
あわせてご覧いただけましたら幸いです。
www.facebook.com/events/1351335738579312/
緊急事態宣言の延長。
現時点では しっかりと対策をとりながら
予定通り開催したいと考えております。
どうぞよろしくお願いいたします。
・・・・・・・・・・・・・・・・・・・・・
"The Act Of Painting INTUITION (Works on paper)"
"絵画と行為 "直感" (紙の作品)"
2021年3月2日(火)-11日(木)
11:30-19:00 (日曜日・最終日 -17:00)
〒104-0061 東京都中央区銀座3-3-12 銀座ビルディング８Ｆ
Tel 03-3567-8110
◎東京メトロ（丸ノ内線/銀座線/日比谷線）銀座駅 Ｃ８出口１分
◎東京メトロ銀座一丁目駅(有楽町線) ８番出口５分
◎ＪＲ有楽町駅(山手線/京浜東北線) ５分
ビル左横の細い通路を入りエレベーターでお越しください
・・・・・・・・・・・・・・・・・・・・・
絵画と行為 "直感" (紙の作品)
The Act Of Painting- 現代絵画の可能性を追求するわたしたちの活動にとっ て "直感"は とても重要なものだ。わたしたちは無意識を可視化することに関 心を持っている。絵画を制作する過程で、無意識から生み出される”直感”は、思 考の遥か前からはじまっている。身体意識の延長として筆を用い、絵を描く者は 絵画の中で自己の存在を再確認する。美術家は、自ら創り出す空間の一部となる と同時にそれを観察し、自身の行為について考え、評価している。よって、生み 出される作品はつくり手の個人的な意識に限りなく結びついている。作品には表 現者それぞれの感性により、身体性や構築性が強く現れてくる。
今回発表する紙作品には 無意識を反映した抽象的な概念が 挿入、適応、具体化されている。紙に描いた作品は、美術家の個人的な記録、記念碑的な作品のた めの日記や習作として鑑賞することもできる。それらの作品は 直感的思考そのものであり、変化しながら追求される掴みどころのないイメージでもある。更な る実験の余地があり、例えば油彩画と比較すると柔軟性を帯びている。この柔ら かさ故に、作品には”直感"が反映されている。
美術家集団 "The Act of Painting" による ”直感” (紙作品)の展覧会は 銀座・ギャラリー枝香庵をはじめ、パークホテル東京 コリドーギャラリー34、 宝塚市立文化芸術センター・キューブホール、モエレ沼公園(調整中)へと巡回し ながら、抽象芸術家のための国際的な地位を確立することを目的としている。わ たしたちは常に、絵画に対する新しい接し方を追い求めている。日本各地の展覧 会では、現地のキュレーター、美術家などと交流をしながら、西洋の概念と 東 洋の視点との融合を試みる。その融合は絵画における”直感”の意味を探求する 豊かな土壌を築く 更なる発展の鍵となるだろう。
レイモンド・ケホパーズ (アムステルダム 2021年1月)
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We are pleased to announce the exhibition "The Act of Painting “Intuition” (Works on Paper)" at Gallery Echo-Ann (Flat) Ginza Tokyo. It is the second traveling exhibition in Japan by the artist collective, "The Act Of Painting" (TAOP) based in the Netherlands.
TAOP is an international artist collective that travels around the world in search of the meaning of abstract paintings. Their theme for the traveling exhibition in Japan this year is "intuition" reflected on works on paper.
We hope this will be an opportunity for you to feel/think about abstract paintings.
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The Act of Painting, Intuition (works on paper)
Intuition covers a great deal of what The Act of Painting collective's exhibitions and projects are about. Selected artists are concerned with making visible the unconscious. In the process of painting, the act itself is often hundredths of a second ahead of the thought. With the brush as an extension of the body's awareness, practitioners create a painterly environment in which their own presence is essential. They are part of the space they are creating and are simultaneously observing, appraising and considering their actions. Thus the works they create are closely related to their personal consciousness. Depending on existential differences the works may have a gestural appearance or a more constructed figure.
In these works on paper the abstract notion of the unconscious is being inserted into the image, adapted, materialized. The works on paper can be seen as personal notes of the artists, journals, studies for large-scaled monumental works. They are thoughts, volatile, searching, non-fixed images. There is room for experiment, the works are less loaded than an oil painting for instance. The lightness provides the brain an opportunity to manifest itself in a more intuitive way.
In this series of exhibitions, starting in Tokyo at Gallery Echo-Ann and continuing at Park Hotel Tokyo, and Takarazuka Arts Center the artist's collective The Act of Painting establishes itself as an international platform for abstract artists. Furthermore, the collective explores new ways of approaching painting. By inviting Japanese artists to participate in the shows, The Act of Painting is merging the eastern vision with the European notion of intuitive painting. The fusion can prove to be a fertile ground for further development in defining intuition.
Raymond Cuijpers, Amsterdam, January 2021
THINKING AND INTUITION
640. (844.) Thought is important; thinking is more important; but the most important is the thinker.
641. Associative automatism, a kind of non-volitional and unconscious mental vortex, is treacherous because, though it is not tiring, it is simply and solely destructive. However, study without conviction and interest, which can hardly be called intellectual at all, is only slightly better than that, because though it is similarly destructive, it is also tiring at least.
[The latter is better than the former because its tiring nature prevents man from keeping awake continuously.]
642. Problem-solving thinking is not real thinking, but only the intense degradation of thinking. The real thinking is creative thinking which means thinking at high intensity.
643. Reflection on problems is often a very concentrated thinking - save that the real subject of thinking is not »me«, rather it seems as if a heteron power focussed my attention to the topic. Whereas it is essential that a power should be present in my mind, it is also necessary that this power should be mine.
644. Thinking imbued with emotionality, which drifts toward a problem, is undoubtedly a kind of concentration: although not I am who concentrates, rather I am concentrated on.
645. Thematic thinking is the path from swirling thoughts to hyper-thematic thinking.
646. It is myself I always understand / perceive within intuition.
647. The essence of intuition always refers to myself. What is understood / perceived in the flash of intuition is always secondary, when compared to the inexpressible part of intuition that refers to myself.
648. (854.) A legmagasabb rendű, tiszta intuíciónak már nincsen tárgya. Ebben az intuícióban az ember már nem rádöbben valamire, hanem egyszerűen csak rádöbben.
648. (854.) The supreme clear intuition has no object at all. Within this intuition man does not become conscious of something, he simply becomes conscious.
649. The completeness of the sensus implies the completeness of a Janus-face: one half of it is understanding and the other half is feeling in its non-emotional form.
[The Latin word sensus means both »understanding« and »feeling« at the same time.]
650. The original unity of understanding and feeling is recovered for a moment in the true intuition.
www.amazon.com/Solum-Ipsum-Metaphysical-Andr%C3%A1s-L%C3%...
painting by Paul Feiler
"Rooted in Intuition Series 2"
Mixed media painting and Sculpture by Diane Marie Kramer
photo taken at the Artist Reception May 3 2016
Show up until June 30th 2016
Gallery hours and times:
Tues - Fri: 11 AM - 6 PM
Sat & 1st Sun: 11 PM - 3 PM
Closed Holiday Weekends
Admission: FREE