View allAll Photos Tagged Intersect
I'm sure loads of people have already done this... don't know why I didn't think of it sooner! Using jumpers with 1x4 bricks with grooves.
Not entirely sure what use it will be - I think it will be great to create stable interlocking sections in models (the three parts are not attached)
A use of this technique is here
Thought of a name for this technique - the Groovy Jumper!
Another irregular tesselation, but with a little more symmetry than previously. I again used CirclePack to generate the Circle Packing this is based on.
Folded from one sheet of elephant hide paper scored with a Craft ROBO.
The concept was previously explored by Daniel Kwan and Philip Chapman-Bell.
CPs for all the "Intersecting Cylinders" models can be found here.
The theme for week 15 is intersecting. Hedgerows intersect the countryside providing highways for wildlife and fields for farmers.
Processed through Dynamic Photo HDR and tweaked a little in Serif.
Times Square, Midtown Manhattan, New York City. United States / August 2017
© Copyright 2017 Mario Rasso
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e-mail: mario.rasso@outlook.com
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Times Square is a major commercial intersection, tourist destination, entertainment center and neighborhood in the Midtown Manhattan section of New York City at the junction of Broadway and Seventh Avenue. It stretches from West 42nd to West 47th Streets. Brightly adorned with billboards and advertisements, Times Square is sometimes referred to as "The Crossroads of the World", "The Center of the Universe", "the heart of The Great White Way", and the "heart of the world". One of the world's busiest pedestrian areas, it is also the hub of the Broadway Theater District and a major center of the world's entertainment industry. Times Square is one of the world's most visited tourist attractions, drawing an estimated 50 million visitors annually. Approximately 330,000 people pass through Times Square daily, many of them tourists, while over 460,000 pedestrians walk through Times Square on its busiest days.
Formerly known as Longacre Square, Times Square was renamed in 1904 after The New York Times moved its headquarters to the newly erected Times Building – now One Times Square – the site of the annual New Year's Eve ball drop which began on December 31, 1907, and continues today, attracting over a million visitors to Times Square every year.
Times Square functions as a town square, but is not a square in the geometric sense of a polygon; it is more of a bowtie shape, with two triangles emanating roughly north and south from 45th Street, where Seventh Avenue intersects Broadway. Broadway runs diagonally, crossing through the horizontal and vertical street grid of Manhattan laid down by the Commissioners' Plan of 1811, and that intersection creates the "bowtie" shape of Times Square.
The southern triangle of Times Square has no specific name, but the northernmost of the two triangles is called Father Duffy Square. It was dedicated in 1937 to Chaplain Francis P. Duffy of New York City's U.S. 69th Infantry Regiment and is the site of a memorial to him, along with a statue of George M. Cohan, as well as the TKTS reduced-price ticket booth run by the Theatre Development Fund. Since 2008, the booth has been backed by a red, sloped, triangular set of bleacher-like stairs, which is used by people to sit, talk, eat, and take photographs.
Call me Snake offers an optimistic provocation – ‘imagine what could be here’ by Judy Millar. On a walk into the city October 3, 2015 Christchurch New Zealand.
The work is comprised of vibrant graphics of Millar’s looped paintings, which are adhered to five intersecting flat planes, and draws inspiration from the forms found in pop-up books. The colourful piece will add a dramatic and rhythmic counterpoint to the city’s current urban landscape — a mix of flattened sites, construction zones and defiant buildings that have stood through the quakes. The work employs theatricality, playfulness and visual trickery, whereby the viewer is unsure about the work’s flatness or three-dimensionality; and it has been designed to offer a different perspective from each angle. The bright colours interrupt the grey of the work’s surrounds, and as buildings pop up around it,
SCAPE 8, New Intimacies curated by Rob Garrett was a contemporary art event which mixed new artworks with existing legacy pieces, an education programme, and a public programme of events. The SCAPE 8 artworks were located around central Christchurch and linked via a public art walkway. All aspects of SCAPE 8 were free-to-view.
The title for the 2015 Biennial – New Intimacies – came from the idea that visually striking and emotionally engaging public art works can create new connections between people and places. Under the main theme of New Intimacies there are three other themes that artists responded to: Sight-Lines, Inner Depths and Shared Strengths.
For more Info: www.scapepublicart.org.nz/scape-8-judy-millar
IMG_0267GPPc2020(lftPSXNgtvHDR&rgtPSX[HDR)GPP2exHDRCompo
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© All Rights Reserved - Jim Goodyear 2021.
L'autel majeur, en marbre de Sarrancolin, a été mis en place en 1737. Séparé de l'autel par un étroit passage, le retable s'adosse au mausolée de saint Bertrand. De la même époque que les stalles, il a été badigeonné et doré tardivement.
À la prédelle, on découvre vingt-sept petits bas-reliefs qui ne comportent pas moins de 115 personnages de 18 centimètres de hauteur. Deux cycles s'entrecroisent dans un désordre qui n'est qu'apparent :
à la base des colonnes du retable, nous trouvons le cycle de la Vierge Marie et de la Nativité de l'enfant Jésus
dans les renfoncements du retable, le cycle de la Passion du Christ
Le désordre n'est qu'apparent, car l'artiste, ou celui qui l'a inspiré, en mélangeant ces deux cycles, illustre magnifiquement une des grandes intuitions de la théologie chrétienne : la Kénose, l'abaissement du Christ qui culmine au moment de la Passion, commence en fait dès la Nativité. Lui, qui est de condition divine n'a pas considéré comme une proie à saisir d'être l'égal de Dieu. Mais il s'est dépouillé, prenant la condition de serviteur, devenant semblable aux hommes et, par son aspect, il était reconnu comme un homme... écrira saint Paul dans son épître aux Philippiens -Ph. 2/6-7 - .
Cela n'empêche pas l'auteur d'aller chercher une partie de son inspiration du côté des Évangiles Apocryphes popularisés à partir du XIIIe siècle par la très fameuse Légende Dorée du dominicain génois Jacques de Voragine. De nombreux détails des stalles, comme des premiers tableaux de la prédelle consacrés aux parents de la Vierge Marie, Anne et Joachim, proviennent en effet de ce best-seller de la littérature populaire édifiante : vendue par les colporteurs en fascicules lue, relue, lors des veillées campagnardes jusqu’au début du XXe siècle, La Légende dorée n’en a pas moins fournie aux artistes, depuis sa parution, les attributs et symboles qui permettaient d’identifier au premier coup d’oeil les saints, les saintes, et les scènes de l’Ancien ou du Nouveau Testament.
The main altar, in Sarrancolin marble, was installed in 1737. Separated from the altar by a narrow passage, the altarpiece leans against the mausoleum of Saint Bertrand. From the same period as the stalls, it was whitewashed and gilded late.
At the predella, we discover twenty-seven small bas-reliefs which include no less than 115 characters 18 centimeters high. Two cycles intersect in a disorder that is only apparent:
at the base of the columns of the altarpiece we find the cycle of the Virgin Mary and the Nativity of the child Jesus
in the recesses of the altarpiece, the cycle of the Passion of Christ
The disorder is only apparent, because the artist, or the person who inspired him, by mixing these two cycles, magnificently illustrates one of the great intuitions of Christian theology: Kenosis, the abasement of Christ which culminates in moment of the Passion, in fact begins at the Nativity. He, who is of divine condition, did not consider it a prey to be seized to be the equal of God. But he stripped himself, taking on the condition of a servant, becoming like men and, by his appearance, he was recognized as a man... wrote Saint Paul in his epistle to the Philippians -Ph. 2/6-7 - .
This does not prevent the author from seeking some of his inspiration from the Apocryphal Gospels popularized from the 13th century onwards by the very famous Golden Legend by the Genoese Dominican Jacques de Voragine. Many details of the stalls, such as the first paintings in the predella devoted to the parents of the Virgin Mary, Anne and Joachim, come from this bestseller of edifying popular literature: sold by peddlers in booklets read, reread, during From country vigils to the beginning of the 20th century, La Légende Dorée has nonetheless provided artists, since its publication, with the attributes and symbols that made it possible to identify at first glance the saints, the saints, and scenes from the Old or New Testament.
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Hasselblad 501 C/M (Zone Sieve pinhole) with Kodak Tri-X 400 developed in Rodinal.
Printed on Kodak Ektalure
Lith development:
LD20 / D / E
Selenium 1+4 15s
- www.kevin-palmer.com - I've looked into Bighorn Canyon many times from the west side. But this was my first time seeing it from the east side which is much harder to reach.
a full view of this model.
from Roma Remme's "intersecting cylinders" family. you really should have a look at his other models.
Each folded from one sheet of elephant hide paper scored with a Craft ROBO.
The patterns are based on ten regular pentagons arranged around a regular decagon. I found that arrangement on this helpful Wkipedia page.
The concept was previously explored by Daniel Kwan and Philip Chapman-Bell.
CPs for all the "Intersecting Cylinders" models can be found here.