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Transformation
Website:
TransFormation was created in 2007 with the goal of offering an annual intensive workshop for professional dancers. Throughout the last 11 years, TransFormation has become a landmark in the Montreal dance scene as a highly anticipated and indispensable event. Cherished by artists for its intensive format, TransFormation contributes to focusing on precise objectives over the span of a couple of weeks. It is also a rare occasion to meet, exchange and network with other artists from Montreal, Quebec, Canada and throughout the world, who all share the same passion.
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TransFormation is a contemporary dance intensive for professional dancers, choreographers, professional teachers and emerging artists. A variety of technique classes, workshops and creation laboratories are offered on an à la carte basis encouraging the artists themselves to choose a programming which would best fit their pursuit of their unique artistic development.
Dancers develop their own distinct way of working, bringing a singularity and their own particular colour to the creations they take part in. Consequently, the contemporary dancer must not only explore new techniques but also new “states of body”. Transformation is a place that offers the opportunity to acquire and incorporate new tools, to improve critical sense and refine one’s personal aesthetic choices.
TransFormation brings together dancers from different horizons and with different views and interests. Together these factors make for a very unique and enriching experience. Every year dancers leave with an appreciation for the fluidity of interpersonal relations between the dancers, choreographers and faculty as well as the intense concentration of the workshop and the atmosphere of artistic freedom that is felt in the different studios during TransFormation.
The program reflects the dancer’s commentaries, views and interests in the new paths of contemporary creation along with the human and artistic experience of its director Lisa Davies and its founders Catherine Viau and David Pressault. The choice of faculty is based on a desire to offer a space of real transformation.
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The Green Pea Company hard at it vining peas for Birds Eye at Raywell whilst wheat is harvest in the next field. #yourharvest
In Svaneti jewellery was mainly made of silver or brass and is distinguishable from the products of other re-gions of Georgia by its artistic quality, the ornamental patterns and the intensive usage of niello.
Traditional jewellery was best represented by the decorations worn by married Svan women. Most of the jewellery was made by local craftsmen (muvr) but many pieces were also imported from various Georgian towns and from the North Caucasus.
Some pieces of jewellery were imbedded in garments and were sewn directly onto maskaba dresses. These were fasteners: hooks and eyes, chaprasts of different shapes, buttons (ghilkar) and buckles attached to the bodice called aslar. The independent jewellery inclu-ded necklaces (kebzar, lebar), intricately woven chains (nakol), a ring (meskiad), earrings (leshtamar), and brace-lets (hechakalebem). The waistband (lartk) had a practi-cal as well as a decorative function. Belts in Svaneti had silver buckles with fasteners; the most popular type was the openwork gilded belt of the Akhaltsikhe type.
www.eumans.eu/stop-sussidi-agli-allevamenti-intensivi?fbc...
Una iniziativa di EUmans! rivolta ai candidati delle Elezioni Europee 2024: si chiede di fermare i sussidi, diretti e indiretti, agli allevamenti intensivi, modello agroalimentare non più sostenibile, come mostrato nel film Food For Profit.
Smettiamo di destinare i fondi europei a un'industria che inquina il pianeta e maltratta gli animali.
An initiative by EUmans! addressed to the candidates of the 2024 European Elections: we ask to stop direct and indirect subsidies to intensive farming, an agri-food model that is no longer sustainable, as shown in the film Food For Profit.
Let's stop allocating European funds to an industry that pollutes the planet and mistreats animals.
BLS: the centenary of the Bern-Lötschberg-Simplon railway was celebrated in 2013. Among the various events that took place, the weekend of 7 and 8 september was held the so-called "party of the south ramp", focused on exhibitions and events developed along the seven stations between Goppenstein and Domodossola. Besides the exhibitions of ancient and modern rolling stock, service material, facilities and various attractions, throughout the weekend ran multitude of special trains.
Here we see one of these special trains in Lalden, as part of a cadenced intensive service (one train every 15 minutes) offered between Goppenstein and Brig.
In this case is a conventional train headed by the electric locomotive Ae 4/4 251 (built by SLM and BBC in 1944 and owned by BLS) and a consist of four EW I (unified Mark I) passenger cars, working a shuttle train between Goppenstein and Brig.
A re-edit of a previous pic. Quite subtle but improved i hope!
Lencarta smartflash on axis x2 yongnuo trigger.
Don't worry, Mr. Patient!
Take a look at my lace bra
and then I will give you an intense body massage.
Take off your clothes, patient.
I need to examine your penis, testicles and prostate.
Pleasant sensations are possible during the examination.
Snapshots from our five week Summer Intensive at both White Lodge and Upper School.
©2022 The Royal Ballet School. Photographed by Rachel Cherry.
My night nurse
Oh the pain it's getting worse
I hurt my love
I don't wanna see no doc
I need attendance from my nurse around the clock
Cause there's no prescription for me
She's the one, the only remedy
Night nurse
Only you alone can quench this jah thirst
My night nurse
Oh the pain it's getting worse
I hurt my love
And I'm sure no doctor can cure
Night nurse night nurse
A text In English:
The Swallow-tailed Hummingbird, so called from its forked tail, is one of the largest hummingbirds in cities and gardens, but it also occurs in gallery forests, bushy pastures and edges of woods or coppices. It is green, except for the blue head and upper breast, turning to iridescent purple according to the direction of light; it has dark wings and a heavy black bill. The tail is dark blue with the external feathers longer than central ones. It is very aggressive and attacks other hummingbirds that dare to visit flowers in certain trees. Where the flowers are available for many months, the individual is fiercely territorial, but generally needs to search soon for other flowering plants. It flies to catch small insets on or under leaves in the gallery forests or woodlands. The female builds a small cup-shaped nest saddled on a branch, not far from the main trunk in the shade of leaves. Perched on favorite branches, the male can utter long but low chirps. Once in a while, it interrupts these singing sessions to feed, and flies back for more song or to clean the plumage. They occur from the Guianas and Amazon River to Paraguay and southeastern Peru. They can get along with partially deforested zones, but may disappear with intensive agriculture and with the development of treeless cities.
Um texto em Português:
Beija-flor Tesoura (Eupetomena macroura), fotografado em Brasília-DF, Brasil.
Eupetomena macroura (Gmelin, 1788): tesoura; swallow-tailed hummingbird c.
Destaca-se das espécies estudadas pelo maior porte e pela cauda comprida e bifurcada, o que lhe valeu o nome popular. Como é comum entre os beija-flores, é uma espécie agressiva que disputa com outras o seu território e fontes de alimento.
Nidificação: o ninho, em forma de tigela, é assentado numa forquilha de arbusto ou árvores, a cerca de 2 a 3 m do solo. O material utilizado na construção é composto por fibras vegetais incluindo painas, musgos e liquens, aderidos externamente com teias de aranhas.
Hábitat: capoeiras, cerrados, borda de matas e jardins.
Tamanho: 17,0 cm
Canon EOS Digital Rebel XT
I'm doing an intensive course with Jeanne Bessette over the next month or so. We're going deep into our painting processes and to free up my creative mojo totally I don't plan to post full shots of in progress or completed paintings from this work during this time. I really want to be "free." A few peeks of colour and shape like this along the way won't hurt though ... and we can revisit 2015 works, too.
The usual once a year mayhem occurred on Saturday 3rd August. An intensive service of Routemasters once again ran to the village of Imber on Salisbury Plain, abandoned since 1943.Every now and again the army allow access into the village, normally used for exercises....somehow I doubt that they ever expected this!
As usual the service was registered by the Bath Bus Company - but they get a lot of help from their friends!
A formation departure from the 'Gore Cross Interchange' (as named by the Wiltshire CC public transport unit, who enter into the spirit of things!)
I was on open-top RMC1510, leading duplicates in the form of RM5 and the Borismaster bound for New Zealand Farm Camp, whilst the other RM and RML were bound for Imber and Warminster