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Okay, it's actually a ship's running light- a MAJOR ship! This glass was huge!

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

It was a long shift in the emergency room

© Ray Skwire

 

Featured on NBC10 Philadelphia Photo Gallery, 7/1/2012

Featured NBC10 Video Segment

 

This was shot from Dog Beach on the Longport Causeway last night/early this morning during the derecho that nailed South Jersey.

 

Longport is directly ahead, Ocean City behind and to the right, and Somers Point to the left across the bay.

 

To provide an update, my girlfriend and I went to Dog Beach and parked on the bay side of Ocean City where I set up my tripod at the edge of the parking lot, facing back towards Somers Point. I figured we'd just wait for the storm to roll in, despite some lightning already to the North of us.

 

It was a nice breeze at first, a couple pops of lightning and as our anticipation was beginning to grow, out of nowhere, the wind just WHOOSHED and suddenly there was dirt and debris flying everywhere and the bay just came alive, churning with ever growing waves.

 

Quickly it became apparent that we would not be able to remain outside the vehicle so we got back in and I began taking shots from the dashboard. That was OK, except that the truck was rocking back and forth, to and fro, and so I decided to turn the truck around and cross the causeway to the Longport side of the beach in the hopes that facing *with* the wind would help a little, which it actually did.

 

The only drawback was that it was raining, which meant I couldn't get the clearest shots from outside the vehicle and instead, had to run the wipers on high, which is what you can see in these shots.

 

But in short, it was, as a weather buff, simply amazing. I watched the power go out in several shore towns almost simultaneously. I saw between 20-30 transformers glow and light up the sky. I watched a church catch fire and burn down. One of the most lightning intensive storms I've ever seen.

 

The damage all across the area looks like a hurricane slammed Atlantic County. Trees down *everywhere!* Telephone poles pulled down by wires or simply snapped in half. Entire groups of trees de-gloved of branches and leaves. Power out everywhere. No gas stations open, and just a handful of major intersection street lights with power.

 

It was almost like a zombie apocalypse. ;p

©2021 The Royal Ballet School. Photographed by Rachel Cherry.

©2023 The Royal Ballet School. Photographed by Rachel Cherry.

 

Source: en.wikipedia.org/wiki/Greenville,_Illinois

 

Greenville is a city in Bond County, Illinois, United States, 51 miles (82 km) east of St. Louis. The population as of the 2010 census was 7,000. It is the county seat of Bond County.

 

Greenville is part of the St. Louis Metropolitan Statistical Area. It is also considered part of the Metro East region of Illinois.

 

Greenville celebrated its Bicentennial in 2015 as one of the oldest communities in Illinois. It is home to Greenville University, the Richard Bock Museum, the American Farm Heritage Museum, the Armed Forces Museum and the Demoulin Museum and a federal prison, Federal Correctional Institution, Greenville (FCI Greenville). It is also home to internationally known companies, including Nevco Scoreboard, the largest privately owned scoreboard company in the world, and DeMoulin Brothers, the world's oldest and largest manufacturer of band uniforms.

 

Source: www.americanfarmheritagemuseum.com/about-us.html

 

The American Farm Heritage Museum was one man's dream. The Museum became a reality when a group of men, mostly farmers, sitting in coffee shop, talked about the dream of building a museum to preserve the farm heritage. Sixty farmers, collectors, and civic leaders held a meeting to share their ideas with the public in April of 2002. It was agreed that Bond County, being near the middle of the state and right along 1-70, would be the perfect place. Meetings were conducted, fundraisers were held, and ideas were passed around. In 2002 the land for the museum was acquired and a name for the museum was chosen.

 

The American Farm Heritage Museum would sit on seventeen acres, along the south side of interstate 70, just east of the Route 127 overpass. Its goal would be to promote and share the heritage of America's rural life: living, farming and travel. One very generous family purchased the land and leased it for ninety-nine years to the American Farm Heritage Museum, NFP organization. After a year of planning, the first 32'x64' building, with a gambrel roof, was completed. It was finished just days before the first Heritage Days Show in July 2004. This building, originally was to be a tractor maintenance shop, but later became known as the Lil' Red Barn Museum.

 

In the winter of 2005, owners of a truck terminal building in St. Louis gave the building to the Museum, if we took it down. Several members went to work and got the 200'x100' building moved and rebuilt. Since then other buildings and groups have been added to the show grounds.

 

We are growing with each passing year. Our Main building is the site of numerous events throughout the year. The Lil' Red Barn is a little piece of history, with collections of items from the past. In 2009 this building received the Illinois Governor's Home Town Award. The Tractor Shed displays different makes of tractors and tools of the past. Our Christmas building, which operates as a work shop and houses all the Christmas boxes for The Christmas Lights Wonderland, partners with The Lil' Red Barn, Railroad, Hill's Fort and the Armed Forces Museum to put on a spectacular Christmas display.

 

The American Heritage Railroad, established in 2003 is a division of the American Farm Heritage Museum. Many rail-enthusiast members realized as farms were connected by the American Railroad so should the Museum have an operating railroad for its historic value, as well as provide a fun ride for visitors. May 10, 2005 the railroad division was officially formed and an intensive search began to procure equipment. Many thousands of hours of volunteer labor, by friends of the railroad, have resulted in over a mile of 13" gauge track being laid, on the grounds. It is our desire to honor the great railroads that have served Bond County, such as the Vandalia, Nickel Plate, Pennsylvania and CB & Q. In 2005 the Ben Winter's Museum railroad was purchased which provided a G-15 diesel train set. The final move of the Ben Winter's railroad was completed in November, in three days with 20 volunteers, 9 trailers and one semi-truck. The collection has grown to include both diesel and steam engines and a variety of rolling stock. The railroad owns three steam locomotives. It is hoped the 1926 Wagner 4-4-2 steam engine will be ready for operation for the 2015 season.

 

2005 Hill's Fort also joined the Museum. Hill's Fort played an important part in the opening of Northwest Territory. Hill's Fort may have started as early as 1806 when early settlers first arrived. The Fort's location appears on an 1808 survey map by Capt. Isaac Hill, leader of a team commissioned by President Thomas Jefferson to survey the Illinois Territory. The Legislature fixed Hill's Fort as the temporary county seat. Earliest records are preserved from Hill's Fort and include court and marriage dockets. The Bond County seat was later moved to Perrysville and, in 1821 to Greenville, Illinois. No longer useful as a fort or county seat, Hill's Fort was abandoned and fell to ruin.

 

Following excruciating study of the original site, a replica of the Fort has been recreated on the grounds of the Farm Museum. It is open to the public on the 1st Saturday of the month from May through October and also open, for tours and special occasions. At Christmas time they are open Friday and Saturday nights for the Christmas lights. They dress in period dress and cook over the open fireplace in the cabin, and are eager to answer questions.

 

In 2012 The Armed Forces Museum, "Memories of Steel", joined our Museum. It maintains as its sole mission, to preserve these important pieces of military history. The Museum houses one of the largest collections of military vehicles in the County. It currently watches over approximately 15 privately-owned and 25 museum-owned vehicles. The members are involved in a program called "Living history" which furnishes displays of t1istoric vehicles and memorabilia and, works with re-enactors at civil events like Armed Forces Day and Veterans Day. Each of these vehicles has an historic story and plays a very important role in connecting us with the soldiers who lived and died in their service to the country.

Nail technicians and skin-care specialists (the salon workers who do the most waxing) earn a mean annual pre-tax wage of $22,150 to $31,990. This figure doesn't include tips, which can total another $4,430 to $6,398—a clear financial incentive to befriend your clients in this service-based, nonreciprocal way.

 

And yet. When it came to 38, I wanted the cash, not the compliment, to show the value of my abilities. And maybe, to compensate for how she got to leave feeling so clean and sexy—but I could still smell her body on me, ever so faintly, even after I threw away the gloves and washed my hands.

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I’m not sure what the phrase “owning your sexuality” means to you, but for me, one thing it entails is responsibility: doing my best to make sexual choices that are sound for me and a partner. (That’s also part of doing consent well.)

 

If I am offering something sexually light and fun but anticipate that it will be emotionally or interpersonally complex–or if I’m feeling stressed, confused and worried about it–then I can know that easy-breezy is neither what I can expect nor earnestly offer.

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You are here: Home / Health / Can Sex “Just for Fun” Be Emotionally Healthy?

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Can Sex “Just for Fun” Be Emotionally Healthy?

October 11, 2011 by Heather Corinna

 

msmagazine.com/blog/blog/2011/10/11/can-sex-just-for-fun-...

 

This week’s installment of Heather Corinna‘s sex-and-relationships advice column tackles the issue of casual sex.

 

...Q: So excited for this new blog spot! Can you discuss whether it’s emotionally healthy to have sex outside of relationships? I want to own my sexuality, but all of the advice around me seems to be no-sex-outside-of-relationships-or-marriage. I know this depends on the individual, but any insight would be great! I’ve been toying with asking an ex–whom I am friends with–to have sex just for fun. I’m 98 percent sure he’ll agree, but I am worried about emotional health consequences. He has always wanted a much closer relationship than I do. I’m worried I’ll feel guilty for possibly leading him (or myself) into wanting more.

 

You’re right: this is a very individual and situational decision. To give some context, a recent study found that, on average, for 20-year-olds, casual sex and committed relationships led to the same level of psychological health. But individuals aren’t averages. Not everyone wants or is comfortable with sex in the same kinds of relationships or scenarios (including committed relationships). Context and interpersonal dynamics factor in, too.

 

There are some guidelines, however, that everyone can apply. When a sexual situation is likely to be sound, we usually feel good heading into it, as does anyone else involved. If we feel uncertain or predict negative feelings on anyone’s part, those are strong cues not to proceed.

 

I’m not sure what the phrase “owning your sexuality” means to you, but for me, one thing it entails is responsibility: doing my best to make sexual choices that are sound for me and a partner. (That’s also part of doing consent well.) If I am offering something sexually light and fun but anticipate that it will be emotionally or interpersonally complex–or if I’m feeling stressed, confused and worried about it–then I can know that easy-breezy is neither what I can expect nor earnestly offer.

 

Even when I’m having sex-for-sex’s-sake–which I would define as sex that takes place outside of a larger intimate relationship, without any agreed-upon, intended or implied commitment–that doesn’t mean I have zero responsibility for my emotional health or that of others. My partner (or wanna-be partner) and I still owe one another respect, care and consideration, which includes considering possible outcomes, even if we don’t intend to be there with each other for them.

 

It sounds like you’re on board with that, and you’ve already voiced your own sense that this specific situation probably isn’t sound for you or your ex. While he’d likely agree to sex, clearly some of this wouldn’t be fun for him or you, and could be an emotional landmine. While your romantic relationship may be over, you two are in a relationship: you have a history and a friendship, and it sounds like you have strong feelings for and about one another that are not only or primarily sexual. If what you want is just a roll in the proverbial hay, this isn’t likely to be it.

 

It also sounds like you’ve been curious about sex outside of romantic relationships, but you haven’t felt supported in or exposed to alternatives. So you might also want to give yourself more time to take a bit more stock of what you want and to find people to talk with who aren’t all saying the same things. If that’s not currently available to you, Sex & Single Girls is a great anthology with a diverse array of women writing about various sexual experiences. I also think Jaclyn Friedman’s new book, What You Really Really Want, could be just the thing for you.

 

My best advice is that you hold out for an opportunity to explore casual sex if and when you feel a lot better about it. That will also likely entail a partner or scenario you don’t feel so conflicted about; that feels more likely to be explosive in the ways you want, rather than the ways you don’t.

 

Check out last week’s advice about lube blues.

 

Have a sex, sexual-health or relationships question you want answered? Email it to Heather at sexandrelationships@msmagazine.com. By sending a question to that address, you acknowledge you give permission for your question to be published. Your email address and any other personally identifying information will remain private. Not all questions will receive answers.

Photo from Flickr user skampy under Creative Commons 2.0.

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You are here: Home / Life / When the Sweet Spot Becomes a Sore Spot

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When the Sweet Spot Becomes a Sore Spot

October 31, 2011 by Heather Corinna

 

msmagazine.com/blog/blog/2011/10/31/when-the-sweet-spot-b...

  

Q: I’m a 21-year-old lesbian. A problem has popped up in me and my girlfriend’s sex life. When we practice tribadism with just skin, after a while a very small raw spot will show up, bringing with it a sharp pain. Both of us have this problem. Neither of us is clean-shaven, but we do trim–would shaving help? Is there anything else we can do?

 

A: Ah, friction. Sometimes it feels so awesome. Other times it hurts. Part of what makes genitals so sensitive is that genital tissue is far more delicate than other kinds of skin on our bodies. With genital friction, there’s a tipping point after which a wowie can turn into an owie.

 

To avoid being rubbed raw, first make sure you and your partner are always very well-lubricated. Lube from a bottle tends to do the job better than our bodies’ lubricant when it comes to friction-intensive sex.

 

Apply lube before you start and add more as needed throughout. Be generous and don’t skimp.

 

I checked in with Searah Deysach, the fantastic owner of Early to Bed, to see if she had any specific lube suggestions; she keeps up with brands and types like nobody’s business. She suggested a high-quality silicone lube, such as Uberlube or Sliquid Silver–they tend to be longer-lasting and slicker than water-based lubricants. But if you prefer water-based, she suggests glycerin-free brands such as Sliquid Sea or Liquid Silk (my fave), which are kinder to vulvas and vaginas than those with glycerin.

Searah and I are of one mind about hairy issues. She says, “Hair that is growing back after shaving can be especially irritating, as stubble can be vicious on delicate tissues. “ I agree. Stubble from hair removal is more likely to irritate than the softer pubic hair we tend to have when we don’t shave. If all you do is trim, chances are hair isn’t the problem.

 

Consider positioning. I’d suggest experimenting with an eye for reducing how much weight is being put on each of your genitals. Try finding ways you can scissor without anyone really being “on top” at all, like lying on your backs toe to head. Searah suggested straddling your lover’s thigh as an alternative. Similar feeling, less pain. If you do like a missionary-style V-on-V position, whoever’s on top can try to balance so less weight rests on the other person’s tender bits–e.g., by bracing their hands on a headboard. Mixing up positions often helps, too. And if and when either of you start feeling raw, don’t keep going with the activity that got you there–take a break from genital sex or at least consider that spot done for the day. If it remains raw the next day, lay off the intense pressure for as long as it takes to heal.

 

Now and then this still might happen, especially because, when we’re very aroused, pleasure can cause us to space out on signals of pain. But with these adjustments, you can probably make it a rarity instead of a norm.

 

Check out last week’s advice to a woman whose fiancé monitored her vagina’s size.

 

Have a sex, sexual-health or relationships question you want answered? Email it to Heather at sexandrelationships@msmagazine.com. By sending a question to that address, you acknowledge you give permission for your question to be published. Your email address and any other personally identifying information will remain private. Not all questions will receive answers.

 

Photo from Flickr user Gray Marchiori-Simpson under license from Creative Commons 2.0

 

Line drawing from Wikimedia Commons.

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......item 3).... Slate ... www.slate.com ... HOME / DOUBLEX : WHAT WOMEN REALLY THINK ABOUT NEWS, POLITICS, AND CULTURE.

 

My Year in Waxing School

Naked people don't tip well, and more tricks of the trade.

By Virginia Sole-Smith|Posted Friday, Nov. 19, 2010, at 12:08 PM ET

 

www.slate.com/articles/double_x/doublex/2010/11/my_year_i...

 

The 38th client I worked on at Beauty U. was my first full Brazilian wax—the kind where you remove all (or almost all) of your hair below the belt. I'd waxed many bikini lines and other body parts. I'd also assisted on Brazilians, handing my teachers wax-dipped Popsicle sticks the way nurses hand over scalpels. But now, it was my turn to wield the wax, solo. "I know—I'm a hairy beast!" Client 38 apologized, hopping onto the waxing table, clad in disposable thong. "You have to fix me. I'm going on vacation with my boyfriend."

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She spread her legs. I put on some vinyl gloves and worked down and across her pelvis, twirling clumps of hair and trimming them free. You have to trim any hair longer than eyebrow-length to prevent "locking" with the wax. You also have to act like this is normal, even though a part of your brain is thinking, "Pubic hair, pubic hair, oh my God, pubic hair." But I was getting better at trimming, and also at acting. And so clouds of hair piled up on the paper-covered table while 38 chatted about her vacation plans (the Poconos; if she was lucky, a proposal), her C-section scar, and how she liked my red glasses.

 

The $1.8 billion business of superfluous hair removal is our most intimate and uncomfortable kind of beauty labor. When I enrolled in a 600-hour aesthetics program at my local strip mall beauty school, I knew the standard feminist rhetoric against hair removal: Women wax because we've been culturally indoctrinated to hate our bodies in their natural state. I also knew the women's magazine defense, that removing excess hair celebrates our femininity and increases sexual pleasure. And I'd been in 38's position enough to know that waxing can make you feel vulnerable in ways feminists haven't even considered and hurts more than women's magazines (or at least, their beauty advertisers) let you believe.

 

But being on the other side of the waxing table turns out to feel simultaneously more exploitative and more empowering than I ever expected. There is, for example, the moment when your client shuts off from you, closing her eyes to "relax." Your client is in charge, having commissioned you to perform this service. And yet they are also terribly vulnerable, half naked, exposed and—eyes closed—hoping for the best.

 

After I trimmed, I tested the temperature of the hot wax on the inside of my wrist and painted a stripe along 38's inner thigh, quickly covering it with a muslin strip. She tensed before I ripped, then relaxed even as her brown skin tinted pink: "That hurt so much less than last time!" I watched some spots of blood well up. "I'm going to have you do my eyebrows, too," she added. And as I waxed my way along the crevice of her inner thigh to some very sensitive parts, 38 closed her eyes, drifting into that blissful state we enter whenever a spa service goes well.

 

With most Beauty U. clients, I liked offering this respite from their harried lives and from the even more harried relationship they had with their bodies. Before beauty school began, I hoped this body shame part wouldn't be so true. Instead, I saw women hating their bodies—in subtle ways, like 38's matter-of-fact "I'm a hairy beast!"—with every spa service I performed. So I saw my role as providing a kind of safe haven of acceptance, where a client could feel comfortable enough to drift away

 

Two hours into 38's appointment, I was the one who could not relax. I had waxed right through my dinner break and my back ached from hunching over the table. I removed all the hair 38 had asked me to (all but a delicate landing strip) and cleaned up her brows. I held a hand mirror between her legs, angling it so she could decide if she was satisfied. I'd snipped off her paper thong, so we looked together like those consciousness-raising women's groups from the 1970s. Only with me still wearing my vinyl gloves, now sticky with a layer of wax.

 

By that time, I knew that 38 had two kids, was divorced, and was going back to college. I liked 38. I wanted her to enjoy vacation and get engaged and have a good life. But we weren't friends. There was nothing reciprocal in our conversation. We were taught to avoid sharing personal information about ourselves whenever possible. "Customers don't care about your life," teachers told us. "They're buying your full attention." And that seemed to work. Once clients relaxed, they told us all sorts of personal things, like when they next expected to have sex and why their mothers made them crazy. And we learned that letting clients share these intimate details was good for business. "Remember to mention something about them or their life that they've talked about previously. Keep notes about each customer on file if you need to," advised one handout. It was much like being a therapist, serving soul and body.

 

In April, the New York Post reported that "NYC Women are Strangely Bonded to the Beauticians who Wax Their Brazilians," quoting smitten spa-goers who viewed their waxers as surrogate moms. But the story didn't explain how this one-sided friendship is made all the more awkward by socioeconomic differences. No matter how friendly their relationship, the client still pays and the waxer still needs that money. Nail technicians and skin-care specialists (the salon workers who do the most waxing) earn a mean annual pre-tax wage of $22,150 to $31,990. This figure doesn't include tips, which can total another $4,430 to $6,398—a clear financial incentive to befriend your clients in this service-based, nonreciprocal way.

 

Before starting, I assumed that most clients tip the industry's expected standard of 20 percent. They don't. I wasn't surprised, for example, when 38 tipped me just $5 (under 15 percent) because we never got big tips when clients got naked. Like johns who mistake their hooker's acrobatics for true love, clients can put such emphasis on the girlfriend-bonding time that slipping us a wad of cash would destroy the fantasy.

 

If her tip had been bigger, I would have been more delighted that 38 had taken time to write a "Client Kudos!" card about me: "She was professional and friendly at the same time. … Thanks so much!" She even drew a star on top next to my name. "That makes up for the bad tip," said my classmate Campbell about my Client Kudos. "Look how happy you made her!" Most salon workers say making clients feel good is their biggest source of job satisfaction. But I'm not convinced it's enough to balance out the often exhausting, difficult, and underpaid labor. No matter how much we liked our clients, we still had to brush stray pubic hairs off our sleeves, pick seaweed-stained disposable thongs out of the shower, and work around the occasional menstruating bikini wax client.

 

But it's also true that many waxers find this work empowering because the services require such skill and our clients are so thrilled with the results. Even if we don't totally return our clients' affections, we feel a kind of sisterhood with them and our fellow salon workers, because we're all toiling away together to meet some impossible beauty standard. When Campbell and I practiced our first Brazilian together, she rubbed the back of our "client" (another classmate), singing songs to distract her from the pain. We all traded stories about waxing and then, childbirth—that other time when a woman spreads her legs in pain and the support of other women gets her through.

 

And yet. When it came to 38, I wanted the cash, not the compliment, to show the value of my abilities. And maybe, to compensate for how she got to leave feeling so clean and sexy—but I could still smell her body on me, ever so faintly, even after I threw away the gloves and washed my hands.

 

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©2023 The Royal Ballet School. Photographed by Rachel Cherry.

 

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Strobe Info: SB900, in a beauty dish Boomed Above model

©2023 The Royal Ballet School. Photographed by Rachel Cherry.

 

©2023 The Royal Ballet School. Photographed by Rachel Cherry.

 

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

With all the rain we've had recently the reservoirs are overflowing and it was an opportunity not to be missed to photograph the water cascading down the side of this massive dam wall. The noise was deafening.

"The Derwent and Howden Dams were built between 1901-1916, and for many years they remained at peace in the Derwent Valley, their waters only disturbed by the occasional storm, then the peace and tranquility of the valley was shattered and their waters flurried as the roar of Merlin engines powered a Lancaster bomber over the dam walls, as 617 Squadron began their training runs for that amazing attack on the Great Dams of Western Germany in World War II.

Derwent Dam (pictured) was chosen by the Lancaster bomber pilots as one of the areas for practising their intensive low level flying and bomb aiming techniques as it was very similar to the Germany dams they were going to attack. "

(Thanks to Vic Hallam - Extract from his book "Lest We Forget - The Dambusters in the Derwent Valley")

Thank you to everyone who takes the time to look at my photo and make a comment or leave a fave. Your thoughts are much appreciated.

©2023 The Royal Ballet School. Photographed by Rachel Cherry.

 

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

Intensive restoration work underway at the World Heritage Listed Church of the Nativity in the village of Bethlehem in Palestine.

©2023 The Royal Ballet School. Photographed by Rachel Cherry.

 

©2021 The Royal Ballet School. Photographed by Rachel Cherry.

©2023 The Royal Ballet School. Photographed by Rachel Cherry.

 

©2023 The Royal Ballet School. Photographed by Rachel Cherry.

 

©2021 The Royal Ballet School. Photographed by Rachel Cherry.

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

©2023 The Royal Ballet School. Photographed by Rachel Cherry.

 

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

. Spring of 2017 enjoyed ample runoff as the winter snow melted. Yosemite' creeks, river, and waterfalls were full & running hard. The lower lying meadows in the valley were flooded in places reflecting the surroundings.

 

A lot of people were there to enjoy the sights. it took a little planning to find parking and avoid traffic congestion.

 

Basically be there early & do the eastern end of the valley in the morning and look elsewhere in the park between about noon and 5 pm giving the day trippers a chance to leave.

 

Yosemite Falls reflected in flooded meadow.

Turn of a Friendly Card

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Based on a true adventures of a rogue active in the waning years of the 1930’s as discovered in the criminal archives of Chatwick University.

 

Act 1

I begin my tale in the present…

 

That afternoon a soiree was given as part of the purchase price of the tickets for the annual Autumn Charity Ball to be presented later that evening at the manor’s great house. Since I was alone, I just went mainly for the free food and to rub my elbows with the wealthy guests who would be in happy attendance there, and at the Ball. I was alone, but certainly not bored. There was a game I enjoyed playing to pass the time at these affairs that entailed scoping out by their dress and day jewels worn, those ladies whom would be most likely to be wearing the better costumes and sparklers that evening. It often proved to be a most beneficial insight into the actions and mannerisms of the very rich. I walked amongst the cheerful guests, eying one here ( a lady in satin and pearls) and another there( a high spirited girl with a diamond pin at the throat of her frilly silken blouse). It was as I was passing the latter that the friend she had been talking too (dressed like a vamp), bumped up against me. I caught her, steadying her as they both giggled. I didn’t mind, for the lassie’s too tight satin sheath tea dress had been an enticement to hold, and the gold bracelet that had been dangling from her gloved wrist had been a pleasure to observe. I kissed her gloved hand, rings glittering, as I apologized gallantly for my clumsiness. Her eyes were bright, almost as bright as the twin necklaces of gold that hung swaying down pleasantly from between her ample bosom. I left them, moving on to greener pastures, and it was very green, all of it….

 

It was then that I detected another pretty lassie. It was her long fiery red hair with falling wispy curls that first captured my attention. She was wearing a fetchingly smart white chiffon party dress that commanded me to acquire a closer examination. She appeared to be a blithe spirit, seemingly content with just being by herself and roaming about with casual elegance, the extensive grounds of the manor proper. I began to discreetly follow her at a distance. Although she did not wear any jewelry, her manner and the eloquent way she moved is what attracted me the most. It would be very interesting to seek her out later that evening and she what she would have chosen to decorate herself with. I followed her as she sojourned into the depths of a traditional English garden with a maze of lushly green trimmed 8 foot high hedges

 

As I strolled through the hedgerows in her wake I allowed my mind to wander its own course. Suddenly I straightened up, my reverie broken by an epiphany of sorts. I allowed myself to grin and the lady whose enchantment I was swollen up in, at that moment turned, and seeing my beaming smile assumed it was for her and gave me a rather cute nod of her head. I answered in same, as I headed en route to a nearby stone garden bench to allow my thoughts to think through themselves.

 

But before I go on, allow me the pleasure to sojourn and reminisce about an incident that occurred several years prior:

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I was still working unaided in those days, travelling on to a new next quest that would take me just outside of Surrey.

I had just purchased my train ticket and had seen my luggage safe on board when I decided to rest in the lounge, it being some 45 minutes before allowed to enter personally aboard. Being so early the lounge was almost deserted, only one other occupant. I assumed she was waiting for someone on an incoming train due to the fact she carried no luggage. She was obviously well off, well dressed in satins and lace, and her jewels shone magnificently in the dim lights. Especially one of her rings, noticeably lying loosely around a finger, it sparkled with an expensive brilliance. I had seen one like it in a tiffanies store, worth almost 250 pounds. But she did not appreciate the show her jewelry was putting on under the lounge lights, for she was fast asleep.

 

I circled around her, aiming for a seat next to her, eyeing her and her possessions carefully. I noticed her purse had fallen off her lap and lay on the floor. An idea popped into my head, and I picked the purse up, and looked around carefully, before placing my plan into action. But I was thwarted as an older, matronly lady was spotted heading our way. I slipped the purse into my jacket and moved off before I was noticed. Of course she came in and took the empty seat across form the sleeping princess, and soon busied herself with knitting. As the older lady had sat down, not quietly, the wealthy lady stirred waking up at the noise. I went into a corner and sat, waiting. The two ladies soon fell into conversation; the minute’s ticked by excruciatingly slow. Soon I noticed we even had more company.

He was a lad of only fourteen, but with a devilish look about him that marked him a kindred spirit to meself, and his quick eyes were darting about taking it all in as he stood outside the paned glass window.

 

It was as the first announcement of boarding the train that I saw a chance for opportunity to strike.

The older lady folded up her knitting and clinching her bag, bid adieu to her new friend,( befuddled a little by the old ladies constant stream of gossip), and headed to the train. I was twenty steps ahead of her and was standing behind the youth as she left the lounge. I tapped him on the shoulder; he looked around at me suspiciously, and then caught sight of the shilling I was holding in front of his nose. I quickly whispered a few words into his ear on how he could earn it, and his grin spread as he bought into my story. I still held onto the shilling as he darted around and inside the lounge. I watched as he ran up behind the lady, circling her, then running in front of her he tripped over her leg, as she helped him up, her hand with the ring reaching down, he turned and spat onto the wrist and sleeve of that hand, than standing he ran away. Running alongside me, I handed him the shilling in passing as he ran off, disappearing in to the street.

 

I went inside and approached the astonished lady, as she was looking for her purse to get a handkerchief, confused as to its absence, while she held up her soiled hand( ring glittering furiously) in utter disbelief. I approached, catching her attention by the soothing words I uttered to her. I took her hand, unbelieving with her at just had happened, and I as I apologized for the youth of today I produced my own silk handkerchief and starting with her silky sleeve, began to wipe it off, continuing my tirade of displeasure and contempt at what had just occurred to the dear lady as I did so. As I finishing wiping her down, ending with her warm slender fingers, I kissed them, just as the last boarding announcement came over (perfect timing!) I let her go, explaining that I must catch my train. I turned and without looking back made the train just as it was letting off steam before chugging off.

 

I gained my private carriage just as the train began to lurch away. It wasn’t until after the train began its journey that I casually removed my silk handkerchief from my pocket and unwrapped it carefully, admiring up close the shimmering, valuable tiffany ring that was lying inside. I pocketed it, and then remembered the purse. I took it out and examined its contents: coin and notes equaling a handsome amount, a gold (gilded) case, embroidered lacy handkerchief, small silver flask of perfume, and ( of all things)a large shimmering prism , like one that would have dangled from a fancy crystal chandelier. A prism?, I questioned with interest as I examined it. It was pretty thing, about the circumference of a cricket ball, but shaped like a pendulum, it shimmered and glittered like the most precious of jewels. Why she had it in her purse? I couldn’t guess, and I saw no value in it, so I pocketed it and allowed it to leave my mind.

 

As I settled into my seat I began to think of the lad I had just met, I had been right on the money as far as his eagerness for mischief. Actually he reminded me of myself at that age, and I wondered if that lad with the shifty eyes would also turn out to follow the same course I had explored.

 

Which Begs the question, what had I turned out to become. And since I’m still reminiscing

I’ll give little background material about me, hopefully I don’t come across as being too conceited about my self-taught skills..

 

I had never been one to take the hard road, and even at a young age I was always looking for angles, or short cuts to make some money.

Once, while watching for some time a street magician and his acts. I observed a pick pocket working the crowd. He approached a pair of well-dressed ladies in shiny clothes, and standing behind them bided his time and then lifted a small pouch from one velvet purse, and a fat wallet from a silken one, then he moved on. Now both ladies were wearing shiny bracelets, one with jewels. I thought that he could have realized a greater profit if he had nicked one or both of the bracelets first, than try for the contents of their purses. The bracelets’ alone would have realized a far greater profit than what he lifted from their purses. It further occurred to me that by mimicking some of the sleight of hand tricks and misdirection that the magician was using on his audience, it could be accomplished. A hand placed on the right shoulder and as the lady turned right, whisk off the bracelet from her left wrist, and excuse oneself, that sort of thing.

 

So, I practiced (on my sisters, who proved to be willing accomplices to “my game”) and learned to pick their purses and pockets. I than moved onto their jewelry, starting by lifting bracelets and slipping away rings, before advancing to the brooches, necklaces and earrings they were wearing. After I was satisfied at my skill level, I went out and worked the streets. Sometimes using my one sister who was also hooked on what I was doing as a willing partner.

But I found myself still not being satisfied, in the back of my mind I thought there had to be a more lucrative way to turn a profit.

 

I’d found my answer when an attractive lady in a rustling satin gown zeroed in on me while I was “visiting” a ballroom. She was jeweled like a princess right up to the diamond band she wore holding up her piles of soft locks like a glimmering crown. The more she drank, the closer she got and I decided that her necklace would definitely help pay my expenses more than the contents of her purse (although I had already lifted the fat wallet from her small purse), and I did have very expensive tastes to pay for. So I took her onto the dance floor.

 

I was amazed at how easily I had been able to open the necklace’s clasp , slipping it over her satiny shoulder, lifting it off and placing it safely in my pocket with almost no effort. Then she decided to be playful once the song ended and brushed up against me. She felt the necklace in my pocket and before I could act she had her hand in and pulled it out.

 

The silly naive twit thought I was teasing her and told me that for my penance I had to go up to her suite in order to put it back on for her. I kept up the charade as best as I could.

 

And that’s where we ended up. A little bit of light fondling began as I placed the necklace back around her throat. I began to tease her, plied her with more and more alcohol as I tried to keep my distance, and virginity. Finally she passed out in a drunken stupor, but not before I had learned where she hid her valuables by suggesting she should lock her jewels up for the night..

 

With her safely unconscious, I began to strip her clean off all her jewels, reclaiming the necklace first. Then I visited all her jewelry casket and began looting it. I even took her small rhinestone clutch with the diamond clasp; of course I already had liberated its small wallet.

 

When I’d left her lying happily asleep in bed, still in her satin gown( the only item left to her that shined), I knew I had found a much more profitable line of “work”

 

So I began making circuits around to the haunts of the very rich, I still kept may hand in pickpocketing, so to speak, but centered only on those “pockets” containing mainly jewelry. I also began to carefully explore new ways of acquiring jewels” in masse”, so to speak.

 

Soon I had accumulated many tricks and tools, having them at my disposal to put into action once required, and for the remaining years up till the present had managed to live quite comfortably off of the ill-gotten gains using them allowed me to acquire.

 

Which brings me back to the train ride, my prism, and the rest of my background story before I retun to the present tale. Please be patient.

*****

So, anyway, I reached Surry without any further incident and disembarking, made my way out to the large country house where I would be staying to take a short rest, vacation if you will. But, pardon the play on words, for there is never any rest for the wicked, is there?

 

I had become acquainted with a servant of the old mansion ( almost a small castle, really) , that was about a mile off. I managed to learn a great deal, and soon found myself, on the pretense of visiting her, exploring the grounds. There was to be a grand ball taking place a couple of weekends away , and the maid had filled my ears with the riches that would be displayed by the multitude of regal ladies making an appearance. I began to think about trying to make a little bit of profit from my vacation. I am not sure how the idea developed, but the prism that I still had in my possession, came up centrally into my plans.

 

Late on the evening of the regal affair, I snuck over, covered head to toe in black, with my small satchel off tools by my side. I set up a candle behind an old stone ivy covered wall in a far corner of the rather large and intricate English garden that surrounded the inner circle around the mansion. I than strung the jewel-like prism in front of it. Standing behind the wall, I would strike the prism with a long stick I was holding whenever I observed sparkles emanating from silkily gowned ladies walking in the distance, solitary or in pairs. The prism would flash fire, sort of like a showy lure being used when fishing in a crooked trout stream. Only I was fishing for far sweeter game than trout. My objective was to trick certain types of jeweled ladies (scatterbrains some may call them) by luring them down onto the path beyond the wall, using their natural curiosity to my advantage.

 

I had at least two strikes rise up to my lure in the second hour.

On was a pretty lady in flowing green satin number, decorated with plenty of emeralds, which, hidden in the shadows, I observed were probably paste. I let her wonder about; as she looked and played with the shiny toy, remaining hidden until she grew bored and wandered off.

The second was a slender maiden wearing a long sleek black gown with long ivory silk gloves. I had never before seen a lady so decked out in jewels, literally head to toe. With the exception of the rhinestones adorning her heels, the rest of the lot was real, so valuably real that I could feel my mouth salivating at the thoughts of acquiring her riches. Now in Edwardian times only older, married ladies would be allowed the privilege of wearing a diamond Tiara. But in these modern times, it had become culturally acceptable for any well-to do lady, single or otherwise, to wear one out in society. Even so, they were still rarely worn, and seldom seen outside the safety of large gatherings. But there it was, a small, delicately slender piece of intricate art that glistened from the top of her head like some elegant beacon. That piece alone was probably worth more than I had made all the last four months combined!

I began to skirt around in the shadows, placing myself in position to cut off her retreat. Her diamonds blazed as she approached, eyeing the swinging prism with total concentration. Which was unfortunate, because as I was about to leave the shadows, she walked into the thorns of a rose bush, screeching out, and attracting the notice of a pair of gentlemen who had just crossed the path quite a ways off, called out when they heard the commotion. She started to become chatty with them, obviously coming on to her rescuers, my prism all but forgotten. Than before I knew it, in a swishing of her long gown, she was gone, “swimming” off before I was able to set me ”hook”.

 

Which I was able to do on the third strike, almost an hour later, just as I was beginning to ponder wither I should call it off and head back home..

 

They were a pair of young damsels in their young twenties. They may have been sisters, or cousins at the least. I still remember how my heart leapt into my throat as they observed my colourful prism and turned down the old flagstone path. I had not seen anyone out and about for some time, so I knew they would be no would be rescuers around to come to their aid

And, best of all, they were both dressed for the kill!

One, the blonde, was clad in a black velvet number that one could cannily describe as quite form fitting. As were the small ropes of pearls that hung from all points of interest, pretty with a matching pricelessness.

But her cousin, as I will refer to her, out shone black velvet quite literally.

This one, a stunning raven haired beauty, wore a long streaming gown of liquid ivory satin. A diamond brooch sparkled as it held up a fold of the gown to her waist. The fold allowed her to show a rather daring amount of a slender bare calf. The brooch was not paste, but a real jewel that had been added for the nights festivities ( To be successful, one learns to read these signs accurately) Her ears and neckline were home to a matching set of pure white diamonds. A wide diamond bracelet graced a bare right wrist ,so she must be left handed I instinctively thought, an observation that would have aided me if I were planning on having a go for slipping the bracelet from her wrist, but tonight I was planning a much more daring attempt to empty the entire jewel casket, so to speak.

 

They went to the prism, playing with it a bit, I had begun to circle around, when I noticed black velvet pointing out with multiple ringed fingers, to something further down the path past the wall.

 

With a clicking of heels I let the pair pass, they apparently wanted to see what was on the other side of the wall. I followed; it was not hard, because the necklace the raven haired one wore, diamonds fully encircling her throat, rippled and sparkled from their perch, caught in the full harvest moon’s cast, giving me more than enough light to shadow them quietly .

 

After a while they caught on that something/someone was following them, but as they turned they could see nothing. I was in black, and hooded, invisible to them in the shadows of the trees. They whispered amongst themselves, now worried, realizing that there were dangers lurking beyond the pale, in their case, the safety of the gardens , especially for ones decked out as they were. They then turned and headed right back from where they had come, right into my waiting arms.

 

It is interesting what good breeding does for young, poised ladies. For, as I stepped out of the shadows, a finger of my right hand to my lips, my Fairborn in my left hand, its black blade glinting wickedly in the moonlight , they did not scream out or shout for help. Instead the pair merely let out small gasps, and then they both, in a quite charming synchronized display of disbelief, place each one hand over their open mouths, and the other upon their perspective necklaces.

 

And as I flourished my wicked looking Fairbairn–Sykes blade in their direction, they unquestioningly reached around and undid those pretty necklaces, tremblingly handing them out to me, like actresses following a well-read script. I took the little pretties and after stuffing them into my satchel, held out again my free hand, my fingers beckoning. Not a word was spoken between us, as the frightened pair of young ladies began removing their shimmering jewels and added them in a neat little growing pile along my open palm. The raven haired girl even undid her brooch without me having to command her to do so. Once I had stashed it all away, I motioned for them to turn back around, than with a little helpful prodding on my part, they began moving forward back down the hill, away from the garden. The one in white hobbling a little now as she kept tripping over the hem of her dress, now no longer held up by the stolen brooch.

 

After we had traveled about 200 meters I had them stop, and take off their high heels. Then picking the pretty things up, I motioned them to turn back around and made them walk back the way we had come in their bare feet, watching the pair awkwardly hobble barefooted down the wooded path. They would be quite a while on their journey back, allowing me more than ample time to make me escape. I threw their shoes off to the side and went briskly the other way, reaching the place was staying at , gaining my room without notice. But not before I had hidden the jewels inside an old stump to retrieve them at a later date. I never really heard so much as a whisper of the incident, other than from the pretty lips of my friendly maiden. The wee hours of the morning before my early departure for the train station found me revisiting the stump and retrieving my satchel and its precious cargo. After hiding it all in a false bottom of my case I laid my head on the pillow and drifted off to sleep as I wondered what had happened to the little prism, marveling at how useful it had ended up proving to be.

 

So, how does this story (journey rather) relate to the one I had already started? Please read on, and enrich your curiosity… my dear readers.

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Act 2

 

So, with apologies for my lengthy elucidation, but I now return you back to the garden party I was now attending on that warm fall day. But, as you will see, my prism story needed to be told in order to add a bit of flavor to what was about to unfold.

 

As I sat on the garden bench I formulated my plans. I should be able to acquire the main piece tonight at the Ball, I would have time this afternoon to retrieve my ever handy satchel and its array of tools and have it hidden at the spot I had already selected. It was perfect, located at the end of the path I had found, or rather the charming lady in the smart chiffon dress had found for me. A gas lamp would provide adequate light for my “lure”, and it led to a back wood where I could lead any victims away and liberate them of their valuables before making my escape. I rose, just enough time to walk my escape route, before setting up and then be dressed for the evening’s festivities. I looked around, I was alone now, my lady in white had disappeared, following her own course, whatever it may have been.

 

The Autumn Ball that evening was in full swing by the time I arrived. Being a cool fall day, most of the women were wearing long gowns and dresses, and that, for whatever the reason, usually meant they were decked out with more layers of jewelry than say , if it had been the middle of summer. In order to put my plan in action I need and intrinsic piece of the trap, a prism. The one I had once had was long ago lost, a minor pawn in a game to take a pair of princesses.

 

I knew exactly the type of prism required for my plan, and so began mingling amongst the guests with that in mind.

 

I started out by walking through to the chamber like ballroom where a full orchestra was starting to play. The first person I saw from the garden party was the little tramp who had been wearing the too tight satin tea dress. That dress had been replaced with a long silky gown, her gold jewelry replaced with emeralds; including a thin bracelet that had taken the place of the gold one that she had so obligingly dangled in my larcenous path. I decided to avoid her In principle, and in doing so spied someone quite interesting.

 

That someone was a pretty lady in a long velvet gown standing off to one side, idly watching the many dancers out on the floor. The dancing couples were forming an imagery of a rainbow coloured sea of slinky swirling gowns and with erupting fireworks of sparkling jewels, ignited by pair of immensely large chandeliers that hung over the dance floor, setting them off. I made my way, skirting the dance floor to reach her, my eyes on her jewels, which were making pretty fireworks of their own. I happened to walk up just as a waiter with a tray of drinks was passing by. Plucking off a drink I offered it to the lady with one hand, my other hand placed on her back as If to steady myself. She laughed prettily, and taking the drink I met her eyes, as she was focused on reaching and holding the glass in her slippery gloved hand, mine was on the ruby and diamond necklace. My hand behind her had flicked open the simple hook and eye clasp of the antique piece and was in the process of lifting it up and whisking it away from her throat. As I said a few words to her, I pocketed it, while also taking in the rest of her lovely figure and its shiny decorations, before biding adieu. She smiled, her pale bare neckline now quite glaringly extinguished of its fire.

 

It was about an hour later, after spotting, but unable to make inroads with several likely candidates, that I finally struck gold (figuratively). It came in the form of a young couple arguing between themselves in a far corner of the chamber. She was lecturing a rather handsome man in a tux, her jeweled fingers flying in his face. If she hadn’t been moving about in such an animated fashion as she lectured, I may not have even noticed her. But as it happened I did, especially noticeable was the sanctimonious lady’s wide jeweled bracelet that was bursting out in a rainbow of colorful flickers as her hand was emphatically waving, as her long gown of silk swished around with every movement she made. Perfect. I watched for a bit, and sure enough they moved off, the man heading for the patio leading outside, the wealthy girl following him, still giving him lashes with her tongue. I moved and managed to have her bump into me simply by stepping on the hemline of her long gown. For a few seconds I was the one on the receiving end of her wrath, but I took it like a man, I could see in the eyes of her tongue lashed husband, that he was grateful for the respite. I was also grateful; grateful for the quite wide, very shimmering, bracelet that I had removed from her wrist and now was residing in my pocket.

 

I began to leave the patio, but was stopped by a matronly lady in ruffles, laces and pearls, her breath heavy with alcohol. She started to question me on what the couple had been on about. Then without waiting for an answer she launched herself into a tirade of her own, her gem encrusted, silken gloved fingers, waving in my face for emphasis. It was almost ten minutes before I was able to make my escape. Which I did, but not before slipping off one of the lecturing ladies vulgarly large cocktail rings.

 

I headed onto the patio; the time was getting ripe for my plan, which I was now ready to put into motion, now having acquired its most essential piece. I went to the end of the large patio, weaving in and out of the by now well liquored guests whom had assembled there. Across the way I saw a lady tripping over her own gown. By the time I reached her she had fallen down, giggling merrily. Two of us rushed to her aid, she was busy gushed her thanks to the rescuer she knew, while ignoring the one she didn’t! Which was unfortunate on her part, for by ignoring me, she also was ignorant of the fact that I was busy lifting the small stands of black pearls from her wrist. I left unnoticed, much like a shadow fading out of the light, or at least that’s how it seemed. Finally I reached the patios outer edge without further incident, or gain. I went on the grass and turned a corner with the intention of going, post haste around the house to reach the gardens by the long way, hoping not to be seen by anyone. But I no sooner turned the corner, when I realized that it was not to be the case.

 

It was my blithe spirit in white chiffon from the garden party, pardon me, soiree. She was unescorted, looking up at the moon above a stone turret with one lit window, so intently that my presence had not been noticed. I had been absolutely correct in my observation of her as far as what she would be wearing for the evening. For what she had lacked in ornaments at the soiree, she had more than made up for in the evening festivities. She was absolutely gorgeous, resplendent in as beautiful a silvery satin gown that I had ever witness. It was just pouring down, shimmering along her delightful figure. Her long blazing red hair was still curling down and free, but now a pair of long chandelier earrings cascading down from her earlobes, were peeking out every now and then as they swayed with her every movement. Her blazingly rippling necklace was all diamonds, dripping down the front of her tightly satin covered bosom, twinkling iridescently like an intensively glimmering waterfall. Her slender gloved wrists were home to a pair of dangling diamond bracelets that were almost outshone by her many glistening rings. All in all she was quite a lure all too herself

 

I came up to her, starling her from her reverie. Taking up her hand, I looked into her startled, suddenly blushing face. I complimented her on the fine gown she wore. She thanked me, and I could see I that she suddenly remembered she me as the chap who she thought smiled to her in the garden. She seemed to accept my compliment quite readily. I chanced it( although Lord knows I was short on time) and asked her to a dance. I did not think she would agree, so it was with a little bit of surprise, hoping she would politely decline and walk off, leaving me free to go about my business unobserved. But she accepted, and I will admit that my heart leapt as she agreed (although in the back of my mind I knew I should be off if my plan was to work). The music had stopped so we made small talk as we slowly walked back to the ballroom. Her name was Katrina. It seems she was waiting for someone, which suited my plans, but he was late and so she had time. Which may have sounded dismissive, but from the apologetic way she said it, it was anything but the sort.

 

The orchestra started to tune back up as we entered, and taking her offered hand up, was soon lost in the elegance of my appealing partner. It was a long dance, and a formal one, but I could tell she was subtly anxious to be off on her meeting, as I was to be off to my own adventure. But Katrina did not really allow it to show, which was very uncharacteristic of her someone with her obvious breeding. So I was ready when the by the end of the music she begged her condolences and took flight. I watched her as she fluidly moved away, her jewels sparkling, all of them. On her mission to meet Mr. X I thought, for whom I was already harboring a quite jealous dislike. I should be off I thought to meself.

 

But I stood, still as stone; totally mesmerized by the way Katrina’s swirling silvery satin gown was playing out along her petite, jewel sparkling figure. It wasn’t till the last of her gown swished around a corner out of sight that I moved, but not without having to shake my head to clear the thoughts of her out of it. Well old son, focus. For by now the guests were starting to wander a bit afield in the waning hours of the Autumn Ball, and my small window of opportunity was closing fast. If my little plan was going to have any chance of success it would have to be now.

 

I walked out and made my way to one of the outside exist of the garden wall. Reaching into my pocket as I did so, fingering the bracelet, now cold, that had belonged to the quarrelsome lady,and soon would be playing another role, far from one its former mistress would ever have dreamed off. I also felt my new acquisition, still warm from my dance partner’s body. I will admit that I had felt a twinge of regret for taking it from a lady I had found to be most charmingly captivating. But slipping off the diamonds up and away from her throat had been as temptingly easy as it had been automatic. I had advantageously made use of the sleekness of her scintillatingly silky gown, and with the distractions created by the movements of the dance, successfully managed to keep Katrina’s attention safely diverted from the reality of why my fingers were ever so gently, caressingly sliding along her slippery gowns neckline. The truth was I had originally placed my hand there because it had felt so right, and I was a little startled when my fingers had subconsciously started playing with her necklaces clasp. Before I knew it, they had flicked open the gemstone clasp of her obviously expensive diamond necklace, and had lifted up. As I watched out of the corner of my eye, almost like I was a spectator, as opposed to being the perpetrator, I saw the chain move up and over her shoulder; its diamonds sparkling with is as the necklace disappeared from view behind her back.

It was a favored technique that I had perfected to the point that by this stage of my career I nearly always acquired my objective. But, as odd as it sounds, I was not happy with myself on this occasion.

 

But I did not long dwell on my mixed feelings on taking the charming lass’s diamonds, for by now I had reached my place of ambush. It was in one of the farthest reaches of the garden, at a bend on the end of a long path that, with a gas lamp at its beginning just off the patio, would allow me to see from some distance off. Behind me was a break in the hedge wide enough for a person to walk through comfortably. It was here, off a tree limb, underneath a second ornate cast iron gas lamp, which was now lit, that I hung the shimmering bracelet that I had sought out and acquired for just that reason

 

I walked around and saw that it could be seen flickered off in the distance from the woods, Perfect! Earlier I had hidden my satchel with a hood and knife and bit of rope in the hollow of an old tree. I now retrieved them, and after getting ready, found my position and waited. At 10 minutes past the first hour of my wait, with nary a single glimpse of anyone, I started to fidget. My corner may be just a bit too desolated I was beginning to admit to myself. It seemed that most of the guests were staying by the patio. I was starting to think that I should pack it in, possibly rejoining the guests for one last parting( of someone from her Jewelry). I was just reaching down to pick up my satchel when I suddenly saw something flash under the gas lamp at the beginning of the path, and my senses immediately perked up. I watched as the wisps of rich shimmery satin moved closer, I stiffened, drooling with anticipation, the game was afoot.

  

I could see clearly the flickering jewels she wore, and by their blazing sparkles of rippling fire, I knew that my long vigil would not have been in vain. As the lady drew I recognized her gown of silvery satin! I knew who was making those tantalizing flashes of appealing treasures. Katrina!

 

I watched as she approached, in all her glittering elegance. My heart and conscious was in turmoil, but I knew I probably would not get a second chance. I could not let her get away unscathed. Beside, from the shock of being confronted with a masked scoundrel wielding a wicked blade, she would be in no shape to recognize her assailant. She stopped, apprehensively looking back towards the bright lights of the Manor, Then turning back I saw she had a self-satisfied smile creeping upon her face. She reached up, and undoing her hair, shook it down, curls of softness cascading down, hanging loosely down. It was as she performed this provocative act, that I saw her eyes open wide in curiosity; she had spied my pretty little “prism”. The charming fish was hooked.

 

I waited, watching her approaching ever closer to fate, and from my concealment, I basked in her glow. My heart beating fast, my adrenaline pumping, for the remaining jewels (I thought of her necklace in my custody) that she possessed I already had witnessed were quite valuable. She passed my hiding spot and went to the hanging, shimmering object. As she reached up, looking around, she failed to see me approaching in the shadows. I came up from behind, jabbing a finger in her back as I reached her, I gruffly in no uncertain terms, snarled for her to freeze and make no sound. She stiffened under my touch, but made no move or outcry. I went around; pointing my knife in her direction, looking into her sad doe wide eyes as she realized what was going to happen next. She was trembling; from fear I guessed, and knew I had her right where I wanted. As I made my demands upon her, gimme them jewels sister, she, not surprisingly, was very compliant in giving them up to me. She reached for her necklace last, and looked entirely shocked to find her throat bare, as she searched the neckline of her gown I saw her look into my hand, now dripping with her precious jewelry, almost as if to see if she had not already removed it. She looked apologetically into my eyes, startled; almost pleading that she didn’t know what had happened to it. I just played dump. She than spoke for the first time, sir, may I ask to keep my purse? Her words would have instantly melted even the coldest chunk of ice, I looked down at the little silvery clutch hanging from her arm on its rhinestone chain, I nodded, indicating that she could, and saw relief wash over her face. I told her she now needed to turn around and walk off into the woods ahead of me. She hesitated, and I told her no harm would befall her, I had no intentions along those lines.

 

About 5 meters in I stopped her, and had her remove her shoes, as she bent over to undo the high heels rhinestone clasps I watched her gown tightly outlining her figure. She tripped on the hem of her gown, and as she attempted to keep her balance, accidently let her purse slip off her shoulder. Without thinking I reached down to pick it up for her as she tried reached for it simultaneously

 

The small purse was far heavier than it should have been. Curious I opened it, finding that it contained a rather extensive array of mismatched jewelry, glittering in unbelievably expensive fire . I looked into Katrina’s horror struck eyes dumb founded, as she looked guiltily into mine. The gig was up. The jewels belonged to the lady of the manor, my muse in silver was a thief, a female version of me very self.

 

Aye, what’s this than luv? I questioned her as she looked into my eyes, hers large with a mixture of fright and disbelief. She melted before me, fainting, I caught her in my arms, and it was no ruse. I held her as she came to, holding her warm, silky figure lovingly to mine. I did not know what to think. Nor could I ever explain what possessed me to do what I did next. As she came to, her eyes opened, and I removed my mask, looking back into them deeply.

 

Oh, she gasped, I’m glad it was you, startled that she had said the words out loud. She than started to coyly blushes, quite demurely. Something sparked in me, and unless she was an incredibly good actress, it did also for Katrina. Our eyes both looked into the others, melting away in the lust of the moment. We embraced, deeply, and I held her squirming warm slick figure tight in my enveloping arms. I looked over her shoulder, eyeing the glistening bracelet hanging from its branch. To catch a thief, the thought suddenly opened in my mind, what a great title for a novel I thought to myself, as I buried my nose into Katrina’s luxuriously soft hair.

 

We talked for a bit, walking off into the woods, then she looked into my eyes again, a coy, look that melted me on the spot, and that was the end of it, we embraced again, and wholly gave ourselves to one another. What about your man I asked suddenly remembering, my man she questioned , than oh, you mean the Lord, I was waiting for him to come down from smoking in his tower study, that’s where the lady’s jewels are kept. She broke into an Irish brogue as she said the last bit, and that I guessed was her natural tongue. she laid a hand on the side of my face, thanks for being jealous though, me lad.

I should collect my lure I said, which made her smile; it was such an enticing smile at that. We started to head back and watched as it dangled in front of us flickering. With a far off look in her green eyes, Katrina spoke as if in deep though.

 

The daughter of the house, she has a bracelet on like the one you have dangling, a bracelet of diamonds that I had taken a fancy to, wishing it had been in the safe along with the rest of the ladies of manors jewelry. I knew who she was talking about. The one in green taffeta I asked? Aye lad, that’s the one. Actually her necklace would be just as easy, and worth more I said. Just then her bright green eyes gleamed, Give me about a half an hour, she told me, we will put your little lure to use again. She noticed my hesitation, don’t worry luv she said soothingly placing a gloved hand to my cheek, no longer was it sparkly with its stolen bracelet and rings. I’ll leave my purse with you, can’t very well be carrying it around now can I? I nodded my consent, my mind burning with the thoughts she had alluringly placed there.

  

She turned, and then hesitated; turning back she said I probably should not go back in naked luv. I smiled, reaching in I pulled out her necklace and placed it around her throat. With a little gasp she blurted, so it was you, I was wondering who and when it had happened. It’s not the first time I’ve had me jewels lifted, but it’s a bloody annoyance to have to let them get away with it, crawls under my skin to have pretend not to notice so that I don’t draw any attention to me self before making my move to steal the posh ones jewels.

 

But you, mister, I never felt as much as a prickling. I was ready to assume my pretties had been a victim of a broken clasp this time. I gave a little nod in acceptance. That wasn’t exactly a compliment lad, she said in what I hopped was a subtle jest. Just last summer some clumsy bugger slipped of me earrings, my favorite pearls, as we were danc… she stopped, seeing the guilt in my eyes. Men! As thieves you are all of the same skin she spat out angrily, or attempted to sound angry, for the look in her eyes to me she wasn’t. I best be off, before I change me mind about out little endeavor.

 

With that she swirled around on her heels, and started off, but not before turning and giving me an extremely coy look of interest. As she swirled back around I heard her say loud enough for my ears, I’ll learn me self to be a picker of pockets, see how males like to be taken advantage of in their vulnerabilities! She nodded to herself as she said it. Then suddenly she stopped, than twirled on her heels, her gown swirling enticingly along her figure. Looking me dead in the eye she said, “Vie ne est pas d'attendre que la tempête , mais d'apprendre à danser sous la pluie” !

 

What does that mean? I questioned in a low voice, perplexed.

 

Maybe, Mon Cheri, someday I will tell you… And with that she turned on her heel, her gown once again swirling about, and went, determinedly, swishing her way back up the path. I just watched. I had never heard anyone speak French with an Irish Brogue and I had found it to be rather provocative!

 

I watched as she swished and swayed her way back through the hedge and regained the path leading back to the manor. Her plan was simple; she would lead the daughter of the house to my corner and as she had done, go out with her to look at the swinging charm. I would then make my appearance, rob both ladies of their finery, and telling the daughter to wait until I released her friend, walk off with Katrina as a hostage, and we would both take off and make good our escape. A simple plan, so simple it should actually work.

 

So, there I was. Holding a purse with a small fortune in jewels, my pocket full of more jewels worth an additional pretty farthing, and her charms were wearing off by her leaving. And my thieving nature coming back, reawakened from the spell they had been under!

 

The devil of my conscious crept out on my shoulder, the angel markedly absent from the other.

 

Look mate, she may not be all she seems, and possibly has some other game in mind. Maybe she does have a male confidante helping her out… and was actually on her way to fetch him. He said in my inner ear. And, after all, you took her diamonds twice, didn’t ye now? Do you really think shell forgive you of that me lad?

 

And there is no honor amongst thieves, as the saying goes, he added as a closing argument...

 

I rolled it over in my mind…I could leave, absconding with it all, book a cruise to the states or down under where there lay untried fertile grounds to ply my trade. Not to mention working over my fellow passengers aboard the cruise ship while they attended the fancy affairs that were always going on, or so the brochures always seemed to show……

 

Then In the distance I caught a wisp of Katrina’s long silvery gown. She was coming, and not only with the daughter of the manor, but also with a spare. For I could see a purple coloured gown swishing alongside with the prey in rustling green taffeta.. I watched as all three ladies, resplendent with the rippling fiery gems they all possessed, came up the path, gowns sweeping out , shimmery from the now misty distance.

 

The thought of making my escape with all the loot continued to haunt me, there was still time now to take off without notice, or I could rob all three, and leave with purple silk as my hostage, Katrina would not be able to say anything on chance of giving up her part of the game, or I could just be a good lad and sty with the script that Katrina had written. Take a chance, roll the dice and believe that she was all she had me believing she could ever be.

 

As they came closer I knew my time was running out. The thoughts of just looking out for myself kept coming up playing the devil with my conscience as the precious seconds ticked away…

 

No honor amongst thieves…

What will it be, old boy I challenged myself,

What will you have it be?........

To see what his decision ultimately was, and the eventual path it led to, see the album question answered)

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Life is not about waiting out the storm, but about learning to dance in the rain.

Vie ne est pas d'attendre que la tempête , mais d'apprendre à danser sous la pluie .

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Courtesy of Chatwick University Archives

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All rights and copyrights observed by Chatwick University, Its contributors, associates and Agents

 

The purpose of these chronological photos and accompanying stories, articles is to educate, teach, instruct, and generally increase the awareness level of the general public as to the nature and intent of the underlying criminal elements that have historically plagued humankind.

 

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These photos and stories are works of fiction. Any resemblance to people, living or deceased, is purely coincidental.

As with any work of fiction or fantasy the purpose is for entertainment and/or educational purposes only, and should never be attempted in real life.

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blue, violet and dark - powerfully strong

©2021 The Royal Ballet School. Photographed by Rachel Cherry.

Centaurea cyanus, commonly known as cornflower or bachelor's button, is an annual flowering plant in the family Asteraceae native to Europe. In the past, it often grew as a weed in cornfields (in the broad sense of "corn", referring to grains, such as wheat, barley, rye, or oats), hence its name. It is now endangered in its native habitat by agricultural intensification, particularly by over-use of herbicides. However, Centaurea cyanus is now also naturalised in many other parts of the world, including North America and parts of Australia through introduction as an ornamental plant in gardens and as a seed contaminant in crop seeds.

 

Description

Centaurea cyanus is an annual plant growing to 40–90 cm tall, with grey-green branched stems. The leaves are lanceolate and 1–4 cm long. The flowers are most commonly an intense blue colour and arranged in flowerheads (capitula) of 1.5–3 cm diameter, with a ring of a few large, spreading ray florets surrounding a central cluster of disc florets. The blue pigment is protocyanin, which in roses is red. Fruits are approx. 3.5 mm long with 2–3 mm long pappus bristles. It flowers all summer.

 

Distribution

Centaurea cyanus is native to temperate Europe, but is widely naturalized outside its native range.

 

It has been present in Britain and Ireland as an archaeophyte (ancient introduction) since the Iron Age. In the United Kingdom, it has declined from 264 sites to just 3 sites in the last 50 years.

 

In reaction to this, the conservation charity Plantlife named it as one of 101 species it would actively work to bring 'back from the brink'.

 

In the County Clare (VC H9) in Ireland, Centaurea cyanus is recorded in arable fields as very rare and almost extinct, while in the North-East of Ireland, it was abundant before the 1930s.

 

Genetics and breeding

Centaurea cyanus is a diploid flower (2n = 24). The genetic diversity within populations is high, although there could be a future decline in diversity due to population fragmentation and intensive agriculture. In general, Centaurea cyanus is a self-incompatible species. However, selfing still occurs occasionally, but results in inbreeding depression.

 

Cultivars

Several cultivars of Centaurea cyanus with varying pastel colours, including pink and purple, have been selected for ornamental purposes. The species is also grown for the cut flower industry in Canada for use by florists. Doubled blue cultivars (such as 'Blue Boy' or 'Blue Diadem') are most commonly used for this purpose, but white, pink, lavender and black (actually a very dark maroon) cultivars are also used, albeit to a lesser extent.

 

Breeding goals

As for all ornamental plants, important goals of Centaurea cyanus breeding include the induction of phenotypic variation (e.g. in flower coloration, size and shape, foliage characteristics or plant height), higher flower yield, resistance to pests and diseases as well as tolerance to abiotic stress (e.g., extreme temperatures, drought or salinity).

 

Ecology

Weed in arable crops

Centaurea cyanus is considered a noxious weed in arable crops, especially cereals and rapeseed. In winter wheat, one plant per m2 can cause a yield loss of up to 30 kg / ha. Centaurea cyanus produces around 800 seed per plant, which are either shed shortly before the harvest of cereals, or they are threshed together with the cereal grains, contributing to the further spread of the species by the harvesting machinery and contaminated seed. The occurrence of Centaurea cyanus strongly decreased during the last decades due to improved seed cleaning, more intensive nitrogen fertilization and herbicide use. However, Centaurea cyanus has become more common in cropland due to an increase in crop rotations dominated by winter cereals and rapeseed and the use of more selective herbicides with a low effectiveness against Centaurea cyanus. In addition, the emergence of resistance against the herbicide class of sulfonylureas has been reported recently. Due to its strong roots, Centaurea cyanus is difficult to control mechanically in spring.

 

Fodder for insects and birds

The pollen of Centaurea cyanus is used by several different insect species. Insects of the orders Hymenoptera and Diptera are particularly attracted by the flower. As Centaurea cyanus is a self-incompatible species, it needs external pollination. The nectar of Centaurea cyanus is very sweet with a sugar content of 34%. Due to its high sugar production of up to 0.2 mg sugar per day and flower, the species is highly appreciated by beekeepers.

 

The seeds of Centaurea cyanus are one of the favourite foods of the European goldfinch.

 

Control of insect pests

Centaurea cyanus was found to produce volatiles attracting Microplitis mediator, which is a major parasitoid of the cabbage moth (Mamestra brassicae), which is the most important pest of cabbage (Brassica oleracea) in central Europe. Planting Centaurea cyanus in cabbage fields as a companion plant was thus suggested as an alternative to the widespread use of insecticides to control Mamestra brassicae. Field experiments showed that planting Centaurea cyanus in cabbage fields at a density of 1 plant / m2 can result in a significant increase in parasitation of Mamestra brassicae larvae, predation of Mamestra brassicae eggs (e.g. by carabid beetles or spiders) and ultimately cabbage yield.

 

Cultivation

Soil and climate requirements

Centaurea cyanus requires full sun and neutral (pH 6.6–7.5) to mildly alkaline (pH 7.6–7.8), moist and well-drained soil. However, Centaurea cyanus is quite tolerant to drought once established.

 

Sowing

For summer-blooming plants, sowing should be executed in late spring. In moderate climates, however, it is also possible to sow Centaurea cyanus in early fall. In this case, plants will already start to flower in the following spring. Recommended spacing between plants is approx. 20 to 30 cm. Centaurea cyanus can germinate from up to 10 cm depth, but the best result is obtained at 1 cm sowing depth. Germination occurs quickly after sowing.

 

Fertilization and cultural practices

High phosphorus fertilization in mid-summer will increase flower production. Mulching is recommended to prevent drying out of the soil and exposure of the root system to the sun.

 

Pests and diseases

In general, Centaurea cyanus is not very susceptible to pests and plant diseases. However, it may be affected by stem rot and stem rust if grown too tightly or by powdery mildew. Furthermore, aphids and leafhoppers can cause relevant damage to Centaurea cyanus.

 

Seed harvesting

Seeds are harvested either by hand or, in an agricultural setting, with a seed harvesting machine. On average there are 97,000 seeds in a pound of cornflower seeds.

 

Hand collecting can be time-consuming and yields are rather low.

 

A seed harvesting machine is more efficient than collecting the seeds by hand, but it is costly. The main principle of such a machine is that it brushes the ripe seeds off the plant and creates a cross flow fan action that generates sufficient air velocity to hold and gather the seeds into the seed bunker.

 

Pruning

Deadheading will encourage the plant to produce more blooms. Cornflowers are often used for ornamental purposes and by cutting them, up to their third leaves, they will produce more blooms and grow a bigger stem.

 

Uses

The flowers of Centaurea cyanus can be eaten raw, dried or cooked. Dried petals are used in foods, including in spices. Their main purpose is to add colour to food. There are cheeses or oils that contain raw petals. Petals can also be added to salads, drinks, or desserts for garnishing purposes in raw or dried form.

 

Beverages

Dried petals are also used in teas and other beverages. Blue cornflower petals are sometimes one of the ingredients in Lady Grey tea.

 

Ornamental use

Centaurea cyanus is used as an ornamental plant. There are varieties with blue, white, purple, pink or even black petals.

 

Pigment

The blue color of Centaurea cyanus is due to protocyanin, an anthocyanin pigment that is also found in roses. Different anthocyanins derived from Centaurea cyanus are used as natural additives in food products, such as yoghurts.

 

Medicinal purpose

Centaurea cyanus contains a wide range of pharmacologically active compounds, such as flavonoids, anthocyanins and aromatic acids. Especially the flower head finds application in herbal medicine, but leaves and seeds are also used for pharmacological purposes, albeit to a lesser extent.

 

In particular, extracts from the flower heads have anti-inflammatory properties used in the treatment of minor ocular inflammations. Antioxidant properties are high due to ascorbic acid and phenolic compounds. Furthermore, extracts of the flower head and vegetative parts of the plant were shown to have gastroprotective effects due to their content of quercetin, apigenin and caffeic acid derivates.

 

Phytoremediation

Centaurea cyanus has been evaluated for phytoremediation of soils contaminated with lead. Inoculation of the contaminated soil with Glomus spp. (fungus) and Pseudomonas spp. (bacterium) would significantly enhance the biomass production and lead uptake of Centaurea cyanus.

 

Folklore and symbolism

In folklore, cornflowers were worn by young men in love; if the flower faded too quickly, it was taken as a sign that the man's love was not returned. 

 

The blue cornflower was one of the national symbols of Germany. This is partly due to the story that when Queen Louise of Prussia was fleeing Berlin and pursued by Napoleon's forces, she hid her children in a field of cornflowers and kept them quiet by weaving wreaths for them from the flowers. The flower thus became identified with Prussia, not least because it was the same color as the Prussian military uniform. After the unification of Germany in 1871, it went on to become a symbol of the country as a whole. For this reason, in Austria the blue cornflower is a political symbol for pan-German and rightist ideas. It was worn as a secret symbol identifying members of the then-illegal NSDAP in Austria in the 1930s. Members of the Freedom Party wore it at the openings of the Austrian parliament since 2006. After the last general election 2017 they replaced it with the edelweiss.

 

It was also the favourite flower of Louise's son Kaiser Wilhelm I. Because of its ties to royalty, authors such as Theodor Fontane have used it symbolically, often sarcastically, to comment on the social and political climate of the time.

 

The cornflower is also often seen as an inspiration for the German Romantic symbol of the Blue Flower.

 

Due to its traditional association with Germany, the cornflower has been made the official symbol of the annual German-American Steuben Parade.

 

The blue cornflower has been the national flower of Estonia since 1969 and symbolizes daily bread to Estonians. It is also the symbol of the Estonian Conservative People's Party.

 

It is also the symbol of the Finnish National Coalition Party, and the Liberal People's Party of Sweden, where it has since the dawn of the 20th century been a symbol for social liberalism.

 

It is the official flower of the Swedish province of Östergötland and the school flower of Winchester College and also of Dulwich College, where it is said to have been the favourite flower of the founder, Edward Alleyn.

 

In France the bleuet de France is the symbol of the 11 November 1918 armistice and, as such, a common symbol for veterans (especially the now defunct poilus of World War I), similar to the Remembrance poppies worn in the United Kingdom and in Canada.

 

The cornflower is also the symbol for motor neurone disease and amyotrophic lateral sclerosis.

 

Cornflowers are sometimes worn by Old Harrovians, former pupils of the British Harrow School.

 

A blue cornflower was used by Corning Glass Works for the initial release of Corning Ware Pyroceram cookware. Its popularity in the United States, Canada, United Kingdom and Australia was so high that it became the symbol of Corning Glass Works.

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

Snapshots from our five week Summer Intensive at both White Lodge and Upper School.

 

©2022 The Royal Ballet School. Photographed by Rachel Cherry.

Worker at the rubber tree plantation

Marlies Dekkers , Rotterdam.

©2021 The Royal Ballet School. Photographed by Rachel Cherry.

©2021 The Royal Ballet School. Photographed by Rachel Cherry.

Gli allevamenti intensivi sono responsabili di inquinamento ambientale, inquinamento delle falde acquifere, zoonosi, antibiotico-resistenza. Inoltre, causano un consumo eccessivo di risorse terrestri essenziali: acqua e suolo. Gli animali vi conducono una breve vita senza alcun riguardo per la loro etologia. Il benessere animale non è compatibile con il profitto: diventa vegan!

 

Intensive farming is responsible for environmental pollution, groundwater pollution, zoonoses and antibiotic resistance. Furthermore, they cause excessive consumption of essential terrestrial resources: water and soil. The animals lead a short life there without any regard for their ethology. Animal welfare is not compatible with profit: go vegan!

©2021 The Royal Ballet School. Photographed by Rachel Cherry.

©2021 The Royal Ballet School. Photographed by Rachel Cherry.

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