View allAll Photos Tagged Intended
Once again I found myself up at Cowee Mountain Overlook along the Blue Ridge Parkway. I had intended to find a nice little spot somewhere in the mountains earlier, but as time drew short, the cloud levels continued to drop, I fell back into one of my favorite scenes. The clouds were rushing in and out of the valley, the humidity was making everyone uncomfortable... That's photography though, chasing light like a star struck groupie, fumbling the relationship more often than not... but sometimes, the stars align and you find some headway. [That may be the nicest way I have ever described chasing light.....] So, there I stood, having carefully, slowly setting up my equipment, prepping my exposure, watching the nearby photographers with their own array of gadgets and gizmos, and no doubt strong opinions on the same scene. Lots of laughter, lots of waiting... while I stood near my tripod, trigger in hand snapping shots every so often, tracking and waiting for these corpuscular rays to cut through the clouds in just the right way. Finally I had a few moments to grab the shot I was waiting on, just as a huge cloud came and filled the entire valley. That was it according to four of the photographers, no more light, the day was done 45 minutes till actual sunset, five before golden hour... But the rest of us stayed, perhaps not wishing to admit defeat, maybe convinced the light would return...
ISO: 320
Aperture: f8
SS: 1/125th
Focal: 50mm
I can deal with hot, I can deal with cold... Humidity, and high winds though.... that's pure misery.
My favorite shots can be purchased here:
Striking a match for this week's Macro Mondays theme: "Intended Contact"
"The intention of this theme is to show 2 objects interacting with each other (actually touching !) for the purpose of performing a specific action. It must be clear that the contact is not just by coincidence but with the purpose to actually achieve something."
HMM
Macro Mondays "Intended Contact"
Life is a Rainbow - One year in colours
Orange - 44/52 weeks
Size : 3" x 2.5"
Thank you very much for your visits, faves, and kind comments - Chandana
i picked these on my way back home tonight, put them in a little beaker next to my computer, next to a simple lampshade... and proceeded to check my email and flickr.
i intended to do a quick, very closeup macro shot of one of them, but i liked the light on them from the lamp -- i decided to go with this.
i'm still posting and running... tired but feeling encouraged.
thank you.
on the blog: toomanytribbles.blogspot.com/2009/09/4-fl-oz.html
The buckle prong or tongue is intended to contact the buckle frame for holding in place. One inch by one inch frame.
Elizabeth Frink's statue The Walking Madonna in the grounds of Salisbury Cathedral on a foggy night. Intended as a temporary installation, it has now been in place for 32 years. She is walking away from the Cathedral towards the city centre.
PLEASE NO INVITES AS THIS IS INTENDED AS A GREETING ONLY - THANK YOU.
Matthew 28:5-7
And the angel answered and said to the women, Fear not you: for I know that you seek Jesus, which was crucified. He is not here: for he is risen, as he said. Come, see the place where the Lord lay. And go quickly, and tell his disciples that he is risen from the dead; and, behold, he goes before you into Galilee; there shall you see him: see, I have told you.
Is It So Important?
Is it really so important
just to know that Jesus died,
Does it really make a difference knowing
He was crucified?
Indeed, it was for all my sin
He hung upon a tree,
So it really is important -
through believing, I am free.
Free from all my sin and shame, my
conscience cleansed from guilt,
You too may know this blessing,
through believing if you wilt.
Is it so important then to know that Jesus rose?
That the tomb was empty, mocking
all the efforts of His foes.
Yes! It proves his power,
over sin and death and grave.
By His glorious resurrection,
we know He came to save.
His disciples who had seen Him die,
were frightened and were sad;
Until the day of resurrection -
His appearing made them glad.
He ascended to his Father,
there His precious blood to plead,
For those who came believing,
acknowledging their need,
He has sent his Holy Spirit
(Guide and Comforter is He)
He will teach me of my Saviour,
who will come again for me.
Then - with all who love Him,
we shall meet Him in the air.
He will take us to his Father's house,
to praise Him ever there.
Frank Robbings, April 1977 (Chelsea Pensioner & *SASRA member) *Soldiers' and Airmen's Scripture Readers Association reproduced from one of their earlier newsletters. For more information please visit www.sasra.org.uk/ and www.facebook.com/RoyalHospitalChelsea/photos/a.6432400157...
Ortahisar , Nevsehir, Turkey
The rituals of the Rumi's followers (Whirling Dervishes) are among the enduring as well as the most exquisite ceremonies of spirituality.
The ritual whirling of the dervishes is an act of love and a drama of faith. It possesses a highly structured form within which the gentle turns become increasingly dynamic as the individual dervishes strive to achieve a state of trans.
The music that accompanies the whirling from beginning to end ranges from somber to rhapsodical; its effect is intended to be mesmerizing.
Chanting of poetry, rhythmic rotation, and incessant music create a synthesis which, according to the faithful, induces a feeling of soaring, of ecstasy, of mystical flight.
National Museum in Prague is a Czech museum institution intended to systematically establish, prepare, and publicly exhibit natural scientific and historical collections. It was founded in 1818 by Kašpar Maria Šternberg. Historian František Palacký was also strongly involved in the foundation of the museum.
After the French Revolution, royal and private collections of art, science and culture were made available to the public. The beginnings of the museum can be seen as far back as 1796 when the private Society of Patriotic Friends of the Arts was founded by Count Casper
Sternberk-Manderschied and a group of other prominent nobles. The avowed purpose of the society was "the renewed promotion of art and taste," and during the time of Joseph II, it would be adamantly opposed to the King. In 1800, the group founded the Academy of Fine Arts, which trained students in progressive forms of art and history
Happy Saturday for Stairs!
Série 1/9
La Campagne à Paris est un lotissement du 20e arrondissement de Paris, en France. Il fut fondé en 1907 par le pasteur Sully Lombard sous forme d'une coopérative destinée à permettre l'accès pavillonnaire à des personnes à revenus modestes.
The Campaign in Paris is a subdivision of the 20th arrondissement of Paris, France. It was founded in 1907 by Pastor Sully Lombard in the form of a cooperative intended to allow residential access to people with modest incomes.
For macro mondays 'intended contact' - a tiny craft peg, just under 3cm long.
A late entry, but I needed a bit of photography wind down time after work!
The Sun Voyager is a sculpture by Jón Gunnar Árnason, located next to the Sæbraut road in Reykjavík, Iceland. Sun Voyager is described as a dreamboat, or an ode to the Sun. The artist intended it to convey the promise of undiscovered territory, a dream of hope, progress and freedom.
In 1986, the district association of the west part of the city funded a competition for a new outdoor sculpture to commemorate the 200th anniversary of the city of Reykjavík. Jón Gunnar's Sun Voyager won the competition, and the aluminium model was presented to the city for enlargement. The full-sized Sun Voyager was eventually unveiled on Sæbraut on the birthday of the city of Reykjavík, August 18, 1990.
The work is constructed of quality stainless steel and stands on a circle of granite slabs surrounded by so-called “town-hall concrete”. It was constructed in accordance with Jón Gunnar's enlarged full-scale drawing of Sun Voyager and was overseen by Jón Gunnar's assistant, the artist Kristinn E. Hrafnsson. The engineering of the sculpture was supervised by the technologist, Sigurjón Yngvason, in close cooperation with Jón Gunnar himself, the building itself was carried out by Reynir Hjálmtýsson and his assistant.
In an interview published in the newspaper Þjóðviljinn on 11 June 1987, Jón Gunnar describes the genesis of the work as being part of the Scandinavian art project, Experimental Environment, which conducted various artistic experiments in Iceland, Denmark and other places in the 1980s.
In May 1985, a group of artists, members of the Scandinavian art project, Experimental Environment, gathered to take part in the Saari-Vala Environmental Art Action in Bockholm, Finland. There I experienced a sense of the history of the origins of Icelanders, something which is also related in the present exhibition at the Nordic House in Reykjavík.
I had an uncanny feeling that I had been on this island before, when travelling on my way from Mongolia to Iceland, hundreds of years ago.
As you know, there have been speculations that the Icelanders as a race originated in Mongolia. I have discovered the history of their migration to Iceland, which runs as follows: Many centuries ago, a mighty warlord, let’s say it was Alexander the Great, was living in the centre of the known world. He dispatched his bravest and most experienced warriors, along with some women, scribes and other followers, on an exploratory expedition to the cardinal directions, the north, west, south, and east, in order to discover and conquer new, unknown territories. Those who headed east followed the rising sun until they reached the steppes of Mongolia. There they settled down and lived in comfort. Those scribes who accompanied the warriors were expected to document the expedition for the king. Several centuries later, when the documents written by the scribes eventually came to be examined, the people discovered that they had another fatherland in the west. They therefore decided to gather together their belongings and head back west towards the setting sun. We followed the sun for days and years, walking, riding and sailing. We enriched our experience and our determination grew in strength as our journey progressed, and we recorded everything that we saw and experienced. I remember endless pine forests, mountains and waterfalls, lakes, islands, rivers and seas before we eventually reached the ocean. We then constructed huge ships and sailed on westwards towards the setting sun.
As a result of this vivid experience of my participation in this expedition while on the island of Bockholm in the Finnish archipelago, I carved a picture of a sun ship into a granite rock by the sea. The sun ship symbolizes the promise of new, undiscovered territory. It is also being exhibited here at the Nordic House, made of aluminium.
There has been some dispute about the eventual location of Sun Voyager on Sæbraut in Reykjavík. Some people have complained that the ship does not face west, towards the setting Sun in accordance with the concept behind it. The original intention had been for Sun Voyager to be situated in the west part of Reykjavík, for obvious reasons. Jón Gunnar's original idea had been for the ship to be placed on Landakot hill, the prow facing the centre of Reykjavík and the stern to Christ the King Cathedral (Icelandic: Landakotskirkja). Another possibility was that it could be placed by the harbour in the centre of Reykjavík on a specially constructed base. The coastline by Ánanaust nonetheless eventually came to be Jón Gunnar's preferred location for the ship. Unfortunately, changes in the town planning for Reykjavík came to rule out this location. In the end, the final decision was taken (with Jón Gunnar's consent) that Sun Voyager should be located on Sæbraut on a small headland (which the artist jokingly called Jónsnes: Jón's Peninsula). Jón Gunnar was well aware that when bolted to its platform, Sun Voyager would be facing north, but felt that that made little difference when it came down to it.
Sun Voyager was built in accordance with the artist's hand-drawn full-scale plan. Its irregular form with the ever-flowing lines and poetic movement which are a distinctive feature of so many of his works make it seem as if the ship is floating on air. It reaches out into space in such a way that the sea, the sky and the mind of the observer become part of the work as a whole. As a result, Sun Voyager has the unique quality of being able to carry each and every observer to wherever his/her mind takes him/her. Few of Jón Gunnar's works have a simple obvious interpretation. As he stated himself, all works of art should convey a message that transcends the work itself. It is the observer who bears the eventual responsibility for interpreting the works in his/her own way, thus becoming a participant in the overall creation of the work. Jón Gunnar's works frequently make such demands on the observers, giving them the opportunity to discover new truths as a result of their experience.
The Botín Center, also known as the Botín Center for Arts and Culture, is the name of the future cultural facility in Santander (Cantabria), Spain. It is intended to be a reference center in Spain which is part of the international circuit of leading art centers. The project is the work of the Italian architect Renzo Piano, rewarded with the Pritzker Prize. This achievement will be a first in Spain for the architect.
Whilst preparing dinner last night I was pondering what to shoot for this week's task. The broccoli was my last model and the best suited. Parsnips and carrots were a fail
A statue by Holly Bendall in Porthleven, Cornwall
Posing a powerful environmental question, Holly Bendall's sculpture, Waiting For Fish captures a moment between a man called Dave and a Bird. Intended to make us question where our fish comes from,
A spiegeltent (Dutch for "mirror tent", from spiegel+tent) is a large travelling tent, constructed from wood and canvas and decorated with mirrors and stained glass, intended as an entertainment venue.[1][2][3][4] Originally built in Belgium during the late 19th and early 20th centuries, only a handful of these spiegeltents remain in existence today, and these survivors continue to travel around Europe and beyond, often as a feature attraction at various international arts festivals VIA WIKI
rochesterfringe.com/tickets-and-shows/cirque-du-fringe-af...
I intended to post a shot of this species made last month, but on checking my files I found a better one - from the same location. So here it is. The red eye comb of the male is just... irresistible!
The taxonomy of the Franklin's Grouse has been in flux for some time. The IUCN and the AOS seem to be at odds as to whether it is a subspecies of the Spruce Grouse or a distinct species on its own. Honestly, I couldn't care less. It differs from the Spruce Grouse of the north in that its tail is all black, with white spots.
Like most grouse, they are loathe to fly, and can easily be approached by a slow moving photographer. Apparently they are noted for their territorial wing-clap display, but I've never heard this.
Photographed in Banff National Park, Alberta (Canada). Don't use this image on websites, blogs, or other media without explicit permission ©2016 James R. Page - all rights reserved.
Open ended wrench on a 1/4" nut.
Daylight CFL providing ambient light with second curtain flash to stop the motion.
Art installation by Mexican artist Elina Chauvet intended to remind the public of the empty spaces left by women who have been abducted or murdered in Mexico, as well as problems of domestic violence locally.
www.youtube.com/watch?v=46kXvXV42Qk
I had originally intended to have this up in time for Valentine's Day, because why not? But then I got the idea to put out an applier, and then I randomly took some pictures of great items I wanted to share, and one thing lead to another so that this picture is only just getting finished now.
Still, I'm happy with how it turned out. :D
Press "L" to zoom in!
sponsored items:
Tʀɪsᴛᴇ ﹣ Lᴇɴɴᴇ Bᴇɴᴛᴏ Sʜᴀᴘᴇ [Mᴀɪᴛʀᴇʏᴀ] (@ Mainstore)
BASICS:
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Mᴀɪᴛʀᴇʏᴀ Lᴀʀᴀ
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CLOTHING/ACCESSORIES:
JɪᴀɴJAM ﹕﹕ Rᴀᴠᴀɢᴇᴅ Wɪɴɢs
Yᴏᴋᴀɪ ﹣ Mʏ Aɴɢᴇʟ GACHA﹕
﹣ Eᴀʀʀɪɴɢs ﹙Gᴏᴛʜɪᴄ﹚
﹣ Nɪᴍʙᴜs ﹙ʟᴇᴍᴏɴ ɢᴏʟᴅ﹚
[KR] CALISTA SUIT ﹣Wʜɪᴛᴇ﹣
CUREMORE / Vᴏᴏᴅᴏᴏ Tʀɪʙᴇ / Nɢᴀᴍɪ / Dʀᴀᴘᴇs RARE
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Hᴀᴢʏ. Nᴀᴛsᴜᴍɪ Lᴏᴏᴋ. Kᴀᴛᴀɴᴀ ₂
Pᴜʀᴇ Pᴏɪsᴏɴ ﹣ Aʟɪɴᴀ Bᴏᴏᴛs
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Intended to ‘herd’ fish, I think. Is that possible? Seems to work! Great Egret in Riverstone Wetlands, Sugar Land, Texas.
This photo was taken in Nakatsuchi, Otari village in early autumn on the way to Kamaike (鎌池) pond in the same community. Forests are still lush at this altitude of 600 m.
Susuki (Chinese silvergrass, Miscanthus sinensis) is a perennial herbaceous grass found in East Asia. The Miscanthus genus is found all over Eurasia and Africa.
Susuki has been a subject of Japanese art and literature often associated with autumn, solitude and bleakness, although this photo is not intended for such sentiments.
It used to be important as a roofing material.
With a lockdown in place it is against the rules for me to go to places I like to shoot, so I though I would try to create a series called Isolated creativity. The series is not intended to be a diary but a way of documenting thoughts and emotions via photography.
This one is about Dominic Cummins, his trip to Durham and the way he tests is eyesight! It is also about our trust in politicians in general which seems to be an ever reducing commodity.
The Spiegel Building.
Located at the so called "Ericus Spitze", HafenCity Hamburg.
The shape of the glass facade is intended to symbolize the framework around the 1100 Spiegel employees who work here.
Architect: Henning Larsen Architects, Copenhagen, 2011
Le Gravestenenbrug est un pont-levis , destiné aux piétons au centre de la ville de Haarlem . Le pont actuel date de 1950 et a remplacé le pont qui était en place depuis environ 600, voire 800 ans. Le pont relie la rive du Korte Spaarne sur le Binnen Spaarne avec celle du Bakenessergracht .
The Gravestenenbrug is a drawbridge, intended for pedestrians in the center of the city of Haarlem. The current bridge dates from 1950 and replaced the bridge that had been in place for around 600, if not 800 years. The bridge connects the bank of the Korte Spaarne on the Binnen Spaarne with that of the Bakenessergracht.
This is one of my family's seven pet dogs. This good-looking female canine, however, was not what I intended to photograph when I went out with a camera in my hand. Finding not even a single interesting subject to shoot, I then started to walk back toward home. Unexpectedly, this dog, named Kirei, came up to me. And the rest of the story is this head shot of her, which I snapped when she momentarily looked up, directly facing me.
Taken in Subic, Zambales, Philippines.
I hadn't intended on being out this day. Intel was received that westbound J712 for Decatur would have CSXT 4685, the "Spirit of Mulberry" leading. Having an SD70AC leader was a rare treat as those didn't seem to make it to the midwest often, much less the branchlline that was the Decatur sub. I caught up to the train at Dana, IN, and decided that Scottland, IL, the first town across the state line would be a good choice for a photo.
The clouds parted long enough, maybe a minute, tops, for me to get one sunny shot. I did continue to Chrisman, five miles west, for another shot before heading back home, 40 minutes away.
Sunshine & wind to dry the clothes & pegs to make them stay in contact with the clothesline :) HMM :)
Macro Mondays: Intended Contact
You my not get the effect intended on a small phone. I have tried cropping the image for phone use, but i am sorry, it don't work. He has a glint in his eye, may be for you:-)))
…… We went for a circular walk (pun intended) around Ironbridge & Coalport area this morning before it got too hot! The area is steeped in history and indeed was the heart of the Industrial Revolution back in the day! Very rural now and a far cry from those noisy, steamy, smokey days!!I This shot is the bridge that replaced the ‘Wood’ bridge (The Woodbridge pub here is a reminder of that!), this ’new’ replacement was built for horse & carts back in 1818 and still takes traffic today. I liked all the circles and the bike clinched it to be my #190 picture of the day, taken on my Phone in Apple RAW and edited in Lightroom. Alan:-)
For the interested I’m growing my Shutterstock catalogue regularly here, now sold 122 images :- www.shutterstock.com/g/Alan+Foster?rid=223484589&utm_...
©Alan Foster.
©Alan Foster. All rights reserved. Do not use without permission.……
I had intended to follow the path along the upper slopes of Biggin Dale and then down into Wolfscote Dale, as the low cloud/fog appeared to have set in. As I climbed the slope into Biggin Dale the fog started to lift so I decided to retrace my steps back along the top to Beresford Dale. I'm glad I did as I was treated to some good light as the Sun fought to break through.
Gardens by the Bay is part of Singapore’s plans to transform its "Garden City" to a "City in a Garden". The Gardens are intended to be Singapore's premier urban outdoor recreation space, and a national icon. This is a blue hour view taken from the water-lily pond (without lilies for the period) in the Gardens, looking towards Marina Bay Sands and super-trees.
a million thanks! pun intended. the cover pick of my image is quite an honor.
seen in: www.flickr.com/photos/cari_franizzi_pics/
original: www.flickr.com/photos/cari_franizzi_pics/51157410303/in/d...
Gardens by the Bay is a nature park spanning 101 hectares (250 acres) of reclaimed land in the Central Region of Singapore, adjacent to the Marina Reservoir. The park consists of three waterfront gardens: Bay South Garden (in Marina South), Bay East Garden (in Marina East) and Bay Central Garden (in Downtown Core and Kallang). The largest of the gardens is Bay South Garden at 54 hectares (130 acres). Its Flower Dome is the largest glass greenhouse in the world.
Gardens by the Bay is part of the nation's plans to transform its "Garden City" to a "City in a Garden", with the aim of raising the quality of life by enhancing greenery and flora in the city. First announced by the Prime Minister, Lee Hsien Loong, at the National Day Rally in 2005, Gardens by the Bay was intended to be Singapore's premier urban outdoor recreation space, and a national icon.
Being one of the popular tourist attractions in Singapore, the park received 6.4 million visitors in 2014, while topping its 20 millionth visitor mark in November 2015.
The underground station HafenCity University is located 16.5 meters below ground level. The design follows a draft by the Raupach architectural office, the lighting planning office Pfarré Lighting Design and the industrial designers Stauss & Pedrazzini from Munich, who won the previous design competition.
The walls and ceilings are clad with dark brown, smooth metal panels. The station is illuminated by 12 light containers, each weighing six tons, which hang lengthwise from the ceiling. They consist of a steel framework clad in frosted glass, inside which 280 coloured LEDs provide different lighting moods that can be adjusted to the time of day or season or the weather and are reflected by the wall metal plates.
The shape of the lighting containers and the wall and ceiling design are intended to be reminiscent of harbour elements.
On weekends and public holidays, light and music compositions are performed in the underground station on the hour between 10 a.m. and 6 p.m. The light containers change colour to match the classical music.
The underground station received the Radiance Award for Excellence in Lighting Design 2013 from the International Association of Lighting Designers.
* * * * *
Der U-Bahnhof HafenCity Universität befindet sich 16,5 m unter Geländeniveau. Die Gestaltung folgt einem Entwurf des Architekturbüros Raupach, dem Lichtplanungsbüro Pfarré Lighting Design und den Industriedesignern Stauss & Pedrazzini aus München, die den vorausgegangenen Gestaltungswettbewerb gewonnen hatten.
Die Wände und Decken sind mit dunkelbraunen, glatten Metallplatten verkleidet. Die Station wird von 12 je sechs Tonnen schweren Leuchtcontainern erhellt, die in Längsrichtung von der Decke hängen. Sie bestehen aus einem Stahlgerüst, das mit Milchglas verkleidet ist und in dessen Inneren 280 farbige LEDs für verschiedene Lichtstimmungen sorgen, die der Tages- oder Jahreszeit oder dem Wetter angepasst werden können und von den Wandmetallplatten reflektiert werden.
Die Form der Leuchtcontainer und die Wand- und Deckengestaltung sollen an Hafenelemente erinnern.
An Wochenenden und Feiertagen werden zwischen 10 und 18 Uhr jeweils zur vollen Stunde Licht- und Musikkompositionen im U-Bahnhof aufgeführt. Passend zu klassischer Musik wechseln die Leuchtcontainer ihre Farbe.
Der U-Bahnhof erhielt den Radiance Award for Excellence in Lighting Design 2013 der International Association of Lighting Designers.