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Installation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
Installation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
nstallation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
nstallation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
Main Gallery, 2011
From left to right: Apex, Untitled (Syracuse Mural), 2011; Chor Boogie: First Name Unknown, A Boogie Bird's Dream I, Substance, A Boogie Bird's Dream II, Monolith, 2011
installation process photo.
from my BFA thesis show, Transgression, which was installed in the Main Gallery (3rd floor) of Northern Kentucky University's Fine Arts Building in April 2005.
While studying Year One Fine Art one of our assignments was to make a walk in installation for our corresponding Studio Work in a small group. For our project I worked along two of my friends to create our vision of a fully immersive and colourful experience. We wanted to be as free as possible with our creation of the small room, throwing water balloons filled with paint at the paper lined structure. Creating large brush strokes from the catalyst drips of acrylic paint. At the time of creation, we we're all indulging in a more abstract, surrealist or expressionist style. So it was natural for our installation to follow suit. With bold colours and unique figures, images that are suggestive and supposed to invoke question. Colour theory at the time was a large inspiration for my work, learning about the way that colours assosciate with different emotions and therefore state of minds. It was an incredibly freeing experience, and something I would be very interested in following up from. This was the first time I had worked on such a large scale, and in future I believe that the process would make a great foundation for multimedia to be worked into it, not just hung upon it.
Installation in the Clore Ballroom at the Southbank Centre 2013/2014. People were asked to donate coats and to write a letter to be attached to the coat to the person who would receive it. All coats and letters displayed to be read and enjoyed by visitors.
Artist: Felicity Whithers
Glass bead maker who is taking up the challenge of creating an installation of beads drawing colour and textural inspiration from the lichen found on the gravestones.
Salthouse 06, Salthouse Church, Norfolk, England, UK
singapore biennale 2008. blackfield by ben-david zadok, yemen. site specific installation. sand, stainless steel, paint.
'We're All Here Because We're Not All There' // Barclay Simpson 25th Anniversary Award Exhibition, Oliver Art Center, California College of the Arts, Oakland, CA // Curated by Dane Jensen and David Kasprzak // September 27-October 27, 2012
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Materials -20z Vinyl -Cloth -Marine Acrylic
Hardware - Print & Installation
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Installation views from "4 x 8-bridges" a San Francisco art gallery week initiative featuring thirty six prominent Northern California galleries at Hashimoto Contemporary.
Presenting four gallery artists with ties to the Bay Area, specifically Joel Daniel Phillips, Jeffrey Cheung, Anna Valdez and Chris Martin.