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Hundreds of soldiers, civilians, family members and friends gathered at the Iron Mike Conference Center Oct. 30 at 11 a.m. for the 29th Annual Fort Bragg Installation Awards. The theme for the event was 29 Years of “Going the Extra Mile.”
Hundreds of soldiers, civilians, family members and friends gathered at the Iron Mike Conference Center Oct. 30 at 11 a.m. for the 29th Annual Fort Bragg Installation Awards. The theme for the event was 29 Years of “Going the Extra Mile.”
gummi candy, monofilament, light
installation, Portland Art Museum, 2006 Oregon Biennial
from the statement:
"...every system, no matter how trivial, follows similar patterns of innovation and entropy, ever increasing in complexity. Just as our universe began with a single event/object with infinite gravity and zero mass, gummi began with bears. Today, however, one can find an infinite range of gummi shapes, including squid, tarantulas, and hamburgers."
You have to smell this piece to get the full effect.
more:
www.washingtonpost.com/wp-dyn/content/article/2006/07/14/...
This is an image of the final installation.
The reupholstered chair was transformed into a Sarah Lucas inspired piece, using period pads to stuff the tights and watermelons to fill the bra.
I used the experimental film shoot and printed the images onto acetate, which I then glued onto mirrors. I created a peep-show-inspired-box where I attached rich, velvet, red curtains, inspired by Diego Velasquez's use of rich colour to sexualise the female figure.
I framed the photograph of my Granny, making it bolder, and hung the other black and white images around her face.
The image of my Granny was also reflected into the mirrors within the peep-show-inspired-box.
I displayed my prints on the other wall, taking inspiration from Kara Walkers silhouetted paper cut-outs.
I also created a mod-roc mould of breasts, which can be seen within the next few images.
The installation 'Mirrors' is three boxes which look like part of wall and shelf by the bed with different useful or memorable subjects. Each box contains different things such as book, postcard, tickets, candle and so on. Each shelf represents each individual person.
The first box is a Russian emigran`s shelf. On the wall paper there are some memorable photos with his friends and family which stayed in Tajikistan, prayer on the piece of paper, cheques and remittances home. On the shelf there are old steel mug, broken lighter, the cheapest cigarettes, plastic flower and other old and cheap things.
The second box is a shelf of young girl from the periphery. On the shelf is mess. There are a lot of banal photos with her, cosmetic magazine, empty perfume, old cotton wool, vanilla cigarettes and crumpled bank of energy drink.
The third box is a shelf of old woman from the small Russian city. All things were put neatly on the shelf. There are knitting, postcard, seeds, darned sock, porcelain cat and other things.
All these boxes have general similarity - mirror on the wall. Everybody can guess who is owner of each shelves, find good and bad sides of these persons judging by their private things and mirror helps to see themselves. Thereby in these people we can find some similarity between them and us.
Each box has an individual music which helps receive more thoughts and feelings.
Fragment of a shoreline by Spatial Anatomy and Akai Chew with OFTRT at The Padang during Light to Night Festival.
"As rusted iron"
Photographic installation of 7 large-framed photos.
17ème biennale internationale de l'image (Nancy, France - 2012).
Meat market. Кингисепп (Kingisepp, Leningradskaya Oblast), Russia.
Installation Views
Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings 1974–2014
March 13–June 3, 2015
5th Ave at 89th Street
New York City
Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings 1974–2014 is the first U.S. museum exhibition of mirror works and drawings by Iranian artist Monir Shahroudy Farmanfarmaian. This presentation includes plaster and mirror reliefs, large-scale mirror sculptures, and works on paper. This body of work is characterized by a merging of visual and spatial experience, coupled with the aesthetic traditions of Islamic architecture and decoration.
Photos: David Heald
Learn more: www.guggenheim.org/monir
S124-E-006335 (5 June 2008) --- Astronaut Mike Fossum, STS-124 mission specialist, participates in the mission's second scheduled session of extravehicular activity (EVA) as construction and maintenance continue on the International Space Station. During the seven-hour, 11-minute spacewalk, Fossum and astronaut Ron Garan (out of frame), mission specialist, installed television cameras on the front and rear of the Kibo Japanese Pressurized Module (JPM) to assist Kibo robotic arm operations, removed thermal covers from the Kibo robotic arm, prepared an upper JPM docking port for flight day seven's attachment of the Kibo logistics module, readied a spare nitrogen tank assembly for its installation during the third spacewalk, retrieved a failed television camera from the Port 1 truss, and inspected the port Solar Alpha Rotary Joint (SARJ).
Over the course of three weeks in the fall of 2011, eleven Brooklyn Preparatory high school students collaborated with International Studio & Curatorial Program (ISCP) artist-in-residence Tang-Wei Hsu (based in Taiwan) to create a cosmos-inspired installation for Brooklyn Prep. Contributing students gained insight into contemporary art practices while creating a twenty-foot site-specific work with Hsu along the corridors of their school. The completed landscape is composed of the students’ collective symbols of spaces and objects based on their current, future and imagined lives.
This installation in Tate Britain by Lydia Ourahmane is called The Third Choir. Each of the oil drums contains a mobile 'phone playing a sound which resonates inside the drum.