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Hundreds of soldiers, civilians, family members and friends gathered at the Iron Mike Conference Center Oct. 30 at 11 a.m. for the 29th Annual Fort Bragg Installation Awards. The theme for the event was 29 Years of “Going the Extra Mile.”
Photographed by: Jonathan Green
A commission I had, to design and make free-standing hardware for a permanent, interactive sound installation for Cleethorpes Academy, North East Lincolnshire, UK.
The hardware consists of 6 infra-red sensor units and 1 lectern that houses an iPad.
The sensor units pick up and track movement. This is all linked to special iPad software created by David Stevens and Simon Desorgher.
The equipment will predominantly be used to aid music and sound lessons and performances. The interactive system is great for children, as they don’t need dexterity in order to get involved and play with sound.
A kinetic art installation by artist Chris Eckert at the Museum of Craft & Design in San Francisco. The machines are writing phrases (pulled from the internet) that contain the words "does not" -- Interesting on many levels.
In late November 2015, an “unprecedented deployment” of instruments from the second ARM Mobile Facility (AMF2) were installed at McMurdo Station for the ARM West Antarctic Radiation Experiment (AWARE) field campaign. These data will help scientists to understand how clouds affect melting glaciers.
Terms of Use: Our images are freely and publicly available for use with the credit line, “Image courtesy of the U.S. Department of Energy Atmospheric Radiation Measurement (ARM) user facility.”
Michael Werner, CPM (r) is installed as a Certified Property Manager on May 16, 2007 by Chapter President Rebekah Coblentz, CPM.
The land art installation consisting natural materials such as rocks, dried fruits, dried leaves and twigs gathered around the Singapore Botanic Gardens, The themed of this land art installation is Beginnings, It is display behind the Botany Centre, Singapore Botanic Gardens for the coming Singapore Garden Festival 2012
Intersection pavement artwork is installed at Reade Circle and Evans Street on Monday, June 28, 2021. The artwork is the first of several public art installation projects that make up part of the Emerald Loop in Uptown Greenville.
The Emerald Loop is a project designed to transform Greenville's center city through a multimodal connection of existing and future artistic and cultural gems. Greenville's Emerald Loop Vision Plan includes input from city, county, and community leaders from the public and private sector. Learn more about the Emerald Loop at pittcountyarts.org/community/arts-district
AV Installation. Festival Iminente. 21.22.23 September 2018. Lisboa.
"In June 2017, 12 more moons were found orbiting the planet Jupiter, to a total of 79. These are divided in three large groups: while the two groups that orbit nearer the planet do so in the direction of Jupiter's rotation, the third rotates in the opposite direction and at a greater distance. However, a moon was found in this distant group moving in the direction of the rotation of Jupiter, contrarily to all the surrounding moons. This peculiar characteristic makes it possible to predict an inevitable collision, reason why the scientists called it "Valetudo". Boris is currently scanning its surface to try to get answers before it's too late."
The land art installation consisting natural materials such as rocks, dried fruits, dried leaves and twigs gathered around the Singapore Botanic Gardens, The themed of this land art installation is Beginnings, It is display behind the Botany Centre, Singapore Botanic Gardens for the coming Singapore Garden Festival 2012.
beati coloro che si baceranno sempre al di là delle labbra, varcando il confine del piacere, per cibarsi dei sogni.
...blessed are those who will aways kiss beyond the lips, crossing the boundary of pleasure, to feed on dreams.
This is Inside Out by Marcin Padlewski & Anissa Szeto-Padlewska, at the Fieldwork installation set up in a field near Brooke, Lanark County, Ontario, Canada.
Application form for a Brochure from Masters Hardware for installation of products purchased from the store which were a Woolworths-Lowes (USA) joint venture in hardware
Heavy losses against incumbent rival Bunnings in part due to an aggressive expansion (often next to Bunnings stores such as this one) and low sales have seen Woolworths abandon the category altogether and announce closure of the chain by early December 2016 with a liquidation sale starting August of the year.
The stores (including several development sites) have been sold to Home Consortium who will reconfigure the sites to a combination of Spotlight, Anaconda, JB Hi Fi, The Good Guys and Woolworths supermarkets. Rival Bunnings will take over 15 of the 61 stores open.
Hundreds of soldiers, civilians, family members and friends gathered at the Iron Mike Conference Center Oct. 30 at 11 a.m. for the 29th Annual Fort Bragg Installation Awards. The theme for the event was 29 Years of “Going the Extra Mile.”
Installation at UNM. Papercut, linoleum prints, housepaint. Approx 12 feet by 12 feet by 8 feet tall
detail from "Close to Home" installation at Yerba Buena Center for the Arts
ARTIST STATEMENT
Sita Kuratomi Bhaumik, Close to Home
What can we sniff out with our noses? Odors are linked to survival, memory, and our perception of difference. As invisible signifiers, what role do the senses play in our formation and recognition of each other? How do we taste, smell, and touch, and what are the politics of the senses? In my work as an installation artist, I explore how these themes are evidenced in the fleeting materials we consume every day. Food and scent are unruly substances — pervasive and polarizing. My materials do not want to be archived. I have to chase them down and sweep them up. It is partially for these reasons that the senses have been placed in a hierarchy: sight, sound, smell, taste, and touch. So what happens when I ask you to taste and smell art as much as you see it? As a strategy for engagement and shifting the relationship between the artist and viewer to artist and participant, my work is often site specific, rooted in and shaped by its location. But how do we define location in an age of diaspora and globalization? I am also interested in tracing movement: the movements we make today and the movements we've made for centuries. If globalization has been a long time in the making, how does it shape our experiences of home? I want my work to be challenging and impractical; I want art to ask questions.