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MMID 65 Ton Whitcomb-102 N/B on the Keymar trestle.

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Il mistero di quella parte di città

che scende ripida verso i cantieri,

ora che non ci sono più cantieri

ma solo qualche scafo imbalsamato

e palazzoni popolari in declivio

che si accendono ai tramonti d'ottobre

 

non potrò salire le scale

per ascoltare di là dalle porte

le donne e i bambini sbadigliare

e i raggi dell'ultimo sole

tra i quaderni incantati e una minestra

 

era così e poi una piccola luna

era il segno di domani per i padri

e anche un sogno breve all'osteria

carezzando il mare laggiù in fondo.

 

Cartolina di Trieste? Ma sì, forse.

Eppure se dal porto una sirena

lunga e triste mi raggiunge la notte

mi accorgo che essere felice

si riduce, in fondo, a poche cose.

 

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Paolo Longo ottobre 2014

 

Sunset view of the Inner Harbor seen from the observation level of the Baltimore World Trade Center.

A new addition to my "Bayside Impressions" series

 

I have not done this for a while, but it felt really good to do some black and white long exposure work again. This image and another one were just about right to be added to my series "Bayside Impressions".

 

Long exposure black and white photography has become a very popular genre in photography and many photographers followed masters like Michael Levin, Jeff Gaydash, Marc Koegel and Joel Tjintjelaar and started experimenting with neutral density filters. I personally enjoy the idea of taking long exposure photographs a lot. It always fascinated me how light gathered on film and produces a image that not only captured light but also time. I did not like the clean and sometimes overproceseds look of some of the digitally processed images. My process is a bit different, it concentrates on the more natural look of a scene and less on the creative interpretation. This is just a different approach and something that suits my personal style more. I hope you are enjoying this photograph. The Bay Bridge and the piers in San Francisco have been photographed many times, but they are still iconic and people will continue to shoot them over th next decades. This is my interpretation, my work, my photograph - one among others but still unique.

 

Pier 24 is a wonderful place to view and think about photography. If you have not yet been there I highly recommend putting this on your itinerary for the next SF trip.

 

[image: Imágenes integradas 1][image: Imágenes integradas 2]

View from my room at the Captain Cook Hotel.

Architects: Renzo Piano & Richard Rogers (1971-1977)

Location: Beaubourg, Paris, France

New York City, NY

From my recent trip to New York City.

Stayed in one of the best hotels in Mumbai and the view from the rooms were just amazing..

#MarineDrive #Mumbai

 

Maasvlakte, Rotterdam industrial area, South-Holland the Netherlands.

 

facebook | website | maasvlakte book 2014 | portfolio book

 

© 2014 Bart van Damme

 

Visiting EMO [Europees Massagoed Overslagbedrijf], one of the largest transhipment terminals for coal and iron ore in the world.

Bushwick, Brooklyn, New York.

Urbexposure

Instagram: pixelina

A second shot of this futuristic glass building in Hannover, Lower Saxony, Germany

 

Nikon D90, Sigma 10-20

HDR, 3 jpg shots, +/-2EV, Photomatix 4, Topaz Denoise, Neat Image, Topaz Adjust, Photoshop CS5

ICE 389 (Flensburg - Hamburg Hbf), am 22.07.2015 auf der Rendsburger Eisenbahnhochbrücke, über den Nord-Ostsee-Kanal.

Between Niland and Slab City.

#UnitedKingdom #UK #London #Cityscape

Blue bricks in the roadway in South Philadelphia. Cast from iron slag, a waste product from the manufacture of iron, the bricks were often used as ballast in ships sailing from Europe to the New World.

Puente de Hierro, construido en 1883 por William Finch sobre el río Guadiana en la ciudad de Mérida (Extremadura).

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