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Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
I’ve finally made it out to the skate park to capture my Audi RS6 gumball 3000! This build would not have been possible without the stickers from @brickvisions chrome by @bubul_chrome_ and rims by @systemofabrick don’t sleep on this one, scroll up for the entire photo. Shoot! #Gumball3000 #Technic #Lego #DaveGR #OutdoorPhoto #Graffiti #Custom #MOC #Toy #InstaLike #InstaCool #Instagram #Influencer #audi #5Door
Looney Tunes have been around for years and are parent approved for children. However, these cartoons demonstrate using violence against others with no consequences. After the the coyote gets hit on the head with the hammer, he is suddenly okay in the next frame. This unintentionally teaches our children there are no consequences to this behavior.
Photo from zestofzang.blogspot.com/
The Italian architect and engraver Giovanni Battista Piranesi (1720-1778) was born in Venice. He started taking drawing lessons at an early age, and was primarily influenced by the work of architect Palladio. At the age of eighteen years old, he moved to Rome with an ardent desire to know the Eternal City and worked as draughtsman at the service of the Venetian embassy to the Vatican. In Rome, Piranesi studied engraving under Giuseppe Vasi, with whom he later clashed. An impulsive, ambitious and prolific artist, Piranesi worked in harmony with his time, as he was always drawn to and cultivated the dramatic, the inspired and the spectacular.
As with the work of French architect David Leroy (1724-1803), the technique and art of Piranesi's drawings aim to make an impact the viewer. A strong impression, which it is the artist's duty to convey, is deemed more important than precision in representation. Piranesi is among the most dynamic exponents of Neoclassicism; at the same time, he belongs to early Romanticism as well, as the remains of classical civilisations become the cause of poetic emotion.
Piranesi also visited Naples, where he depicted the local antiquities with passion and admiration, and created several copper moulds of his works. He returned to Venice in 1744, where he refined his engraving skills. It was there that he published his first major work “Carceri di invenzione” (“Fictitious prisons”, 1750, 1761 and 1780). The uncanny as well as evocative spaces of the prisons invented by Piranesi disturb the viewer and constitute a lasting influence on visual artists, writers and architects from his time to the present.
Later in his life, Piranesi returned to Rome, where he worked mainly as an engraver and painter and less as an architect. His “Monuments of Rome”, made a great impact on his contemporaries. In contrast to the contemporary intellectual atmosphere, and while scholars (such as Winkelmann, Ramsey, Stuart, Revett) direct their attention to Greece, which they see as the primary inspiration of Roman architecture, Piranesi sustained that the Etruscans, a people older than the Greeks, were the first to achieve aesthetic perfection. His ideas provoked a debate among European scholars, and opened new pathways to the study of ancient legacy.
The two thousand copper engravings drawn and etched by Piranesi in his lifetime were published posthumously in Paris by his sons, in a monumental edition (1835-1837).
Written by Ioli Vingopoulou
İtalyan asıllı mimar ve gravürcü Giovanni Battista Piranesi (1720-1778) Venedik yakınlarında doğar. İlk çizim derslerini çok genç yaşta alan Piranesi (okunuş: Piranezi) ünlü mimar Palladio'nun eserlerinden etkilenir. On sekiz yaşındayken Roma'yı tanımak arzusundan hareket ederek buradaki Venedik elçiliğinde çizer olarak iş bulur. Roma'da bulunduğu süre içinde, Piranesi, G. Vasi'nin yanında gravür sanatını öğrenir, ancak daha sonra Vasi ile arası açılır.
Duygularının esiri ve hırslı bir kişi olan Piranesi son derece üretken bir sanatçıydı. Yaşadığı dönemde egemen olan sanat anlayışıyla tam bir uyum içinde hareket ederek "görkemli", "çarpıcı", "dramatik" unsura karşı duyduğu hayranlığı eserlerinde yansıtır. Fransız asıllı mimar Le Roy'nın (1724-1803) sanat anlayışına benzer biçimde Piranesi için de bir eserin başlıca işlevi seyircide bıraktığı etkileyici izlenimdir; çizimin doğruluğu ise ona göre ikinci planda kalır. Piranesi neoklasik sanat akımının en dinamik temsilcileri arasındadır. Aynı zamanda romantik akımın erken dönemini de temsil eder. Romantik akımın erken dönemi, antik Yunan ve Roma kültürünün kalıntılarından esinlenen şiirsel duyarlıkla ilgilidir.
Piranesi Napoli'yi ziyaret etmiş; çizdiği birçok resmin bakır kalıbını yapmıştı. Tablolarında hayranlık ve coşkuyla Napoli yöresinin arkeolojik kalıntılarını kaydeder. 1744 yılında Venedik'e dönen Piranesi gravür sanatında yetkinleşir ve ilk önemli yapıtını yayınlar. "Carceri" ("Düşsel hapishaneler", okunuş: Karçeri) adını taşıyan eser 1750, 1761, 1780 yıllarında yayınlanır. Piranesi daha sonra yeniden Roma'da yaşayıp mimarlıktan çok gravür ve resimle uğraşıp eserler yaratır. Roma'nın arkeolojik anıtları hakkında olan eseri (1748-1774) yaşadığı devrin sanat dünyasını yoğun biçimde etkiler. Winkelmann, Ramsey, Stuart, Revett v.b. aydınların bütün dikkati Roma mimarîsinin öz kaynağı olarak klasik Yunan kültüründe odaklanırken, Piranesi, Etrüskler'in Yunanlılardan daha eski bir kültür olarak estetik yetkinliğin en yüksek mertebesine ilk ulaşanlar olduğunu savunur. Onun bu savları Avrupa yazarları arasında büyük tartışmalara yol açmış ve antik kültür mirasının incelenmesinde yeni yollar çizmişti. Piranesi'nin, yaşamı boyunca çizip yapımını tamamladığı 2.000 gravür, ölümünden sonra oğulları tarafından Paris'te görkemli bir baskı biçimiyle yayınlanır (1835-1837).
Yazan: İoli Vingopoulou
The West Point Directorate of Admission hosts an influencer event to increase the awareness of the United States Military Academy with key local influencers to spread the West Point value proposition in the local community in Tulsa, Oklahoma on Oct. 4, 2024. (U.S. Army photo by Sgt. 1st Class Alan Brutus)
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Markus Berger, Head of Corporate Communications.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Personal items included wheel decorations often associated with the cult of Taranis (a Celtic god of thunder and the equivalent of the Roman Jupiter), and face jars and masks with their curious images of the human face.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Urs Eberhard, Head of markets.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Urs Eberhard, Head of markets.
El sábado pasado concluía la última sesión del seminario “Líderes Influencers”, en esta ocasión el título fue: "LO IMPORTANTE ES LEVANTARSE: FORTALEZA". Comenzaban a las 16.30h tomando un café, a continuación tuvieron varias dinámicas de grupo con Pascual Hernández, socio director de Explora, aplicando la importancia de la fortaleza que radica no en caerse, sino levantarse siempre, llegar a los objetivos sorteando los obstáculos y descubriendo las debilidades que impiden alcanzar las metas, la importancia del trabajo en equipo, soluciones más efectivas etc. Más tarde Diana y Mar Quesada, influencers decoradoras de interiores de Tres Studio (@tres_studio), les contaron su experiencia profesional, cómo comenzaron con las redes sociales, primero con un blog y Facebook, más tarde con Instagram, cómo las distintas situaciones de su vida afectaron este ámbito, hablaron de responsabilidad social, de transmitir valores y nos quedamos con la frase “..nosotras llevamos las redes, las redes no nos llevan a nosotras…” más tarde intervino Juan Martínez Otero, autor del libro "Tsunami digital, hijos surferos" les habló cómo internet ha modificado los hábitos de la sociedad, pero en todos lo casos y situaciones que expuso daba enfoques muy positivos y consejos para enfrentarlas, y para que las redes e Internet no dominen su vida. Tras un descanso y después de la Misa vespertina, tuvieron tertulia con Mario Gil, influencer cómico (@mariuslekker), les contó cómo su hermano le animaba, ya que a él le gustaba crear humor, pero no quería desvelar su vida privada, luego se dio cuenta que era una forma de transmitir valores y hacer humor sano y crear contenidos que fuesen dignos de seguir y sin comprometer su información personal. Tuvieron tiempo de hacerles a todos muchas preguntas e intercambiar experiencias.
Damos las gracias a la coordinadora y artífice de este seminario, Zoimer Quintero que se ha dejado la piel con y por los jóvenes, y a muchas personas que han contribuido a las satisfacción de todos los asistentes como María, Ana…etc.
Sobre todo estamos muy agradecidos con otros influencers que desde muy lejos durante los meses que ha durado el seminario, han estado enviando videos, especialmente nuestra gratitud a mons. Munilla, Obispo de San Sebastián que desde el primer momento nos apoyó en esta iniciativa.