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Bici ubicada en el interior del establecimiento Infinity de Cartes
De vuelta al pasado con lo RETRO
Foto hecha con Objetivo Nikkor 50mm 1:1,8 en Torrelavega, en la estación de Renfe a las 20:00
Retocada en Photoshop CS5 y Usando filtro de Color Efex Pro3
This photograph was taken at the Cycle of Songs rehearsal for the piece entitled 'Infinity', composed by Peter Gregson, at Emmanuel College on 12th June 2014. This was sung by a composite choir of singers mainly from Women of Note and ReSound.
Yay for something new in my wardrobe! Money's been tight, so this was the perfect way to add something new!
Infinity at Brickell is a 52-story luxury condominium sky-rise that features 459 loft-style residences commanding captivating views in every direction. Located one block from all the action on Brickell Avenue, Infinity is a lifestyle destination buzzing with cosmopolitan comforts and convenience.
Infinity star, designed by Francesco Guarnieri.
Folded by me from an octagon cut from a 30 cm square of stardream paper.
This photograph was taken at the Cycle of Songs rehearsal for the piece entitled 'Infinity', composed by Peter Gregson, at Emmanuel College on 12th June 2014. This was sung by a composite choir of singers mainly from Women of Note and ReSound.
From the stage, looking back toward the balcony and bar.
It was easy to get here - the parking was reasonable (only $5 in the attached garage) - and the acoustics were everything I had hoped for. The original Infinity Hall in Norfolk is a beautiful place but it's a lo-o-ong drive from our house - almost 2 hrs. So I will happily catch more shows at the new Infinity Hall in Hartford.
Taken with Mamiya 645E + 45mm f/2,8. This is not a landscape. It is a concept. The nearest image of infinity I've ever made.
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
DISNEY INFINITY unlocks the freedom to play with some of your favorite Disney and Disney/Pixar worlds like never before! You can experience adventures in the worlds of Pirates of the Caribbean, The Incredibles and Monsters University - take on the role of Sulley, the naturally gifted 'scarer'; become Captain Jack Sparrow, the sword-wielding pirate; or transform yourself into Mr. Incredible, one of the world's greatest crime-fighters. Battle enemies, solve puzzles, overcome obstacles and complete a variety of other unique quests.
Or create your own world! Unlock virtual toys, characters, buildings, weapons, gadgets and more -- and bring them into the Disney Infinity 'Toy Box' where you can mix them all up to create your own game. In the Disney Infinity Toy Box, there are no rules and you can create any adventure you want. Share your creations with your friends with up to 4-player co-op play.
The more you play, the more you unlock so the story never ends. It's up to you and your imagination -- infinite possibilities, infinite ways to inspire your imagination!
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‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
The Infinity Room of the House on the Rock, north of Spring Green, Wisconsin. This picture was taken looking west from a scenic overlook off of State Highway 23.
Compre Rodas INFINITY ADVAN na Loja Rodas de Liga Leve -- Temos loja online e Show Room em Curitiba. Parcelamos no cartão ou financiamos e entregamos em todo Brasil.
This photograph was taken at the Cycle of Songs rehearsal for the piece entitled 'Infinity', composed by Peter Gregson, at Emmanuel College on 12th June 2014. This was sung by a composite choir of singers mainly from Women of Note and ReSound.
Figuras de las nuevas reverendas Moira de Infinity. Espero que os gusten :)
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New Infinity's reverend Moira scale models. I hope you like it. :)
Eric Ross - Infinity Bend : freemagic2u.blogspot.com/
The Effect:
Finally a method for bending coins that is VISUAL, easy to do and leaves the spectator with an unforgettable souvenir.
The Infinity Bend takes coin bending away from the more traditional "psychological" bend and delivers a visual treat that allows spectators to see their borrowed coin bend at the fingertips.
We have included three methods for performing the Infinity Bend ranging from very little skill to an advanced handling.
As an added bonus Eric has included his take on the classic coin matrix effect.
Infinity Bend is so simple and once you learn the method taught on this DVD you will be bending coins in no time.
Visual, Visual, Visual
Easy to construct
Big reactions
FAQ
Q: Can I borrow a spectator's coin?
A: You sure can!